Live Device Mapping

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LIVE DEVICE MAPPINGS
INSTRUMENTS ............................................................................................................... 2
ANALOG .................................................................................................................................................. 2
COLLISION .............................................................................................................................................. 3
ELECTRIC ................................................................................................................................................ 4
IMPULSE .................................................................................................................................................. 5
OPERATOR .............................................................................................................................................. 5
SIMPLER .................................................................................................................................................. 6
SAMPLER................................................................................................................................................. 7
TENSION .................................................................................................................................................. 9
MIDI EFFECTS.............................................................................................................. 10
ARPEGGIATOR ..................................................................................................................................... 10
CHORD ................................................................................................................................................... 11
NOTE LENGTH...................................................................................................................................... 11
PITCH...................................................................................................................................................... 12
RANDOM ............................................................................................................................................... 12
SCALE .................................................................................................................................................... 12
VELOCITY ............................................................................................................................................. 12
AUDIO EFFECTS .......................................................................................................... 13
AUTO FILTER........................................................................................................................................ 13
AUTO PAN ............................................................................................................................................. 13
BEAT REPEAT....................................................................................................................................... 13
CHORUS ................................................................................................................................................. 14
COMPRESSOR....................................................................................................................................... 14
CORPUS.................................................................................................................................................. 14
DYNAMIC TUBE................................................................................................................................... 15
EQ EIGHT............................................................................................................................................... 15
EQ THREE .............................................................................................................................................. 17
EROSION................................................................................................................................................ 17
FILTER DELAY ..................................................................................................................................... 17
FLANGER............................................................................................................................................... 18
FREQUENCY SHIFTER ........................................................................................................................ 18
GATE ...................................................................................................................................................... 18
GRAIN DELAY ...................................................................................................................................... 18
LOOPER.................................................................................................................................................. 19
MULTIBAND DYNAMICS ................................................................................................................... 19
OVERDRIVE .......................................................................................................................................... 20
PHASER.................................................................................................................................................. 20
PING PONG DELAY.............................................................................................................................. 21
REDUX ................................................................................................................................................... 21
SATURATOR ......................................................................................................................................... 21
RESONATORS ....................................................................................................................................... 21
SIMPLE DELAY .................................................................................................................................... 22
UTILITY ................................................................................................................................................. 22
REVERB ................................................................................................................................................. 22
VINYL DISTORTION............................................................................................................................ 23
VOCODER.............................................................................................................................................. 23
1
INSTRUMENTS
ANALOG
Bank 1: Oscillators
Encoder 1: OSC 1 Level
Encoder 2: OSC 1 Octave
Encoder 3: OSC 1 Semi
Encoder 4: OSC 1 Shape
Encoder 5: OSC 2 Level
Encoder 6: OSC 2 Octave
Encoder 7: OSC 2 Semi
Encoder 8: OSC 2 Shape
Bank 2: Filters
Encoder 1: F1/F2 Mix for OSC 1
Encoder 2: F1 Freq
Encoder 3: F1 Reso
Encoder 4: F1 Type
Encoder 5: F1/F2 Mix for OSC 2
Encoder 6: F2 Freq
Encoder 7: F2 Reso
Encoder 8: F2 Type
Bank 3: Filter Envelope

Encoder 1: F1 Attack
Encoder 2: F1 Decay
Encoder 3: F1 Sustain
Encoder 4: F1 Release
Encoder 5: F2 Attack
Encoder 6: F2 Decay
Encoder 7: F2 Sustain
Encoder 8: F2 Release
Bank 4: Filter Modulation

Encoder 1: F1 On/Off
Encoder 2: F1 Frequency < LFO1
Encoder 3: F1 Frequency < Env
Encoder 4: F1 Resonance < LFO1
Encoder 5: F2 On/Off
Encoder 6: F2 Frequency < LFO2
Encoder 7: F2 Frequency < Env
Encoder 8: F2 Resonance < LFO2
Bank 5: Volume Envelopes

