Fun
Facts
about
Crosby
• She
was
born
in
1820
in
Brewster,
New
York,
the
same
year
that
Maine
was
admitted
as
the
23rd
state
and
the
passing
of
the
Missouri
Compromise,
both
Russian
and
American
explorers
announce
the
discovery
on
the
Antarctic
continent,
the
HMS
Beagle
was
launched
(Darwin)
and
the
first
US
eye
hospital
was
opened
in
NYC.
She
died
in
1915
when
she
was
95
years
old.
• She
was
the
only
child
of
John
&
Mercy
Crosby
–
he
had
been
a
widower
and
both
were
related
to
the
Revolutionary
War
spy
Enoch
Crosby.
She
traced
her
Puritan
roots
back
to
Plymouth
Rock
and
Ann
Brigham
and
Simon
Crosby
(cofounded
Harvard)
who
arrived
in
Boston
in
1635.
John
died
the
same
year
that
Fanny
was
born
and
she
was
raised
by
she
mother
and
maternal
grandmother
Eunice
Crosby.
• She
is
also
related
to
Ernest
Crosby
(a
neo-‐abolitionist)
and
singers
Bing
and
Bob
Crosby.
• When
she
was
six
weeks
old
she
caught
a
cold
and
developed
inflammation
of
the
eyes.
Her
condition
was
treated
with
hot
mustard
poultices
by
a
substitute
for
the
family
doctor
and
later
discovered
to
be
a
“quack”.
Whether
the
treatment
cause
permanent
blindness
or
she
was
actually
born
with
the
condition
is
unsure
because
she
was
so
young.
• Fanny
wrote
her
first
poem
when
she
was
eight.
With
the
help
of
her
mother
and
grandmother,
she
memorized
five
chapters
of
the
Bible
per
week.
By
the
time
she
was
fifteen,
she
had
memorized
the
four
Gospels,
the
Pentateuch,
Proverbs,
Song
of
Solomon
and
many
of
the
Psalms.
When
she
was
twelve
and
music
teacher
came
to
her
home
twice
a
week
to
give
singing
lessons
to
Fanny
and
some
other
children.
• When
she
was
still
fourteen,
Fanny
enrolled
in
the
New
York
Institution
for
the
Blind.
She
was
there
for
eight
years
as
a
student
and
two
more
as
a
graduate
pupil.
She
learned
to
play
the
piano,
organ,
harp
and
guitar
and
developed
into
a
good
soprano
singer.
She
then
became
an
instructor
and
joined
the
faculty
–
teaching
grammar,
rhetoric
and
history.
• While
Fanny
was
at
the
Institution,
her
mother
remarried
and
had
three
more
children.
Her
second
husband
abandoned
her
after
six
years.
• During
her
time
at
the
Institution,
Fanny
befriended
the
future
president
Grover
Cleveland
(then
17
and
worked
at
the
Institution
with
his
older
brother)
and
they
spent
many
hours
together
at
the
end
of
the
day
with
Cleveland
often
transcribing
poems
that
Fanny
dictated
to
him.
He
wrote
a
recommendation
for
her
autobiography,
published
in
1906,
two
years
before
he
died.
• Fanny
was
the
first
woman
to
speak
before
the
U.S.
Senate
where
she
read
a
poem.
She
would
later
read
another
poem
before
the
joint
houses
as
part
of
a
lobbying
campaign
arguing
for
support
for
education
of
the
blind.
She
testified
before
a
special
senate
subcommittee
and
sang
a
song
she
composed
in
the
White
House
music
room
for
President
Polk
and
his
wife.
• Fanny
considered
herself
a
“primitive
Presbyterian”
but
her
faith
was
later
described
as
“rooted
in
Puritanism,
developed
by
Methodism,
warmed
by
the
Holiness
movement,
and
nourished
by
her
Congregationalism".
She
usually
attended
services
at
the
18th
Street
Methodist
Episcopal
Church
(in
the
Chelsea
district
in
NYC).
