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Bruno Latour
studiesof sciencebecause
Reflexivity is necessarilyat the heart of social
are sawing the branch upon
it i, ot"n u.gued that réhtivist sociologists
and Lukes' 1982;Ashmore'
*t i"n,n"y slt çWoolgar, 1982' 1983;Hollis
of the behaviour
iôei; I-u*.on, TSASJ.Éy mating social explanations
for their own explanations
oi n"**f scientiststhey make it-impossibla
ih"it atgt'-ents in feeding back on
to ù" ,"rioorly believiby anyone'
They are in effect self-conrradictory,
,r,À."iu". noturv their own claims. 'all Cretans
to the famous
or at least entangledin a sort of aporia similar
exceptby indefinite navel-
are liars', aporia from which they cannotescape
death'
;;;*: àung"rou, solipsism, insanity and probablv
A B
List of elements List of elements
to provide the to be explained
explanation
Scaleof powerfulexplanations
often has the literary characterof a story. This is what is called a 'descrip-
tion', and is often associatedwith the work of historians.
This account ofexplanations is all very well but, apart from the socio-
logical useof the word 'power', is still very much in keepingwith classic
discussionsin epistemology. To go further and define our own policy of
explanationwe shouldunderstandwhy there are two lists in the first place.
In other words, why should we want to explain anything?In what sort
of peculiar situation is an explanation necessaryand when is a powerful
explanation seen as inherently better than a weak one?
A strong explanation becomesnecessarywhen someonewishes to acl
at o distance(Latour, 1987). If you are in the settingx' you do not need
to explain it - practice and weak accounts will be sufficient. If you are
away from the setting and indifferent to it, you do not need to explain
it either - practice in the new settingx will do. If you are away and simply
remembering how it was when you were in settingr' you still do not need
powerful explanations - story-telling will do the job much better. You
start to need a stronger explanation when you are away and still wish to
act on the setting x'. Why? Becauseyou now have to be in two seftings
.r and r' at once. You needto hold in the setting x someelementsor features
of x'. 'Information' is the word often used to describe all the elements
of r' that can be mobilized. transferred. accumulated in x. Information
is the go-between,the mediation, the translator,lhe metaxuthat constantly
oscillates between the presenceof x' and its absence.
The Greek offer, as usual, the best mythology of the action at a distance,
through the use of carefully designedforms. After all, Thales is credited
with inventing geometry when, not wishing to climb on Kheops' pyramid,
he 'simply' measuredthe shadowsof a stick f,rrmly stuck in the ground
(Serres,1983).His ùeorem (the epitomeof powerful explanations)resulted
in the possibility of holding all the pyramids (existing, to be built and never
to be built) through the little calculationsheld irr the hands.What we so
much admire in the Greek miracle is a reversal of power relations: the
weakest, that is, a tiny people holding only shadows and paper-forms
becomestrongerthan the ancientand powerful Egyptianswith their heavy
stone pyramids. Holding the forms is tantamountto holding, in addition,
everything else. Platonism,through its many avatars,is the philosophy
ofthis fantasticenthusiasmfor a reversalofthe order ofpriority between
'shadows'and'things'. But the same processis at work for weaker
explanationsas well. Theorems are not the only technics that allow these
moves. All sciencesare defined first of all by the sort of elements they
extract from the settings,and then mobilize, accumulate,combine and
display: fossils, stuffed animals, photographs,trophies, questionnaires;
everything which, in one way or another, solvesthe problem of action at a
distance,hlls the gap, through the production of information, betweenthe
presenceofr' and its absence([,atour, 1986; Latour and de Noblet, 1985).
160 Bruno Latour
Disciplines
studied
Fictitious ic
Scientif
1 2
Coherent;anarchist Incoherent;our own
version;our own account is ridiculous
Fictitious account is as and does not threaten
fictitious and no science(versionoften
more serious held by scientists)
J 4
È
o Incoherent:our own Coherent;scientistic
account is privileged version;no threat
Scientific since socialscience to science
is firmer; asymmetric
sociologism
Meta-rellexiviry
For many writers the main deleterious effect of a text is to be naively
believed by readers. Readershave this bad habit, they say, of being
immediately taken-in by any story and being led to believe that there is
'out
something there' which is the referent of the text and which is in
correspondencewith the text. Many ancient and modern writers, wishing
to point the attention of the reader away from the referent have tried to
add reflexive elements that operate in the manner of so many caveats:
do not believe me, something else is at stake which is more important.
