The Business Model Canvas Key Partners Key Activities Value Proposition Customer Relationships Customer Segments - Performing artists -Intimate, secret concerts -Ensuring that people get -Each customer expects Creating value for those - Volunteer staff in non-traditional settings genuine connections with electric live sessions with customers who love - Hosts -Volunteer staff that take artists and their music in mostly emerging artists mystery when it comes to -YouTube to reach more the tickets intimate settings at an made possible by SoFar music people Our Distribution Channels affordable price Sounds Also for those who are -SoFar operated cities -Secret locations and music Customer’s Problem -Already established sick and tired of loud, Key Suppliers performed in non- solved customers include the disrespectful audiences at - Everyday spaces like living traditional settings as living -Giving them live carefully curated ones live shows, bars, and clubs rooms and retail shops rooms and basketball performances and gigs that screened via the website as Most important customers Key Resources from courts are intimate and that do guaranteed ticket payers are those who pay for the Partners Customer Relationships not have to be tiny spaces -They pay for guaranteed guaranteed tickets -Spaces for the performing -Strong established ones with so many people or tickets artists with guest screening small venues with music -The rest are integrated -Technology as standard through a lottery system but with people talking, with the business model by ticketing platform on Revenue Streams texting, drinking, or even being considered ready and website where guests apply -Quite a number of gigs too loud to hear. willing to pay to jump the through a lottery system every month Bundles of Products queue Key Activities -Ensuring that there are -Pop-up gigs with live music - Tickets not so costly as -Providing small spaces for average ticket-buying sessions for all customers they’re affordable the performing artists guests that pay an average -The gigs are secret, and considering the settings of -Making the small spaces price intimate concerts featuring music and the assurance available for performing -Guaranteed tickets and mostly emerging artists for that they will see artists in artists non-guaranteed ones for a particular invited, intimate settings. new fans engaged audience. Customer Need
Bplan: The UC Berkeley Startup Competition
Key Resources Being assured of live Channels -Locations by hosts performances in secret, -YouTube -Volunteering hosts and intimate settings -Word of Mouth by guests guests from the SoFar Sounds gigs -Guests ready to host Already reaching customer shows segments through -YouTube to show videos YouTube and word of of the intimate gigs and mouth settings to attract new Both work best, YouTube target audiences for seeing live shows and -Platform for screening guests to let targets know guests to get the best, of how they are paying ones -Word of mouth cost- -Achieving growth while efficient retaining the underground -Ensuring that the gigs are cache for performers in so well-done that partner cities across the customers want to pay and world videos are professional enough to attract new audiences Cost Structure Revenue Streams -Most important costs inherent are website maintenance, social media - Customers willing to pay for the intimate live shows by secret marketing, host fees, pay for volunteer staff members, and fees to pay emerging artists the artists performing at each gig -They are already paying for the secret venues and artists and for the -Most expensive resources are the artists and their pay private events -Volunteer staff payments also expensive -customers pay online via SoFar Sounds’ platform where they’re -Most expensive activities include the holding of the pop-up gigs at screened random, every month, at different international locations -They might pay online or at the specific shows at the door for those -Receiving customer feedback and potentially poor customer service who are new but do not trust that the gigs are really worth paying for could be an expensive activity for the marketing team -Each revenue stream is undefined for there are new customers paying for guaranteed tickets, some returning ones. -Each gig pays performers between $50 and $100, and makes approximately 5 to 10 times the pay, meaning approximately $1000 as revenue before expenses per gig