• In
her
life,
Fanny
wrote
more
than
8,000
hymns
and
gospel
songs
and
became
known
as
the
“Queen
of
Gospel
Song
Writers”
and
the
“Mother
of
modern
congregational
singing
in
America”.
She
joins
Isaac
Watts
and
Charles
Wesley
as
the
most
common
author
of
the
hymns
we
find
in
our
hymnals.
Because
some
publishers
hesitated
to
include
so
many
hymns
from
a
single
person
she
used
almost
200
different
pseudonyms
during
her
career.
• The
success
of
the
Moody
and
Sankey
evangelical
campaigns
has
been
largely
credited
to
Crosby’s
hymns.
She
also
wrote
over
1,000
secular
poems,
published
four
books
of
poetry
and
two
best-‐selling
autobiographies
as
well
as
five
cantatas
on
biblical
and
patriotic
themes.
Memorable
Quotes
by
Crosby
"It
seemed
intended
by
the
blessed
providence
of
God
that
I
should
be
blind
all
my
life,
and
I
thank
him
for
the
dispensation.
If
perfect
earthly
sight
were
offered
me
tomorrow
I
would
not
accept
it.
I
might
not
have
sung
hymns
to
the
praise
of
God
if
I
had
been
distracted
by
the
beautiful
and
interesting
things
about
me.”
"He
had
his
faults—and
so
have
I
mine,
but
notwithstanding
these,
we
loved
each
other
to
the
last"
“It
may
seem
a
little
old-‐fashioned,
always
to
begin
one's
work
with
prayer,
but
I
never
undertake
a
hymn
without
first
asking
the
good
Lord
to
be
my
inspiration.”
Undaunted
By
Adversity
"I
think
it
is
a
great
pity
that
the
Master
did
not
give
you
sight
when
he
showered
so
many
other
gifts
upon
you,"
remarked
one
well-‐meaning
preacher.
Fanny
Crosby
responded
at
once,
as
she
had
heard
such
comments
before.
"Do
you
know
that
if
at
birth
I
had
been
able
to
make
one
petition,
it
would
have
been
that
I
was
born
blind?"
said
the
poet,
who
had
been
able
to
see
only
for
her
first
six
weeks
of
life.
"Because
when
I
get
to
heaven,
the
first
face
that
shall
ever
gladden
my
sight
will
be
that
of
my
Savior."
Fanny
Crosby
was
completely
undaunted
by
being
blind.
First,
it
was
all
she
every
really
knew.
Second,
it
had
no
impact
on
the
truth
of
the
scriptures
and
on
the
foundation
of
her
faith.
Even
her
very
first
recorded
verse,
written
when
she
was
only
eight
reveals
her
resolve
to
not
let
her
blindness
impact
her
disposition:
Oh,
what
a
happy
soul
I
am,
captionhough
I
cannot
see!
(Even
though
other
works
use
this
word,
I
can’t
find
a
definition!)
I
am
resolved
that
in
this
world
Contented
I
will
be.
How
many
blessings
I
enjoy
That
other
people
don't,
To
weep
and
sigh
because
I'm
blind
I
cannot,
and
I
won't!
Crosby
was
sent
to
the
recently
founded
New
York
Institute
for
the
Blind,
which
would
be
her
home
for
23
years:
12
as
a
student,
11
as
a
teacher.
She
initially
indulged
in
her
own
poetry
and
was
called
upon
to
pen
verses
for
various
occasions.
In
time
the
principal
asked
her
to
avoid
such
"distractions"
in
favor
of
her
general
instruction.
"We
have
no
right
to
be
vain
in
the
presence
of
the
Owner
and
Creator
of
all
things,"
he
said.
It
was
the
work
of
a
traveling
phrenologist
(one
who
studies
the
shape
and
irregularities
of
the
skull
for
insights
into
character
and
mental
capacity)
that
changed
the
school's
mind
and
again
ignited
her
passion.
