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Course Description
As Hi 165 traces the development of the Philippines from the pre-Spanish period to the
Revolution of 1896-97, Hi 166 concentrates on the challenges that the Philippines faced in its
efforts to establish an independent democratic republic. The course discusses the forging of a
national identity and government in the late 19th and early 20th centuries, the entry of the
United States and the Philippine-American War, the experience under American colonial rule,
preparation for eventual independence, the exigencies of war and occupation under Japan, and
the struggles of the young republic. The course closes with the declaration of martial law in
1972, when the nation’s experiment with Western-style democracy came to a temporary end.*
* As more recent events have transpired, this course goes beyond 1972 and ends with the EDSA Revolution of 1986.
Course Objectives
1. Trace the development of the Philippine nation from the Malolos Republic of 1898 to the
EDSA Revolution of 1986.
2. Assess the effects of American Colonialism and the Japanese Occupation in the Philippines.
3. Appraise the development of the Philippines as an independent state.
4. Instill love of country through the study of history.
Week 4 II. The American Colonial Period, 1901- o Healy, David. 1970. “Destiny and
Sep. 4-6 1941 Dollars,” U.S. Expansionism: The
a. American Expansionism Imperialist Urge in the 1890s. Madison:
University of Wisconsin Press, 34-47.
• McCartney, Paul. T. 2006. “Debating the
Treaty and Expansion,” Power and
Progress: American National Identity, the
War of 1898, and the Rise of American
Imperialism. Baton Rouge: Louisiana
Week 5 State University Press, 224-257.
Sep. 11-13 b. The Philippine-American War • Kramer, Paul. 2006. “From Hide to Heart:
The Philippine-American War as Race
War.” Diplomatic History, vol. 30, No. 2
(April 2006), 169-210.
c. Taft Era: Ilustrado Politics • Cullinane, Michael. 2003. “Conclusion,”
Ilustrado Politics: Filipino Elite Responses
to American Rule, 1898-1908. Quezon
City: Ateneo de Manila University Press,
331-343.
Week 6
• Abinales, Patricio N. and Donna
Sep. 18-20 d. Harrison and Rapid Filipinization
Amoroso. 2017. State and Society in the
Philippines, 119-152.
Week 9
h. Colonial Economy • Owen, Norman G. 1971. “Philippine
Oct. 9-11
Economic Development & American
Policy: A Reappraisal" in Norman G.
Owen, ed. Compadre Colonialism:
Studies on the Philippines under American
Rule. Ann Arbor, University of Michigan
Press, 103-128.
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Autonomous Histories, Particular Truths:
Essays in Honor of John Smail.
Wisconsin: University of Wisconsin, 175-
193.
o Jose, Ricardo T. 1998. “The Battle of
Leyte Gulf” in Kasaysayan: The Story of
the Filipino People, The Japanese
Occupation, Vol. 7, 276-277.
Week 13 IV. The Post War Period, 1946-1965 • Abinales et al. 2017. “All Politics is
Nov. 6-8 a. The Third Philippine Republic Local,” State and Society in the
Philippines, 167-192.
b. The Huk Rebellion • Kerkvliet, Benedict T. 1977.
“Conclusion,” The Huk Rebellion: A
Study of Peasant Revolt in the
Philippines, Berkeley: University of
Week 14 California Press, 249-269.
Nov.13-15 c. Economic (In)dependence • Diokno, Ma. Serena. 1998. “Doldrums of
Dependence,” Kasaysayan: The Story of
the Filipino People, Vol. 8, 231-249.
d. Political Economy • Ibid.“Putting Filipinos First,” 251-265.
Weeks 15 & 16 V. Marcos & Martial Law, • Abinales et al. 2017. “Marcos, 1965-
Nov. 20-29 1965-1986 1986,” State and Society in the
Philippines, 193-229.
a. Prelude • Warren, James F. 2013. “A Tale of Two
b. State Over Society Decades: Typhoons and Floods, Manila
c. Decline and the Provinces, and the Marcos
Years.” The Asia Pacific Journal,
11(43,3), 1-21.
o Timberman, David G. 1991. A
Changeless Land: Continuity and Change
in Philippine Politics. Quezon City:
Bookmark Publishing, pp. 54-72, 75-123.
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Required and Suggested Readings
1. Textbooks provide a general background of events that contextualize the specificity of the
readings assigned. These books will be helpful:
Abinales, Patricio N. and Donna J. Amoroso. 2017. State and Society in the Philippines,
2nd Ed. Quezon City: Ateneo de Manila University Press.
Cortes, Rosario Mendoza, Celestina Puyal Boncan and Ricardo Trota Jose. 2000. The
Filipino Saga: History as Social Change. Quezon City: New Day Publishers.
Guerrero, Milagros et. al. 1998. Kasaysayan: The Story of the Filipino People, Volumes 5-
9. Hongkong: Asia Publishing Company Limited.
2. Integral to the course are the Required Readings as listed in the Course Outline. Additional
required readings may be assigned when deemed necessary. These books and readings
may be found in the Filipiniana and in the Reserve Section of the Rizal Library.
3. Students are encouraged to read the suggested readings to further enrich their knowledge
on the course.
