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The Art Of Landscape

Photography
Content
Introduction.................................................................................................................................................................................................... 3
Wait For The Light........................................................................................................................................................................................... 4
Have Everything Tack Sharp............................................................................................................................................................................ 5
Capture Time................................................................................................................................................................................................. 6
Patience And Persistence Will Always Pay Off.................................................................................................................................................. 7
Use the Orton Effect....................................................................................................................................................................................... 8
Travel to Interesting Places.............................................................................................................................................................................. 9
Shoot in Strange Weather Conditions............................................................................................................................................................ 10
Introduction

There are endless discussions about the true con- you call the images you have put so much effort
cept of Fine Art, many of them related to Photogra- into? There is no right answer, so I wouldn’t worry
phy. As soon as you say that your photographs are too much about the label. If you choose to focus on
“Fine Art” you are bound to hear negative criticism, the fact that if you are putting your soul and vision
mostly centered around the thought that you are be- in your works, trying to show the landscapes you
ing elitist and vain by using such term. Paintings or witness with the greatest impact and emotion, then
sculptures do not usually need to be labeled as “Fine you are most certainly creating “art”, which is clearly
Art”, as they are intuitively recognized as such, but “fine”.
in the middle of millions of snapshots, what should
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Wait For The Light

Fine art landscape photography is all about captur- post-processing one knows. The light during gold-
ing beautiful light in a scenic location. Photograph- en hour, blue hour, and twilight is best for this. Of-
ing a stunning landscape in harsh light will unlikely ten this means getting there earlier and staying later
yield a dreamy looking shot no matter how much when most people are not around.

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Have Everything Tack Sharp

This is a general tip for most landscape photogra- ment by learning basics such as shooting with a tri-
phy, but it’s worth including here because the details pod, cable release, as well as advanced techniques
are what makes the image stand out. Learn how to such as maximizing depth of field using hyperfocal
squeeze every bit of sharpness out of your equip- distance, and focus stacking.

5
Capture Time

One of the techniques I love is using long exposures density filters. I will also shoot well after the sun has
to capture extended periods, and compress it into a dropped below the horizon when light levels are low
single image. Long exposure is beyond what is seen and exposures times are extended. I recommend at
by the normal eye, so it has a sense of mystery and least a 3 stop ND filter. Be aware that a 10 stop ND
fantasy. I shoot a lot with a circular polarizer to en- filter will allow you to take long exposures during the
hance colors and cut reflections, but also this cuts brighter parts of the day, but you probably won’t be
down some light, making longer exposures possi- able to see enough to focus or compose your shot
ble. When I need to cut more light out I use neutral with it on.

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Patience And Persistence Will Always Pay Off

Landscape photographers work with the most stub- “golden minutes”. You will need to return to the same
born and unpredictable light assistants ever, so you place quite often and frequently return home with no
should be ready to cope with frustration, cold, stress interesting images. You will be the first person arriv-
and physical pain. People always think about land- ing or the last one leaving your location, and meals
scape photography as a very zen-like activity, but if will probably be skipped or made during odd hours.
you want to get the job done, then be ready for a It’s not romantic or easy most of the time, but when
delicious adrenaline rush when you are trying to deal all elements combine and you capture a great im-
with temperamental gear, harsh environment, phys- age, there’s nothing that comes close to that feeling
ical obstacles and quickly changing light, where the of oneness and meaningful purpose!
famous golden hour should, unfortunately, be called
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Use the Orton Effect

If you haven’t heard of the ’Orton effect’, you’ve prob- dreamy look. There are many resources out there
ably seen it in images without knowing it. It’s a tech- on how to do this in post-processing. If you do start
nique in post-processing that blurs the image slight- using Orton, remember, less is more. Stay classy.
ly and adds contrast. This has the effect of making
things appear to glow. It is very handy to create a

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Travel to Interesting Places

This one is challenging but also a bit obvious. This scape photography is that it naturally leads you to
planet has so many fascinating natural phenome- amazing places. It’s easier to create a dreamy look-
nons that seem unreal, but they are really real. So go ing shot when you are standing in front of something
take a trip and experience them for yourself. One of that is simply unbelievable.
the best things about being passionate about land-

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Shoot in Strange Weather Conditions

Dreams and fantasies are weird, strange and un- my trips around the weather for this reason. Check
usual, so why not shoot in strange conditions? The the forecasts often and plan accordingly. Don’t be
stranger and more unique the better. I seek out inter- afraid to go to “bad weather” just be prepared and
esting weather conditions to photograph, and plan stay safe.

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featured tips by
@DWongPhotos and @joseramos

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