z National Conference on Free Software Z
Free Space in Mayonic Science:
A Tradition of Free Knowledge
Dr. V, Sivanandan Achasi
Lecturer in Environmental Chemistry/ Environmental Modoling/ Environmental Management
‘School of Environmental Studies, Cochin University of Science and Technology
Email: vsachari@cusat.ac.in/ vsachari@ gmail.com Ph : 9495389342
The concept of free knowledge is the age old t
living tradition of india in time immemorial. The whole
civilizations we see today are the outcome of the subtle
aspect and wondrous feature of the knowledge texts.
‘These knowledge starts with architecture [vaastu]
science, ayurvedic treatment systems and practice
and science of music and dance. In all cases of
creative expressions the inner consciousness of the
maker gets translated into numerical measures and
designs.
Figure 1b: Human body manifest as
‘@ musical instrument - Sarira Vina
The creativity in Indian context is the
manifestation of tree space into material form
according to a mathematical formula. The progenitor
of this cosmic observation has been none other than
the legendary Mayan [1]. In the treasured book authored
by him Ainthram [2] Mayan states that the affluent
‘space itself is the store house of energy, and itis the
originating source of all the objects of universe. Hence
the architecture is the manifestation of yet another
mathematical formula. Mamuni Mayan was believed
to be lived in the Cumarin Continent historically once
existed in the south of Kanyakumari, Jambuvadweep
[2] and later he moved and lived in south of Kerala in
Mahendragirin erstwhile Kanyakumari soe Figur ta 1b]
Figure ta : Mayan in meditative posture
Cochin University of Science and Technology gNational Conference on Free Software B
Figure 2: Mexican Mayan in seated position - Line drawing
Many observations of Mayan later form the 7.
basis of the cultural evolution of the world that crossed
the oceans in the past. Much lulled Maayan and the
other land marked Central American civilizations have
a close resemblance to many of the concepts we
practice today as a lineation to the philosophy of
Mayan [3]. The following is a summary of some of the
principles put forth by Mayan in the Aintiram, the Tamil 8
text of Indian Architectural philosophy [2].
The primal square pattern is designated as
the diagram of embodied Energy - Vaastu
Purusha mandala.
& The free space is packed with cubical atoms
of energy. They are building blocks of the
structure of the universe.
The cube is micro-abode called Sittravai/
All objects of nature are unified entities (forms)
of energy and matter.
10.
Chittrambalam (mini hall in Tamil)
Within the hall there is a vertical luminous shaft
called Brahma Sutra (Oli nool).
11. This Olinool/Brahma Sutra is a shaft of
The free space is the unified field of energy consciousness also called Moolathoon/
and matter and source of all forms that we Moolasthambham,
Sena eae 12, This shaft of consciousness vibrates in a
‘There are two OMs: OM Light and OM Sound, particular order called rhythm. This is the order
the former is the source of all visible objects of nature.
and the latter, the source of all aural forms. 1. This rhythmic vibration of the shatt of
‘All material forms of the universe are musical consciousness is the dance of Shiva, the
forms or have taken shape on musical rhythm Space.
or musical scale. 14, The micro space, in the cubical shape is
Time creates, sustains, and destroys all, so foetus, Garbha or Bindu. This is known as
created. Vinkaruin Tamil
The primal manifest form of the unmanitest 15. This micro abode is the repository of light and
is square (primal wave pattern).
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sound.
216. The free space is Light and the Light is Moolam
or source of the universe and universal forms.
Light is Brahman, Atman, Vastu Brahman —
Nunporulin Tamil
17, The embodied energy is Vaastu Brahman/
Vaastu Purushan. The space enclosed in a
building is Prasada Purushan ~ energized
building — building is a living organism, built
‘of musical units of measure.
18. Architecture is the supreme achievement of
mathematics.
19. Mathematics is rooted in the dynamism of
Absolute Time.
20. Time is the vibration of Space.
21. Time and Space are equal.
22. Time is one of the subtle elements of Space
(akasa).
23. Time is the causal element of all objects of
the Universe.
24, The microcosmic structure is in total identity
with macrocosmie structure.
25, The supreme spaces throbbing every moment
to express itself out.