When they try to shift tle attention of the readerto the text thesewriters
are called 'deconstructionists' and are often associated with Derrida.
Vy'henwriters try to sway the attention of the reader to the very activity
of believing and making senseof something,they are sometimescalled
'ethnomethodologists'
andhaveGarfinkel as symbol. The deconstructionists
try to write texts in such a way that they neither refer to anything nor give
the impressionof presentingor representinganything. Ethnomethodologists
aim atjust the opposite,they write texts that, although by necessitydistant
from the settingthey describe,aim to give the impressionof being still
presentout there in the lived world of their subjects,without deformation
or transport. The stylistic goal is similar in both cases:render the text
unreadable so that the usual two-way link between the account and the
referent be interrupted and suspended.
In spite of their claims to novelty and post-modernism,thesewriters
too often forget that a third way of creating reflexive texts has been
practised for centuriesby writers who try to direct attention to the reader
The Politics of Explanation 167
himself, to his own life and fate. This redirection is obtained by many
religious texts, especially the New Testament, and implies a radical
rejectionof the whole businessof explanation(Péguy, 1914; t atour, 1975).
For instance, the story of the empty tomb in the Gospel of St Mark
(Mark 16) is not to be read as information about the distantempirical tomb
in the outskirts of Jerusalemsometime around Easter, AD 30, but about
the reader ofthe Gospel and the kind of signs he needsin order to under-
standfor himself that Jesusis alive, that he has risen from the dead. The
'Who
silly empirical question of the women will roll the stone away
from the entranceof the tomb?' (Mark 16:5) is replacedby the angel's
'He
admonishment, has risen, he is not here. Seethe placeswhere they
laid him.' The good reader of such a text is not the one who asksthe silly
question 'What really happenedthere? Would I find traces of the empty
tomb if I were to go to that place in Jerusalemand dig the ground?', but
the one who asks tle question: 'What is happeningto me, now, hearing
the angel's voice?Jesusis not really there, out there, any more. This is,
indeed, what the angel means. Stopsasking silly questions.He has risen.
He lives now.' And in the process,the readerbecomesthe writer or the
cornmentator, or the preacher of another text that transforms, translates,
embroidersand addsto the unbrokenchain of commentaries.For hundreds
of years (until the seventeenthcentury) every effort had been made to make
a normal 'linear' matter-of-factual reading of the Bible impossible. Not
surprisingly, when scientihcally-trainedexegetsstartedto read the Bible
in their new way most of the stories fell apart.
In terms of reflexivity, translation,cunning and cleverness,I am not
convinced that the post-modern deconstructionistsare any match for the
Evangelistsand Fathersof the Church. In comparisonthey play with very
few tools. Their meta-reflexiviry is obtainedby adding specihcparts about
the way texts or discoursesshould or should not be written (as I am doing
now). This is what is usually called methodology. In the end the only way
of writing a text that does not run the risk of being naively believed is
to write methodologically.The dire result of such a tack is visible in
the prose of Derrida and Garfinkel. If the prose was just unreadable,
not much harm would be done. But there is somethingworse in it; worse,
that is, from their own reflexive point of view. Deconstructionistsand
ethnomethodologists considerthat if enoughmethodologicalprecautions
are taken, then bener rcxB Oetter, that is, in the senseof texts which solve
the absence-presence quandary)can be written. Derrida really believes
that by all his tricks, cunning and entrapments,the texts he writes are
more deconstructedthan the column of a New York Times journalist writing
about the latest plane crash. Some of the followers of Garfinkel really
believe that once all the methodologicalprecautionshave beencarried out,
the lived-in world of the competent members can be presentedtruer to
life than in the gloss of a classicalsociologistsuch as Merton. Derrida
168 Bruno Latour
whole thing is no more and no less reflexive than any of the others in
the chain. Why can't they be orderedin a pile of reflexivelayers?Because
they are all texts or stories bearing on something else. There is no way
to order texts in layers becausethey are all equal. Texts, so to speak,
live in a democracy,as far as semioticsis concerned.The whole vertigo
of self-reference stems from the very naive belief that the same actor
appearsin both the first (down below) and last text (up there). Conversely,
reflexivists believe that when the text doesnot have the author as one of
its charactersit is /essreflexive than when it does, as if thesewere not,
in semioticterms, two similar ways of building the enunciation(Greimas
and Courtes, 1983; Bastide, 1985). Semiotically,the role played by the
Balinese in the first text is exactly that of Woolgar in his fifth degree
account.Insteadofriding piggy-backon one another,the accountssimply
stand side by side.
