Академический Документы
Профессиональный Документы
Культура Документы
uniformidad
C E G C
C D EF G A BC
CD♭DE♭EFF♯GA♭AB♭BC
(Lerdahl, 1992)
Nota
Hay dos tipos de escamas bien
formadas, degeneradas y no
degeneradas. Solo hay un intervalo de
intervalo específico para cada intervalo
genérico de una escala bien formada
degenerada (una escala de
temperamento igual), mientras que las
escalas bien formadas no degeneradas
tienen la propiedad de Myhill.
Referencias
1. Clough, John; Douthett, Jack (1991).
"Maximally Even Sets". Journal of
Music Theory (35): 93–173.
2. Johnson, Timothy (2003). Foundations
of Diatonic Theory: A Mathematical
Based Approach to Musical
Fundamentals. Key College Publishing.
ISBN 1-930190-80-8.
3. Douthett, Jack; Krantz, Richard (2007).
"Maximally Even Sets and
Configurations: Common Threads in
Mathematics, Physics and Music".
Journal of Combinatorial Optimization.
14: 385–410.
4. Douthett, Jack; Krantz, Richard (2007).
"Dinner Tables and Concentric Circles:
A harmony of Mathematics, Music,
and Physics". College Mathematics
Journal. 39 (3): 203–211.
5. Carey, Norman; Clampitt, David (1989).
"Aspects of Well-Formed Scales".
Music Theory Spectrum. 11: 187–206.
6. Lerdahl, Fred (1992). "Cognitive
Constraints on Compositional
Systems". Contemporary Music
Review. 6 (2): 97–121.
7. Douthett, Jack (2008). Douthett, J.;
Hyde, M.; Smith, C. (eds.). "Filter Point-
Symmetry and Dynamical Voice-
Leading". Music and
Mathematics:Chords, Collections, and
Transformations. New York: University
of Rochester Press. Eastman Studies
in Music: 72–106. ISBN 1-58046-266-
9..
8. Armiot, Emmanuel (2007). "David
Lewin and Maximally Even Sets".
Journal of Mathematics and Music. 1
(3): 157–172.
9. Armiot, Emmanuel (2016). Music
Through Fourier Space: Discrete
Fourier Transform in Music Theory.
Springer. ISBN 9783319455808.
Retrieved from
"https://en.wikipedia.org/w/index.php?
title=Maximal_evenness&oldid=923495106"