2020 Custom Shop Design Guide

FE N DE R ® C U S TO M S H O P
2020
CUSTOM
GUITAR
DESIGN GUIDE
’64 STRAT HEAVY RELIC ®

MASTERBUILT BY VINCENT VAN TRIGT - 9236070151
1 2
FOREWORD
A Fender Custom Shop instrument is extraordinary. You know it when you play one—it’s
definitely more than the sum of its parts. It’s filled with intangible, electrifying elements that
add a new dimension to your playing experience. It’s as if the instrument itself is imbued
with history, alive with the spirit of the place where it was built and the devotion of those © 2020 Fender Musical Instruments Corporation. FENDER®,
who crafted it. STRATOCASTER®, STRAT®, TELECASTER®, TELE®, PRECISION
BASS®, P BASS®, Jazz Bass®, J Bass®, ESQUIRE®, Nocaster®
and the distinctive headstock designs commonly found on Fender
The Custom Shop is home to Fender’s most skilled and talented builders. It’s a bustling, guitars are registered trademarks of FMIC. All rights reserved.
noisy and creatively volcanic place that re-earns its nickname—the Dream Factory—every
day. Custom Shop builders are completely dedicated to their art—part craftsman, part All other trademarks are the property of their respective owners.
artist, part music fan and, more often than not, part mad scientist. They’re the best at what
For more information go to fendercustomshop.com
they do, and they pour all of their passion, hard-earned knowledge and skill into every All Fender Custom Shop instruments are expertly crafted according
to exact order specifications and arrive free of defects. Those
instrument they build. It’s no ordinary place, and the creations that come from it are no instruments not abiding by this policy will be repaired, modified
ordinary instruments. Welcome to the Fender Custom Shop. or replaced by us at no cost to you. Consult your local retailer,
distributor or the Custom Care™ website (customcare.fender.com)
For players who wish to create a completely custom instrument—anything from a for details.
humbucking pickup-equipped banjo to a custom-engraved aluminum-bodied Strat®—we
Fender Musical Instruments Corporation
offer Masterbuilt, a singular experience working one-on-one with one of our Master 17600 North Perimeter Drive
Builders. Custom-Built is for those prefer to start with one of our time-honored models and Scottsdale, AZ 85255-5440
personalize the specifications to meet your specific needs. Use this guide to design your T: (480) 596-9690
very own Masterbuilt or Custom-Built Fender guitar and make your dreams come true. F: (480) 596-1384
fendercustomshop.com
All colors, features and specifications are subject to change

without notice.
Photography by Mark Keraly ©FMIC

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CONTENTS
Ordering Yours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Masterbuilt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Master Builders. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Custom-Built . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Base Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Stratocaster Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Telecaster Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Precision Bass Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Jazz Bass Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Offset Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Aging Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Tone Wood Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Body Wood. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Neck Wood. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Color Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Neck Shapes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Fret Wire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Pickup Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Wiring Option. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Hardware Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Design Guide Order Form. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
HOW
TO USE THIS GUIDE
Is there a special Fender instrument that you have been dreaming
of your whole life? We have some good news for you! The Fender
Custom Shop can take your dreams and shape them into a tonal
reality. The process is simple:
01 SELECT A BUILD LEVEL

Masterbuilt or Custom-built
02 SELECT A CUSTOM SHOP BASE MODEL

Choose from a wide range of guitars and basses
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03 SELECT AN AGING PACKAGE
04 SELECT YOUR OPTIONS

Choose your custom options from our extensive
menu of offerings
05 ADDITIONAL NOTES
Use the “additional notes” section if your desired
options are not listed
06 SUBMIT YOUR ORDER

Take this completed design guide to a Custom Shop
Showcase Dealer which you can find at
www.fendercustomshop.com/dealers/
MASTER
BUILDERS
Imagine the greatest artists in history gathered under one roof;
Michelangelo, DaVinci, Picasso and Dali working next to each other,
sharing pigments, knowledge and expertise. The Fender Custom Shop is
exactly that, the world’s most esteemed luthiers gathered together to create
peerless instruments that are astounding works of art—the Master Builders.
They are known the world over for their skill and have built instruments
01 for Jeff Beck, Ritchie Blackmore, Eric Clapton, Dick Dale, Mike Dirnt, Bob
Dylan, Robben Ford, Buddy Guy, Merle Haggard, Reggie Hamilton, Mark
Hoppus, John 5, Keith Richards, Sting and U2... just to name a few!
DALE WILSON PAUL WALLER

Paul Waller is a Southern California native with
woodworking and luthiery in his blood. He
built his first guitar at age 14 in his high school
woodshop, joined a cabinet shop right out of
high school and, after a stint at a small Southern
California guitar maker, enrolled at the acclaimed
Roberto-Venn School of Luthiery in Phoenix, from
Dale Wilson arrived at Fender in 2003, which he graduated in spring of 2000.
joined the Custom Shop in 2005 and
7 became a Master Builder in 2011. Building Waller joined Fender in 2003. He spent two years 8
guitars has been a driving passion for the working closely with master archtop craftsman
California native since childhood. “Ever Bob Benedetto, and became steeped in the many
BUILD LEVEL: since I can remember, I’ve always loved facets of building techniques from all the Custom
MASTERBUILT
guitars,” he said. “I didn’t dream of Shop’s Master Builders. After an extensive seven-
being a rock star; I dreamt of building the year apprenticeship, Waller became a Master
ultimate guitar. I was equally enthralled Builder in 2010.
with the guitars just as much as I was with
In every art form there are those who have mastered their craft so thoroughly, through the players.” His Fender Custom Shop work includes bass
years of training and experience, their work routinely commands extra acclaim and
guitars for U2’s Adam Clayton, a custom Thinline
admiration, not to mention outright awe. These astonishing artisans are the Master Builders Woodworking runs in the Wilson family, Telecaster for U2 vocalist Bono, Telecaster guitars
of the Fender Custom Shop; a select group of the most talented builders recognized around and the requisite Custom Shop zeal for the Rolling Stones’ Keith Richards and co-work
the world for their matchless skill, limitless imagination and utter devotion to their art. for outstanding craftsmanship has long on a Stratocaster for fellow Stones guitarist Ronnie
been part of Dale’s DNA. He did repair Wood, Stratocaster guitars for Buddy Guy, the
Crafting a guitar with a Custom Shop Master Builder is the ultimate artistic partnership— work and mods in a small guitar shop Nile Rodgers “Hitmaker” Stratocaster, a custom
simply put, no idea is too crazy and no job too large or too small. They’ll walk you through right out of high school in the late 1980s; double-neck Jazzmaster for Queens Of the Stone
everything—body design, neck shape, tonewoods, pickups, hardware and more—to
subsequently, he moved on to stints at Age guitarist Troy Van Leeuwen and the George
give you the look, feel and sound that you’re searching for. From start to finish the Master Dobro and Rickenbacker before arriving Harrison Tribute Rosewood Telecaster.
Builder will personally ensure that each guitar is built with the highest possible quality and at Fender, where he worked on Guild,
to your exact specifications. Additionally, it’s about more than just specifications, it’s about Gretsch and Benedetto guitars before
making the instrument of your dreams a concrete reality. beginning his apprenticeship with various
Custom Shop Master Builders.
He enjoys calling upon his extensive