Through the power of inner consciousness,
the knower of Vastu should know about light
aspects and sound aspects of OM pertaining
to both inner and outer space.
27. Those who do not realize the creative
dynamism of inner space cannot know the
dynamism of outer space.
In the heart of the cave of the body there is an
inner space and in that inner — space there is the vibrant
thread of consciousness. It is this thread of
consciousness that functions as the string of the sarira-
vina (bodily instrument — see the sculpture drawing in
Figure 1b), the living forms — human beings.
The cultural civilizations we today see in India,
particularly in south India is the living tradition of these
principles decided as per mathematical models [4]. In
architecture the silpy confines the subtle energy of
the space into embodied energy.
‘The very crown - the Dharmachakra on the Lion
Capital envisaged by silpies of Saranath in 3rd BC
Under the patronage of Emperor Asoka (272-232 BC)
2
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=
symbolizes the turning of the wheel of law by Lord
Buddha. Here, too the concept of Dharma is perceived
as a pulsating wheel adomed by four lions looking in
the four directions. The lions represent pervading
influence of the ‘Sakhyasimha — Buddha his religion
and order. This noblest creation of the Maurian forms
the crest of our nation. It always pulsates the Dharma
{or the well being and prosperity of the mankind. Asoka
‘Sthambhom - The Lion Capital of india had been created
in Saranath by silpies as per the concept of Mayan.
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This embodied energy in built space can bring
all material and spiritual prosperity in human living. A
silpy the creator of the space shares the spiritual and
aesthotical experience with the society, through their
technological expertise and hard labor. The one and
only aim of the artist is to bring the spiritual well being,
the physical welfare, material prosperity, peace and
bliss to the doors of the fellowmen.
Thereby he eams the very means for the
existence of himself and as an age old knowledge
tradition and inheritance; he thereby preserves and
maintains the unique knowledge and technology
assimilated through practice. This is a very difficult
‘edge of the practitioner to stand for a great philosophy
of practicing the knowledge against the odds and set
backs.
‘The guardians of this treasure knowledge are
not always the rich or the heads of the land instead
they are all workers with limited ambitions and hope.
To them the skied knowledge and practices are most
important and valuable assets above any other
material benefits. The survival of any civilized society
is only possible once the knowledge is free and shared.
Ithas to be promoted and sustained to the welfare of
the generations to come.
Hany narrow interest was levied by Raja or Kings
cf the past upon the philosophy of Mayan and Ainthram
~ the sacred text of space science the entire world we
see today would not had been with this much cultural
charm and potential for highest thinking. Instead they
all promoted the diffusion of the knowledge and the
ordinary men holistically shared and preserved the
skills forthe benefit of al. In india the knowledge sharing
has been the ultimate basis of al civilizations.
Nobody had been referred to seen over being
tortured or killed because of his scholariy capability
and pursuing knowledge. In this land traditional farmer
or cobbler is a scientist dedicated to pursue his
knowledge boundaries to render the service asa duty2
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blended with the universal concept of dharma. In this
background how an ordinary citizen can be alienated
‘rom free knowledge on the name of license and levy?
Knowledge always exists where the mindis free
as we feel the subtle free space with pulsating
stillness.
Reference
a
2
\V. Ganapathy Sthapathy (1996) Temples of Space
= Science , English version of Tamil Text,
Vastu Vedic Research Foundation, Madras - 41,
India pp.1-238
Jessie J. Mercay (2008) Fabric of The Universe:
‘The Origins, implications, and Applications of
Cochin University of Science and Technology
8
4
a
Vastu Science, Published by Dakshinaa
Publishing House, Number 46, First , Chennai -
41, India pp. 1-52
T.K,Krishnankutty (1997) The Concept of Cube in
Vaasthu Shastra- Scholars speak on the science
‘and Technology of Vaastu, Published by organizers
Cf the second intemational conference on Mayonic
Solence and Technology held in January,1897,
‘Thiruvananthapuram, Kerala, India, pp. 1-12
‘Graham Hancock (1988) Finger Prints of the Gods-
‘A Quest for the Beginning and the End, ISBN 0 7493
1454 0, Arrow Books, London, pp. 1-534