to respond differently to a text each and every time he/she reads the text. As personal experiences and exposures to literature grow, a person’s response to a text changes. Readers focus on the aesthetic – the emotional response rather than the efferent – the informational component – of reading. Aesthetic reading also calls for empathy – the reader puts himself/herself in the place of characters to determine if the way a character reacts is realistic or morally similar to the reader’s response.
Salient Tenets of Reader-Response Theory
“A response paper expresses what you experienced in
reading and think about the assigned text…. [and] should reflect your background, values, and attitudes in response to the work, not what the instructor thinks about it” (Kennedy 1397).
Reader-Response Theory
encourages the reader to explore his/her
emotional response to a literary work. also expects readers to work as a community to share ideas and seek common ground (Lynn 69).
The Role of the Text in Reader-Response Theory
Any literary work/text cannot be enjoyed
unless a reader becomes actively involved in the words woven together. Instead of a literary work standing alone, a literary work is coordinately as important as the reader. The literary work depends upon the reader to assimilate[take in (information, ideas, or culture) and understand fully] and actualize [to make actual or real; turn into action or fact.] the text. As we read, it acts as a stimulus to which we respond in our own personal way. Feelings, associations and memories – these influence the way we make sense of the text. The literary work serves as a vehicle with a built-in GPS, while the reader drives the work to the final destination. Both work in concert to arrive at an understanding. The text acts as a blueprint that we can use to correct our interpretation when we have gone too far afield of what is written on the page.
Readers Reflect on Response, Not Interpretation
EFFERENT-INFORMATION , FACTS, IDEAS
CONTAINED IN THE TEXT AESTHETIC- PERSONAL RELATIONSHIP TO THE TEXT; EMOTIONAL ASPECTS