and varied experience as a craftsman to
create highly distinctive guitars such as the
S T EP 1 : BU I L D L E VE L
Resophonic Thinline Telecaster®. Wilson
also built five beautiful custom guitars for
the January 2011 NAMM Show while still
an apprentice and was asked to signed
the back of the headstocks, garnering him
his Master Builder status.
JASON SMITH GREG FESSLER
A Custom Shop veteran and son of Rock music and Fender are part of Greg Fessler came to the Fender Custom Shop in 1990, working
longtime Fender R&D legend Dan Smith, Smith’s DNA. He joined the Fender his way up through the ranks as an apprentice. He assisted with
Jason Smith grew up on Fender — “It Custom Shop in 1995 and in 2006 the Robben Ford signature line of guitars, eventually becoming the
has always been in my family,” he said, completed a five -year apprenticeship sole builder of those instruments and, later, Ford’s personal builder.
“And I was always extremely interested under acclaimed Senior Master Builder Fessler has built one-off Stratocaster and Telecaster models for
in everything my father did.” John English. Among many diverse a host of players, including Joe Bonnamasa, Jeff Healey, Hank
projects with English, Smith worked Marvin, John Mayer, Rhonda Smith,Neil Schon and Pete Wentz,
Born in Rochester, N.Y., and raised in on a pair of double-neck Stratocaster to name a few.
California, Smith remembers meeting guitars for Stone Temple Pilots guitarist
Fessler’s remarkable abilities as a Master Builder have earned him
guitar greats from about age 5 on Dean DeLeo. He has since crafted
accolades from many Fender artists and from discerning customers
through his father’s work with Fender— fine instruments for players and acts worldwide. His meticulous attention to detail is exemplified in
Eric Clapton, Yngwie Malmsteen, Jeff including John 5, Michael Landau, Flea, every instrument he creates, each of which is a perfect example of
Beck and Robben Ford, to name only a Josh Klinghoffer, Steve Harris, Reggie the intense commitment it takes to earn the title of Master Builder.
few. He went to his first big rock concert Hamilton, Linkin Park, Kenny Wayne
at age six—Rush—and remembers Shepherd, Neon Trees and many others.
going backstage with his dad and
meeting Geddy Lee after the show.
Before he was even in his teens, Smith JOHN CRUZ
was going to see Pink Floyd, ZZ Top
and many other major artists. John Cruz came to Fender in John has built fantastic guitars
1987, joined the Custom Shop for players such as Doug Aldrich
in 1993 and became a Master of Dio and Whitesnake, Dave
Builder in 2003. Being a guitarist Amato and Bruce Hall of REO
and understanding what a great Speedwagon, Mick Mars of
TODD KRAUSE guitar should look, feel and sound Mötley Crüe, Richie Sambora
like has always been a top priority of Bon Jovi, Bono of U2, Duff
for him. Custom guitars are his McKagan of Guns N’ Roses
passion, and he is the man behind and Velvet Revolver, Ike Turner,
several famous Custom Shop Brad Whitford of Aerosmith,
instruments, including the replica Jeff Beck, John Mayer and
Todd Krause has built exquisitely crafted custom instruments for many of the world’s greatest artists, of Stevie Ray Vaughan’s famous countless others. Furthermore, his
9 “Number One” Stratocaster meticulous work was essential 10
including Jeff Beck, Eric Clapton, Bob Dylan, David Gilmour, Robbie Robertson, Kenny Wayne
guitar, the Jeff Beck Esquire Relic to of the initial Custom Shop
Shepherd, Robin Trower, Roger Waters and many others.
(as used with the Yardbirds), the Relic guitars and basses and
replica of Yngwie Malmsteen’s he initiated the Custom Shop’s
His guitar-building apprenticeship began in early 1981 at Jackson/Charvel guitars. Krause arrived
famous “Duck” Stratocaster, the quality assurance program.
at Fender in 1991 and steadily rose through several roles, including one-off instrument builder, R&D John Mayer Limited Edition Black
model maker, and woodworking machinist. He became a Custom Shop Master Builder in 1997 and 1 Stratocaster and the famed
has created countless distinctive instruments, all of which embody his personal design philosophy:
“Form and function are the biggest part of it,” he said. “It’s about the way an instrument sounds and RON THORN Limited Edition Gary Moore
1961 Fiesta Red Stratocaster
feels. It has to look cool, and it has to compel you to play.” as well as countless others.
YURIY SHISHKOV
From handcrafting many of his own woodworking tools to showcasing his world-
class luthier skills and custom inlay work, Yuriy Shishkov is truly one of the last of
the renaissance guitar builders. It was in the small confines of a root cellar in his
hometown of Gomel in the former Soviet Union that Shishkov got his start building
guitars for friends and colleagues.
When he arrived in the United States in 1990, Shishkov settled in the Chicago
area and collaborated with a range of top artists, including late shredder Dimebag
Darrel, Jimmy Page and Robert Plant, Nuno Bettencourt and Paul Stanley of Kiss.
Shishkov joined the Fender Custom Shop’s Master Builder team in 2000, and
continues to craft truly magnificent instruments featuring exquisite detail and inlay Ron Thorn brings his decades of expertise in guitar luthiery, namely inlay work, to The
work as the Fender Custom Shop’s Principal Master Builder. Fender Custom Shop. Thorn’s relationship with the Custom Shop team began with his
inlay business, Thorn Inlay—which has been the sole inlay provider for the Fender Custom
Shop since the mid-90s. He’s also built more than 800 custom instruments under the name
Thorn Guitars. Thorn is among the first to assume the title Principal Master Builder—one
of the highest honors in the Fender Custom Shop and the guitar building community.
CARLOS LOPEZ
DENNIS GALUSZKA
Like Fender itself, Dennis Galuszka is a Southern California native. Combining his dual passions
for music and woodworking, he began building high-end acoustic guitars during his 13 years as a
cabinetmaker. As a working drummer, it was a 1999 audition with one of the Fender Master Builders
that led to a job interview and a new kind of steady gig—as an apprentice at the Fender Custom Shop.
After only eight months there, Galuszka was promoted to Master Builder. He has since built finely
crafted instruments for influential players including Paul McCartney, Andy Summers, Johnny Marr,
Patrick Stump, Mike Dirnt, Sting and many others. He has lent his expertise to a number of truly
distinctive instruments, including double-neck guitars and unusual takes on classic Fender designs
along with several artist models. “It’s all about the feel and sound of an instrument,” Galuszka said.
KYLE MCMILLIN “Those things are number one with me, above everything else.”
Kyle McMillin brings 15 years of musical instrument

experience to the Fender Custom Shop. McMillin recently
finished a five-year apprenticeship under Principal Master
Builder Yuriy Shishkov—working on nearly 1,000 guitars
while learning from the esteemed builder. As a newly-
minted Master Builder, McMillin is now part of a team
Carlos Lopez received his first electric guitar – an American Standard of the finest guitar builders—the Fender Custom Shop.
Stratocaster – as a teenager, and hasn’t looked back since. The East Los Angeles
native graduated from the Musician’s Institute Guitar Craft program in 2006
and was hired by Fender mere months later as an assembly builder. Promoted to
the Custom Shop in 2007, he spent the next eight years in the Team Built division,
honing his Fender chops and assisting Master Builders on various projects.
11 Lopez became an Apprentice Master Builder under Todd Krause in 2017, assisting with 12
guitars for Eric Clapton, Jeff Beck, Robbie Robertson, Kenny Wayne Shepherd, Robin
Trower and others. He has also helped craft an array of distinctive Fender creations,
including a stunning ’69 Tele Relic in Green Tinted Ice Blue Metallic and, alongside Custom
Shop Master Builder Scott Buehl, a transparent acrylic Stratocaster played by Grammy-
winning artist Gabriella “H.E.R.” Wilson at the 2019 Grammy awards ceremony.
VINCENT VAN TRIGT

Originally from the Netherlands, Vincent moved to California in 2005
and began working for Fender immediately. After wearing a variety of
hats in different departments, he started in the Custom Shop in 2012.
A 2-year assistant role with Stephen Stern at the Gretsch Custom Shop
was followed by a 5-year apprenticeship with John Cruz. During which he
worked on many prestigious guitars, including the replica of Gary Moore’s
’61 Stratocaster, a 30-piece run of the Jimmie and Stevie Ray Vaughan 30th
anniversary Stratocasters, and most recently the Phil Lynott Precision Bass.
01
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BUILD LEVEL:
CUSTOM BUILT
In every art form there are those who have mastered their craft so thoroughly, through
years of training and experience, their work routinely commands extra acclaim and
admiration, not to mention outright awe. These astonishing artisans are the Master Builders
of the Fender Custom Shop; a select group of the most talented builders recognized around
the world for their matchless skill, limitless imagination and utter devotion to their art.
Crafting a guitar with a Custom Shop Master Builder is the ultimate artistic partnership—
simply put, no idea is too crazy and no job too large or too small. They’ll walk you through
everything—body design, neck shape, tonewoods, pickups, hardware and more—to
give you the look, feel and sound that you’re searching for. From start to finish the Master
Builder will personally ensure that each guitar is built with the highest possible quality and
to your exact specifications. Additionally, it’s about more than just specifications, it’s about
making the instrument of your dreams a concrete reality.
Your dreams are what make the Fender Custom Shop the reality A Fender Custom-Built guitar lets you define your ideal instrument.
that it is today. From its inception in 1987, the Custom Shop has Begin with one of our base models and choose from our vast
grown from two builders to today’s more than 50 artisans—a selection of options to customize it as little or as much as you want
veteran band of builders, each a specialist dedicated to their own to meet your personal needs, aesthetic taste and playing style.
area of expertise—working together to build your ideal Fender
to your exact specifications. From neck shaping and fretwork to Whatever shape your dream may be, our luthiers stand ready
finishing and aging—every step of creation—each Custom Shop to craft an instrument that will unlock your utmost creativity and
craftsperson brings years of hard-earned skill and dedication to self-expression. Their passion is bringing your dreams to reality,
bear on your custom-built guitar with one goal in mind—to create to create the ultimate instrument—one personally customized
an instrument and playing experience that can only come from the exclusively for you.
Fender Custom Shop.
STRATOCASTER BASE MODELS
1955 STRATOCASTER
SHOWN IN 2-COLOR SUNBURST
1956 STRATOCASTER
SHOWN IN WHITE-BLONDE
BODY WOOD ASH BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
02
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘55 “U” NECK SHAPE 10/56 “V”
FINGERBOARD 1-PIECE MAPLE FINGERBOARD 1-PIECE MAPLE
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS BLACK MICARTA – WIDE SPACING FACE DOTS BLACK MICARTA – WIDE SPACING
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO
PICKGUARD 1-PLY WHITE PICKGUARD 1-PLY WHITE
WIRING VINTAGE STRAT W/ 3-WAY SWITCH WIRING VINTAGE STRAT W/ 3-WAY SWITCH
PICKUPS FCS 1950S STRAT PICKUPS FCS 1950S STRAT
15 16
1960 STRATOCASTER
SHOWN IN DAKOTA RED
1963 STRATOCASTER
BODY WOOD ALDER BODY WOOD ALDER

NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60S OVAL “C” NECK SHAPE 60S OVAL “C”
FINGERBOARD SLAB ROSEWOOD FINGERBOARD ROUND-LAM ROSEWOOD
FACE DOTS CLAY – WIDE SPACING FACE DOTS CLAY – NARROW SPACING
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE

BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO
SELECT A PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
BASE MODEL
WIRING VINTAGE STRAT W/ 3-WAY SWITCH WIRING VINTAGE STRAT W/ 3-WAY SWITCH
PICKUPS FCS 1960S STRAT PICKUPS FCS 1960S STRAT
Each base model includes specifications listed as period accurate but can be customized
based on the player’s playing style and taste.
S T EP 2 : BAS E
TELECASTER BASE MODELS
1965 STRATOCASTER
SHOWN IN AZTEC GOLD
1969 STRATOCASTER
SHOWN IN SONIC BLUE
1951 NOCASTER
SHOWN IN HONEY BLONDE
1952 TELECASTER
BODY WOOD ALDER BODY WOOD ALDER BODY WOOD ASH BODY WOOD ASH
BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE – URETHANE FINISH NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘65 “C” NECK SHAPE ‘69 “C” NECK SHAPE NOCASTER “U” NECK SHAPE ‘52 “U”
FINGERBOARD ROUND-LAM ROSEWOOD FINGERBOARD ROUND-LAM ROSEWOOD OR MAPLE FINGERBOARD 1-PIECE MAPLE FINGERBOARD 1-PIECE MAPLE
RADIUS 7.25” RADIUS 7.25” RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE FRET SIZE F VINTAGE FRET SIZE VINTAGE
FACE DOTS PEARL – NARROW SPACING FACE DOTS PEARL WHITE OR BLACK FACE DOTS BLACK MICARTA – NARROW SPACING FACE DOTS BLACK MICARTA – WIDE SPACING
NUT MICARTA NUT MICARTA NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS SCHALLER “F” TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE WITH BRASS SADDLES BRIDGE VINTAGE WITH BRASS SADDLES
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE PICKGUARD 1-PLY BLACK PICKGUARD 1-PLY BLACK
WIRING VINTAGE STRAT W/ 3-WAY SWITCH WIRING VINTAGE STRAT W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS FCS 1965 STRAT PICKUPS FCS 1969 STRAT PICKUPS FCS 1951 NOCASTER PICKUPS FCS 1951 NOCASTER
17 18
ELITE STRATOCASTER
SHOWN IN SURF PEARL
1960 TELECASTER
SHOWN IN WHITE BLONDE
1960 TELECASTER CUSTOM
SHOWN IN BLACK
BODY WOOD ALDER BODY WOOD ALDER BODY WOOD DOUBLE-BOUND ALDER
BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD AAA FLAME MAPLE NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE MODERN “C TO D” NECK SHAPE ‘60S OVAL “C” NECK SHAPE | ‘60S OVAL “C”
FINGERBOARD 1-PIECE ROSEWOOD OR 1-PIECE MAPLE FINGERBOARD SLAB ROSEWOOD FINGERBOARD | SLAB ROSEWOOD
RADIUS 9.5” - 14” RADIUS 7.25” RADIUS 7.25”
FRET SIZE MEDIUM JUMBO FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS MOP/BLACK FACE DOTS CLAY – NARROW SPACING FACE DOTS CLAY
NUT BONE NUT MICARTA NUT MICARTA
TUNERS LACKING TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME

BRIDGE CUSTOM CLASSIC BRIDGE VINTAGE WITH THREADED SADDLES BRIDGE VINTAGE WITH THREADED SADDLES
PICKGUARD 3-PLY PARCHMENT PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING MODERN WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS N4 NOISELESS PICKUPS FCS ‘60 - ‘63 TELECASTER PICKUPS FCS ‘60 - ‘63 TELECASTER
S T EP 2 : BAS E
1963 TELECASTER
SHOWN IN LAKE PLACID BLUE
1967 TELECASTER
SHOWN IN CANDY APPLE RED
1950’s THINLINE TELECASTER
BODY WOOD ALDER BODY WOOD ALDER BODY WOOD ASH

NECK WOOD MAPLE NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60S OVAL “C” NECK SHAPE ‘60S OVAL “C” NECK SHAPE NOCASTER “U”
FINGERBOARD ROUND-LAM ROSEWOOD FINGERBOARD ROSEWOOD OR MAPLE FINGERBOARD 1-PIECE MAPLE
RADIUS 7.25” RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS CLAY FACE DOTS PEARL WHITE OR BLACK MICARTA FACE DOTS CLAY - NARROW SPACING
NUT MICARTA NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS SCHALLER “F” TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE WITH THREADED SADDLES BRIDGE VINTAGE WITH THREADED SADDLES BRIDGE VINTAGE WITH BRASS SADDLES
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE PICKGUARD 1-PLY WHITE
WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS FCS ‘60 - 63 TELECASTER PICKUPS FCS 1967 TELECASTER PICKUPS FCS 1951 NOCASTER
19 20
PRECISION BASS BASE MODELS
ELITE TELECASTER
SHOWN IN CAMPAIGN METALLIC
1959 ESQUIRE
1955 PRECISION BASS
SHOWN IN VINTAGE BLONDE
1959 PRECISION BASS
SHOWN IN BLACK
BODY WOOD ALDER BODY WOOD ASH BODY WOOD ASH BODY WOOD ALDER
BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD AAA FLAME MAPLE NECK WOOD MAPLE NECK WOOD QUARTERSAWN MAPLE NECK WOOD QUARTERSAWN MAPLE
NECK SHAPE MODERN “C TO D” NECK SHAPE ‘59 “C” NECK SHAPE ‘55 PBASS SOFT “V” NECK SHAPE ‘60S PBASS OVAL “C”
FINGERBOARD ROSEWOOD OR MAPLE FINGERBOARD SLAB ROSEWOOD OR MAPLE FINGERBOARD 1-PIECE MAPLE FINGERBOARD SLAB ROSEWOOD
RADIUS 9.5”-14” RADIUS 7.25” RADIUS 7.25” RADIUS 7.25”
FRET SIZE MED JUMBO FRET SIZE VINTAGE FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS MOP/BLACK FACE DOTS MICARTA BLACK - WIDE SPACING FACE DOTS CLAY FACE DOTS CLAY
NUT BONE NUT MICARTA NUT MICARTA NUT MICARTA
TUNERS LOCKING TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH REVERSE TUNERS FENDER GOTOH REVERSE
HARDWARE CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE ELITE TELE BRIDGE VINTAGE ‘59 W/THREADED BRIDGE VINTAGE BRIDGE VINTAGE
PICKGUARD 3-PLY PARCHMENT PICKGUARD 1-PLY PARCHMENT PICKGUARD 1-PLY WHITE PICKGUARD GOLD ANODIZED
WIRING ELITE TELE WIRING VINTAGE ESQUIRE 3-WAY SWITCH WIRING VINTAGE PRECISION BASS WIRING VINTAGE PRECISION BASS
PICKUPS N4 NOISELESS PICKUPS FCS VINTAGE TELECASTER PICKUPS FCS 1950S PRECISION BASS PICKUPS FCS ‘59 - ‘62 BASS
S T EP 2 : BAS E
OFFSET BASE MODELS
1960 PRECISION BASS
1962 JAZZMASTER
SHOWN IN SURF GREEN
1962 JAGUAR
SHOWN IN FIESTA RED
BODY WOOD ASH BODY WOOD ALDER BODY WOOD ALDER

NECK WOOD MAPLE NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60S PBASS OVAL “C” NECK SHAPE JAZZMASTER “C” NECK SHAPE JAGUAR “C”
FINGERBOARD SLAB ROSEWOOD FINGERBOARD SLAB ROSEWOOD FINGERBOARD SLAB ROSEWOOD
RADIUS 7.25” RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS CLAY FACE DOTS CLAY FACE DOTS CLAY
NUT MICARTA NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH REVERSE TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE BRIDGE VINTAGE JAGUAR/JAZZMASTER BRIDGE VINTAGE JAGUAR/JAZZMASTER
PICKGUARD 4-PLY TORTOISE SHELL PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE PRECISION BASS WIRING VINTAGE JAZZMASTER WIRING VINTAGE JAGUAR
PICKUPS FCS ‘59 - ‘62 BASS PICKUPS FCS JAZZMASTER PICKUPS FCS JAGUAR
21 22
JAZZ BASS BASE MODEL
1964 JAZZ BASS BASS VI

SHOWN IN SONIC BLUE
BODY WOOD ALDER BODY WOOD ALDER

NECK WOOD MAPLE NECK WOOD QUARTERSAWN MAPLE
NECK SHAPE ‘60 “U” NECK SHAPE “C”
FINGERBOARD ROUND-LAM ROSEWOOD FINGERBOARD SLAB ROSEWOOD
FACE DOTS CLAY FACE DOTS CLAY
TUNERS FENDER GOTOH REVERSE TUNERS FENDER GOTOH VINTAGE

BRIDGE VINTAGE BRIDGE VINTAGE JAGUAR
PICKGUARD 4-PLY TORTOISE SHELL PICKGUARD 4-PLY TORTOISE SHELL
WIRING VINTAGE JAZZ BASS WIRING VINTAGE BASS VI
PICKUPS FCS VINTAGE JAZZ BASS PICKUPS FCS JAGUAR
S T EP 2 : BAS E
NEW OLD STOCK(NOS)
SHOWN IN 1956 STRATOCASTER IN WHITE BLONDE
Models from the past that have survived to the present day looking brand new. An all-lacquer finish that looks as if it hasn’t aged at
all-as if you went back in time and bought it.
03
CLOSET CLASSIC
SHOWN IN LIMITED EDITION 1958 JAZZMASTER IN 2-COLOR SUNBURST
No real playing wear, but more subtle indications of the ages, such as a finish that has lost its sheen, mild discoloration of plastic
parts, metal hardware showing slight oxidation, “mild” finish checking and minor surface scratches on the body and headstock.
23 24
SELECT AN
AGING STYLE DELUXE CLOSET CLASSIC
SHOWN IN POST-MODERN TELECASTER IN FADED FIREMIST SILVER
Well taken care of and religiously polished throughout the years. The owner of this guitar took pride in keeping it clean and shiny.
Over time the finish started showing age and like a fine wine it evolved into something complex and refined. Moderate finish check-
ing, oxidation of hardware, and mild discoloration of parts give this finish its distinct look and feel.
S T EP 3 : AG I NG S T YL E
JOURNEYMAN RELIC®
SHOWN IN 1959 JAZZMASTER IN AGED FIESTA RED
Well taken care of and religiously polished throughout the years. The owner of this guitar took pride in keeping it clean and shiny.
Over time the finish started showing age and like a fine wine it evolved into something complex and refined. Moderate finish check-
ing, oxidation of hardware, and mild discoloration of parts give this finish its distinct look and feel.
RELIC®
SHOWN IN 1960 STRATOCASTER IN AGED DAPHNE BLUE
The Authentic worn-in wear of a guitar that has experienced many years of regular use in clubs and bars. Marks that tell a story,
finish checking all over the body; scars dings and dents from bridge to headstock.
25 26
HEAVY RELIC®
SHOWN IN 1953 TELECASTER IN BUTTERSCOTCH BLONDE
The heaviest of the relic treatments, designed to evoke decades of the most punishing play and touring. From serious dinged and
wear to intensely discolored hardware and finish, the true battle-hardened workhorse.
S T EP 3 : AG I NG S T YL E
CALIFORNIA SPECIAL RELIC
MASTERBUILT BY RON THORN - 9216080035
TONEWOOD OPTIONS
BODY WOOD OPTIONS
04
ALDER ASH MAHOGANY

