Republika ng Pilipinas

KAGAWARAN NG EDUKASYON
Rehiyon IV-A CALABARZON
Sangay ng Rizal

GEN. LICERIO GERONIMO MEMORIAL NATIONAL HIGH SCHOOL

Rodriguez, Rizal

THIRD PERIODICAL TEST

T. L. E.

HANDICRAFTS ( GRADE 7 )

NAME: ___________________________________ Level & Sec. :___________________ Score: _______

DIRECTION: Read each item carefully. Choose and encircle the letter most appropriate for each of the
given statements.

1. The art of designing with needle and thread.

a. Design b. Embroidery c. Fabric d. Thread

2. A very fine cord composed of strand or strands of spun silk, flax or cotton used in
sewing.

a. Design b. Embroidery c. Fabric d. Thread

3. Arrangement of line, form, color and texture with the purpose of achieving order and beauty.

a. Design b. Embroidery c. Fabric d. Thread

4. Any woven, knitted or felt cloth.

a. Design b. Embroidery c. Fabric d. Thread

5. Use to measure short distance

a. Gauge b. Hoop c tape measure c. Thimble

6. Use for measuring more than one-foot distance or materials.

a. Gauge b. Hoop c tape measure c. Thimble

7. Made from metal or plastic, protect the middle finger and push the needle while doing your
embroidery work.

a. Gauge b. Hoop c tape measure c. Thimble

8. Made of wood, bone, metal or plastic use to make eyelets in the fabric to be embroidered. It is
also use to keep the fabric stretched while embroidery stitches are applied on the design.

a. Gauge b. Hoop c tape measure c. Thimble

9. Is small, sharp and pointed-good for fine work use for trimming scallops, clipping threads, and
cutting large eyelets.

a. Needle b. Pounce c. Scissor d. Threader

10. Is use for easier threading especially by those sewers with poor eyesight.

a. Needle b. Pounce c. Scissor d. Threader

11. Is fine powder used in transferring design by pricking method.

a. Needle b. Pounce c. Scissor d. Threader

12. A short pieces of steel with a fine point at one end and a little opening or eye at the other.

a. Needle b. Pounce c. Scissor d. Threader

13. Use for transferring the design using pricking and pouncing methods.
 a. Pin cushion b. Sewing box c. Tracing paper d. Water color brush

14. A place for pins and needles.

a. Pin cushion b. Sewing box c. Tracing paper d. Water color brush

15. Used for tracing designs.

a. Pin cushion b. Sewing box c. Tracing paper d. Water color brush

16. Use to keep together the embroidery tools and materials.

a. Pin cushion b. Sewing box c. Tracing paper d. Water color brush

17. When a cone falls onto the floor, the point of impact can “dent” the thread, resulting in a
weak spot (or spots) that can ultimately lead to problems as the thread travels toward the needle.

a. Brittleness b. Discoloring and fading c. Lint buildup d. Thread dents

18. Threads, especially rayon, will fade when exposed to sunlight for extended periods of time.

a. Brittleness b. Discoloring and fading c. Lint buildup d. Thread dents

19. Threads that sit out, exposed to the elements of your shop’s environment, are prone to dust
and lint building up.

a. Brittleness b. Discoloring and fading c. Lint buildup d. Thread dents

20. Excessive exposure to sunlight can dry out the thread and obviously, this will weaken the
thread and lead to excessive thread breaks.

a. Brittleness b. Discoloring and fading c. Lint buildup d. Thread dents

21. The most often used to outline a design. This stitch also forms the base line for other
embroidery stitches

a. Back stitch b. Bullion stitch c. Chain stitch d. Cross-stitch

22. Stitched formed by two crossing arms and may be used for outlining, as borders or to fill in
an entire area.

a. Back stitch b. Bullion stitch c. Chain stitch d. Cross-stitch

23. A single detached stitch that is used for filling in a design area. Rows of stitches may also be
used to outline a design. It is recommended that one uses a needle with a small eye for ease in pulling.

a. Back stitch b. Bullion stitch c. Chain stitch d. Cross-stitch

24. One of the more popular stitches used for outlining. When worked in close rows, it makes
good stitches for filling the design area.