Encoder 1: AMP1 Attack
Encoder 2: AMP1 Decay
Encoder 3: AMP1 Sustain
Encoder 4: AMP1 Release
Encoder 6: AMP2 Decay
Encoder 7: AMP2 Sustain
Bank 6: Mix
Encoder 1: AMP1 Level
Encoder 2: AMP1 Pan
Encoder 4: LFO1 Shape
2
Encoder 5: LFO1 Rate
Encoder 5: AMP2 Level
Encoder 6: AMP2 Pan
Encoder 7: LFO2 Level
Encoder 8: LFO2 Rate
Bank 7: Output
Encoder 1: Volume
Encoder 2: Noise On/Off
Encoder 3: Noise Volume
Encoder 4: Noise Color
Encoder 5: Uni On/Off
Encoder 6: Uni Detune
Encoder 7: Vib On/Off
Encoder 8: Vib Amount
Best of Bank
Encoder 1: Filter Frequency
Encoder 2: Filter Resonance
Encoder 3: OSC1 Octave
Encoder 4: Vib On/Off
Encoder 7: Uni On/Off
Encoder 8: Volume
COLLISION
Bank 1: Mallet
Encoder 1: Mallet On/Off
Encoder 2: Mallet Volume
Encoder 3: Mallet Noise Amount
Encoder 4: Mallet Stiffness
Encoder 5: Mallet Noise Color
Bank 2: Noise
Encoder 1: Noise Volume
Encoder 2: Noise Filter Type
Encoder 3: Noise Filter Freq
Encoder 4: Noise Filter Q
Encoder 5: Noise Attack
Encoder 6: Noise Decay
Encoder 7: Noise Sustain
Encoder 8: Noise Release
Bank 3: Resonator 1, Set A

Encoder 1: Res 1 Decay
Encoder 2: Res 1 Material
Encoder 3: Res 1 Type
Encoder 4: Res 1 Quality
Encoder 5: Res 1 Tune
Encoder 6: Res 1 Fine Tune
Encoder 7: Res 1 Pitch Env.
Encoder 8: Res 1 Pitch Env. Time
Bank 4: Resonator 1, Set B

Encoder 1: Res 1 Listening L
Encoder 2: Res 1 Listening R
Encoder 3: Res 1 Hit
Encoder 4: Res 1 Brightness
3
Encoder 5: Res 1 Inharmonics
Encoder 6: Res 1 Radius
Encoder 7: Res 1 Opening
Encoder 8: Res 1 Ratio
Bank 5: Resonator 2, Set A

Encoder 4: Res 2 Quality
Encoder 6: Res 2 Fine Tune
Encoder 7: Res 2 Pitch Env.
Encoder 8: Res 2 Pitch Env. Time
Bank 6: Resonator 2, Set B

Encoder 1: Res 2 Listening L
Encoder 2: Res 2 Listening R
Encoder 3: Res 2 Hit
Encoder 6: Res 2 Radius
Encoder 7: Res 2 Opening
Encoder 8: Res 2 Ratio
Best-of Bank
Encoder 8: Volume
ELECTRIC
Bank 1: Mallet and Tine
Encoder 2: Mallet Strength
Encoder 3: Noise Pitch
Encoder 4: Noise Decay
Encoder 5: Noise Level
Encoder 6: Fork Tine Color
Encoder 7: Fork Tine Decay
Encoder 8: Fork Tine Level
Bank 2: Tone and Damper

Encoder 1: Fork Tone Decay
Encoder 2: Fork Tone Level
Encoder 3: Fork Release
Encoder 4: Damper Tone
Encoder 5: Damper Att/Rel
Encoder 6: Damper Level
Bank 3: Pickup
Encoder 1: Symmetry
Encoder 2: Distance
Encoder 3: Input
Encoder 4: Output
4
Encoder 5: Pickup Type
Bank 4: Modulation
Encoder 1: Mallet Stiffness < Velocity
Encoder 2: Mallet Stiffness < Key
Encoder 3: Mallet Strength < Velocity
Encoder 4: Mallet Strength < Key
Encoder 5: Noise < Key
Encoder 6: Fork Tine < Key
Encoder 7: Pickup Output < Key
Bank 5: Global
Encoder 1: Volume
Encoder 2: Polyphony
Encoder 3: Semitone
Encoder 4: Detune
Encoder 5: Keyboard Stretch
Encoder 6: Pitchbend Range
Best-of Bank
Encoder 2: Mallet Force
Encoder 3: Noise Level
Encoder 4: Fork Tine Level
Encoder 5: Fork Tone Level
Encoder 6: Fork Release
Encoder 7: Damper Level
Encoder 8: Volume
IMPULSE
Banks 1-8: Pads 1-8
Encoder 1: Start
Encoder 2: Transp (Transposition)
Encoder 3: Stretch
Encoder 4: Drive
Encoder 5: Freq (Filter cutoff frequency)
Encoder 6: Res (Filter resonance)
Encoder 7: Pan
Encoder 8: Pad Volume
Best-of Bank
Encoder 1: Global Time
Encoder 2: Global Transpose
Encoder 3: Transpose Pad 1
OPERATOR
Banks 1-4: Oscillators 1-4
Encoder 1: Attack
Encoder 2: Decay
Encoder 3: Sustain
Encoder 4: Release
Encoder 5: Coarse
5
Encoder 6: Fine
Encoder 7: Level<Vel
Encoder 8: Level
Bank 5: LFO
Encoder 1: Attack
Encoder 2: Decay
Encoder 3: Sustain
Encoder 4: Release
Encoder 5: Rate
Encoder 6: Mod (Modulation amount)
Encoder 7: Waveform
Encoder 8: Rate<Key
Bank 6: Filter
Encoder 1: Attack
Encoder 2: Decay
Encoder 3: Sustain
Encoder 4: Release
Encoder 7: Freq<Vel
Encoder 8: Envelope
Bank 7: Pitch Mod