A fantastic tone wood long used by Fender Strong and dense, ash is a longtime A dense, dark tone wood that yields warm
for it’s electric guitar bodies, alder is noted Fender classic for electric instrument bodies tone and midrange bite, mahogany is
for bright, balanced and resonant tone with Notably resonant and sweet sounding, it’s a great option that adds a unique and
pronounced upper midrange, excellent characterized by well-defined midrange complex sonic and visual twist to your build.
sustain and sharp attack. It also features and strong low end.
large, swirling grain patterns.
27 28
ROASTED ASH OKUME ROASTED ALDER

Strong and ultra-stable, a roasted ash body A warm-sounding tone wood with figured The roasting process will darken the wood
SELECT is a thing of beauty. Not only does the grain patterns that make it an excellent while keeping it very stable and durable. As
YOUR OPTIONS
roasting process accentuate the figuring of choice for a guitar body spread. with a slab of wood that has dried over the
the wood, it also crystallizes the sap, giving years, the properties change slightly and
it the sound of old wood. add to the richness and depth of tone.
S T EP 4 : OP T I ONS
QUILT/FLAME TOP OPTIONS NECK WOOD OPTIONS
QUILT MAPLE TOP AA FLAME MAPLE TOP AAA FLAME MAPLE TOP MAPLE NECK FLAME MAPLE BIRDSEYE MAPLE
A beautifully figured wood, quilt maple AA flame maple features tiger-like striping AAA flame maple sorts a more intense Light in color, with a bright, chimey tone, With its strong, vibrant figure, flame maple Small round figuring in the wood which
works especially well with transparent and in the wood grain. Many believe that concentration of figuring than AA Flame. maple is favorite amongst many Fender is one of our favorite ways to liven up the produces small “birdseye” markings. Used
natural finishes that allow the flowing grain this is caused by the tree swaying in the The bold stripes are always a beautiful players for its look, feel and tone. look of a maple neck. on many Custom Shop guitars, a birdseye
to show through. wind, the minerals in the ground and other touch in natural and transparent finishes. maple neck will add a unique and striking
ephemeral variables. We aren’t positive look to your guitar.
about that, but we do know it provides a
strikingly beautiful look to any instrument
29 neck or body. 30
SPALTED MAPLE KOA MAPLE BURL ROASTED MAPLE NECK ROSEWOOD NECK ROASTED FLAME
Spalted maple combines excellent strength Beautiful and highly stable tone-wood Highly figured maple top used on our Artisan Roasted maple creates an aged and dark Darker in color and warmer in tone than MAPLE
and bright, crisp tone with incredibly prized for it’s resonance, workability and models with a gorgeous marbled swirl. look to the wood as well as making it more maple, rosewood can be specially sorted
Roasting maple brings out the figure and
unique and captivating figured lines and attractive figure. resonant and slightly lighter in weight. for a darker color. In 1959, all Fenders were
creates a caramelized dark tiger striping.
streaks to give your instrument an elegant outfitted with rosewood fingerboards, which
look and sound. was a significant departure from the look
and tone of the previous maple boards.
00 3 COLOR SUNBURST 01 WHITE BLONDE 02 LAKE PLACID BLUE 03 2 COLOR SUNBURST
04 DAPHNE BLUE 05 OLYMPIC WHITE 06 06 | BLACK 07 VINTAGE BLONDE
08 OCEAN TURQUOISE 09 CANDY APPLE RED 12 RED SPARKLE 13 BLUE SPARKLE
15 HOT ROD RED 17 SILVER SPARKLE 18 GOLD SPARKLE 19 SAGE GREEN METALLIC
31 32
20 AMBER 21 NATURAL 22 SUNSET ORANGE TRANS 23 PEARL WHITE
24 INCA SILVER 25 25 | CHROME RED 26 VIOLET 27 SAPPHIRE BLUE TRANS

28 CRIMSON BURST 29 BLUE AGAVE 30 CHERRY SUNBURST 31 AGED CHERRY SUNBURST
SELECT A
COLOR OPTION
32 BROWN SUNBURST 33 VIOLIN BURST 34 AGED NATURAL 36 BLUE BURST
37 ANTIQUE BURST 38 CRIMSON TRANS 39 EBONY TRANS 40 FIESTA RED
41 VINTAGE WHITE 42 MERCEDES BLUE 43 PEWTER 44 SHORELINE GOLD 83 BLUE ICE METALLIC 84 COPPER 85 BRIGHT AMBER MET 86 BRIGHT SAPPHIRE MET.
45 TEAL GREEN METALLIC 46 SHERWOOD GREEN MET. 47 SIENNA SUNBURST 48 TEAL GREEN TRANS 87 COBALT BLUE METALLIC 88 DESERT SUNSET 89 DESERT SAND 90 BALTIC BLUE
49 SEA FOAM GREEN 52 TOBACCO BURST 53 FIRE MIST GOLD 54 DAKOTA RED 92 WALNUT 93 PURPLE METALLIC 94 PURPLE TRANS 95 | AGED VINTAGE WHITE
55 FROST WHITE 56 SHELL PINK 57 SURF GREEN 58 TORINO RED 96 ORANGE 97 CHOCOLATE 3 TONE SB 98 HLE GOLD 99 NOCASTER BLONDE
33 34
59 BLACK PEARL 60 EMERALD GREEN TRANS 61 BING CHERRY TRANS 62 COBALT BLUE TRANS BG BRITISH RACING GREEN BT BUTTERSCOTCH BLONDE CF CHARCOAL FROST MET CR CIMARRON RED
63 GRAFFITI YELLOW 66 BURGUNDY MIST MET. 67 HONEY BLONDE 68 LIME GREEN CS CHARTREUSE SPARKLE DB DIRTY WHITE BLONDE HB HONEY BURST MS MAGENTA SPARKLE
70 CADIUM ORANGE 71 CANDY GREEN 72 SONIC BLUE 73 MIDNIGHT BLUE OS ORANGE SPARKLE PS PURPLE SPARKLE SR SEMINOLE RED SS SEAFOAM GREEN SPARKLE
74 AQUA MARINE METALLIC 75 MIDNIGHT WINE 76 MIDNIGHT PURPLE 77 FROST RED TT TAOS TURQUOISE • YOUR COLOR • YOUR COLOR AGED • YOUR COLOR FADED
*Example shown in Adds a golden tint to Creates the look of a color that
Fiesta Red. simulate aging. has faded over time.
78 AZTEC GOLD 79 FROST GOLD 81 SURF PEARL 82 CANDY TANGERINE
1st Fr
#1 ʼ52 STYLE “U” #8Fret
1st ’60 J BASS “U” 12th Fret 1st Fret
1st Fr
1st Fret 12th Fret
1st Fret 12th Fret 1st Fret 12th Fret
1st Fret 12th Fret 1st
1st Fret
Fret 12th
12th Fret
Fret 1st Fret 12th Fret 0.820
0.820
GUITAR NECK SHAPES 0.790
0.990 0.990
0.820 0.870 0.820
0.850
0.990
0.990 0.990
0.990 0.790
0.790 0.990
0.990
0.850
0.790 0.940
0.990 0.990 0.990
0.990 0.990
#1 ʼ52 STYLE “U” #19
#8
1st Fr
#19 MODERN “C” #29
#20
#1 ʼ52 STYLE “U” #8 ’60 J BASS “U” 1st Fr
#1 ʼ52 STYLE “U” #2
1st Fret ʼ57 STYLE SOFT “V”12th Fret
#8 ’60 J BASS “U” 1st Fret
#12
12th Fret 1st Fret
1st Fret ʼ51 P BASS “U” 12th Fret 1st Fr
0.820
1st Fret 12th Fret 1st
1st Fret
Fret 12th
12th Fret
Fret 1st Fret 12th Fret 0.850
0.850
0.990 0.990 0.790
0.850 0.990 0.940
0.990 0.925
0.880
0.850 0.890
0.850
0.850 0.940
0.940
0.990
0.990 0.990
0.990
0.850 0.790 0.930 0.850 0.910
#19
0.990 0.940 0.990
#1 ʼ52 STYLE “U” #8 ʼ57
#2 ’60 J BASS
STYLE “U”“V”
SOFT #20
#12
1st Fr
#23
#30
#2 ʼ57 STYLE SOFT “V” #20 MODERN “V”
#12 ʼ51 P BASS “U” 12th 1st Fr
#2 ʼ57 STYLE SOFT “V” #3 ʼ60 STYLE OVAL “C”12th Fret
1st Fret #13
1st Fret
1st Fret 1969 “U” 12th Fret
Fret 1st Fret
#12 ʼ51 P BASS “U” 1st Fret 12th Fret 1st
1st Fre
0.850
Fr
1st Fret 12th Fret 1st Fret
1st Fret
0.850 12th Fret
12th Fret 1st Fret 12th Fret 0.880
0.880
0.990 0.790
0.940 0.930
0.990 0.850
0.880 0.820
0.820
0.790
0.790 0.980
0.930
0.930 0.850
0.850 0.910
0.910
0.790 0.930 0.850
#20
0.925 0.990
0.910 0.950
#2 ʼ57 STYLE SOFT “V” #3
1.000
#23
#12 ʼ60 STYLE
ʼ51 OVAL
P BASS
10/56 “U”“C”
“V”
#13
#26
#36
1st Fr
#23
#3 ʼ60 STYLE OVAL “C” #13 1969 “U”
1st Fret 1st Fre
Fr
#3 ʼ60 STYLE OVAL “C” #13
#6 ʼ57 BASS “U” “V”12th Fret
1969 SOFT 1st
1st Fret
#14 Fret
1951 “U”
12th
12th Fret
Fret 1st Fret
35 1st Fret 12th Fret 1st Fr
360.880
0.790 12th0.930
Fret 1st Fret
0.850 12th0.910
Fret 0.820
0.820
0.925 0.990 0.950
0.820 0.790
0.820
0.910
0.925
0.925 0.990
0.990 0.950
0.950 1.000
1.000 #23
0.790
0.925 0.990 0.950
#3 ʼ60 STYLE OVAL “C”
0.990
1.000
0.875
#13 1969 “U” 0.950 #26
#6
#26 ʼ57 CCBASS SOFT
JAZZ “V”
BASS #14
1st
#40
#28 Fr
#6
1st Fret ʼ57 BASS SOFT “V”12th Fret #14
1st
4 STRING
1951 “U” “C” 12th Fret
1st Fret
Fret 12th Fret 1st1st Fr
Fret
#6 ʼ57 BASS SOFT “V” #7
#14 ʼ60 P 1951
BASS OVAL
“U” “C” #18
1st Fret LARGE “C” 12th Fret 1st Fr
0.820
0.925 12th0.990
Fret 0.790
0.790
0.790
0.950 1.000
0.990 0.875
1st Fret 12th FretFret 1st1st
Fret
0.790 12th Fret 0.830
0.840
#26
1st Fret
0.790
0.790 12th Fret 12th Fret0.970
0.990
0.990 0.875
0.875 0.950
0.950
1st1st
FretFret 12th FretFret 0.790
1st Fret 12th FretFret 0.875
12th 1st Fret 12th
0.990
SELECT A #6 ʼ57 BASS SOFT “V”
0.950
#14 ʼ60 P 1951
0.820 “U” “C”0.974 #28
0.820
0.820 0.870
0.870 #70.820
#28 BASS
ʼ59OVAL
“C” 0.974 #18
1st
#59
#51 Fr
NECK SHAPE
0.990
0.990 0.990
0.990
0.790
#7
0.790
ʼ60 P BASS OVAL “C”
0.990
0.990
#7
1st Fret ʼ60 P BASS OVAL “C”
#18 LARGE “C”
12th Fret #18
1st Fret LARGE “C” 12th Fret 1st Fr
#19 MODERN #29

