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1ST GRADING
GRADE 7
analyze identify reflect on appreciate incorporate trace the create crafts derive shows the show the mount an
relationship of
elements characteristi and derive the artifacts the design, external that can be elements relationship exhibit using
Luzon
and cs of arts the mood, and art form, and (foreign) locally from of the (highlands and completed
principles of and crafts in idea, or objects in spirit of the and internal assembled traditions/hi developmen lowlands) arts Luzon
VANGUARD
art in the specific message terms of highland/lo (indigenous) with local story of a t of crafts in and crafts to (highlands
Philippine
production areas in emanating their uses wland influences materials, community specific and
culture,
of one’s arts Luzon (e.g., from and their artifact and reflected in guided by for one’s areas of the traditions, and lowlands)-
and crafts papier selected distinct use object in the design local artwork country, history (Islamic inspired arts
inspired by mâché artifacts and of art one’s of an traditional according to influences, and crafts in
Spanish
the arts of [taka] from art objects elements creation artwork and techniques functionality an
heritage, and
Luzon Paete, and in the (e.g., habi, , traditional American organized
(highlands Ifugao wood principles making of a lilip, etc) specialized legacies in manner
and sculptures craft or expertise, education,
business,
lowlands) [bul’ul], artifact and
modernization,
Cordillera availability and
jewelry and of resources entertainment,
pottery, (e.g. as well as in
indigenous
tattoo, and pottery,
practices,
Ilocos weaving, fiestas, and
weaving and jewelry, religious and
pottery baskets) social practices)
[burnay],
etc.)
APOLLO
art in the in specific message terms of highland/lo (indigenous assembled story of a t of crafts in and crafts to Luzon
Philippine
production areas in emanating their uses wland ) influences with local community specific (highlands
culture,
of one’s arts Luzon (e.g., from and their artifact and reflected in materials, for one’s areas of the traditions, and and
and crafts papier selected distinct use object in the design guided by artwork country, history (Islamic lowlands)-
inspired by mâché artifacts of art one’s of an local according to influences, inspired arts
Spanish
the arts of [taka] from and art elements creation artwork and traditional functionality and crafts
heritage, and
Luzon Paete, objects and in the techniques , traditional American in an
(highlands Ifugao principles making of a (e.g., habi, specialized legacies in organized
and wood craft or lilip, etc) expertise, education, manner
business,
lowlands) sculptures artifact and
modernization,
[bul’ul], availability and
Cordillera of resources entertainment,
jewelry and (e.g. as well as in
indigenous
pottery, pottery,
practices,
tattoo, and weaving, fiestas, and
Ilocos jewelry, religious and
weaving baskets) social
practices)
and pottery
[burnay],
etc.)
Acebedo, Sunshine
Aguot, Mary-Ann P.
Agustin, Mitzh Harley G.
Alvarez, Rochelle S.
Bulan, Princess Faye Nicole R.
Cabusi, Angelyn B.
Calumag, Alyka D.
Castillo, April Joy S.
Corpuz, Rhea Mae D.
Dumlao, Loisa
Eguin, Jahmayca C
Fajardo, Morena Ricah Genille
Fuentes, Shajany
Gawat, Rona Jane P.
Gerardo, Mary Angelhyn M.
Mallari, Jamaicsa D.
Mallillin, Ma. Christianna
Robina P.
Manuel, Lea Jane
Miguel, Atanasha Erlnylle B.
Pineda, Kcirell Jaimee A.
Raguingan, Jemicah Mae C.
Ramil, Jazrieo C.
Reyes, Alyza Mignonette B.
Sapaden Kim Jashly L.
Ventura, Princess
Vertudazo, Gillian Mae P.
