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An Analysis of Code Mixing in Maher Zain’s Songs
Erwinda Ria Agustin, Dr. Mukrom, M.Hum, Endang Setiyo Astuti, M.Pd
Department of English Education
Faculty of Social Science and Humanity
Institute of Teacher Training and Education Budi Utomo Malang
Jl. Citandui No.46 Malang, Telp: (0341) 495111, 495222
Email: keroppierwinda@gmail.com
Abstract
Erwinda Ria Agustin, Dr. Mukrom, M.Hum, Endang Setiyo Astuti, M.Pd
Department of English Education
Faculty of Social Science and Humanity
Institute of Teacher Training and Education Budi Utomo Malang
Jl. Citandui No.46 Malang, Telp: (0341) 495111, 495222
Email: keroppierwinda@gmail.com
Abstrak
market, Maher Zain and Irfan mixing in Maher Zen’s songs. This
Makki (2011a) glorify Allah and study was done in order to gain
his Prophet. several purposes: (1) the functions
Code-switching and mixing in of code mixing used in Maher Zen’s
nasheeds serve as powerful in- song lyrics, and (2) the impacts to
group markers of identity by hearer of code mixing used in song
appealing to in-group knowledge, lyrics by Maher Zen’s album.
adding layers of semantic meaning, Maher Zen’s song was
and creating poetic effects. chosen research of study,
Through the production and concentrating to the code mixing in
consumption of these nasheeds, the lyrics of song. The code mixing
Muslims are claiming their own were used in Maher Zen’s song
space in a global, English- lyrics. Actually the song is an
dominated entertainment arena. effective media in audio to attract
Although cultural globalization listener or hearer’ interest,
is seen to promote values reinforce in verbal, memorable,
incompatible with Islamic and help the listener or hearer
teachings, it also poses an open remember the message from the
opportunity for all as a means of song. According
artistic and cultural expression, Likhitphongsathorn and Sappapan
and Muslim nasheed artists have (2013) cob ducted and
utilized its resources to produce investigation in order to know the
something quite different but at kind of English used in song
once recognizable — an Islam writing. It was observed that even
spoken in a familiar language, not music could not escape code-
only linguistically but in terms mixing and code-switching. So it’s
relevant to popular culture. an obvious scenario that a large
number of songs, nowdays contain
CONCLUSION
at least one English word or
This study was a qualitative
phrase. The effectiveness of the
which aimed at an analysis of code
S, Agasthialingam & K,
Karunakaran. 1980.
Sociolingistics and
Dialectology, All India Tamil
Linguistis Association,
Annamalainagar. Restricted
from Addarash Journal of
Ivlanagement. Research, 2
September 2009.
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com/english-in-nepal-code-
switching-and-code-mixing-
on-live-nepali-tv-
show/.accessed
july,20,2017
http://www.researchgate-
net/publication/31693935
1.accessed july,20,2017
https://www.quora.com/What-
are-examples-of-code-
mixing.accessed,July ,2017
http://www.wowkeren.com/lirik.
maher_zain/the-chosen-
one.html#ixzz4rj5HjCT6