When Woolgar shows a photograph of himself writing a caption for
this same photograph in an article about a book on the observation of
observers,he seemsto suggestthat he is severalloops ofreflexivify above
'unproblematic'photograph
a 'naive' and of a nakednative. Semiotically
he hasnot moved an inch; the two pictures, sideby side,just show different
actorsand things. Woolgar's picture fails to abolishthe problem of distance
in the slightest.This also meansthat the original picture is in no way more
naive or lessreflexive than his. The picturesare on equal grounds,since
they both show things at a distanceand they both play with this distance.
There is no difference betweenshowing a woman planting rice in a paddy-
field, and a sociologistwriting a caption for his own photograph.The first
is no simpler than the second,any more than 'once upon a time' is more
'this
unproblematicthan is the first sentenceof the story'. The surrealists
'ceci n'est pas
delighted in little tricks like une pipe' and such aporia,
not becausethese broke away from common sense,as was claimed, but
becausethey believedthat common sensewas naively believing. If Woolgar
'playing
is right, then down the exoticism of the other' (this volume) means
we have to get rid of all theseloops, not becausethey are useless,but
becauseeveryoneelse makes use of them as well.
Infra-reJlexivity
Meta-reflexivity is counter-productivesince it makestexts less interesting,
less rich and less believable;like all others, these texts already suffer
from being uninteresting,poor, disputableor discredited!To think that
social studiesof sciencecan benefit from this form of reflexivity is, in
my view, a suicidalattitude, similar (in spite of the contrary impression
one might have) to the older ideathat a sociologicalaccountfull of statistics
and methodologicalcommitmentscan defend itself better than a 'plain'
journalistic account.
Fortunatelv.there is anotherdirection which allows us to maintainthe
170 Bruno Intour
freld to imitate those few genres that have gained hegemony in recent
time. To the few wooden tonguesdevelopedin academicjournals, we
shouldadd the many genresand stylesofnarration inventedby novelists,
journalists,artists,cartoonists,scientistsand philosophers.The reflexive
character of our domain will be recognized in the future by the multiplicity
of genres,not by the tediouspresenceof 'reflexive loops'. As Chairman
'Let
Mao said a hundred flowers bloom. . .' (althoughhe had them cut
rather short afterwards).
Conclusion
I have very briefly outlined some of the politics of explanation. I have
freed our enterprisefrom the simple-mindedargumentlevelled against
us (by rationalists) that it is self-contradictory. I then tackled the crucial
problem raisedby reflexive writers suchas Woolgar: we cannotinnocently
develop still anothersocial science.Although thesewriters have rightly
recognizedthe importanceof the problem, their solution, meta-reflexivity,
is too narrow and in the end sterile. I have argued for an alternative,
infra-reflexivity, and sketcheda few of its possible definitions. The
176 Bruno Latour
Discl.aimer
This is not a self-exemplifying text. My subtlerefereeaskedme to explain
why. I have no answerexcept this: 'why does this generationask ior a
miraculoussign?I tell you the truth, no sign will be given to it' (Mark g: 12).
Note
A version of this paper was read at Baillol college, oxford, in June 19g6 (S.
Lukes and
w. Newton-Smith's seminar on Explanation in the social Sciences). I thank
two eminenr
reflexivists who had the fairness to correct my English rather than my arguments.
Knowledge and ReflexivitY
New Frontiers in the SociologY
of Knowledge
edited bY
SteveWoolgar
SAGE Publications
London . Newbury Park ' Beverly Hills ' New Delhi
Editorial matter and Chapter 2 O Steve Woolgar 1988
Chapter I @ Steve Woolgar and Malcolm Ashmore 1988
Chapter 3 O Jonathan Potter 1988
Chapter 4 @ Teri Walker 1988
Chapter 6 @ Anna Wynne 1988
Chapter 7 G) Malcolm Ashmore 1988
Chapter 8 @ Bruno Latour 1988
Chapter 9 @ Trevor Pinch 1988
Chapter 5 is reprinted by kind permission from Michael Mulkay, The Word and the
World (London'. George Allen and Unwin, 1985), Chapter 4.
rsBN 0-8039-8120-l
The Contributors ix
Reflexion on Vy'oolgar 35
Reflexion on Potter 53
4 Whose Discourse? 55
Teri Walker
Reflexion on Walker 80
Bibliography 201
Index 2tl