COMPETENCIES IN ARTS
1ST GRADING
GRADE 7
analyze identify reflect on appreciate incorporate trace the create derive shows the show the mount an
relationship of
elements characteris and derive the the design, external crafts that elements relationshi exhibit
Luzon
and tics of arts the mood, artifacts form, and (foreign) can be from p of the (highlands using
principles and crafts idea, or and art spirit of and locally traditions/ developme and lowlands) completed
MARINER
of art in in specific message objects in the internal assembled history of a nt of crafts arts and Luzon
crafts to
the areas in emanating terms of highland/lo (indigenou with local community in specific (highlands
Philippine
production Luzon from their uses wland s) materials, for one’s areas of culture, and
of one’s (e.g., selected and their artifact and influences guided by artwork the traditions, lowlands)-
arts and papier artifacts distinct use object in reflected in local country, and history inspired
(Islamic
crafts mâché and art of art one’s the design traditional according arts and
influences,
inspired by [taka] from objects elements creation of an techniques to Spanish crafts in an
the arts of Paete, and artwork (e.g., habi, functionalit heritage, and organized
Luzon Ifugao principles and in the lilip, etc) y, American manner
legacies in
(highlands wood making of traditional
education,
and sculptures a craft or specialized business,
lowlands) [bul’ul], artifact expertise, modernization
Cordillera and , and
entertainment
jewelry availability
, as well as in
and of indigenous
pottery, resources practices,
tattoo, and (e.g. fiestas, and
religious and
Ilocos pottery,
social
weaving weaving, practices)
and jewelry,
pottery baskets)
[burnay],
etc.)
VOYAGER
of art in in specific message objects in the internal assembled history of a nt of crafts arts and Luzon
crafts to
the areas in emanating terms of highland/lo (indigenou with local community in specific (highlands
Philippine
production Luzon from their uses wland s) materials, for one’s areas of culture, and
of one’s (e.g., selected and their artifact and influences guided by artwork the traditions, lowlands)-
arts and papier artifacts distinct use object in reflected in local country, and history inspired
(Islamic
crafts mâché and art of art one’s the design traditional according arts and
influences,
inspired by [taka] from objects elements creation of an techniques to Spanish crafts in an
the arts of Paete, and artwork (e.g., habi, functionalit heritage, and organized
Luzon Ifugao principles and in the lilip, etc) y, American manner
legacies in
(highlands wood making of traditional
education,
and sculptures a craft or specialized business,
lowlands) [bul’ul], artifact expertise, modernization
Cordillera and , and
entertainment
jewelry availability
, as well as in
and of indigenous
pottery, resources practices,
tattoo, and (e.g. fiestas, and
religious and
Ilocos pottery,
social
weaving weaving, practices)
and jewelry,
pottery baskets)
[burnay],
etc.)
Alejo, Gieyell T.
Antonio, Jhonrex M.
Barcarse, Christopher C.
Bartiquin, Noriel P.
Belda, Jonathan
Cabralda, Jay-Ar C.
Calaoagan, Christian C.
Canggas, Rjay C.
Cuntapay, Carlo R.
Dela Cruz, Richard D.
Felismenia, Johnsen B.
Guerrero, Ranie R.
Jasa, Gilbert M.
Javier, Ar-Jay C.
Lazaro, Arnold R.
Luis, James S.
Pascua, Jerome T.
Peňa, Jonathan L.
Peralta, Adriel M.
Reynoso, Efren M.
Saguilla, Marvin T.
Sebastian, Noriel D.
Sian, Jhon Andrei C.
Siriban, Edmhel P.
Tangonan, Jessie D.
Tomas, Jaymar C.
Tugade, Cristhoper G.
Umuso Ryan M.
Vega, John Lloyd A.
Viggaya, Jayson R.