1st Fret ʼ65 STRAT “C”
#29 ʼ65 STRAT “C” 12th Fret 0.790
#19 MODERN“C”
“C”
0.830
0.830
#1#1 ʼ52
ʼ52STYLE
STYLE“U” #8#8 ’60
’60J BASS
J BASS“U”
0.790
“U” “U” 1st1st
FretFret 12th 0.990
Fret
12th Fret
0.875
1st1st
FretFret
0.830
12th Fret0.950
12th Fret
1.00
1st1st
FretFret 12th FretFret 1st1st
FretFret 12th FretFret
#28
12th 12th
0.925
0.850
#7 0.850 ʼ60 P BASS OVAL “C” 0.890
0.890
0.925
#18 LARGE “C” 0.950
0.950 #59
1st Fr
0.850 0.940
#59 ʼ63 “C”
0.850 0.990 0.940 0.990
0.990 0.990
#20 MODERN #30

#30 ʼ55
ʼ55P BASS
P BASSSOFT
SOFT“V”
“V”
#20 MODERN“V”
“V” 0.830
#30 ʼ55 P BASS SOFT12th
“V”Fret 1st Fret 12th Fret 1st Fret
#8Fret
#29
1st ’60 JSTRAT
ʼ65 BASS “C”
“U” 12th Fret 1st
#20FretFret
1st MODERN “V” 12th FretFret
12th 1st Fret
#12 ʼ51 P BASS “U” 1st Fret 12th Fret 1st Fret 12th Fret 1st Fr
th Fret
12th
12th Fret
Fret 1st
#12 Fret
Fret ʼ51 P BASS “U”
1stFret 12th
12th Fret
2th Fret 1st 12th Fret
Fret 1st Fret 12th Fret 1st Fret 1st Fret 12th Fret 12th Fret 1st Fret
Fret 12th0.990
Fret 1st Fret
Fret 1st0.820
Fret 12th Fret 1st
0.925 12th Fret
GUITAR BASS NECK SHAPES
0.950
NECK SHAPES (CONT.)
0.820 0.925
0.974
0.870 0.850 0.950
0.890 0.820
Fret 1st Fret 12th Fret 0.880 0.980 0.820 0.900
0.820 1st Fret 12th Fret 1st Fret 12th Fret
0.870
0.990 0.925
0.940 0.974
0.990 0.990
0.950 0.880 0.980 0.820 0.790 0.820
0.890 0.850 0.990 0.900 0.990 0.820 0.990
0.870
0.930 0.910
#19 MODERN “C” #29 ʼ65 STRAT “C” #30 ʼ55 P BASS SOFT “V” #6 ʼ57 BASS SOFT “V” #14
0.930 0.850 0.910 #20 MODERN
10/560.990“V”
“V” #36 0.990 JAGUAR / 1st Fret 12th Fret 1st Fre
#19
#23 0.790 0.990
” #29 ʼ65 STRAT “C” #36 JAZZMASTER
JAGUAR#1/ “C” 1st Fret
1st Fret 12th
12th Fret
Fret 1st1st
FretFr
#30
1st Fret ʼ55
#12 P BASS
ʼ51 P BASSSOFT
“U” “V”
12th Fret 1st
#23FretFret
1st 10/56 “V”1st Fret 12th FretFret
12th 1st Fret 12th Fret 1st Fret ʼ52 STYLE “U” 12th Fret #8 ’60 J BASS “U” #29
#13 1969 “U”
1st Fret 1st Fret
JAZZMASTER “C”12th Fret
12th Fret #19 MODERN “C” 1st Fr
1st Fret
Fret 12th Fret
Fret 1st Fret 12th Fret 12th Fret 1st Fret 12th Fret 0.820 0.870 0.820
th FretFret
12th
12th Fret #13
1st 1969 “U” 12th
#1 ʼ52 #8 1st Fret ’60 J BASS “U” 12th Fret 1st Fret 12th Fret
th Fret 1st Fret 12th Fret 1st Fret
0.925 12th FretSTYLE “U”1st Fret 1st Fret 12th Fret 12th Fret 1st Fret
0.790
1st Fret
0.820 12th Fret
12th0.990
Fret
0.870 1st0.820
Fret
Fret 1st0.850
Fret 12th Fret
0.890 0.880
0.990
0.950
0.980 0.820 0.990 0.790 0.900 0.990
0.875
1st Fret 12th Fret 1st Fret 12th Fret 0.850
Fret 1st 0.925
Fret 12th Fret 0.820 1st Fret 0.820 12th Fret 1st Fret 0.970 12th Fret
0.990
0.930
0.890 0.850 0.950 1st0.990
Fret 0.910 12th Fret
0.990 1st0.790
Fret 12th Fret
0.990 0.820 #29
0.820
0.910
0.820 0.820
0.820
0.850 0.970
0.870
#19
0.940 MODERN “C” 0.974
0.925
0.980
0.990
#20
Fret 1st Fret
MODERN “V”0.990 #30#23 ʼ550.990
0.950
12th Fret P BASS SOFT “V”
12th
10/56 “V”
0.900
#36 JAGUAR /#8
0.910 0.990 0.850
#19 ʼ60 PMODERN “C”
0.990
0.890 #29
#1 0.790 ʼ52 STYLE “U”
1.000
JAZZMASTER
0.990 “C”
0.820 ’60 J BASS “U” #7 1st Fret
BASS OVAL “C” 12th Fret
#18
1st Fr
0.990
#30
0.950
ʼ55 P BASS SOFT “V”1.000 #26 CC JAZZ
0.820
BASS
0.850
#1 ʼ52 STYLE #40
“U”
0.870
ʼ75
0.990 JAZZ BASS
#8
0.940
’60 J BASS “U”
0.974
0.990 #20
” #13
1st Fret 1969 “U” 12th Fret 4 STRING #29
1st Fret ʼ65 STRAT “C” 12th Fret 1st Fr
1st“C”
JAGUAR / 1st
#26Fret 12th Fret #19 Fret MODERN “C”
#36 0.790 1st Fret 0.990 CC JAZZ BASS Fret 12th Fret #40
1st ʼ75 JAZZ BASS
Fret 12th Fret #2
1st Fret 12th
ʼ57 STYLE SOFT “V”12th Fret #30
#14
0.990
JAZZMASTER “C”
1951 “U” #1 12th Fretʼ52 STYLE1st“U” 4 STRING1st“C” #12
#20 ʼ51 P BASS“V”
MODERN “U” 1st Fr
h Fret #8 ’60 J BASS 1st
Fret 12th Fret “U”Fret12th Fret 1st 1st
FretFret12th Fret 0.925
12th
12th Fret
Fret 1st
1st Fret
Fret 12th Fret Fret
#2
#19 ʼ57 STYLE
MODERN SOFT“C”“V” #29 ʼ65 STRAT “C” 12th 12thFret
Fret 0.850
1st Fret 12th Fret
0.890
th Fret #14
1st Fret
0.880 1951 “U” 12th Fret 0.820
1st Fret 12th Fret 1st Fret #121st Fret ʼ51
12th P BASS “U” 12th Fret 1st Fret 12th Fret 0.925
Fret 1st Fret
0.980
12th Fret
0.820 0.850
0.900 0.820 0.970Fret 1st0.850
Fret 12th Fret
0.890 1st Fret
ʼ52 STYLE “U” #8 1st Fret’60 J BASS “U” 12th Fret 1st Fret 0.910 12th Fret
0.990 0.940 0.990 0.880
0.790 1st Fret 12th Fret 1st Fret 12th Fret 0.925
Fret
0.910
0.980
0.990 1st 0.820
Fret
0.950
12th Fret
0.900 1st0.850
Fret 0.970
0.84012th Fret
0.990 1st0.940
Fret
0.850 0.960 12th Fret
0.990
0.890 0.950 #30
1.000
#20 MODERN “V”
#36 12th Fret JAGUAR /
0.820
0.790 0.790 0.850
Fret 10/561st“V” 0.930
0.910 #23 #26
0.875 12th CC JAZZ Fret 0.850 0.970
BASS 0.970
0.840
#40 ʼ75 JAZZ BASS 0.960 0.880 0.910
0.980 #30
0.820
JAZZMASTER #2“C” #20 MODERN “V”
“C” ʼ57 STYLE SOFT “V” 0.930
0.990 0.990 0.940 0.950 0.990
#36 JAGUAR / 4 STRING 0.850
0.790 0.890
#12
0.925
ʼ51 P BASS “U” 0.950 1st Fret 12th Fret #23
1st Fr
0.990 0.875
#14
1st Fret JAZZMASTER
1951 “U” “C”
0.950
12th Fret 1st#28
Fret ʼ59 “C”#2 ʼ57
12th Fret STYLE SOFT#51“V” ʼ66 STRAT
0.850
OVAL
#12 “C” ʼ51 P BASS
#2012th Fret MODERN “V” “U”
0.910 #30
1st Fret
ʼ55 P BASS SOFT “V”
12th Fret
1st Fret 1st Fr
#40 0.990ʼ75 JAZZ0.940 BASS #28 ʼ59 “C”1st Fret 12th Fret 1st Fret 12th Fret
#51 ʼ66 STRAT #3Fret“C”
1st
OVAL ʼ60 STYLE OVAL “C”12th Fret #13 1969 “U”
10/56 “V” #36
#2 ʼ57 STYLE SOFT
0.990
“V” #23
th Fret
12th Fret
37 #18 1st Fret LARGE “C” 12th Fret 1st#12
Fret 12th ʼ51 P BASS “U” 12th Fret 1st1st
FretFret 12thFret
12th Fret 1st Fret
0.880 12th Fret 381st Fre
12th Fret 1st Fret 12th Fret 1st Fret
#20 ʼ60
Fret
MODERN #30 ʼ55 P BASS SOFT “V” 0.980 0.820
#180.820
LARGE “C” 1st Fret 0.910
0.820
0.790 #3 STYLE
0.970 OVAL“V”“C”
0.840
#13
1st Fret 1969 “U” 12th Fret 1st0.880
Fret 12th Fret
Fret 1st0.820
Fret
th Fret 1st Fret 12th Fret 1st Fret 12th Fret 1st Fret 12th
0.790 Fret
0.970 12th Fret
0.930 0.850 0.960 1st Fret 12th 0.980
7 STYLE SOFT “V”
0.820 #12 ʼ51 P BASS “U”
0.970 1st
0.790Fret 12th Fret 1st0.880
Fret
0.910
12th Fret
0.820
0.910
1.000
0.990 0.875 0.950
0.830
1st Fret 1.00
0.930
12th Fret 1st0.850
Fret 0.980
0.910
12th Fret
0.820
#23 10/56 “V” 0.900 #36
#26 #40 ʼ75 JAZZ BASS
0.970 12th Fret CC JAZZ1stBASS
Fret 0.790 0.960
0.840 0.830
#2812th Fret 0.930ʼ59 “C” 0.850 1.00 #51 ʼ660.910 0.925
STRAT OVAL “C” 0.990 0.820
#23
0.950 10/56 “V” 1.000
0.910 #36
0.820
4 STRING “C” #3 ʼ60 STYLE OVAL “C” #13 1969 “U”
#40 ʼ75 JAZZ BASS 0.880 0.820
10/56 “V” #36
1st Fret JAGUAR / 12th Fret #26
1st Fre
” #18 LARGE “C” #59 ʼ63 “C”#3
0.925 ʼ60 STYLE OVAL “C”
0.980
0.990 #13#23 1969 “U”
0.900
1st Fret
12th Fret
12th Fret
0.950 1.000
1st Fret JAZZMASTER “C” 12th Fret 1st Fr
#51 0.930
ʼ66 STRAT
0.850
OVAL #3
“C” ʼ60 STYLE OVAL
#59 “C”0.910
ʼ63 “C”1st #13
Fret 1969 “U” 12th Fret 1st Fret
#6 ʼ57 BASS SOFT “V”12th Fret #26
#14 CC JAZZ“U”
1951 BASS #40
th FretFret 1st Fret
12th 1st Fret
0.790
12th Fret
0.840
1st Fret
#23 10/56 “V” 12th Fret 1st
#36
1st Fret
Fret JAGUAR / 12th Fret
12th Fret 0.820 4 STRING “C” 12th Fret0.910 1st Fr 0.820
0.970 0.830
#6 1st Fret ʼ57 BASS SOFT “V” 12th Fret
0.960
#14
1st Fret JAZZMASTER
1951 “U” “C” 12th Fret 0.820
1st 0.820
2th Fret 1st Fret 12th Fret 1.00
1st Fret
Fret 12th
12th Fret
0.910
Fret 1st Fret
0 0.950
STYLE OVAL “C”
0.840 #13 1969 “U” 0.925 0.990 0.950
0.820 1.000
1st Fret 12th Fret
0.820 0.970 0.790
0.970 0.960 1st Fret 12th0.990
Fret
0.910
1st0.925
Fret 12th Fret 1st0.950
Fret 12th Fret
1.000 #26 CC JAZZ BASS #40
#51
#59 #28
ʼ66 STRAT OVAL “C” ʼ59 “C”
12th Fret 0.990ʼ63 “C” 0.950
0.790
#26 4 STRING “C”
1.00 12th Fret 1st Fret0.925 1.000 0.990 0.875
0.790
CC JAZZ BASS 0.950
0.970
0.840 #40
#51 ʼ66 STRAT OVAL “C” #6 ʼ57 BASS SOFT “V” 0.910
0.820
0.790
#26
#14
0.820 1951
CC “U”BASS
JAZZ 0.970 #40 4 STRING “C”
1st Fret ʼ75 JAZZ BASS 12th Fret #28
1st Fr
1st Fret 12th Fret 0.875
4 STRING
#6 ʼ57 BASS SOFT “V” 0.990 #14 1951 “U” “C” 0.950
1st Fret 12th Fret 1st Fr
0.990 0.950 #6 ʼ57 BASS SOFT “V” 1st #14
Fret 1951 “U” 12th Fret 1st Fret 12th Fret
12th Fret 1.000 #71st Fretʼ60 P BASS OVAL “C” 12th Fret #28
#18
1st Fret ʼ59 “C”
LARGE “C” 12th Fret #51
1st Fr
0.830
1.00
#26
1st Fret
CC JAZZ BASS 12th Fret 1st
#40 Fret ʼ75 JAZZ BASS 12th Fret 0.790
0.970
0.840
0.790 ʼ60 P 4 STRING “C”