Encoder 1: Attack
Encoder 2: Decay
Encoder 3: Sustain
Encoder 4: Release
Encoder 5: Initial
Encoder 6: Time (Glide Time)
Encoder 7: Pitch Env (Pitch envelope amount)
Encoder 8: Spread
Bank 8: Routing
Encoder 1: Time<Key
Encoder 2: Pan
Encoder 3: Key (Key<Pan)
Encoder 4: Rnd (Rnd<Pan)
Encoder 5: Algorithm
Encoder 6: Time
Encoder 7: Tone
Encoder 8: Volume
Best-of Bank
Encoder 1: Coarse Osc A
Encoder 2: Level Osc B
Encoder 3: Coarse Osc B
Encoder 4: Fine Osc B
Encoder 5: Filter Freq (Filter cutoff frequency)
Encoder 6: Filter Res (Filter resonance)
Encoder 7: Time
Encoder 8: Tone
SIMPLER
Bank 1: Volume Envelope | Loop
Encoder 1: Attack
Encoder 2: Decay
Encoder 3: Sustain
6
Encoder 4: Release
Encoder 5: Start (Sample start)
Encoder 6: Loop (Loop length)
Encoder 7: Length (Sample length)
Encoder 8: Fade (Loop crossfade amount)
Bank 2: Filter
Encoder 1: Attack
Encoder 2: Decay
Encoder 3: Sustain
Encoder 4: Release
Encoder 7: Vel (Filter cutoff < Velocity)
Encoder 8: Env (Filter envelope amount)
Bank 3: LFO
Encoder 1: Attack (LFO attack time)
Encoder 2: Rate
Encoder 3: Key (LFO rate < Key)
Encoder 4: Type
Encoder 5: Volume < LFO
Encoder 6: Filter cutoff < LFO
Encoder 7: Pitch < LFO
Encoder 8: Pan < LFO
Bank 4: Pitch Envelope | Global

Encoder 1: Attack
Encoder 2: Decay
Encoder 3: Sustain
Encoder 4: Release
Encoder 5: Glide (Glide time)
Encoder 6: Spread
Encoder 7: Pan
Encoder 8: Volume
Best-of Bank
Encoder 1: Start (Sample start)
Encoder 2: Loop (Loop length)
Encoder 3: Length (Sample length)
Encoder 4: Volume envelope Attack
Encoder 5: Volume envelope Decay
Encoder 6: Volume envelope Release
Encoder 7: Filter Freq (Filter cutoff frequency)
Encoder 8: Filter Res (Filter resonance)
SAMPLER
Bank 1: Volume
Encoder 1: Volume
Encoder 2: Attack
Encoder 3: Decay
Encoder 4: Sustain
Encoder 5: Release
Encoder 6: Volume<Vel
Encoder 7: Global Time<Vel
Encoder 8: Global Time
Bank 2: Filter
Encoder 1: Filter Type
7
Encoder 2: Filter Morph
Encoder 3: Filter Freq
Encoder 4: Filter Res
Encoder 5: Filter Vel
Encoder 6: Filter Key
Encoder 7: Filter Env
Encoder 8: Shaper Amount
Bank 3: Filter Envelope