Viloria, Mark James
SPUTNIK
art in the specific message terms of highland/lo (indigenous) with local story of a t of crafts in and crafts to Luzon
Philippine
production areas in emanating their uses wland influences materials, community specific (highlands
culture,
of one’s arts Luzon (e.g., from and their artifact and reflected in guided by for one’s areas of the traditions, and and
and crafts papier selected distinct use object in the design local artwork country, history (Islamic lowlands)-
inspired by mâché artifacts and of art one’s of an traditional according to influences, inspired arts
Spanish
the arts of [taka] from art objects elements creation artwork and techniques functionality and crafts in
heritage, and
Luzon Paete, and in the (e.g., habi, , traditional American an
(highlands Ifugao principles making of a lilip, etc) specialized legacies in organized
and wood craft or expertise, education, manner
business,
lowlands) sculptures artifact and
modernization,
[bul’ul], availability and
Cordillera of resources entertainment,
jewelry and (e.g. as well as in
indigenous
pottery, pottery,
practices,
tattoo, and weaving, fiestas, and
Ilocos jewelry, religious and
weaving baskets) social
practices)
and pottery
[burnay],
etc.)
ARISTOTLE
art in the countries in message terms of Southeast (indigenous assembled story of a t of crafts in of the Southeast
Southeast
production from their Asian ) influences with local community specific culture of Asian-
Asia: Indonesia
of arts and (batik , selected utilization artifacts that are materials, for one’s countries in the inspired arts
crafts Wayang artifacts and their and objects reflected in guided by artwork Southeast Southeast and crafts
inspired by puppetry); and art distinct use in one’s the design local Asia, Asian in an
Malaysia
the cultures objects of art creation of an traditional according to countries in organized
(modern batik,
of wau , and elements artwork and techniques functionality relation to manner
Southeast objects made and in the (e.g.,batik, , traditional Philippine
Asia from pewter); principles making of a silk specialized culture
Thailand (silk
craft or weaving, expertise
fabrics and Loi
Kratong artifact etc.) and
Lantern availability
Festival); of resources
Cambodia
(e.g.,
(Angkor Wat
and ancient pottery,
temples); weaving,
Singapore jewelry, and
(Merlion), etc
basketry)
Adversalo, Benz P.
Aglibot, Joevanie V
Andres, Jerd Bryken D.
Balbuena, Clark Ivanne
Cabus, Teejay C.
Camangeg, Jhon Best P.
Ceria, Aaron Dave
Diaz, John Dexter G.
Laguardia, John David M.
Lorenzo, Reymark C.
Macadangdang, Karl Andrei B.
Manarpaac, Anthony T.
Mariano, Alexis S.
Nacuray, Kent Lloyd A.
Pascua, Abdiel E.
Pascua, Sidney Aarol A.
Pasion, Erest Angelo V.
Pasion, Richmond
Purugganan, Dominic C.
Requilman, Ian Carl
Rivera, Earl Jade A
Rubianes, Anthony B.
Sagun, Luis S.
Tolentino, Van Darrel
Tapaoan, Jaybench C.
Tuzon, Ruzty I.
Acierto, Nicols S.
Agatep, Zychie B.
Alvarez, Sheree U.
Andam, Jherlyn I.
Astrero, Mila G.
Asuten, Mj Havenne M.
Caypuno, Daisy B.
Domingo, Roselyn B.
Grande, Mina Charisse S.
Laciste, Angel Rose L.
Magulod, Keith Allyson A.
Mamigo, Kimberly Shane A.
Mendoza, Reyna Mae A.
Pasion, Patricia Leonelle L.
Peralta, Althea Kate A.
Peralta, Sharlyn Faye R.
Piga, Princess Faye T.
Ramento, Claudine S.
Riniopa, Karyl Joice T.
Salud, Mary Joy T.
Serrano, Christine Mae C.
Viernes, Adrianne Frances
Ericka C.
