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LEVEL - 1
Abgmvm/Tabla/ Pakhaavaj/Nov 06
Marks: 50 Minimum: 18
Practical:
1. Complete knowledge of all main varnăs and its method of playing on your instrument.
2. a. Proficiency in reciting and playing all the following tăls in thăh and dugun.
2) b. Ability to recite and play Rupak / Tewră tăl in barăbar ki laya (normal tempo)
TABLĂ
a. TRITAAL
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PAKH ĂVAJ
a. Composition of Dhage Tita and Dhum Kita bols with variations in Chautăl in barăbar ki
laya (normal tempo).
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MARKSHEET QUESTIONNAIRE
Notes:
10 minute is allotted for each candidate. It is important to ask questions according to the
columns.
From Praveshika Pratham every candidate will have to perform with the Laheră. Only
practical part of the syllabus will be repeated from Praveshika Pratham onwards.
1 Definitions 10 marks
2 Playing of Varnăs and thekăs of tăls in single and double 10 marks
3 Recitation of the thekăs of tăls by hand 10 marks
4 Playing in Trităl and Jhaptăl according to the syllabus. 12 marks
5 Playing in Rupak tăl according to the syllabus. 3 marks
6 Overall presentation 5 marks
7 Total 50 marks
LEVEL - 2
Abgmvm/Tabla/ Pakhaavaj/Nov 06
Marks: 75 Minimum: 26
Practical: 60, Theory: 15 (Oral)
Sangeet, Năd, Swar, Laya, Bol, Kisme, Kăydă, Mukhdă, Tihăi, Tigun, Chaugun, Tukdă
2. Rupak / Tewră and Ektăl / Adităl to recite by hand showing khăli and tăli in barăbar ki
laya
Practical:
1. Rupak / Tewră and Ektăl / Adităl to play in barăbar ki laya (basic tempo) and dugun
(double).
TABLA
Trităl :
Two kisme
Two mukhăs
Two Tukdăs.
Jhaptaal:
One kisme
One tukdă
PAKHĂVAJ
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Notes:
MARKSHEET QUESTIONNAIRE
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LEVEL - 3
Abgmvm/Tabla/ Pakhaavaj/Nov 06
Theory
2. Different Bols /syllables played on Tabla / pakhavaj and the procedure of playing.
Tirakita takdaan, Kada dha , Kitataka , Ghida naga, Dhir dhir, Traka, Kdadhaan, Gadigana.
6. Knowledge of writing the Tukdas of Tritaal / Chautaal and Jhaptaal / Sultaal in Pt. Bhatkhande
notation system.
Practical
1. Ability to recite by hand and play the following taals in single and double:
2. Ability to play all the bols /syllables from this year’s theory section (no.3).
a. Tritaal: One Kaayda each of Dhati dhage and Traka- 4 paltaas, Tihai,
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5. Ability to recite and show by hand (padhant) of all the composition (rachana) types given in the
NOTES:
c. For the Pakhaavaj students, taals of Pakhaavaj from the syllabus will be asked.
MARKSHEET QAUESTIONNAIRE
Marks
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LEVEL - 4
Abg/Tabla/ Pakhaavaj/Nov 06
Marks: 200
Theory: 75 / Min: 26
Minimum: 70
Practical: 125 / Min: 44
Thoery:
3. Information about various Gaayan Shailee (vocal styles) and Gaayan Prakaars (vocal
types).
4. Performance knowledge of Tabla / Pakhaavaj for Swatantra or solo and Saath Sangat or
accompaniment.
7. Tabla: To be able to write notation of Kaaydaas and Relaas of Tritaal, Jhaptaal and Ektaal.
Pakhaavaj: To be able to write notation of Relaas and Parans of Chautaal, Sultaal and
Dhamaar.
b. Knowledge of various pitched tabla to be used with different musical styles for
accompaniment.
Practical:
3. Tabla:
b) to play Laggi in Kaherwa and Dadra with tihai in end to join the thekaa.
4. Improvisation in following Taals - (Candidate for Tabla )
Tritaal:
a. One kaayda of Chatashra Jaati and Tishra Jaati each with four paltaas and tihai.
Jhaptaal:
1) Two Kaydaas 2) One relaa 3) Three Tukdaas 4) Three Tihais (sam to sam)
Pakhvaaj:
2. to play Laggi in Dhumaali and Dadra with tihai in end to join the thekaa.
Marksheet
Note: 1) 35 minutes is allocated for each candidate for this year’s examination.
3. Pakhaavaj taal will be asked from the syllabus for the pakhaavaj exam.
Contents Marks
8 Nikaas and Taiyaari (presentation with correct sound & style with expertise) 10
9 Overall impression 05
TOTAL 125
Abg/Voc- ins/Nov 06
Akhil Bhartiya Gandharva Mahavidyalaya Mandal
Theory:
4. Knowledge of accompaniment for vocal, instrumental and dance with the information of
its rules
5. Tabla – ability to write notations in Aad, Biaad and Kuaad of Tritaal, Jhaptaal and Rupak
taal
4. Us. Habibuddin Khan 5. Pt. Samtaprasad 6. Us. Afaak Hussain 7. Swami Pagaldasji
Practical:
1. To be able to recite and play following taal’s thekaas by hand in ekgun and dugun.
3. Ability to join the sam by playing mukhdaas in vilambit laya in the above mentioned taals
(i.e Jhoomra, Punjabi, Dhamaar)
o Peshkaar
B. Ability to play Rupak, Jhaptaal and Ektaal with Kaaydaas, tukdaas, relaas etc (minimum
two variations) with full preparation.
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B. Solo performance in Tewra, Sultaal and Dhamaar taal with full preparation up to10
minutes
Marksheet
Note:
Contents Marks
2 Accompaniment 15
3 Mukhdaas in vilambit laya to join the sam 10
4 Tuning of instrument 05
9 Overall presentation 05
Total 150
Abg/Voc- ins/Nov 06
Theory:
2) Knowledge of writing notations of tukdaas in thaah & dugun of Tritaal and Jhaptaal.
4) i) Importance and position of peshkaar, kaayda, relaa and gat table solo.
ii) Importance and position of relaa, chakradhaar, stuti paran, bolbaant, aadeshi paran in
pakhaavaj playing.
5) To write notations of two damdaar and two bedam tihai in each taal from the following.
1) Tabla: Tritaal, Jhaptaal, Aaada Chautaal
a) Us. Salaari khan b) Us. Munir khan c) Pt. Kanthe Maharaj d) Us. Gaame khan
Practical:
1. Knowledge and experience of tuning tabla and proficiency in recognising madhyam and
pancham from various note (swar) on the harmonium.
2. To be able to recite Rupak, Sultaal, Ektaal, Chautaal, Tritaal and Jhaptaal in thaah, dugun,
tigun and chaugun by hand.
a. Kaayda of Tita – one in tishra jaati and chatshra jaati with four paltaa and tihai
Dha tirakitataka tirakita, Dha ti, Dha ge tita, Dhira dhira, Dhinagina (not dhin naa gi naa),
6. Tabla:Two kaaydaas in Jhaptaal and Savaari taal(15 beats) – one in tishra and one
chtashrajaati with paltaas, one relaa, two damdaar tihai and four tukdaas.
Pakhaavaj: knowledge of playing Relaa, Tukaas, Parans, tihais in Rudra and Gajjhampaa Taal
8. To be able to play damdaar and bedam tihais from various beats in the previous years
taals.