Encoder 1: FE Attack
Encoder 2: FE Decay
Encoder 3: FE Sustain
Encoder 4: FE Release
Encoder 5: FE End
Encoder 6: FE Loop Mode
Encoder 7: FE Loop Time
Encoder 8: FE Loop Beats
Bank 4: LFO 1
Encoder 1: LFO 1 Wave
Encoder 2: LFO 1 Sync
Encoder 3: LFO 1 Rate
Encoder 4: LFO 1 Freq
Encoder 5: Volume < LFO 1
Encoder 6: Filter < LFO 1
Encoder 7: Pan < LFO 1
Encoder 8: Pitch < LFO 1
Bank 5: LFO 2
Encoder 5: LFO 2 < Key
Encoder 6: LFO 2 Stereo Mode
Encoder 7: LFO 2 Spin
Encoder 8: LFO 2 Phase
Bank 6: LFO 3
Encoder 5: LFO 3 < Key
Encoder 6: LFO 3 Stereo Mode
Encoder 7: LFO 3 Spin
Encoder 8: LFO 3 Phase
Bank 7: Oscillator
Encoder 1: OSC Mode
Encoder 2: OSC Volume
Encoder 3: OSC Coarse
Encoder 4: OSC Fine
Encoder 5: OSC Attack
Encoder 6: OSC Decay
Encoder 7: OSC Sustain
Encoder 8: OSC Release
Bank 8: Pitch
Encoder 1: Global Transpose
Encoder 2: Global Spread
8
Encoder 3: P Env Amount
Encoder 4: P Env Attack
Encoder 5: P Env Peak
Encoder 6: P Env Decay
Encoder 7: P Env Sustain
Encoder 8: P Env Release
Best-of Bank
Encoder 1: Volume Attack
Encoder 2: Volume Decay
Encoder 3: Volume Release
Encoder 5: Filter Res
Encoder 6: Filter Morph
Encoder 7: OSC Volume
Encoder 8: OSC Coarse
TENSION
Bank 1: Excitator and String
Encoder 1: Excitator Type
Encoder 2: String Decay Time
Encoder 3: String Inharmonicity
Encoder 4: String Damping Amount
Encoder 5: Mass/Protrusion/Force
Encoder 6: Friction/Stiffness
Encoder 7: Excitator Velocity
Encoder 8: Excitator Position
Bank 2: Damper
Encoder 1: Damper On/Off
Encoder 2: Damper Mass
Encoder 3: Damper Stiffness
Encoder 4: Damper Velocity
Encoder 5: Damper Position
Encoder 6: Damper Damping
Encoder 7: Damper Position < Velocity
Encoder 8: Fix. Position On/off
Bank 3: Termination and Pickup

Encoder 1: Termination On/Off
Encoder 2: Finger Mass
Encoder 3: Finger Stiffness
Encoder 4: Fret Stiffness
Encoder 5: Pickup On/Off
Encoder 6: Pickup Position
Encoder 7: Finger Mass < Vel.
Encoder 8: Finger Mass < Key
Bank 4: Body
Encoder 1: Body On/Off
Encoder 2: Body Type
Encoder 3: Body Size
Encoder 4: Body Decay
Encoder 5: Body Low Cut
Encoder 6: Body high Cut
Encoder 7: String/Body Balance
Encoder 8: Global Vol.
Bank 5: Vibrato
9
Encoder 1: Vibrato On/Off
Encoder 2: Vib Delay
Encoder 3: Vib Attack
Encoder 4: Vib Rate
Encoder 5: Vib Amount
Encoder 6: Vib > Mod Wheel Amount
Encoder 7: Vib Error
Encoder 8: Global Volume
Bank 6: Filter
Encoder 1: Filter On/Off
Encoder 2: Filter Type
Encoder 3: Freq
Encoder 4: Reso
Encoder 5: Env < Cutoff
Encoder 6: Cutoff < LFO
Encoder 7: Env < Reso
Encoder 8: Reso < LFO
Bank 7: Envelope and LFO

