Félix Rodríguez

Arranger, Composer, Interpreter, Teacher

Porto Rico

About the artist

Born in San Juan, Puerto Rico I studied music and Classical Guitar at the Free School of Music of Puerto
Rico and at the New England Conservatory of Music in Boston, USA. My most influential Guitar masters
have been Alirio Diaz, Michael Lorimer, Juan Sorroche, Robert Paul Sullivan and Eddy Flores. Also studied
in master-classes under Leo Brouwer, Oscar Ghiglia, Jose Tomas, Robert & Catherine Strizich, Alvaro Pierri
and many others. I have been concertizing since 1976 and have won two International First Prize in Guitar
competition. Have recorded over a half dozen solo albums and composed some music for radio and film. I
also produced a Guitar FM radio show for PBS during 7 years.
Qualification: Master of Music
Artist page : http://www.free-scores.com/Download-PDF-Sheet-Music-rodriguezfelixguitarrista.htm

About the piece

Title: No me Toques! [danza puertorriqueña]

Composer: Campos, Juan Morel
Arranger: Rodríguez, Félix
Copyright: Copyright © Félix Rodríguez
Publisher: Rodríguez, Félix
Style: Romantic

Félix Rodríguez on free-scores.com

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First added the : 2016-10-27 Last update : 2016-10-27 00:42:54

 No Me Toques
danza puertorriqueña Juan Morel Campos
Transcripción y Arreglo para
Guitarra por Félix Rodríguez (1857 - 1896)

Maestoso ( =82) ½CVII

½CII
 CVII CV 
CVIII
2
4  2     4
2 


1  1 3  


2 3    4  0  4
5ta en Sol 0  0 
   2 21  231  0 0
   
 
  04 
6ta en Re  4 0
0  3     2
3   2 2
0   0  2
5
5
6

 2 1
leggiero 1 3 3 2
6 1 4 1 2 4   4
4  2 4


    1  1   1 1 2  4 3  2 4 0
0
1 4 
1 2  

  00 0
0
  1
 0 0 2  
0   0
0 2 
 1 0 4

a tempo ½CXI ½CVII

½CVII
 4
 CV


4 2  4 4 2
10 2 
  1  4 2 
   4    
  0   3
 00  0 0  
3 3    2
 0 0 0  5
4
6

CVIII
 2 Rall.
4
14 4  1  4 1  2 
 0     1  1 3  4
1  1 1 2 4
3 2
  4
    24

    04   2   00 0 0 2
0 1   3 3
 0 4
2 2 2     1
0   1 0   4
5

rítmico ( = 112) ½CIII
18     14 3
 4 4
   1
  2 
 4
2
 21 4
2
  
2  2

  1  21    1  2 3
1
0 0   0   0 
0  0  
3
3  3   
3
½CVI 
22
  
  4    4
 3  4 3  4 1 
3 1
 1
2
1 1 1
   5
3
0
2 3
0 0 2
 2 2 
 3  0  0 
0 
3
 3
 3
3
Copyright © & (p) 1985, 2005 by Félix Rodríguez. All Rights Reserved. 3
 ½CIII
26     14 3 CII
 4 4
1 4 1 4  
    1  1     1   2  3
 2 3 0 
2 2
0  
2 2  2 2
0  5
  
3
 0
  0  3
 3
  
3
½CV CVI CVII
   ½CII 
30
    3
   43

   2  4 3  4

   02  5
2 
   1 
2
6
2
 2 
1
3  0
6   
3
3   3
  4
 5
3 3
poco meno
   3
 4 2  2
3
  
34 2  3
   
    3 4   1 
3 
 31 4
  31 1 
3 
 1   5
   0 6 4  0  
1 0     0
  
3 3
espress. e ben cantado 3
 3 3 3
CX CVIII
a tempo CIII  
14
3
3  4
 3 4 CVI


38  4 

4   4
  4   4
     0 1    2  1 4 1       3  
2
  3
  2 4
5
  2 1 1 3

 3   
 3 0      2   2 3 3
 4 3 5
 3
5 3
3 3 6

½ ½

½CVIII VII VIII CX
4 2 CIII
2
 4 3 14 3 3
3 CIII
42  2  3 
2 
  
       
         0  
2  2 3
2 1 2  4 2    41 

 2   3 0     3
   3   1   1 0



0  3 3
5  2 
5 p p
6 3
3 3 3  
CX CVIII
CIII 2 CVI
14
3 3 4 3 4 4


46 


4   2  4


 1    2 4 1
    3 


    0      3
3 3 1  2 2
   3 2    4
4
 2 3
4
3
5 5 5
3 3 3 3
6

½II ½III CVIII
3
50 3 4     2


 1  4 1     
     0   4
0 3
  43       3  4

3  
 4 4
 2 0  0 5 5
  3 3
3
3
2 Copyright © & (p) 1985, 2005 by Félix Rodríguez. All Rights Reserved.
 CVII
 3
½CII 2 allarg
4 4 3 II
53  3


4
1
  2  4 3

3 42
  

  0  3  1
3  1 3 
0
1  
 3 

½CIII
a tempo  3
56   14
  4  4 4
 3
4  
  21  2
 21
0  2    1  21  
2  2
  1   2
0 
1
0   0  
0  0  
3

 3 3   
3
½CVI 
60
  
  4    4
 3  4 3  4 1 
3 1
 1
2
1 1 1
   5
3
0
2 3
0 0 2
 2 2 
 3  0  0 
0 
3
 3
 3
3
3

2 CV 2 1 CII
64
3
 1    21 
 4
4
0    41   21 
4   4
2
4 0 4 3
2       3 3 0 5
  3  4 3 6 6 0 6 5
          3
 
  3   2 2 2
0  1
3 3
3 3 3 3 3

CV
68 4 4  4
4
   

3
3
 3
 
 13  1
3
2   1
  0 0 0 0
0
     2 4 0
0 0
3      3
3 3
  3 
2 CV 2 1 CII
72
 1 3
4
1

  21 4 4  0 4
 3    41
 3 4
 4 2  0 3 2
5
2
  3  4
3
6
 2
 3 6
  2  2 6
  3   00  5

0  1
3 3
3 3 3 3 3

 ½CV  
 4
   4 


76 4
 4  
4 4
 4  3 4    1


   1  2
3   1 3 
     0    23 4
0
0
  0
0
3  0     0
3 3
Copyright © & (p) 1985, 2005 by Félix Rodríguez. All Rights Reserved.
 3