COMPETENCIES IN ARTS
1ST GRADING
GRADE 8
analyze identify reflect on appreciate incorporate trace the create derive show the show the mount an
characteristics
elements and derive the artifacts the design, external crafts that elements relationship commonaliti exhibit
of arts and
and crafts in the mood, and art form, and (foreign) can be from of the es and using
principles of specific idea, or objects in spirit of and internal locally traditions/hi developmen differences completed
NEWTON
art in the countries in message terms of Southeast (indigenous assembled story of a t of crafts in of the Southeast
Southeast
production from their Asian ) influences with local community specific culture of Asian-
Asia: Indonesia
of arts and (batik , selected utilization artifacts that are materials, for one’s countries in the inspired arts
crafts Wayang artifacts and their and objects reflected in guided by artwork Southeast Southeast and crafts
inspired by puppetry); and art distinct use in one’s the design local Asia, Asian in an
Malaysia
the cultures objects of art creation of an traditional according to countries in organized
(modern batik,
of wau , and elements artwork and techniques functionality relation to manner
Southeast objects made and in the (e.g.,batik, , traditional Philippine
Asia from pewter); principles making of a silk specialized culture
Thailand (silk
craft or weaving, expertise
fabrics and Loi
Kratong artifact etc.) and
Lantern availability
Festival); of resources
Cambodia
(e.g.,
(Angkor Wat
and ancient pottery,
temples); weaving,
Singapore jewelry, and
(Merlion), etc
basketry)
GALILEO
art in the countries in message terms of Southeast (indigenous assembled story of a t of crafts in of the Southeast
Southeast
production from their Asian ) influences with local community specific culture of Asian-
Asia: Indonesia
of arts and (batik , selected utilization artifacts that are materials, for one’s countries in the inspired arts
crafts Wayang artifacts and their and objects reflected in guided by artwork Southeast Southeast and crafts
inspired by puppetry); and art distinct use in one’s the design local Asia, Asian in an
Malaysia
the cultures objects of art creation of an traditional according to countries in organized
(modern batik,
of wau , and elements artwork and techniques functionality relation to manner
Southeast objects made and in the (e.g.,batik, , traditional Philippine
Asia from pewter); principles making of a silk specialized culture
Thailand (silk
craft or weaving, expertise
fabrics and Loi
Kratong artifact etc.) and
Lantern availability
Festival); of resources
Cambodia
(e.g.,
(Angkor Wat
and ancient pottery,
temples); weaving,
Singapore jewelry, and
(Merlion), etc
basketry)
Agustin, Jerome L.
Angala, Ryan Jake B.
Apil, Robertnic D.
Bareng, Myles Dave J.
Batarina, Cjay D.
Cachola, Glenard
Colarito, Ryan A.
Cortes, Jan Aeriel
De Ocampo, Edrei Jay B.
Domingo, Reymund C.
Enriquez, Rv John Well E.
Figueras, Juver S.
Garana, Reynante G.
Genobebe, Jaylloyd C.
Gerardo, Daryl Q.
Hidalgo, Marlon
Ilac, Kurt Adane R.
Manglallan, Carl Andre
Matas, Jhon Mitch M
Palingayan, Mark Iveen C.
Ramos, Jhon Kevin F.
Salacup, Carl Angelo P.
Serrano, Cristopher L.
Subong, Romeo Jr.
Tayamin, Kevin Jiles S.
Ancheta, Larysa P.
Andres, Cherish C.
Baltazar Cristine U.
Bartiquin, Gracel P.
Cabaya, Clian Jade C.
Calina, Jamielle Rose M.
Dela Cruz, Maria Christel D.
Delos Santos, Princess April M.
Domingo, Cherie Lei M.
Lorenzo, Mary Rose P.
Magulod, Jemimah M.
Medrano, Ezrah Faye A.
Mendez, Joyce O
Naron, Jan Neuier I.
Peralta, Angelyne P.
Queza, Lerica Mae N.
Racadio, Janara S.
Ramones Zyril Anne V.
Sanchez, Michaela T.
Sumaoang, Aashbea Hanilie E.
Tabaog, Dyne Angel C.
Tolentino, Via Angela R.
Viernes, Leifeb Marie P.