Encoder 1: Env On/Off
Encoder 2: Attack
Encoder 3: Decay
Encoder 4: Sustain
Encoder 5: Release
Encoder 6: LFO On/Off
Encoder 7: LFO Type
Encoder 8: LFO Rate
Bank 8: Global
Encoder 1: Unison On/Off
Encoder 2: Fine Tuning (Detune)
Encoder 3: Portamento On/Off
Encoder 4: Portamento Time
Encoder 5: Voices (Polyphony)
Encoder 6: Keyboard Octave
Encoder 7: Keyboard Semitune
Encoder 8: Volume
Best-of Bank
Encoder 1: Excitator Type
Encoder 2: Excitator Position
Encoder 3: String Decay
Encoder 4: String Damping
Encoder 5: Vibrato Amount
Encoder 7: Filter Reso
Encoder 8: Volume
MIDI EFFECTS
ARPEGGIATOR
Bank 1: Style
Encoder 1: Style
Encoder 2: Groove
Encoder 3: Offset
Encoder 4: Rate
Encoder 5: Retrigger Source
10
Encoder 6: Retrigger Number
Encoder 7: Repeat
Encoder 8: Gate
Bank 2: Pitch/Velocity
Encoder 1: Transpose
Encoder 2: Key
Encoder 3: Steps
Encoder 4: Distance
Encoder 5: Velocity Decay
Encoder 6: Target
Encoder 7: Velocity On/Off
Encoder 8: Velocity Retrigger
Best-of Bank
Encoder 1: Sync Rate
Encoder 2: Free Rate
Encoder 3: Steps
Encoder 4: Distance
Encoder 5: Gate
Encoder 6: Key
Encoder 7: Decay
Encoder 8: Target
CHORD
Bank 1: Shift
Encoder 1: Shift 1
Encoder 2: Shift 2
Encoder 3: Shift 3
Encoder 4: Shift 4
Encoder 5: Shift 5
Encoder 6: Shift 6
Bank 2: Shift %
Encoder 1: Shift % 1
Best-of Bank
Encoder 1: Shift 1
Encoder 2: Shift 2
Encoder 3: Shift 3
Encoder 4: Shift 4
Encoder 5: Shift 5
Encoder 6: Vel 5
Encoder 7: Shift 6
Encoder 8: Vel 6
NOTE LENGTH
Encoder 1: Mode
Encoder 2: Length (Time Mode)
Encoder 3: Length (Sync Mode)
Encoder 4: Gate
Encoder 5: Decay Time
11
Encoder 6: On/Off Balance
Encoder 7: Key Scale
PITCH
Encoder 1: Pitch
Encoder 2: Range
Encoder 3: Lowest
RANDOM
Encoder 1: Chance
Encoder 2: Choices
Encoder 3: Scale
Encoder 4: Sign
SCALE
Encoder 1: Base
Encoder 3: Range
Encoder 4: Lowest
VELOCITY
Encoder 1: Drive
Encoder 2: Comp. (Compand)
Encoder 3: Random
Encoder 4: Mode
Encoder 5: Out Hi
Encoder 6: Out Low
Encoder 7: Range
Encoder 8: Lowest
12
AUDIO EFFECTS
AUTO FILTER
Encoder 1: Frequency
Encoder 2: Q
Encoder 3: Attack
Encoder 4: Release
Encoder 5: Envelope Amount
Encoder 6: LFO Amount
Encoder 7: Rate
Encoder 8: Phase
AUTO PAN
Encoder 1: Amount
Encoder 2: Rate (Hz)
Encoder 3: Phase
Encoder 4: Shape
Encoder 5: Shape Select
Encoder 6: Rate (Beat-time)
Encoder 7: Offset
Encoder 8: Width
BEAT REPEAT
Bank 1: Repeat Rate
Encoder 1: Interval
Encoder 2: Offset
Encoder 3: Grid
Encoder 4: Variation
Encoder 7: Volume
Encoder 8: Decay
Bank 2: Gate/Pitch
Encoder 1: Chance
Encoder 2: Gate
Encoder 3: Pitch
Encoder 4: Pitch Decay
Encoder 7: Volume
Encoder 8: Decay
Best-of Bank
Encoder 1: Interval
Encoder 2: Offset
Encoder 3: Gate
Encoder 4: Chance
Encoder 5: Grid
Encoder 6: Variation
Encoder 7: Pitch
13
CHORUS
Encoder 1: Delay 1 Time
Encoder 2: Delay 2 Time
Encoder 3: Mod Amount
Encoder 4: Dry/Wet
Encoder 5: Delay 1 HP
Encoder 6: Delay 2 Mode
Encoder 7: Mod Rate
Encoder 8: Feedback
COMPRESSOR
Bank 1: Compression
Encoder 1. Threshold
Encoder 2. Ratio
Encoder 3. Attack
Encoder 4. Release
Encoder 5. Knee
Encoder 6. EF Mode
Encoder 7. Look Ahead
Encoder 8. Model
Bank 2: Side Chain

