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Team or Company Name: Date:

SOFAR SOUNDS MM/DD/YY


The Business Model Canvas
Key Partners Key Activities Value Proposition Customer Relationships Customer Segments
- Performing artists -Intimate, secret concerts -Ensuring that people get -Each customer expects Creating value for those
- Volunteer staff in non-traditional settings genuine connections with electric live sessions with customers who love
- Hosts -Volunteer staff that take artists and their music in mostly emerging artists mystery when it comes to
-YouTube to reach more the tickets intimate settings at an made possible by SoFar music
people Our Distribution Channels affordable price Sounds Also for those who are
-SoFar operated cities -Secret locations and music Customer’s Problem -Already established sick and tired of loud,
Key Suppliers performed in non- solved customers include the disrespectful audiences at
- Everyday spaces like living traditional settings as living -Giving them live carefully curated ones live shows, bars, and clubs
rooms and retail shops rooms and basketball performances and gigs that screened via the website as Most important customers
Key Resources from courts are intimate and that do guaranteed ticket payers are those who pay for the
Partners Customer Relationships not have to be tiny spaces -They pay for guaranteed guaranteed tickets
-Spaces for the performing -Strong established ones with so many people or tickets
artists with guest screening small venues with music -The rest are integrated
-Technology as standard through a lottery system but with people talking, with the business model by
ticketing platform on Revenue Streams texting, drinking, or even being considered ready and
website where guests apply -Quite a number of gigs too loud to hear. willing to pay to jump the
through a lottery system every month Bundles of Products queue
Key Activities -Ensuring that there are -Pop-up gigs with live music - Tickets not so costly as
-Providing small spaces for average ticket-buying sessions for all customers they’re affordable
the performing artists guests that pay an average -The gigs are secret, and considering the settings of
-Making the small spaces price intimate concerts featuring music and the assurance
available for performing -Guaranteed tickets and mostly emerging artists for that they will see artists in
artists non-guaranteed ones for a particular invited, intimate settings.
new fans engaged audience.
Customer Need

Bplan: The UC Berkeley Startup Competition


Key Resources Being assured of live Channels
-Locations by hosts performances in secret, -YouTube
-Volunteering hosts and intimate settings -Word of Mouth by guests
guests from the SoFar Sounds gigs
-Guests ready to host Already reaching customer
shows segments through
-YouTube to show videos YouTube and word of
of the intimate gigs and mouth
settings to attract new Both work best, YouTube
target audiences for seeing live shows and
-Platform for screening guests to let targets know
guests to get the best, of how they are
paying ones -Word of mouth cost-
-Achieving growth while efficient
retaining the underground -Ensuring that the gigs are
cache for performers in so well-done that
partner cities across the customers want to pay and
world videos are professional
enough to attract new
audiences
Cost Structure Revenue Streams
-Most important costs inherent are website maintenance, social media - Customers willing to pay for the intimate live shows by secret
marketing, host fees, pay for volunteer staff members, and fees to pay emerging artists
the artists performing at each gig -They are already paying for the secret venues and artists and for the
-Most expensive resources are the artists and their pay private events
-Volunteer staff payments also expensive -customers pay online via SoFar Sounds’ platform where they’re
-Most expensive activities include the holding of the pop-up gigs at screened
random, every month, at different international locations -They might pay online or at the specific shows at the door for those
-Receiving customer feedback and potentially poor customer service who are new but do not trust that the gigs are really worth paying for
could be an expensive activity for the marketing team -Each revenue stream is undefined for there are new customers paying
for guaranteed tickets, some returning ones.
-Each gig pays performers between $50 and $100, and makes
approximately 5 to 10 times the pay, meaning approximately $1000 as
revenue before expenses per gig

Bplan: The UC Berkeley Startup Competition


Bplan: The UC Berkeley Startup Competition

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