Course Requirements
1. It is the student’s responsibility to read the assigned text as preparation for class. Lectures
and discussions will only supplement the required readings.
2. Exams will be given to regularly evaluate student performance. All matter in the textbook
and the required readings, whether discussed in class or not, will be included in the exams.
3. Attendance is required in class and in other activities such as film-shows, talks, and others
that may be assigned.
4. Group Work is comprised of a Presentation and a Research Project. Group members are
expected to report on the assigned text for the Presentation, while the group will be able to
do independent research in their chosen topic for the Research Project. The group has a
choice whether to do a Paper or a Film for their Research Project. The Group Research
Project Guidelines has more details on this.
5. Class participation constitutes the following, among others: class discussions, group
assignments, reflection papers, and surprise quiz.
Grading System
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2. Final Grade Table of Equivalents:
A = 92 and above C = 75-78
B+ = 87-91 D = 70-74
B = 83-86 F = 69 and below
C+ = 79-82 W = Overcut
Classroom Policies
Consultation Hours
2. Format is double spaced, with word count of 400 to 500 words, in A4 paper.
Indicate Word Count after your name.
3. Due date is a week after the event. Readings will have announced deadlines.
Group Presentation
Topic Source Date
1. American McCartney, Paul. T. 2006. “Debating Sep. 6 (Th) L
Expansionism the Treaty and Expansion,” Power and
Progress: American National Identity,
the War of 1898, and the Rise of
American Imperialism. Baton Rouge:
Louisiana State University Press, 224-
257.
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2. Philippine- Kramer, Paul. 2006. “From Hide to Sep. 11 (T) F
American War Heart: The Philippine-American War as
Race War.” Diplomatic History, vol. 30,
No. 2 (April 2006), 169-210.
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1. The Presentation deals with the assigned readings as found in the syllabus. This
activity primarily tests the group’s ability to comprehend and analyze the given text.
2. The group’s grade is composed of 50% Comprehension, 25% Creativity and 25%
Delivery.
3. Comprehension is the ability of the group to show the class that it has understood
the reading. This knowledge must be presented in a clear and organized manner.
The group may add their own analysis or commentary at the end of their report.
4. Creativity is judged on how the group conceptualizes the manner of its presentation.
5. Delivery is how the group implements its concepts and data. This criterion includes
punctuality and the ability of the group to report within the given time period of 40
minutes. The group must also make sure that their technical devices are functioning
and connecting properly to avoid “technical problems” which will affect the
delivery of the presentation.
6. The group must dress appropriately for the presentation, either in smart business
attire, to prepare the students for the corporate world, or in costume relevant to the
report. ☺
7. The group may present in venues other than the classroom. As such, it is the
responsibility of the group to reserve for and inform the class of the venue at least
one meeting before their scheduled presentation. (It is assumed that every student
is responsible enough to take note of the presentation venue.)
3. To make a good Paper, the group must have at least ten (10) sources to work on.
The group may, of course, add more sources to the minimum requirement.
4. To conceptualize the Paper, it is suggested that the group come up with a thesis
question which the Paper seeks to answer.
5. The thesis question will be the subject of the Proposal that is due on Sep. 18, 2018.
The Proposal must contain the title, topic description and bibliography. Since the
do-ability of the question or topic is dependent on the sources, a Preliminary
Bibliography should be attached to the Proposal for submission and approval. The
Final Research Paper shall be submitted on Nov. 20, 2018. The approved Proposal
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and Preliminary Bibliography must be attached to the Research Paper when it is
submitted.
7. PLAGIARISM will be penalized by a grade of 0 for the Research Paper. The grade
of one is the grade of all.
8. When making the final output, bear in mind that logic and cohesion are very
important elements in a good paper. Minimum number of pages is 12. Paginate.
4. The group may choose one among four types: a) a documentary, b) a re-enactment
of a historic event with the causes leading to the event and subsequent impact shown
on film, c) a period film which relies heavily on mood or setting, or d) a combination
of all the above types.
5. The group must submit its Proposal: an abstract and preliminary print and video
references, on Sep. 18, 2018. Upon approval, the group will work on its script and
will submit its final script on or before Nov. 6, 2018. Submission of the finished
film will be on Dec. 4, 2018.
6. As any good documentary or re-enactment, the film must be able to lay out its
knowledge in a clear and understandable manner. If the group so chooses a re-
enactment or a period film, it must be able to capture the essence of the period it
seeks to represent in the accuracy of set, costume and how people act. Thus, for all
choices, research is important.
7. For the script, the group has to have at least five (5) sources to work on. These
sources can be found in the American Historical Collection and the Rizal Library’s
Filipiniana, Microfilm, Reference and Circulation Sections. The group may of
course add more sources to the minimum three.
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8. In referencing scripts, again, proper styles should be observed such as Chicago,
Turabian, Harvard or MLA. At all cost, PLAGIARISM should be avoided, if any
group is caught passing off someone’s work as its own, the group will be penalized
with a grade of 0, and other pertinent penalties as imposed in the Student’s
Handbook. The grade of one is the grade of all. Likewise, the film credits should
include the references in the script and the video clips used.
10. When making the final output, bear in mind that logic and cohesion are very
important elements in a good film.
CARPE DIEM!
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