Encoder 1. External In On/Off
Encoder 2. External In Gain
Encoder 3. External In Mix
Encoder 4. Side Listen
Encoder 5. EQ On
Encoder 6. EQ Frequency
Encoder 7. EQ Q
Encoder 8. EQ Mode
Bank 3: Output
Encoder 1. EQ Gain
Encoder 2. Makeup Gain
Encoder 3. Output Gain
Best-of Bank
Encoder 1. Threshold
Encoder 2. Ratio
Encoder 3. Attack
Encoder 4. Release
Encoder 5. External In Gain
Encoder 6. External In Mix
Encoder 7. EQ Frequency
Encoder 8. Output Gain
CORPUS
Bank 1:
Encoder 1: Decay
Encoder 2: Material
Encoder 3: Mid Freq
Encoder 4: Width
Encoder 5: Bleed
Encoder 6: Width
Encoder 7: Gain
14
Encoder 8: Dry Wet
Bank 2:
Encoder 1: Listening L
Encoder 2: Listening R
Encoder 3: Hit
Encoder 4: Brightness
Encoder 5: Inharmonics
Encoder 6: Radius
Encoder 7: Opening
Encoder 8: Ratio
Bank 3:
Encoder 1: Resonance Type
Encoder 2: Tune
Encoder 4: Fine
Encoder 5: Spread
Encoder 6: Resonator Quality
Encoder 7: Note Off
Encoder 8: Off Decay
Best-of Bank
Encoder 1: Decay
Encoder 2: Material
Encoder 3: Brightness
Encoder 4: Inharmonics
Encoder 5: Resonance Type
Encoder 6: Tune
Encoder 7: Gain
Encoder 8: Dry Wet
DYNAMIC TUBE
Encoder 1: Drive
Encoder 2: Bias
Encoder 3: Tone
Encoder 4: Envelope
Encoder 5: Attack
Encoder 6: Release
Encoder 7: Dry/Wet
Encoder 8: Output
EQ EIGHT
Bank 1: Band On/Off
Encoder 1: EQ 1 On/Off
Bank 2: Frequency
Encoder 1: Freq EQ 1
15
Bank 3: Gain
Encoder 1: Gain EQ 1
Bank 4: Resonance
Encoder 1: Res EQ 1
Encoder 2: Res EQ 2
Encoder 3: Res EQ 3
Encoder 4: Res EQ 4
Encoder 5: Res EQ 5
Encoder 6: Res EQ 6
Encoder 7: Res EQ 7
Encoder 8: Res EQ 8
Bank 5: Filter Type*

Encoder 1: FilterType EQ 1
Bank 6: General
Encoder 1: Output Gain
Encoder 2: Scale
Bank 7: EQs 1-3

Encoder 3: Res EQ 1
Encoder 6: Res EQ 2
Best-of Bank
16
EQ THREE
Encoder 1: Gain Low
Encoder 2: Gain Mid
Encoder 3: Gain High
Encoder 4: not assigned
Encoder 5: Frequency Low
Encoder 6: Frequency High
Encoder 7: Slope
EROSION
Encoder 1: Freq
Encoder 2: Width
Encoder 3: Amount
Encoder 4: Noise | Wide Noise | Sine
FILTER DELAY
Bank 1: Input L Filter
Encoder 2: Resonance
Encoder 3: Delay Time
Encoder 4: Sync %
Encoder 5: Feedback
Encoder 6: Pan
Encoder 7: Volume
Encoder 8: Overall
Bank 2: Input L+R Filter

Encoder 4: Sync %
Encoder 5: Feedback
Encoder 6: Pan
Encoder 7: Volume
Encoder 8: Overall
Bank 3: Input R Filter

Encoder 4: Sync %
Encoder 5: Feedback
Encoder 6: Pan
Encoder 7: Volume
Encoder 8: Overall
Best-of Bank
Encoder 1: Frequency L
Encoder 2: Beat Delay L
Encoder 3: Feedback L
Encoder 4: Volume L
Encoder 5: Frequency R
Encoder 6: Beat Delay R
Encoder 7: Feedback R
Encoder 8: Volume R
17
FLANGER
Bank 1: Frequency Controls
Encoder 1: High Pass
Encoder 2: Dry/Wet
Encoder 4: Feedback
Encoder 5: Envelope
Encoder 6: Attack
Encoder 7: Release
Bank 2: LFO/S&H
Encoder 1: Amount
Encoder 2: Rate
Encoder 3: Phase
Encoder 4: Hz/Beat-time
Encoder 5: Offset
Encoder 6: Note Rate
Encoder 7: Width
Encoder 8: Shape
Best-of Bank
Encoder 1: High Pass
Encoder 3: Feedback
Encoder 5: LFO Rate (Hz)
Encoder 6: LFO (Beat-time)
Encoder 7: Envelope
Encoder 8: Dry/Wet
FREQUENCY SHIFTER
Encoder 1: Coarse
Encoder 2: Fine
Encoder 3: Mode
Encoder 4: Ring Mod Frequency
Encoder 5: Drive On/Off
Encoder 6: Drive
Encoder 7: Wide
Encoder 8: Dry/Wet
GATE
Encoder 1: Threshold
Encoder 2: Gain
Encoder 5: Attack
Encoder 6: Hold
Encoder 7: Release
GRAIN DELAY
Encoder 1: Spray
Encoder 3: Pitch
18
Encoder 4: Random Pitch
Encoder 5: Feedback
Encoder 6: Dry/Wet
Encoder 7: Sync %
Encoder 8: Time
LOOPER
Encoder 1: State
Encoder 2: Speed
Encoder 3: Reverse
Encoder 4: Quantization
Encoder 5: Monitor
Encoder 6: Song Control
Encoder 7: Tempo Control
Encoder 8: Feedback
MULTIBAND DYNAMICS
Bank 1: Global Controls
Encoder 2: Amount
Encoder 3: Time
Encoder 4: Soft Knee
Encoder 5: RMS/Peak
Encoder 6: High On
Encoder 7: Mid On
Encoder 8: Low On
Bank 2: Low Band

