Danda Nata

Danda Nata is a kind of ritualistic festival. It is performed during the Chaitra Purnima and
continues till the Pana Sankranti (Vishuva Sankranti) day. Chaitra and Baisakh are
considered to be most auspicious for the worship of Lord Shiva. The invocation of the
performances of Lord Shiva commences on the sixth day of the Meena Month, which
comes in the months of March-April. When the performances start, there are many
preliminary preparations made for the same for the first six days. After which, on the
eighth day, the Jhamu Jatra takes place and the rest of the thirteen days of the month are
exclusively meant for Danda Jatra.

Rituals in Danda Nata

The participants in a Danda Nata invoke the blessings of Lord Shiva to get blessed by a
child, to fulfil certain ambition, to get rid of sickness, seeking happiness in life, good
harvest or even peace and happiness to all the communities. Coincidentally, the total
number of pledge takers in Danda Nata is 13 and the number of days for the festival is
also 13. These vow takers are known as the `Bhoktas`. All the `Bhoktas` lead a very
pious life for 21 days of this festival and they avoid eating meat, fish or cohabiting during
this period.

Kamana Ghata carries an importance in Danda Nata. Ghata is the Pitcher, which is full of
water, and it holds a very important place in the performance, since it represents the body
and the water in it represents life. It represents the God invoked and hence worshipped
with strong belief. After the function, the pitcher is again brought to the water of a pond
or river with due care and immersed from where it had been brought.

A new pitcher is then taken to the pond or a river and water is filled in it, while the music
is played with the accompaniment of drums and blowing of conch shell. This pitcher is
first worshipped under a banyan tree and then taken out in a procession through the
village and then kept in a hut (made preferably in front of a Shiva`s temple), known as
the Kamana Ghara. Two pieces of cane-sticks represents `Hara` & `Gouri` and they are
kept near the Ghata and are worshipped with the pitcher. A sacred fire is also kept lighted
in the hut from which Pata-Bhokta lights up an oil lamp. As they light up the lamp the
Bhoktas yell with the word "Rushi Putre". Then resin and myrrh powder is thrown on the
lighted oil lamp, which turns a burning up with a flare and the `Bhoktas` yell the words
"Kala Rudramani Ho Joy".

The entire group of Danda Nata consisting of the `Bhoktas` and their colleagues go in
various villages in a procession with the band of musicians. There is no specific
declaration about where they are going to perform "Danda" in a day. Like the `Bhoktas`,
some common men also keep a vow in their mind for getting some mercy from Lord
Shiva. Seeing the procession, these vow takers clean up their houses with the help of
cow-dung, water, put floor designs with coloured powders and keep a jug full of water
ready. All this indicates an invitation to the group. After receiving such an invitation, the
group stops there. After some preliminary preparations the group lights up an oil lamp
and keeps it on in the verandah of the host and return to their place of camp. At mid day,
the group comes back to the same place and performs the Bhumi (Earth) Danda or Dhuli
(Dust) Danda.

Performance in Danda Nata

Danda Nata distinctly comprises of three phases. The first phase is of The Bhumi or
Dhuli Danda and it contains acrobatic & gymnastic steps, which are performed during
daytime. The second phase is of the Pani Danda, which means the performance of aquatic
feats during daytime. And third phase is The Danda Suanga, where the dance, music &
drama steps are performed during the night.

(1) The Bhumi or Dhuli Danda It comprises of a lot of physical exercises and acrobatic
techniques. The theme, in short sequences represent mainly the art of ploughing,
cultivation and harvesting. A few formations through human figures like pyramids are
displayed. Generally, the performance of Bhumi Danda is come on end by the afternoon
and the `Bhoktas` yell "Kala Rudramani Ho Joy" and proceed to the village pond for the
next phase.

(2) Pani Danda: This phase primarily consists of aquatic feats. Here, the group members
show their performance as they swim and form pyramids in water, whereas the musicians
play dhol & mohuri. Villagers gather around the pond or the riverside to watch these
skills. As the performance ends, the `Bhoktas` return to their camp and have their only
meal of the day and also starts preparing for the next performance, to be held at night.

(3) Danda Nata Suanga: In a Danda Nata, every character takes entry in the dance with
the accompanying music and gives his introduction, description of what the character is
all about. He does this along with his costume, by even giving a description of his way of
walking and make-up, while he sings or he dances. During a dialogue also the dance
actions are corroborated in between the dialogues. Both the speaker and the listening
character dance vigorously, in a course of the performance. This pattern is a regular
feature of the Danda Nata, which characterizes its identity from other types of performing
arts. The presentation of the Danda Nata performance is very simple as that of any
common `Jatra` of Orissa except the stage that they do not need a raised platform in the
center. Any open space or the village crossroad turns out to be an acting area, surrounded
by spectators on all the sides.

Music in Danda Nata

The chief accompanying musical instruments in a Danda Nata is the Dhol, a double-sided
drum and the mahuri, a wind instrument like shehnai. The other instruments, which are
used only in sequences of God characters, are the ghanta (bell metal disc), sankha (conch-
shell), kahali (Clarion) and the Johanna Brass alloy clappers. Apart from these, other
smaller instruments like ghungroo, ghagudi (small & big tinklers), dasakathi, ram tali
(wooden clappers), khanjani, ghooduki or dhuduki are also used. The characters
themselves as per requirements also play Dambaroo and bina etc. The Bina used by the
character "Binakara" in Danda Nata is not the type of "Bina" (the string instrument)
known popularly in case of musical instruments. The player Binakara holds the Bow in
his left hand raised and gives jerks gently that brings out the jingle in the rhythm and
music is played out of it.

The musicians sit at a side of an open arena nearer to the passage of artists. With playing
music they also turn to the Vesha Ghara (Screen Room) to lead a character to the arena.
The drummers not only play the drums through out the performance but also illustrate
their own skill and stamina by playing the drums with regular dances and acrobatics in
between the sequences.

Danda Nata thus is with all its rituals, performances still exists as one of the attractive art
forms of Orissa till date.

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