Though
his
study
is
now
the
ridicule
of
science,
the
phrenologist's
words
were
to
prove
prophetic:
"Here
is
a
poetess.
Give
her
every
possible
encouragement.
Read
the
best
books
to
her
and
teach
her
the
finest
that
is
in
poetry.
You
will
hear
from
this
young
lady
some
day."
She
was
never
intimidated
to
speak,
read
her
poetry
or
sing
original
composition
before
friends,
strangers,
congress
or
presidents.
When
she
was
not
able
to
attend
the
dedication
of
President
Cleveland’s
birthplace
in
1913
because
of
her
health,
she
sent
a
poem
to
be
read
instead.
In
a
concert
given
for
Congress
in
1844,
she
recited
an
original
composition
that
called
for
the
creation
of
an
institution
for
the
education
of
the
blind
in
every
state.
This
was
praised
by
John
Quincy
Adams
and
others
in
attendance.
A
Way
With
Words
and
Music
Another
member
of
the
institute,
former
pupil
Alexander
van
Alstine,
married
Crosby
in
1858.
Considered
one
of
New
York's
best
organists,
he
was
also
blind
and
he
wrote
the
music
to
many
of
Crosby's
hymns.
Crosby
herself
put
music
to
only
a
few
of
hers,
though
she
played
harp,
piano,
guitar,
and
other
instruments.
Many
musicians
came
to
her
for
lyrics.
For
example,
one
day,
musician
William
Doane
dropped
by
her
home
for
a
surprise
visit,
begging
her
to
put
some
words
to
a
tune
he
had
recently
written
and
which
he
was
to
perform
at
an
upcoming
Sunday
School
convention.
The
only
problem
was
that
his
train
to
the
convention
was
leaving
in
35
minutes.
He
sat
at
the
piano
and
played
the
tune.
"Your
music
says,
'Safe
in
the
Arms
of
Jesus,'"
Crosby
said,
scribbling
out
the
hymn's
words
immediately.
"Read
it
on
the
train
and
hurry.
You
don't
want
to
be
late!"
The
hymn
became
one
of
Crosby's
most
famous.
It
was
played
at
the
funeral
of
President
Ulysses
S.
Grant.
Though
she
was
under
contract
to
submit
three
hymns
a
week
to
her
publisher
and
often
wrote
six
or
seven
a
day
(for
a
dollar
or
two
each),
many
became
incredibly
popular.
When
Dwight
Moody
and
Ira
Sankey
began
to
use
them
in
their
crusades,
they
received
even
more
attention.
Among
them
are
"Blessed
Assurance,"
"All
the
Way
My
Savior
Leads
Me,"
"To
God
Be
the
Glory,"
"Pass
Me
Not,
O
Gentle
Savior,"
"Safe
in
the
Arms
of
Jesus,"
"Rescue
the
Perishing,"
and
"Jesus
Keep
Me
Near
the
Cross."
She
could
write
very
complex
hymns
and
compose
music
with
a
more
classical
structure
(she
could
even
improvise
it),
but
she
preferred
to
write
simple,
sentimental
verses
that
could
be
used
for
evangelism.
She
continued
to
write
her
poetry
up
to
her
death,
a
month
shy
of
her
ninety-‐fifth
birthday.
"You
will
reach
the
river
brink,
some
sweet
day,
bye
and
bye,"
was
her
last
stanza.
Her
earliest
published
poem
was
about
a
dishonest
miller
and
was
sent
to
P.
T.
Barnum
without
her
knowledge.
He
published
it
in
his
own
newspaper,
The
Herald
of
Freedom,
which
focused
of
the
dangers
of
sectarian
interference
in
politics
that
he
had
started
because
other
papers
rejected
his
own
article.
In
1841
the
New
York
Herald
published
a
poem
she
had
written
as
a
eulogy
on
the
death
of
president
William
Henry
Harrison,
which
served
as
the
start
of
her
literary
career.
Crosby’s
poems
were
often
published
in
the
Saturday
Evening
Post
and
a
number
of
other
well-‐ known
periodicals.