Encoder 1: Pre Gain Low
Encoder 2: Threshold Below Low
Encoder 3: Ratio Below Low
Encoder 4: Threshold Above Low
Encoder 5: Ratio Above Low
Encoder 6: Attack Low
Encoder 7: Release Low
Encoder 8: Post Gain Low
Bank 3: Mid Band

Encoder 1: Pre Gain Mid
Encoder 2: Threshold Below Mid
Encoder 3: Ratio Below Mid
Encoder 4: Threshold Above Mid
Encoder 5: Ratio Above Mid
Encoder 6: Attack Mid
Encoder 7: Release Mid
Encoder 8: Post Gain Mid
Bank 4: High Band

Encoder 1: Pre Gain High
Encoder 2: Threshold Below High
Encoder 3: Ratio Below High
Encoder 4: Threshold Above High
Encoder 5: Ratio Above High
Encoder 6: Attack High
Encoder 7: Release High
Encoder 8: Post Gain High
19
Bank 5: Split Frequencies
Encoder 1: Low/Mid Split Freq
Encoder 2: Mid/High Split Freq
Best-of Bank
Encoder 1: Threshold Below Low
Encoder 2: Ratio Below Low
Encoder 3: Threshold Below Mid
Encoder 4: Ratio Below Mid
Encoder 5: Threshold Below High
Encoder 6: Ratio Below High
Encoder 8: Amount
OVERDRIVE
Encoder 2: Filter Width
Encoder 3: Drive
Encoder 4: Tone
Encoder 5: Dry/Wet
Encoder 6: Preserve Dynamics
PHASER
Bank 1: Frequency Controls
Encoder 1: Poles
Encoder 2: Color
Encoder 3: Dry/Wet
Encoder 6: Attack
Encoder 7: Release
Encoder 8: Feedback
Bank 2: LFO/S&H
Encoder 1: Amount
Encoder 2: Rate (Hz)
Encoder 3: Phase
Encoder 4: Hz/Beat-time
Encoder 5: Offset
Encoder 6: Rate (Beat-time)
Encoder 7: Spin
Encoder 8: Shape
Best-of Bank
Encoder 1: Poles
Encoder 2: Color
Encoder 4: Feedback
Encoder 6: LFO Rate
Encoder 8: Dry/Wet
20
PING PONG DELAY
Encoder 2: Width
Encoder 3: Time (ms)
Encoder 4: Synced Delay Time (1-16)
Encoder 5: Swing
Encoder 6: Mode (Sync/Time)
Encoder 7: Feedback
Encoder 8: Dry/Wet
REDUX
Encoder 1: Bit Reduction
Encoder 2: Hard/Soft
Encoder 3: Downsample Hard
Encoder 4: Downsample Soft
Encoder 5: Bit Reduction On
SATURATOR
Bank 1: General Controls
Encoder 1: Drive
Encoder 2: Base
Encoder 4: Width
Encoder 5: Depth
Encoder 6: Output
Encoder 7: Dry/Wet
Encoder 8: Curve Select
Bank 2: Waveshaper Controls