1st Fret 12th Fret #7 1st Fret BASS OVAL “C” 12th Fret #18 LARGE “C” 0.790 0.840
1st Fret 0.970
12th Fret
0.990 0.875
0.790 0.950
7 BASS
1.00 SOFT “V” #14 1951 “U” 1st Fret
0.790 12th0.990
Fret 1st Fret
0.875
0.970
12th Fret
0.840
0.960 0.830
#59 ʼ63 “C” 0.790 0.990 0.875

0.950
#28 ʼ59 “C” #51
0.950 0.830
12th Fret 1st Fret 12th Fret #28 ʼ59 “C” 1.00 #51
#7
0.790 ʼ60 P BASS OVAL “C”
0.970
#18#28
0.840 ʼ59 “C”
LARGE “C” 0.960
#51
1st Fret ʼ66 STRAT OVAL “C” 12th Fret #59
#7 ʼ60 P BASS OVAL “C” #18 LARGE “C” 1st Fret 12th Fret
0.875 #7 ʼ60 P BASS OVAL “C” #18 LARGE “C”
0.990 0.950 1st Fret 12th Fret #59 ʼ63 “C”
0.830
#28 ʼ59 “C” #51 ʼ66 STRAT OVAL “C” 1.00
VINTAGE MEDIUM VINTAGE MEDIUM JUMBO
45085 47095 6150
H: 0.045” H: 0.047” H: 0.047”
W: 0.085” W: 0.095” W: 0.104”
Our smallest wire, slightly larger Slightly lower than 6105. A popular middle of the road
than Fender’s original wire. wire, not too wide, not too tall.
*Also available in Stainless Steel

39 on Master Built guitars only. 40
SELECT A
FRET WIRE
NARROW TALL JUMBO

6105 6100
H: 0.055” H: 0.046”
Custom Shop frets are made from only the highest quality nickel, and can be made in a
W: 0.095” W: 0.103”
variety of different heights and thicknesses. Larger frets tend to account for easier string
Our most popular wire. A good Our largest wire that gives an
bending. Smaller frets are “true to vintage” in many cases, and facilitate easier chording.
alternative if vintage wire feels almost scalloped feel.
too small for you.
Medium jumbo frets are designed to be the perfect marriage between small vintage frets
*Also available in Stainless Steel
and modern jumbo frets. Keep the following examples in mind when choosing the frets
on Master Built guitars only.
that you want on your guitar.
STRATOCASTER PICKUPS
‘50S STRAT FAT ‘50S STRAT ‘60S STRAT
Crafted to faithfully replicate the cutting 1950s Stratocaster sound you know and Classic 1960s design with alnico 2 magnets,
tones reminiscent of 1950s Stratocaster® love. Hot-rodded wiring design delivers formvar wire and a vintage stagger. Strat
guitars. Alnico 5 magnets, vintage stagger enhanced bass response and an extra shot sound with glistening highs and warm
and formvar wire. of 21st-century attitude. punchy lows.
41 42
TEXAS SPECIAL™ STRAT DUAL-MAG STRAT EL DIABLO STRAT

