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Author(s): M. L. West
Source: The Classical Review, New Series, Vol. 12, No. 3 (Dec., 1962), pp. 200-201
Published by: Cambridge University Press on behalf of The Classical Association
Stable URL: http://www.jstor.org/stable/709362
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200 THE CLASSICAL REVIEW
AESCHYLUS, PERSAE 6I I f.
THElibations brought by Atossa to Darius' form) is yellow, and perhaps it is not too
tomb consist of white milk from an un- fanciful to discern a suggestion of varied
touched cow, gleaming honey distilled by colourin the'plaited flowers'. Itis with these
bees,water from a virgin spring, a draught twonotes in mind that we should consider
unmixed from a wild mother (the ancient thecurious offering from the wild vine. Pliny
vine), fragrant fruit of the ever-leafy yellow (JV.H.xxiii. I9) writes: 'labrusca quoque
olive, and plaited flowers, earth's children. oenanthen fert satis dictam [? 8], quae a
Two notes are struck in this passage-first, Graecis ampelos agria appellata, spissis et
ofunviolated sanctity and remoteness from candicantibus foliis, geniculata, rimoso cor-
human usage; I do not think I have seen tice, fert uvas rubentes cocci modo, quae
itmentioned in this context that the Greeks cutem in facie mulierum purgant, etc.' We
werenot in the habit of drinking cow'smilk ;I are dealing not with vitis vinifera but with
moreover, the milk Atossa brings is from a vitissilvestris, thegrapes of which do not vary
cowwhich has never been yoked. The honey incolour, according to the type of vine, but
is treated by no human hand but distilled are of one colour only4--as Pliny sees it, a
by the bee, symbolic of purity ;2 the water is shade of scarlet. This harmonizes with the
from avirgin spring. It is not entirely clear colour-theme of the passage; and a further
inwhat form the olive offering is brought- point about vitis silvestrisis that its grapes are
whether it is fruit or expressed oil3-but here toopoor in the necessary carbohydrates to be
andin connexion with the flowers the idea of susceptible to fermentation, and what Atossa
Nature is stressed. Secondly, there is a note bringsis not wine but a non-alcoholic liquid
ofvivid colour; the milk is white, the honey onlydrunk for medicinal purposes.5Naturally
gleaming, the water is not given its Homeric in such a context it is unmixed.
epithet A?VKOS, which has just been used, but
comes from a virgin spring, suggesting that A. D. FITTON BROWN
it is crystal clear. The olive (in whatever UniversityCollegeof NorthWales, Bangor
A GLOSS ON &&vrfTpov
IN L. & S.9 the following gloss occurs: stool shown on the vase-painting; this seems
'&wLVOpos,O = iniclaris (?)'. It is clear that unlikely, as such a use of the word is un-
ervrOpos is a mistake for edrdvlrpov; the 0 is paralleled. One of the senses of ovos is 'wind-
even a possible alternative to T, since vco>, lass', a horizontal revolving cylinder, so
'spin', is a non-Attic form of veo. But L. & S. that it could have been applied to anything
have an obsolete explanation of dJLv,lrpov cylindrical, such as the epinetron.It is dis-
as 'distaff'. The correct interpretation was puted whether pottery was the customary
given by C. Robert in 'E+. )tpX. 1892, 247 ff.: material or whether the pottery epinetraare
it is a type of knee-pad for spinners. Ancient only decorative. Assuming the latter to be
grammarians (Poll. vii. 32, x. 125; Hsch.) true, it has been suggested that wood was the
treat edrrv&rpovand ovos as pieces of equip- usual material, but would not leather have
ment used by women spinning, and the been more apt ?
Etym. Magn. 362. 20 says that the epinetron There remains the question of iniclaris.
was placed on the knee. In 'Suidas' the form This must surely be a corruption of genic(u)-
is vCT,pov,also wrongly rendered 'distaff' in laris; the initial in- is reminiscent of Spanish
L. & S. A number of pottery epinetrahave hinojo, derived from genuclum.The substan-
been found, in the shape of two-thirds of tive genicularisclearly existed in late Latin,
a cylinder, hollow but with one end closed. for ps.-Diosc. iii. Ioo, p. 1I1, I W., quoted
For Robert's interpretation of the painting by the T.L.L., has the gloss AvXvtsaTreSa-
on an epinetrondating from the time of the vmjTlKz ... 'P~xaroi 7yewiKovAdpis [so ac-
Peloponnesian War see R.E., s.v. Epinetron; cented], referring to the Rose Campion
for Bliimner's interpretation, R.E., s.v. (Lychnis coronaria); cf. Du Cange, s.v.
Lana; bibliography in E. Pfuhl, Malerei und genicularis.Moreover in medieval French its
Zeichnungi (I923), 46-47. The scaly upper derivative genouilleredenoted the knee-piece
surface of the epinetronis thought to have of a knight's armour.
served for rubbing or smoothing the wool.
The 'donkey', gvos, was probably the same O. A. W. DILKE
as e&rlv,lrpov. Bliimner sees in ovos a foot- Universityof Glasgow