Encoder 1: WS Drive
Encoder 2: WS Lin
Encoder 3: WS Curve
Encoder 4: WS Damp
Encoder 5: WS Depth
Encoder 6: WS Period
Encoder 7: Dry/Wet
Best-of Bank
Encoder 1: Drive
Encoder 2: Base
Encoder 4: Depth
Encoder 5: WS Curve
Encoder 6: WS Depth
Encoder 7: WS Period
Encoder 8: WS Damp
RESONATORS
Bank 1: General/Mode I
Encoder 2: Width
Encoder 3: Global Gain
21
Encoder 4: Dry/Wet
Encoder 5: Decay
Encoder 6: Note
Encoder 7: Color
Encoder 8: I Gain
Bank 2: Mode II - V
Encoder 1: II Gain
Encoder 2: III Gain
Encoder 3: IV Gain
Encoder 4: V Gain
Encoder 5: II Pitch
Encoder 6: III Pitch
Encoder 7: IV Pitch
Encoder 8: V Pitch
Best-of Bank
Encoder 1: Decay
Encoder 2: Note
Encoder 3: II Pitch
Encoder 4: III Pitch
Encoder 5: IV Pitch
Encoder 6: V Pitch
Encoder 7: Global Gain
Encoder 8: Dry/Wet
SIMPLE DELAY
Encoder 1: Delay Time L
Encoder 2: Sync % L
Encoder 3: Time (ms) L
Encoder 4: Dry/Wet
Encoder 5: Delay Time R
Encoder 6: Sync % R
Encoder 7: Time (ms) R
Encoder 8: Feedback
UTILITY
Encoder 1: Width
Encoder 2: Panorama
Encoder 3: Mute
Encoder 4: Block DC
Encoder 5: Mode
Encoder 6: Gain
Encoder 7: Phz-L
Encoder 8: Phz-R
REVERB
Bank 1: Reflections
Encoder 3: Predelay
Encoder 4: Spin
Encoder 5: Early ref. Frequency
Encoder 6: Early ref. Resonance
Encoder 7: Early ref. Shape
22
Encoder 8: Diff. Net. Decay
Bank 2: Diffusion Network

Encoder 1: High Frequency
Encoder 2: Low Frequency
Encoder 3: Chorus Frequency
Encoder 4: Density
Encoder 5: High Resonance
Encoder 6: Low Resonance
Encoder 7: Chorus Amount
Encoder 8: Scale
Bank 3: Global
Encoder 2: Freeze
Encoder 3: Room Size
Encoder 4: Stereo Image
Encoder 5: Reflect Level
Encoder 6: Diffuse Level
Encoder 7: Dry/Wet
Encoder 8: Global Select
Best-of Bank
Encoder 2: Room Size
Encoder 3: Chorus Amount
Encoder 4: In Frequency
Encoder 6: High Gain
Encoder 7: Stereo Image
Encoder 8: Dry/Wet
VINYL DISTORTION
Encoder 1: Tracing Frequency
Encoder 2: Tracing B
Encoder 3: Tracing Amount
Encoder 4: Crackle Density
Encoder 5: Pinch Frequency
Encoder 6: Pinch B
Encoder 7: Pinch Amount
Encoder 8: Crackle Volume
VOCODER
Bank 1: Global Controls
Encoder 1: Formant Shift
Encoder 2: Attack
Encoder 3: Release
Encoder 4: Mono/Stereo
Encoder 6: Gate Level
Encoder 7: Depth
Encoder 8: Dry/Wet
Bank 2: Filters/Voicing
Encoder 1: Bandwidth
Encoder 3: Low Frequency
23
Encoder 4: Retro
Encoder 5: Unvoiced Level
Encoder 6: Unvoiced Sensitivity
Encoder 7: Unvoiced Switch Rate
Encoder 8: Enhance Carrier
Bank 3: Carrier Parameters

Encoder 1: Noise Rate
Encoder 2: Noise Crackle
Encoder 3: Detection Upper Bound
Encoder 4: Detection Lower Bound
Encoder 5: Oscillator Pitch
Encoder 6: Oscillator Waveform
Encoder 7: Ext. In Gain
Best-of Bank
Encoder 1: Formant Shift
Encoder 2: Attack
Encoder 3: Release
Encoder 4: Unvoiced Level
Encoder 5: Gate Level
Encoder 6: Bandwidth
Encoder 7: Depth
Encoder 8: Dry/Wet
24

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LIVE DEVICE MAPPINGS

Bank 3: Filter Envelope

Bank 4: Filter Modulation

Bank 5: Volume Envelopes

Bank 3: Resonator 1, Set A

Bank 4: Resonator 1, Set B

Bank 5: Resonator 2, Set A

Bank 6: Resonator 2, Set B

Bank 2: Tone and Damper

Bank 7: Pitch Mod

Bank 4: Pitch Envelope | Global

Bank 3: Filter Envelope

Bank 3: Termination and Pickup

Bank 7: Envelope and LFO

Bank 2: Side Chain

Bank 5: Filter Type*

Bank 7: EQs 1-3

Bank 2: Input L+R Filter

Bank 3: Input R Filter

Bank 2: Low Band

Bank 3: Mid Band

Bank 4: High Band

Bank 2: Waveshaper Controls

Bank 2: Diffusion Network

Bank 3: Carrier Parameters

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