Академический Документы
Профессиональный Документы
Культура Документы
fieri Century
to untie the silks at the end of the trick.
M odestly, of course, this title is intended
to indioate that this version of the Twen-
tieth Century Trick represents a Century of Tie the star corner of the flag to a corner
Progress, so far as the working is concerned. of the red silk, making a small tight knot.
The effect is as usual; but the flag appears Spread the red silk out on the table, twist the
between two ordinary and unfaked 18 inch silks, flag into a very loose rope, and lay it along
and there is no switch. Further, the silks are the left hand side of the red silk (Fig. 1 ) .
shown to be really separate in the first place, The knot should be folded slightly in, as shown.
no Sympathetic Silk principle being used. Double the flag back at the middle, and bring
the prepared end up past the knot (Fig. 2 ) . Now
Having gone through the usual routine of roll the red silk from the left hand side (Fig.
whetting the reader's appetite — magicians are 3 ) , so that the flag is enclosed in the red
all potential ad writers — let's get down to silk and only the prepared corner protrudes.
the business of describing the working. The (Pig. 4) After you have done the rolling,
silks should be 18 inches or larger, and the shake the silk to loosen up the outside folds
flags (we may as well break down and admit you a little, so that the silk will hang much the
need duplicates) should be in proportion, about same as an unprepared silk does when it is held
18 by 12 inches for 18 inch silks. We will sup- by the corner. Lay the red silk on your table
pose that the silks are red and orange. with the orange silk, also stretched out dia-
gonally, lying over it and concealing the faked
To prepare, take the corner of one of the tip of the flag. Place the duplicate flag be-
flags which Is diagonally opposite the field of side them, and you are ready to proceed.
stars, and either dye it red to match the red
silk, or sew a piece of red silk to the flag. In presenting, pick up the silks, take the
Canadian magicians will, of course, use the red one In the right hand and the orange in the
Canadian flag, in which case no preparation at
all is necessary, and a spectator may be allowed (please turn to page 157)
Dear Sir* course, under the above circumstances I handled the superior qual-
i.ty Fairplay Publishers edition of the ENCYCLOPEDIA of Card Tricks
and so did all other dealers I know of. I realized that a lot of magic-
,hich you ians could not spare ten dollars all at one time — but could buy it in
Card Trick" five volumes one at a time at $2.00 per volume.
following*
What objection could Mr. Gravatt possibly have to some of the ORIGINAL
I s n ' t Mr. o^, AUTHORS whose material he took receiving afterwards a few dregs of the
profit from their publications which he had taken from them. Surely,
if they have no right to their own material they still had spent money
in printing and advertising books for the Magical public, which they ex-
pected to at least have returned to them? This does seem fair.
To my utter amazement Mr. Gravatt does object. If he took their orig-
inal writings from their dozens of books — why cap1t they in turn TAKE
BACK their own propertyCtaken from their, own books)from his OEE book?
If it is fair for one why is not fair for the other?
However, for-getting all this analysis I'd like to ask just one quest-
ion of Mr. Gxavatt — and forget everything elae.
BY WHAT RIGHT DOES MR. GRAVATT CLAIM THAT THIS MATERIAL WHICH
HE COPIED PIECEMEAL OUT OF THE BOOKS OF AL BAKER, R.W. HULL, HOWARD
Lane, « ALBRIGHT, UP. GRAHT, D. VERHOH, ETC., ETC., ETC., — HAS HOW
charge SUDDENLY BECOME THE EXCLUSIVE PROPERTY OF MR. GRAVATT??? If the
material and writings were not the exclusive property of 12 otha:
writere from whose books (copyrighted books') he took them — - how
does this same material suddenly become his own exclusive and per-
sonal property which no one else can use? I admit it is all too
much for me. WHAT DO YOU THIHK MR. AHHEMAHH?
Most sincerely
/BURLIHG HULL
BH:BS
L\( \t ' P.S. Ho I did not publish the Improved Pairplay Edition of
the ENCYCLOPEDIA — but I certainly think it 1 B a great
IDEA and — I OHLY WISH I HAD THOUGHT OF IT MYSELPl
(continued from page 153) Mr. James went so far as to obtain a real
heavy magnet bar from a flour mill. Being used
left, and tie the orange silk around the pro- in one of the chutes to catch any metallic sub-
truding, prepared corner of the flag. Bundle stances before they passed through the rollers,
them up slightly, and give them to a spectator it was much stronger than usual. With this un-
to hold. Vanish the other flag by your favor- der the coat, and the envelopes held by one
ite method, then taking hold of the end of the corner so the coin drops to the bottom, the
red silk and flicking the silks from the speo- pull of the magnet when envelopes are held near
tator's hands. The flag comes out of the folds will cause the correct envelope to sway towards
of the red silk, and appears tied between them. it and the attraction of the magnet is obvious.
If you are working for magicians and want to The ones who can see in this principle, good
put in an added touch, it is possible to let possibilities for a master pocket and publicity
the red silk hang for a moment from the orange trick will no doubt devise their own method
after the knot has been tied. This is done by for handling and concealing the magnet.
tying a rather loose knot around the prepared
corner of the flag, and catching the edge of The fact that both the envelopes and coins
the red silk In the knot. This will allow It to are totally unprepared and handled freely by
hang as described, and will even permit silks the spectators is what makes this a challenge
to be given a slight shake. trick that can't be duplicated.
The silks should be held in the left hand,
and the performer should be standing to the
right of his table. To release the red silk
from the knot, the right hand approaches the
corner of the orange silk which is held by the
left, and the left hand draws the silk through
the right until the knot is reached. While you
are asking for a volunteer to hold the silks,
the right fingers push the knot down until it
is clear of the red silk. If you prefer, this
may be done quite openly, under the pretense of (THE WORD ON THE PAGE. (Annemann)
tightening the knot. The trick is then finished
ack on June 9th, 1932, I met this cute prin-
as described above. For the ordinary audience,
however, 14113 is a rather unnecessary r-efinement. B ciple which I've used many times since for
an almost impromptu book or magazine test in
If you are not working close to the audience, homes and at parties. With a minute's access to
the silks may be placed in a drinking glass on the book and four minutes with the deck you have
your table, instead of giving to a spectator. as clean out a test as is possible unless you
happen to be on of those genuine telepathiats.
(Ed., If one doesn't want to use a flag, a
possible combination of silk3 can be red, green, The deck stack of 14-15 is generally known
and one of the vari-colored silks on the market. now among magicians, but that is as far as they
These are nice looking, and the varied colored have gone with it. To those who don't know the
silk can be colored at the corner protruding.) set up idea it is a case of arranging the values
(disregarding suits) so that any two cards from
any spot in the deck together will total, when
added, either 14 or 15. For instance - 7-8-6-9-
5-10-4-J-3-Q-2-K-A-K-2-Q-3-J-4-10-5-9-6-8-7-7-
etc., until all cards are used up except two
Aces which can be left in the case or pocket.
This deck can be cut indefinitely and two cards
removed together will make 14 or 15 when added.