Characterized by their midrange chirp, Vintage style calibrated pickup set with Overwound and dipped in the special sauce
crystalline highs and tight bass, Fender unbeveled alnico 5 magnets on the bass side for a big open sound. Slightly hotter than
Texas Special™ Strat pickups feature an and beveled alnico 2 magnets on the treble. the Ancho Poblanos with calibrated alnico 5
overwound single-coil construction that The two magnet types create balance and pickups with custom low G (middle and neck)
produces big Texas-blues tone. consistency in tone and allow for improved and flush with high D (bridge) pole pieces.
clarity string to string.
SELECT A
PICKUP OPTION
Hand-Wound: True to Fender history prior to 1965, hand-wound or “scatter-

wound” pickups are distinctly unique in character. Each pickup has its own subtle
nuances and personalized character which is what made the original Fender
pickups so sought after and prized.
Machine Wound: Each pickup is consistent and even in winds making each one ANCHO POBLANO VINTAGE NOISELESS™ TOMATILLO STRAT
sound and respond relatively the same. Though most of the Custom Shop pickups STRAT STRAT Cousins to the Ancho Poblanos, dipped in
are hand-wound, some players prefer the consistency of machine-wound pickups, Simmered in a secret Custom Shop sauce Produce all the brilliant clarity, definition and the same secret sauce. Alnico 2 magnets will
so we are happy to offer both options. and then individually calibrated from neck harmonic attributes of vintage single-coil simulate what an older alnico 5 might sound
to bridge. Uniquely overwound by hand Strat tone without the hum. like today for a sweeter more flavorful tone.
for a wide range of high-output tones—from
blistering-hot output to sizzling vintage
warmth—with plenty of tonal flexibility.
TELECASTER PICKUPS HUMBUCKER PICKUPS
‘51 TELE/NOCASTER ‘51 LOADED NOCASTER ‘56/’57 TELECASTER SHAWBUCKER CuNiFe WIDE RANGE
Created with the original design in mind to Extra winds of #43 gauge enamel wire give An accurate1:1 recreation of the Tele pickups we Full of multi-dimensional tone with well- The look of the famous Fender pickup design of
accurately mimic the twang and shimmer of these pickups fat, juicy tone. Perfect for driving constructed during ‘56/’57. These pickups have defined overtones, this open-coil pickup the early 1970s with period correct magnets, as
the originals. These period-correct single- a preamp into gritty overdrive, these high-output all the grunt and snarl of the originals, thanks to complements and balances your guitar’s used on original-era Telecaster Thinline, Telecaster
coil pickups impart tight low end and clear, pickups burn with vintage-inspired tone, thanks the unbeveled, staggered alnico 5 magnets and natural voice while playing well with other Custom and Telecaster Deluxe models.
balanced midrange. to the bridge pickup’s alnico 3 magnets and enamel-coated wire. pickup designs.
neck pickup’s alnico 5 magnets.
P-90 PICKUPS
‘63 TELE ‘67 TELE TWISTED TELE TEXAS SPECIAL TELE

43 A true replication of the original Lower output Tele pickups with High-output Telecaster guitar tone Fender Custom Shop Texas Special 44
’63 Tele Pickups with all the bite Grey bobbins and copper with a dash of sparkling Tele pickups are built to produce
and warmth to spare. Alnico 2 baseplate with a vintage stagger, Stratocaster® guitar character. blistering hot output, along with CSP-90
Magnets, vintage stagger and alnico 5 magnets and enamel wire noticeable presence and midrange.
CSP-90 This classic design sings with pure Fender
enamel wire. for crystal clear Tele twang.
tone, bringing clear articulation to every note you
play, from delicately nuanced cleans to snarling,
spitting means.
BASS PICKUPS
‘64 JAZZ BASS ‘75 JAZZ BASS NOISELESS JAZZ BASS HAND WOUND P-BASS
These vintage-style pickups Vintage bobbin construction, Alnico Fender Noiseless Jazz Bass pickups Alnico 5 magnets and enamel wire,
produce warm, clear and articulate 5 magnets, flush mounted pole produce all the brilliant clarity, hand-wound just like we did in the
tone, with great low-end definition, pieces and enamel wire provide definition and harmonic attributes of ‘50s and ‘60s. The most iconic bass
up-front midrange punch and warm tones, enhanced dynamics a vintage Jazz Bass without the hum. pickup in the world.
singing high end. and even string response.
STRATOCASTER WIRING
POS 1 POS 2 POS 3
3 WAY SELECTOR SWITCH

POS 1 - BRIDGE PICKUP (NO TONE FUNCTION)
POS 2 - MIDDLE PICKUP
POS 3 - NECK PICKUP
MASTER VOLUME
TONE CONTROL T 1 (NECK PICKUP)
TONE CONTROL 2 (MIDDLE PICKUP)

VINTAGE STRAT w/3 WAY SWITCH
3 SINGLE COIL PICKUPS
POS 1 POS 2 POS 3 POS 4 POS 5

POS 1 - BRIDGE PICKUP
45 POS 2 - BRIDGE & MIDDLE PICKUP 46
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP
MASTER VOLUME
TONE CONTROL (NECK PICKUP)

POS 4, 5
MODERN STRAT w/5 WAY SWITCH TONE CONTROL (MIDDLE / BRIDGE PICKUP)
3 SINGLE COIL PICKUPS POS 1, 2, 3

SELECT A POS 1 - BRIDGE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
WIRING OPTION
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP
MASTER VOLUME
TONE CONTROL
POS 3, 4, 5
VINTAGE MODIFIED STRAT#1 TONE CONTROL (BRIDGE PICKUP)
w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POS 1, 2,
5POS
WAY1 SELECTOR
POS 2 POSSWITCH
3 POS 4 POS 5
POS51WAY
POS 3 - SELECTOR
POS SWITCH
2 POS 3 PICKUP
MIDDLE POS 4 POS 5
POS41- -NECK
POS BRIDGE PICKUP PICKUP
& MIDDLE
POS52- -NECK
BRIDGE & MIDDLE PICKUP POS 1 POS 2 POS 3 POS 4 POS 5
POS PICKUP
POS 1 - BRIDGE PICKUP 5 WAY SELECTOR SWITCH
POS 4 - NECK
MASTER VOLUME& MIDDLE PICKUP
w/TONE-SAVER
POS 2 - BRIDGE & MIDDLE PICKUP BLEED
POS
POS 5 - NECK PICKUP
3 - MIDDLE PICKUP POS 5 - NECK PICKUP
TONE CONTROL (NECK & MIDDLE PICKUP)
POS 4 -2,NECK
POS
MASTER 5& MIDDLE
3, 4,VOLUME PICKUP
w/TONE-SAVER BLEED POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP POS 3 - MIDDLE PICKUP
VINTAGE MODIFIED STRAT#2 w/BLEED TONE
TONECONTROL
CONTROL(BRIDGE
(NECK &PICKUP)
MIDDLE PICKUP)
w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POS
POS1,2,VOLUME
MASTER 2,3, 4, 5 w/TONE-SAVER BLEED POS 2 - BRIDGE & MIDDLE PICKUP
VINTAGE MODIFIED STRAT#2 w/BLEED TONE CONTROL
TONE (NECK
CONTROL & MIDDLE
(BRIDGE PICKUP)
PICKUP)
w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POSPOS
2, 3,1,4,2,5
10
MASTER VOLUME
9
8
VOLUME
1
VINTAGE MODIFIED STRAT#2 w/BLEED TONE CONTROL (BRIDGE PICKUP)
7
2
3
6
POS 1, 2,
10
4 5
w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS

9
8
TONE
7
2
POS 4, 5
3
6
4 5
10
9
8
H-S-S STRATOCASTER TONE
TONE CONTROL (MIDDLE / BRIDGE PICKUP)
7
2
POS 1 POS 2 POS 3 POS 4 POS 5 3
6
5
POS 1, 2, 3, 4
4
5POS
WAY1 SELECTOR
POS 2 POSSWITCH3 POS 4 POS 5
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER)
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)
POS51WAY
POS 3 - SELECTOR
POS 2 POS 3PICKUP
MIDDLE SWITCH
POS 4 POS 5
POS41- -NECK
POS BRIDGE (BRIDGE/NECK
& MIDDLE w/BLENDER)
(ALL 3 w/BLENDER)
POS52- -NECK
POS BRIDGE & MIDDLE
PICKUP (ALL 3 w/BLENDER)
(NECK/BRIDGE w/BLENDER)
POS
MASTER 4 - NECK
VOLUME & MIDDLE (ALL
w/TONE-SAVER3 w/BLENDER)
BLEED
POS 5 - NECK PICKUP (NECK/BRIDGE w/BLENDER)
POS 3 - MIDDLE
MASTER TONEPICKUP
CONTROL
POS 4
POS - NECK &
1, 2, 3,VOLUME MIDDLE
4, 5 (ALL 3 w/BLENDER)
MASTER w/TONE-SAVER BLEED
POS 5 - NECK PICKUP (NECK/BRIDGE w/BLENDER)
BLENDER (NECKCONTROL
& BRIDGE PICKUP) POS 1 POS 2 POS 3 POS 4 POS 5
STRAT BLENDER w/5 WAY SWITCH MASTER TONE
3 SINGLE COIL PICKUPS POS
POS1,1,VOLUME
MASTER 2,2,4,3,54, 5w/TONE-SAVER BLEED
7 PICKUP COMBINATIONS
BLENDER
MASTER TONE(NECK & BRIDGE PICKUP)
CONTROL
STRAT BLENDER w/5 WAY SWITCH
3 SINGLE COIL PICKUPS POSPOS
1, 2,1,3,2,4,4,55 POS 1 - BRIDGE PICKUP
7 PICKUP COMBINATIONS BLENDER (NECK & BRIDGE PICKUP)
STRAT BLENDER w/5 WAY SWITCH
3 SINGLE COIL PICKUPS POS 1, 2, 4, 5 POS 3 - MIDDLE PICKUP
7 PICKUP COMBINATIONS POS 4 - NECK & MIDDLE PICKUP
47 POS 5 - NECK PICKUP 48
10
9
MASTER VOLUME
8
POS 1 POS 2 POS 3 POS 4 POS 5 VOLUME
7
2
3
6
10
4 5 9
8
TONE
5POS
WAY1 SELECTOR
POS 2 POSSWITCH
7
3 POS 4 POS 5
2
POS 4, 5
3
6
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER) 4 5
10