Although
she
was
often
reluctant
to
publish
her
poems
(she
thought
that
they
were
“unfinished
productions”)
she
did
so
as
a
way
to
raise
money
and
notoriety
for
the
Institution
(NYIB).
In
a
period
of
6
years
(1851-‐1857)
Fanny
collaborated
with
another
music
instructor
(George
Root)
at
NYIB
to
write
nearly
sixty
secular
parlor
songs,
some
for
popular
minstrel
shows.
Because
of
the
negative
view
of
these
shows
among
Christian
and
classical
musicians
these
authors
purposely
obscured
they
connection
to
the
songs.
Root
used
the
name,
George
Wurzel,
and
Crosby’s
name
was
often
omitted
completely.
For
many
years
Crosby
was
paid
only
one
to
two
dollars
per
poem
and
the
composer
or
the
music
publisher
retained
all
rights
to
the
song.
Unhappiness
Of
Her
Own
Crosby
and
her
husband
(who
was
also
had
one
child,
a
daughter,
Frances,
who
died
in
her
sleep
shortly
after
her
birth,
which
some
attribute
to
typhoid
fever
and
others
have
speculated
that
is
was
SIDS.
Alexander
became
reclusive
and
Fanny
almost
never
spoke
of
being
a
mother,
just
several
references
in
interviews
late
in
her
life
but
some
speculate
that
the
hymn,
“Safe
in
the
Arms
of
Jesus”
was
inspired
by
the
short
life
of
her
only
child.
After
this
time
the
couple
moved
frequently,
never
owning
their
own
home.
They
could
have
lived
comfortably
with
her
income
and
his
as
the
organist
for
two
churches
and
private
lessons,
they
gave
most
of
their
income
away,
often
organizing
concerts
as
fundraisers
for
the
poor
of
the
city
even
though
they
lived
in
destitute
conditions
themselves.
Although
the
source
of
the
rift
in
their
marriage
is
uncertain
(there
could
be
many
reasons),
they
basically
spent
two
decades
living
apart.
Crosby
later
insisted
that
they
maintained
an
“amiable
relationship”
and
kept
in
contact
with
each
other
and
occasionally
ministered
together.
He,
however,
rarely
accompanied
her
on
her
travels
and
she
vacationed
without
him.
The
Depth
of
Her
Hymns
Crosby
had
a
specific
process
to
her
hymn
writing:
she
would
first
pray
and
ask
the
Lord
to
be
her
inspiration.
Her
capacity
for
work
was
incredible
and
often
she
would
compose
six
or
seven
hymns
a
day.
Her
poems
and
hymns
were
composed
entirely
in
her
mind
and
she
worked
on
as
many
as
twelve
hymns
at
once
before
dictating
them
to
someone
who
wrote
them
down.
On
one
occasion
Crosby
composed
40
hymns
before
they
were
transcribed.
Her
lyrics
would
usually
be
transcribed
by
her
husband,
or
later
by
her
half-‐sister
Carolyn
"Carrie"
Ryder
or
her
secretary
Eva
C.
Cleaveland,
as
Crosby
herself
could
write
little
more
than
her
name.
While
Crosby
had
musical
training,
she
did
not
compose
the
melody
for
most
of
her
lyrics.
In
1903
Crosby
claimed
that
"Spring
Hymn"
was
the
only
hymn
she
wrote
both
the
words
and
music.
In
1906
Crosby
composed
both
the
words
and
music
for
"The
Blood-‐Washed
Throng",
which
was
published
and
copyrighted
by
gospel
singer
Mary
Upham
Currier,
who
was
a
distant
cousin
who
had
been
a
well-‐known
concert
singer.
She
has
had
many
sharp
critics.
Some
have
claimed
that
she
could
not
be
called
a
poetess
and
claiming
that
her
hymns
were
weak
and
poor,
or
that
they
were
crudely
sentimental.
Critics
also
attacked
her
writing
and
theology.
