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Contents
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( 1
( THE BEAT AND ITS DIVISION
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Melody
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Step-wise Movement Plus lntervals in the Tonic 3
(/) Triad
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Rhythm
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Simple Time (Meter )-tbe Beat and its Division into
( Two Parts

( a. majar keys; treble ele(; time signatures ¡, ~ and

!; undotted notes; intervals of the thi~d. fourth, fifth,
e and octave in tonic triad

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b.
c.
dotted
bass
notes
ele(
1 'l'
. 1

( d. interval o( the sixth 11

( e. the holf note and eighth notes as beat units
f. minar keys
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1
1
1
Melody
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Step-wise Movement Plus lntervals in the Tonic 18
( Triad

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vii
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1#:
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( Rhythm a. intervols of the third in the IV triad
( Compound Time-the Beat and its Division into b. other intervols in the IV triad
Three Parts
( a. mejor keys
( b. minar keys
7 ,,
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( 3
Melody
lntervals in the IV Triad 60
t
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( Melody Rhythm
/nterva/s in the V Triad 25 Compound Time :1
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( Rhythm
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Simple Time 8
a. intervols ol the third in the V triad
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b. intervols o( fourths ond fifths ·in the V triad Melody
( c. intervols of rhe sixth in the V triad \¡
1. lntervals in Triads Other Than l, IV, and V 64 'il
d. intervals in the V1 chord
( 2. Other lnterval Problems
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J.:
Rhythm
( 4 Simple and Compound Time
a. diotonic intervols
( Melody b. chromotic tones not implying modulo/ion
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lntervals in the V and V7 Chords 38
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Rhythm
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Compound Time
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Melody
( No New Material
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78
( 5 1
1

Rhythm
( The C Clefs: the Alto and Tenor Clefs 45 Syncopation
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6 10
e Melody Melody
( Jntervals in the IV Triad 53 Modu/ation to C/osely Relatad Keys 87
( 'Rhythm Rhythm
( Simple Time Simple and Compound Time
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( viii
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( .Rhythm
a. modulo/ion to the key of the dominont
Simple and Compound Time
b. modulotion to o/her e/ose/y Te/oled keys
a. diatonic intervals
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b. chromatic tones not implying modula/ion
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( 14
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11 Melody
e , No New Material 134 i ,

( THE BEAT AND ITS SUBDIVIS1

.Rhythm
( Syncapation
( 11 ¡ a. syncopation in !he divided beal on/y, combined with
r l rhythmic problems in the subdivided beat
Melody 1
b. syncopation within thé subdivision of the beat
( lntervals in the 1, V, V7, and IV Chords 105

( 1
Rhythm 15
Simple Time -the . Beat and lts Subdivision into
1
( Four Parts Melody
a. intervo/s in /he / ond V lriods
( Madulation to Close/y Related Keys 142
b. intervols in /he V1 chord
( c. interva/s in !he IV triad !Rhythm
( 1 Simple and Compound Time

e 12
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( Melodv
lntervals in the 1, V, V7, and IV Chords 117
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( Rhythm
111
( Compound Time-the B~and lts Subdivision into
Six Parts
MORE DIFFICULT MELODIC
( a. intervals in the l. V. and V1 chords AND RHYTHMIC PROBLEMS
( b. intervals in the IV triad
( 16
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13 Review of Parts 1 and U..._,
Melodies More 159
( Difficult but Within the Melodic and
( Melody Rhythmic Limitations of Parts 1 and II
123 1
Other /nterval Problems
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X 1.-----:-.J
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17

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('1odal Melodies 173.
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( 18
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(Triplet Division of Undotted.Nore Values 185 Melod y
( )uplet Division of Dotted.Note Values step-wise movement plus
( intervals in the tonic (I) triad
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19 Rhythm
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r';hanging Time Signatures 202 simple time (meter) -'- the beat .
and its division into two parts
( ~ess Common Time Signatures
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20 The melodies of this chapter contoin a wide variety of intervals. The
problem of singing these intervals is mode easy because they are ali reodily
( "urther Subdivision of the Beat 217 recognizoble ports of the tonic triad. In E~ mejor, for example, these
intervols are :
(..._'heDivided Conductor's Beat
( 1 3 3 5 1 5 5 1 3 1 5 3
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21
@&\ i l 0 e 1 a 0
o
0 le 11
lo 11
le
a
10
11
11
( * M 3rd m 3'rd P Sth p 4th m 6th M 6th p 8Va

( .emote Modulation 227 * Mo:,major, ITI'-"minor, P=perfect.

e Before singing, the following plan of preporation is recommended :

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22 1. Determine the key.
( 2. Spell the tonic triad.

.omplex Rhythmic Probl~ms 3. Locote the tonic triad en the stoff .

239
4. Sean the melody for examples of intervals in the tonic triad.
('ombined with Difficult Melodic Lines 5. Sing the tonic triad.

( Try this procedure on the following melody :

( "cknowledgments 263
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r IJ r ¡J j J IJ 11
( xii
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