create The Eight Efforts: For a long time Laban movement was primarily used for dancers and dance Wring choreography to discover new ways to Press move. In the 80s and 90s, it began being Flick used to help actors and improve Dab performances. I first encountered Laban Glide work while I was training at the Dell’Arte Float International School of Physical Theatre. Punch The Eight Efforts became a cornerstone of Slash my work as an actor. They help an actor both physically and emotionally identify and For each effort, Laban identified which play characters who are different from component parts were to be used. For themselves. This embodied work helps the example: actor in understanding internal impulse and in developing an expressive body that can make clean, precise choices. For WRING The Direction is Indirect Who is Laban? The Weight is Heavy Laban is named after Rudolf Laban, who The Speed is Sustained was a movement theorist, a choreographer The Flow is Bound and a dancer. He is considered a pioneer of modern dance. Laban categorized human movement into four component parts: How can you use Laban in the drama classroom? Direction Weight Student actors have a hard time moving Speed outside their own body. Every character they play, moves like they do. Introduce a Flow process to students that gets them thinking about different ways to move. Each of those parts has two elements: There are many different ways an actor can begin to employ these efforts into Direction is either direct or indirect. their work: Weight is either heavy or light. Speed is either quick or sustained. Observational work Flow is either bound or free. Text work