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  • Piano Variations "Acorn and Opal"

    Загружено:

    Andrew Wrangell
    113 просмотров7 страниц
    The “Acorn and Opal” piano variations is a piece with multiple personality disorder. The theme includes three motivic cells around DCEbCF, BC#GF and DFAbBBbB. Variation 1 uses ‘artificial sustain’ from sympathetic strings, variation 2 reflects on the theme with the extreme range of the piano while variation 3 twists the material with new, staccato flavours. Variation 4 ‘meditates’ with alternating chords comprised of the notes of the theme, accompanying the right hand which plays the melody. Variation 5 hurtles towards the end with driving force and crashes down with a loud cluster to finish. Composed and performed by Andrew Wrangell (composer1992.wordpress.com) Andrew Wrangell's YouTube channel: http://www.youtube.com/composer1992/ Download the mp3: http://soundcloud.com/samplers1712/piano-variations-acorn-and-opal Creative Commons attribution/share alike (http://creativecommons.org/licenses/by-sa/3.0/au/)

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    The “Acorn and Opal” piano variations is a piece with multiple personality disorder. The theme includes three motivic cells around DCEbCF, BC#GF and DFAbBBbB. Variation 1 uses ‘artificial sustain’ from sympathetic strings, variation 2 reflects on the theme with the extreme range of the piano while variation 3 twists the material with new, staccato flavours. Variation 4 ‘meditates’ with alternating chords comprised of the notes of the theme, accompanying the right hand which plays the melody. Variation 5 hurtles towards the end with driving force and crashes down with a loud cluster to finish. Composed and performed by Andrew Wrangell (composer1992.wordpress.com) Andrew Wrangell's YouTube channel: http://www.youtube.com/composer1992/ Download the mp3: http://soundcloud.com/samplers1712/piano-variations-acorn-and-opal Creative Commons attribution/share alike (http://creativecommons.org/licenses/by-sa/3.0/au/)

    Авторское право:

    Attribution ShareAlike (BY-SA)
    Скачайте в формате PDF или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    113 просмотров7 страниц

    Piano Variations "Acorn and Opal"

    Загружено:

    Andrew Wrangell
    The “Acorn and Opal” piano variations is a piece with multiple personality disorder. The theme includes three motivic cells around DCEbCF, BC#GF and DFAbBBbB. Variation 1 uses ‘artificial sustain’ from sympathetic strings, variation 2 reflects on the theme with the extreme range of the piano while variation 3 twists the material with new, staccato flavours. Variation 4 ‘meditates’ with alternating chords comprised of the notes of the theme, accompanying the right hand which plays the melody. Variation 5 hurtles towards the end with driving force and crashes down with a loud cluster to finish. Composed and performed by Andrew Wrangell (composer1992.wordpress.com) Andrew Wrangell's YouTube channel: http://www.youtube.com/composer1992/ Download the mp3: http://soundcloud.com/samplers1712/piano-variations-acorn-and-opal Creative Commons attribution/share alike (http://creativecommons.org/licenses/by-sa/3.0/au/)

    Авторское право:

    Attribution ShareAlike (BY-SA)
    Скачайте в формате PDF или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 7

    Variations for Piano

    "Acorn and Opal"


    Andrew Wrangell

     
    Freely

           
         mf        


    

    p
      
     

     
      
    
    



    mp

     
            
     
      
        
    6
       
        


       
     

     
    f ff
       
    mf
         
     
        
    
        

    Variation 1
    11 Slowly 5

                      


          


    
        
    Hold down
       
    f
      
    silently

      

        
    1 1 2 5 4
    15

    
    attacca

                     


    
        
         

        
      
      fff

    2

    Variation 2

         
    17       
     
     
    

      

    ppp


    
            
       


    una corda
    Variation 3

        

    Moderately
              
    27
      
            

     
       
      
       

    


             
    f

     

    tre corda
    
     
    pp

         una corda
          
    34

             
    martellato

     

      
    f fff
     
                   
         

    tre corda
          mf p

              
        
    36

         


       
    mp
     
    mf
      
         
        
           
        
    
    38

    

          


        
    
    ff

          
    
     
         
    
     
        
     
    40
         
              


      
        
     pp
               
     
          
      
    una corda
    Variation 4
    3
    
                 
    42 Mysteriously

             
      
          
    mp  

                
    3

        
    p
          

     

     

     

         

          
    R.H sempre p

           


    48

         

     


      
    mp
       
    3

             
    3

       
    
        
    54
                       
         

     
               
    3
      
     

    f
    3


        

    mp
    3
     

    f
       

        
    59
                     
         

       

          
    




              
    3
    ff
       
    
    3 5

             
    64
             
     
     
     
     

             
              
    3
     

          
    mp
    3 3
      
    

                     
     
             
    69

      
        
       

     
     
    3

     


      
       

     
    4
        

    74

    
    morendo

          
      


      
     
     
     

       
          
     
              
        
     
    p
      
         
    Driving
        

     
                               
      
    Variation 5

                           


    81

                 

           
    3
         
    ff

     
     
     
     
     
     
         
         
                        
           
    87

     

     
      5  5  5
      
    5

    
    5

    
    5

    
    5

     
    5

          
    89

      
      
    
    
    


    


    


    


    


    


         
           
    3

            
       
         
            
     
    sfz 
     
          

    fff

             
             
    95

       
     
     


             
             
        
            
       
     

    ff

     
     
             
                

         
    98

           



    
        

    p
             
        

    
                   
    5

          

             
       
         
    100

       
      

    


    
    p
     


    



    

                  


            
          
                       
        
    102

     

    


    



    



    
    
     

    mp
     

                      


     
                    
        
    104

      
     



    
     

    mp
      
     

     

    

                                    


      
       
    106
            
       
                      
         
    f f
             
          

       
     
         
       
     

     
                               
    109
                          
           
    ff

           


                

       

      
     
       
    6

                                     
    112
                                 
            

            


                


       

       
    
           
               
        
          
            
    115
        
      

     
    fff


            

    
        

    
     
    
    ff
     
           


      

      
      

         
    118
           
      

        

          
    f
              

           
         
    120
       

       
             
             
    mp
         

           
     
    122

        


     
            
          
     
      
          
         
     
    7
    124  
      


      
     
     
     
    pp
     
    
    ff
     
     

      
      
     

    

     
         
         
    126
        
      

          


        
           
       
                
              

         
          
     
         
    128
      
    
           


    
       
              
           
       
           

    R.H. forearm cluster


    130 black notes

       
      
      
    
    
     

    ffff
    
       
     








    



    
    
    
    L.H. forearm cluster
    white notes

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