But
her
hymns
and
poems
had
great
impact
on
her
generation.
Hymn
writer
George
C.
Stebbins
stated,
“There
was
probably
no
writer
in
her
day
who
appealed
more
to
the
valid
experience
of
the
Christian
life
or
who
expressed
more
sympathetically
the
deep
longings
of
the
human
heart
than
Fanny
Crosby.”
And
many
of
her
hymns
have
stood
the
test
of
time,
still
resonating
with
believers
today.
Some
of
her
most
beloved
hymns
include:
A
Wonderful
Savior
Moments
of
Prayer
All
the
Way
My
Savior
Leads
Me
One
Blessed
Hour
With
Jesus
Blessed
Assurance
Pass
Me
Not,
O
Gentle
Savior
Close
To
Thee
Praise
Him!
Praise
Him!
Draw
Me
Nearer
Redeemed,
How
I
Love
to
Proclaim
It
Every
Day
and
Hour
Rescue
the
Perishing
Give
Me
Jesus
Safe
in
the
Arms
of
Jesus
God
Will
Take
Care
of
You
Saved
By
Grace
He
Hideth
My
Soul
Tell
Me
the
Story
of
Jesus
Hide
Me,
O
My
Savior
Take
the
World,
But
Give
Me
Jesus
Hold
Thou
My
Hand
There
Is
Joy
In
My
Soul
I
Shall
Know
Him
This
Is
My
Story
Jesus,
Keep
Me
Near
the
Cross
To
God
Be
the
Glory
Jesus
Is
Tenderly
Calling
Unsearchable
Riches
Perhaps
the
best
way
to
understand
how
impactful
Crosby’s
hymns
are,
is
to
look
at
some
stanzas
from
a
few
of
these
hymns.
What
are
some
of
the
common
major
themes?
All
the
way
my
Savior
leads
me;
But
His
love
abideth
ever,
What
have
I
to
ask
beside?
Through
eternal
years
the
same.
Can
I
doubt
His
tender
mercy,
Oh,
the
height
and
depth
of
mercy!
Who
through
life
has
been
my
Guide?
Oh,
the
length
and
breadth
of
love!
Heav’nly
peace,
divinest
comfort,
Oh,
the
fullness
of
redemption,
Here
by
faith
in
Him
to
dwell!
Pledge
of
endless
life
above!
For
I
know,
whate’er
befall
me,
Jesus
doeth
all
things
well;
Some
day
the
silver
cord
will
break,
For
I
know,
whate’er
befall
me,
And
I
no
more
as
now
shall
sing;
Jesus
doeth
all
things
well.
But
oh,
the
joy
when
I
shall
wake
Blessed
assurance,
Jesus
is
mine.
Within
the
palace
of
the
King!
O
what
a
foretaste
of
glory
divine.
And
I
shall
see
Him
face
to
face,
Heir
of
salvation,
purchase
of
God.
And
tell
the
story
Saved
by
grace;
Born
of
his
Spirit,
washed
in
his
blood.
And
I
shall
see
Him
face
to
face,
This
is
my
story,
this
is
my
song,
And
tell
the
story
Saved
by
grace.
Praising
my
Savior
all
the
day
long
Safe
in
the
arms
of
Jesus,
I
am
Thine,
O
Lord,
I
have
heard
Thy
voice,
safe
on
His
gentle
breast,
And
it
told
Thy
love
to
me;
There
by
His
love
o’ershaded,
But
I
long
to
rise
in
the
arms
of
faith
sweetly
my
soul
shall
rest.
And
be
closer
drawn
to
Thee.
Hark!
’tis
the
voice
of
angels,
borne
in
a
song
to
me.
Draw
me
nearer,
nearer
blessed
Lord,
Over
the
fields
of
glory,
To
the
cross
where
Thou
hast
died.
over
the
jasper
sea.
Draw
me
nearer,
nearer,
nearer
blessed
Lord,
To
Thy
precious,
bleeding
side.
