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Photograph by Karthika Gupta Some of the images never see the light of
A road trip in rural India was a photographer’s delight. But with these kinds day, and that is also intentional. So many
of opportunities comes the responsibility to accurately represent the story and times we put pressure on ourselves to
narrative along with balancing all other aspects of a travel assignment. have jaw-dropping images every time we
click that shutter.
This is very closely tied to the first tip. Before any photo
shoot, make sure you know exactly what the outcome is
going to be. For my lifestyle photo shoots, I like to have at
least 15-25 editable images. For my personal projects, I want
to make sure I have enough variety in terms of poses and
angles so that I can tell a complete story. Once I know what I
want to achieve, I can plan my photography time effectively
so I get the results I want.
This client shoot was done on a very dark and gloomy day
in Chicago with indoor overhead lighting. Going into the
shoot, I knew I wanted to bring out the connection shared
between this first-time mom and her son. Given the young
age of the child, I knew getting him to sit still would be
next to impossible. So I chose tight crops that focused on
emotion and connection between the two instead of wide
environmental shots.
Working with what we have instead of wishing for what we do not have is key for
a successful photoshoot. The client trusts you to make it work no matter what, so
be prepared for anything. My story (a.k.a. the plan for this shoot) was all about the
connection between two people, and this mom was extremely pleased with the end result!
Before getting to any photo shoot, I highly trees everywhere, but most days have an 80% chance
recommend scouting the location ahead of time. of rain and thunderstorms, so I always have a primary
I have been in situations where I have gone to a session date and a backup session date in mind
location only to find out that it was closed to the when I schedule my photo shoots. In situations where
public or under renovation. I have even had one a reschedule is not possible, improvise and always
wedding client change her schedule for photos have a Plan B.
because she found out late that the local marathon
was scheduled for the exact time we were going to Background and environment is just as important for
do bridal portraits. a successful photo as subject matter, lighting, and
props.
A little research and preparation ahead of time go a
long way to helping you achieve your photographic Key Lesson: Knowing the environment
goals for a particular photo shoot. Another key tip provides insight as to what might make a
is to plan for any weather-related mishaps. Here in dramatic picture. Use your knowledge.
Chicago, April and May are gorgeous, with blooming
I was testing out some gear, and it was one of the coldest days in Chicago. I knew the skating rink would have people there no matter what, and I
was able to get some iconic Chicago landscapes in the frame: the bean, downtown, and locals who are weather resistant!
Photograph by Karthika Gupta Key Lesson: Learning who you are, in a creative
My client really wanted photos in her traditional attire, and by choosing a location sense, is a huge step toward becoming a competent
with complementary colors and tones, I was able to create images she loved as photographer.
well as maintain my photography style: fresh, natural, and outdoors.
Notice how I put gear last on the list for elements of a good
photograph. I truly believe that gear is secondary to all the other
things I have listed above: vision, confidence, skill, planning,
etc. But having the right gear does make it easy to execute all
that you set out to achieve. Do I think you need the latest and
greatest gear there is to achieve a good image? No. But at the
same time, know what your gear can and cannot achieve. It
is very difficult to create motion blur of water from a waterfall
without a tripod and a camera that lets you manually slow the
shutter speed.
I always loved double exposures and for the longest time thought you had to
have a film camera to get these kind of creative photos. But once I realized I
had the tool all along, I haven’t been able to stop! And my clients love these kind
of creative shots that showcase something unique about their images.
4. What does knowing the environment that you will be taking a picture in provide?
5. How can learning who you are (in a creative sense) help you?
7. Can you create great photography without good knowledge of your equipment?