Академический Документы
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Diego Tonus translated informal encounters he had with an alleged counterfeiter into separate
artworks. Each holds a secret within. It is a work so simple in its conception, but complex in what
it does. The series of works meticulously follows a trajectory or narrative of suspicion that
gradually unfolds, yet at the same time continues to carry an air of mystery. This publication
serves as legal document and body of proof that Tonus has registered the practices and
strategies of Anonymous as his ideas in the register of the Benelux Office for Intellectual
Property, in order to make them available to an international audience.
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Textless newspaper with drawn compositions, borrowed from existing book covers, posters, and
paintings.
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Mark Manders was awarded the Van Lanschot Kempen Art Prize 2018, which is given annually to
a mid-career artist in the Benelux. This volume recognises this achievement in the form of an
extended English edition of 'Les etudes d'ombres' (2012), published in French and commissioned
by Carre d'Art in Nimes. Since 1986, Manders has continuously worked and expanded on the
notion of his 'Self-Portrait as a Building', producing artworks that resemble a fictional building,
with divisions between various rooms and levels, but the exact dimensions and shape of which
can never be determined. As such, his oeuvre forms a larger 'Gesamtkunstwerk' that fascinates
our imagination.
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