Safe
in
the
arms
of
Jesus,
safe
on
His
gentle
breast
Jesus,
keep
me
near
the
cross;
There
by
His
love
o’ershaded,
there
a
precious
fountain,
sweetly
my
soul
shall
rest.
free
to
all,
a
healing
stream,
flows
from
Calvary's
mountain.
I
will
not
be
weary,
tho’
trials
may
come,
And
troubles
before
me
I
see,
In
the
cross,
in
the
cross,
But
count
them
as
nothing
compared
with
the
love
be
my
glory
ever,
Of
Jesus,
my
Saviour,
to
me
till
my
raptured
soul
shall
find
rest
beyond
the
river.
I’ll
sing
of
His
love,
of
His
wonderful
love,
Tho’
billows
like
mountains
may
roll;
Here
from
the
world
we
turn,
Jesus
to
seek;
I
fear
not
the
tempest,
I
dread
not
the
storm,
Here
may
His
loving
voice
tenderly
speak!
For
Jesus
gives
joy
to
my
soul.
Jesus,
our
dearest
Friend,
while
at
Thy
feet
we
bend,
I
cannot
be
weary
when
He
is
my
rest;
O
let
Thy
smile
descend!
’Tis
Thee
we
seek.
Whate’er
my
temptations
may
be,
I’ll
trust
in
His
promise
because
He
has
said:
Redeemed,
how
I
love
to
proclaim
it!
“My
grace
is
sufficient
for
thee.”
Redeemed
by
the
blood
of
the
Lamb;
There’s
joy
that
no
language
or
thought
can
express,
Redeemed
through
His
infinite
mercy,
It
comes
from
His
presence
divine;
His
child
and
forever
I
am.
And
when
in
His
likeness
at
last
I
awake,
Its
fullness
I
know
will
be
mine! Take
the
world,
but
give
me
Jesus,
All
its
joys
are
but
a
name;
What
She
Wanted
To
Be
Known
For
Interestingly,
although
best
known
for
her
hymns,
what
she
wanted
to
be
known
for
was
a
rescue
mission
worker.
Many
of
her
hymns
came
out
of
the
context
of
city
mission
work
–
for
instance,
More
Like
Jesus"
(1867);
"Pass
Me
Not,
O
Gentle
Saviour"
(1868);
and
"Rescue
the
Perishing"
(1869)
which
became
the
theme
song
of
the
home
missions
movement.
In
later
interviews
this
is
what
she
insisted
was
her
occupation.
She
lived
for
decades
in
areas
of
New
York
like
Hell’s
Kitchen,
The
Bowery
and
The
Tenderloin
and
was
very
aware
of
the
great
needs
of
immigrants
and
the
urban
poor.
After
her
marriage,
Crosby
"had
other
priorities
and
gave
away
anything
that
was
not
necessary
to
their
daily
survival".
Fanny
Crosby
also
wrote
hymns
of
worship
and
poems
of
praise
as
well
as
hundreds
of
letters
to
friends
in
their
time
of
need.
Her
friend’s
daughter,
Ruth,
had
just
died
so
she
wrote
one
more
letter
of
condolence.
She
closed
the
letter
with
a
poem:
You
will
reach
the
river
brink,
Some
sweet
day,
bye
and
bye;
You
will
find
your
broken
link,
Some
sweet
day,
bye
and
bye.
O
the
loved
one
waiting
there
By
the
tree
of
life
so
fair,
Till
you
come
their
joy
to
share
Some
sweet
day
bye
and
bye.
Six
hours
later,
Fanny
Crosby
also
reached
the
river
brink
and
passed
away
quietly
in
her
sleep.
She
no
longer
merely
had
a
foretaste
of
glory
divine,
but
instead,
she
tasted,
and
saw,
the
Real
Thing.
She
herself
was
finally
“Safe
in
the
arms
of
Jesus.”
(Music of The African Diaspora) Robin D. Moore-Music and Revolution - Cultural Change in Socialist Cuba (Music of The African Diaspora) - University of California Press (2006) PDF