a. Back stitch b. Bullion stitch c. Chain stitch d. Cross-stitch

25. Stitched formed by two crossing arms and may be used for outlining, as borders or to fill in an
entire area.

a. Back stitch b. Bullion stitch c. Chain stitch d. Cross-stitch

26. A stitch with a loop and stitches evenly worked on both left and right sides of a design area.

a. Feather stitch b. Fish bone c. French knot d. Herringbone stitch

27. A kind of filling stitch which is ideal for making leaves or feathers.

a. Feather stitch b. Fish bone c. French knot d. Herringbone stitch

28. A single detached stitched used primarily to fill in a design area.

a. Feather stitch b. Fish bone c. French knot d. Herringbone stitch

29. A basic overlapping stitch popular for its use in borders.

a. Feather stitch b. Fish bone c. French knot d. Herringbone stitch

 30. Also called detached chain stitch, this stitch is work in a circle to resemble the petals of a
flower.

a. Lazy daisy b. Looped stitch c. Running stitch d. Satin stitch

31. A very decorative stitch and can be experimented with threads for various colors over
borders.

a. Lazy daisy b. Looped stitch c. Running stitch d. Satin stitch

32. Considered being the easiest stitch for outlining.

a. Lazy daisy b. Looped stitch c. Running stitch d. Satin stitch

33. A solid filling stitch that is used to cover a design area with long, straight stitches worked very
close together.

a. Lazy daisy b. Looped stitch c. Running stitch d. Satin stitch

34. Done using quite thick threads, such as wool. It was used as an outlining stitch or as a filling
stitch.

a. Satin stitch b. Split c. Seed d. Stem stitch

35. This principle infers repetition of line, form, shape and size.

a. Balance b. Harmony c. Proportion d. Rhythm

36. Pertains to the relationship in size between a part and the whole.

a. Balance b. Harmony c. Proportion d. Rhythm

37. May be produced in two ways, either formal or informal.

a. Balance b. Harmony c. Proportion d. Rhythm

38. It is a smooth related movement. Pattern and line carry the eyes along without jerky motion.
The eye automatically connects points in space.

a. Balance b. Harmony c. Proportion d. Rhythm

39. The eye is carried first to the most important part of the design and then to the other details
in order of their importance. This referred to as the center of interest of a design.

a. Emphasis b. Line c. Rhythm d. Texture

40. Skeleton or basic foundation sketch to direct the eye vertically or horizontally.

a. Emphasis b. Line c. Rhythm d. Texture

41. Refers to the surface appearance which is either rough or smooth, dull or glossy, thick or thin.

a. Emphasis b. Line c. Rhythm d. Texture

42. One color of different shade.

a. Analogous b. Complementary c. Double complementary d. Monochromatic

43. Three neighboring colors, one of which is dominant.

a. Analogous b. Complementary c. Double complementary d. Monochromatic

44. Colors opposite each other in the color wheel.

a. Analogous b. Complementary c. Double complementary d. Monochromatic

45. Two neighboring colors and their opposite colors.

a. Analogous b. Complementary c. Double complementary d. Monochromatic

46. Three colors diagonal with each other.

a. Complementary b. Double complementary c. Split d. Triad

 47. Designs sold in craft stores are printed on thin transfer sheets.

a. Hot-iron transfer b. Stamping c. Tracing method d. Triad

48. Design using a tracing wheel and preferably dressmaker’s carbon paper.

a. Hot-iron transfer b. Stamping c. Tracing method d. Triad

49. Design transferring which need soft absorbent cloth, indigo, kerosene or petroleum, sheets of
newspaper, perforated design, and the fabric.

a. Hot-iron transfer b. Stamping c. Tracing method d. Triad

50. Involves the use of materials that are waste products of a manufacturing process.

a. External recycling b. Foreign recycling c. In – house recycling d. Internal recycling

51. The reclaiming of materials from a product that has been worn out due to constant use.

a. External recycling b. Foreign recycling c. In – house recycling d. Internal recycling

52. Paper woven basket, paper mache’ articles, paper beads, paper sculpture, boxes for gift
wrapping, album covers and paper bags.

a. Glass bottles b. Paper c. Plastic containers d. Tin cans

53. Decanter, storage items terrariums, cut bottles, bent bottles and glass tiles.

a. Glass bottles b. Paper c. Plastic containers d. Tin cans

54. Canisters, storage bins, planters, baking tins, candle holders, kerosene lamps, metal art and
water catchers.

a. Glass bottles b. Paper c. Plastic containers d. Tin cans

55. Planters, plant tags, plastic sculptures and organizers.

a. Glass bottles b. Paper c. Plastic containers d. Tin cans

56. Quilting and patchwork projects, rag rugs, doilies, runners of hand stitched circles of fabrics,
stuffed toys, hair accessories, fabric flowers and collages.

a. Fabric b. Paper c. Plastic containers d. Yarn wastes

57. Rugs, tapestries, embroidery, yarn dolls, crocheted or knitted articles, and string art.

a. Fabric b. Paper c. Plastic containers d. Yarn wastes

58. Gift wrapping is an art of packing, wrapping and decorating an item or article to be given as a
gift.

a. Gift containers b. Gift diggers c. Gift ribbons d. Gift wrapping

59. Made into decorative rosettes and bows with the use of bow pins, string and double side tape.

a. Gift containers b. Gift diggers c. Gift ribbons d. Gift wrapping

60. Bayong bags made of buri, coconut leaves, tampipi (small rectangular buri box), native
baskets, boxes made of our philippine wood like narra and amboo, corrugated papers.

a. Gift containers b. Gift diggers c. Gift ribbons d. Gift wrapping

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