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ANCESTRAL PHOTOGRAPH

Jaws puff round and solid as a turnip, Commented [MOU1]: Compares face and turnip. Image of
the turnip.
Dead eyes are statue's and the upper lip
Structure that he is trying to project to the audience
Bullies the heavy mouth down to a droop. Similie is used.

A bowler suggests the stage Irishman - Commented [MOU2]: Eyes are not moving
The stillness of the eyes. The upperlip is dominating the
Whose look has two parts scorn, two parts dead man - upper part of the mouth
His silver watch chain girds him like a hoop. Commented [MOU3]: Emotion, disrespect, content,
contempt
My father's uncle, from whom he learnt the trade, He’s trying to portray the appearance
Long fixed in sepia tints, begins to fade Age old photograph. One half of it is dark the other part is
alive Photograph Losing its memory day by day
And must come down. Now on the bedroom wall
Commented [MOU4]: Similie
There is a faded patch where he has been Compare the watch with a hoop.
As if a bandage had been ripped from skin, Commented [MOU5]: Reddish brown color is faded. It
should be taken off from the wall.
Empty plaque to a house's rise and fall.
Commented [MOU6]: As the photograph is removed the
Twenty years ago I herded cattle dust is not there and it rips apart the wall paint. Visual
imagery used by the pet to depict this visual to the reader.
Into pens or held them against a wall
The comparison shows the wound is healed, photograph is
Until my father won at arguing the painful memory and slowly the memory is dying in him,
he tries to compare that with bandage being ripped. Uses
His own price on a crowd of cattlemen metaphor, the memory is slowly dying up. Like the bandage
Who handled rumps, groped teats, stood, paused and then removal heals the wound the photo should as well be
removed. The person in the photograph hs seen the rise and
Bought a round of drinks to clinch the bargain. the fall of the house.
Uncle and nephew, fifty years ago, Commented [MOU7]: Specific Time reference, acts as a
characteristic of Seamus Heaney. Takes the readers to the
Hackled and herded through the fair days too. past.
This barrel of a man penned in the frame: Commented [MOU8]: Rump: the hind part of the body.
Buy drinks and strike the deal.
I see him with the jaunty hat pushed back,
Draw thumbs out of his waistcoat, curtly smack
Hands and sell. Father, I've watched you do the same
And watched you sadden when the fairs were stopped.
No room for dealers if the farmers shopped
Like housewives at an auction ring. Your stick
Was parked behind the door and stands there still.
Closing this chapter of our chronicle
Take your uncle's portrait to the attic.
Seamus Heaney
Title is intriguing ancestral-old
How a person is looking into a photograph
He sees the memory is fading slowly from his mind, the speaker is not happy
How he actually gets back to the past and sees how things happened in the past.

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