9
TONE CONTROL (MIDDLE / BRIDGE PICKUP)
8
POS51WAY
POS 3 - SELECTOR
POS SWITCH
2 POS 3 PICKUP
MIDDLE POS 4 POS 5 TONE
1
H-S-H STRATOCASTER
7
POS 1, 2, 3
2
POS41- -NECK
POS BRIDGE (BRIDGE/NECK
& MIDDLE w/BLENDER)
(ALL 3 w/BLENDER)
3
6
4 5
POS52- -NECK
POS BRIDGE PICK& MIDDLE (ALL 3 w/BLENDER)
(NECK/BRIDGE
POS 4 - NECK
MASTER VOLUME & MIDDLE (ALL 3 w/BLENDER)
w/TONE-SAVER BLEED
POS 5 - NECK PICK (NECK/BRIDGE w/BLENDER)
POS 3 - MIDDLE
MASTER TONE PICKUP
CONTROL w/GREASEBUCKET
POS 4 -1,NECK
POS & MIDDLE
2, 3,VOLUME
4, 5 (ALL 3 w/BLENDER)
MASTER w/TONE-SAVER BLEED
STRAT BLENDER w/GREASEBUCKET TONE BLENDER (NECK & BRIDGE PICKUP)
MASTER TONE CONTROL w/GREASEBUCKET
5 WAY SWITCH 3 SINGLE COIL PICKUPS POS
POS1,1,VOLUME
MASTER 2,2,4,3,54, 5w/TONE-SAVER BLEED
STRAT BLENDER w/GREASEBUCKET TONE MASTER TONE(NECK
BLENDER CONTROL w/GREASEBUCKET
& BRIDGE PICKUP)
5 WAY SWITCH 3 SINGLE COIL PICKUPS POSPOS
1, 2,1,3,2,4,4,55
7 PICKUP COMBINATIONS BLENDER (NECK & BRIDGE PICKUP)
STRAT BLENDER w/GREASEBUCKET TONE
5 WAY SWITCH 3 SINGLE COIL PICKUPS POS 1, 2, 4, 5
7 PICKUP COMBINATIONS POS 1 POS 2 POS 3

POS 2 - BRIDGE & NECK PICKUP
POS 3 - NECK PICKUP
10
MASTER VOLUME
9
8
VOLUME
7
2
3
6
10
4 5 9
8
TONE
7
2
3
6
4 5
10
9
TONE CONTROL (BRIDGE PICKUP)
8
TONE
1
5 WAY SELECTOR SWITCH H-H STRATOCASTER
7
2
3
6
5
4

POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
MASTER VOLUME
MASTER TONE CONTROL

POS 1, 2, 3, 4, 5
FAT '50S STRAT 1/2 BLENDER BLENDER (NECK PICKUP)
5-WAY SWITCH 3 SINGLE COIL PICKUPS POS 1, 2
TELECASTER WIRING

POS 1 POS 2 POS 3
POS 3 - BRIDGE PICKUPS (VOLUME AND TONE)
POS 2 - BRIDGE PICKUP (VOLUME CONTROL)
POS 1 POS 2 POS 3 POS 1 - BRIDGE PICKUP STRAIGHT TO OUTPUT JACK
POS 3 - NECK PU w/ PRESET BASS (NO TONE CONTROL) MASTER VOLUME CONTROL
POS 2 - NECK PU (NO TONE CONTROL)
POS 1 - NECK AND BRIDGE PUs w/ BLEND CONTROL
MASTER VOLUME CONTROL FULL THROTTLE ESQUIRE
MASTER TONE CONTROL
VINTAGE TELECASTER,
NOCASTER & MODIFIED
NOCASTER BLEND CONTROL (POS 1 ONLY)
1950 - 1952

49 50
POS 1 POS 2 POS 3
POS 1 POS 2 POS 3 POS 3 - NECK PICKUP
POS 3 - NECK PU w/ PRESET BASS (NO TONE CONTROL) POS 2 - BRIDGE & NECK PICKUPS
POS 2 - NECK PICKUP w/TONE CONTROL POS 1 - BRIDGE PICKUP
POS 1 - BRIDGE PICKUP w/ TONE CONTROL MASTER VOLUME CONTROL
MASTER VOLUME CONTROL
H-S TELECASTER
VINTAGE TELECASTER MASTER TONE CONTROL
1953 - 1967 TONE CONTROL (POS 1 & 2 ONLY)
33WAY
WAYSELECTOR
SELECTORSWITCH
SWITCH
POS
POS11 POS
POS22 POS
POS33
POS 1 POS 2 POS 3
POS 3 - NECK PICKUP
POS 2 - BRIDGE & NECK PICKUPS POS 3 - NECK PICKUP
POS 1 - BRIDGE PICKUP POS 2 - BRIDGE & NECK PICKUPS
MODERN TELECASTER
H-S TELECASTER
MASTER TONE CONTROL H-H TELECASTER
MASTER TONE CONTROL
PRECISION BASS WIRING
VINTAGE P BASS
MASTER TONE CONTROL
JAZZ BASS WIRING
51 52
VOLUME NECK PICKUP (UPPER)

TONE CONTROL NECK PICKUP (LOWER)
VOLUME BRIDGE PICKUP (UPPER)

TONE CONTROL BRIDGE PICKUP (LOWER)
VINTAGE ‘60 JAZZ BASS
STACKED KNOBS
SELECT
HARDWARE OPTIONS
VOLUME NECK PICKUP
VOLUME BRIDGE PICKUP
MASTER TONE CONTROL
VINTAGE ‘64 JAZZ BASS

STRATOCASTER BRIDGES BASS BRIDGES
VINTAGE SYNCHRONIZED 2-POINT CLASSIC PLAYER 2-POINT CUSTOM CLASSIC
TREMOLO TREMOLO TREMOLO
Original Stratocaster tremolo made using Polished steel two-point synchronized tremolo Polished steel two-point synchronized
original die-cast moulds and punch presses. bridge assembly. tremolo bridge assembly with polished-steel
block saddles.
VINTAGE THREADED VINTAGE GROOVE SADDLES

SADDLES Vintage Fender bass bridge assembly with
Genuine Fender bass bridge assembly with nickel-plated steel bridge plate and four
nickel-plated steel bridge plate and four grooved barrel saddles.
threaded barrel saddles.
RSD STRAT TREMOLO FLOYD ROSE® ORIGINAL VINTAGE HARD-TAIL

Vintage style with improved pivot geometry, Double-locking tremolo bridge, recessed for Original hard-tail Strat bridge made using
plating tolerances, string spacing and arm pick hand comfort providing laser-accurate original die cast moulds and punch presses.
tension adjustment. intonation and ultra-stable tuning when
combined with the Floyd Rose R3 locking nut.
TELECASTER BRIDGES
53 54
MODERN BASS BRIDGE RSD BASS

Chrome plated steel bridge plate with Hi-Mass Bridge constructed from a solid brass
partially threaded stainless steel saddles and billet with threaded steel saddles.
string through body or top load option.
'51-'53 TELECASTER - '54-'57 TELECASTER - '60 & UP TELECASTER '67 TELE-SLOTTED

BRASS SADDLES STEEL SADDLES THREADED SADDLES STEEL SADDLES JAZZMASTER/JAGUAR BRIDGES
Telecaster ashtray bridge plate Period correct ashtray bridge Period correct ashtray bridge Vintage style ashtray bridge
with original tooling marks, serial plate and steel barrel saddles for plate and threaded steel saddles plate with notched steel saddles.
number and 3 brass saddles. bright Tele® twang. for bright Tele® twang.
RSD J-BRIDGE VINTAGE JAZZ/JAG
Two movable brass saddles bolted to a cold Nickel-plated bridge assembly with 6
rolled steel base provides an articulate tone adjustable threaded saddles.
RSD TELE CUSTOM DELUXE TELE VINTAGE RSD TELE with more punch, attack and continuity than
Low profile bridge plate, Modern six-saddle bridge Vintage style ashtray bridge plate its predecessor. The J-Bridge lets the sound of
compensated brass saddles with assembly with string-through-body with compensated RSD Saddles. the guitar ring through and gives a stronger
refined look and feel. plate, and polished steel saddles. primary note.
TUNING MACHINES PICKGUARDS
3-PLY WHITE 3-PLY EGGSHELL 3-PLY PARCHMENT
SCHALLER F MODERN AMERICAN

STANDARD
3-PLY MINT GREEN ANODIZED GOLD 4-PLY BROWN SHELL

55 56
MODERN LOCKING VINTAGE LOCKING
BLACK 3-PLY WHITE 3-PLY PARCHMENT

VINTAGE
1-PLY PARCHMENT 3-PLY BLACK BLACK PHENOLIC
SWITCH TIPS, CONTROL KNOBS, AND PICKUP COVERS DESIGN GUIDE
BUILD LEVEL (SELECT ONE) AGING TYPE
SWITCH TIPS
☐ MASTERBUILT ☐ NOS
SELECT BUILDER ________________________ ☐ TIME CAPSULE (FLASH-COAT NOS/CC HDW)
☐ CUSTOM-BUILT ☐ CLOSET CLASSIC
☐ CLOSET CLASSIC/NOS HDW
BASE MODEL ☐ DLX CLOSET CLASSIC
☐ JOURNEYMAN RELIC®
STRATOCASTER ☐ JOURNEYMAN RELIC/CLOSET CLASSIC HDW
☐ 1955 STRATOCASTER (ASH) ☐ RELIC

WHITE EGGSHELL AGED WHITE VINTAGE WHITE BLACK ☐ 1956 STRATOCASTER (ALDER) ☐ RELIC/CLOSET CLASSIC HDW
☐ OTHER 1950‘S STRATOCASTER (ALDER)________ ☐ HEAVY RELIC
☐ 1960 STRATOCASTER ☐ HEAVY RELIC/CLOSET CLASSIC HDW

CONTROL KNOBS ☐ 1963 STRATOCASTER
☐ 1965 STRATOCASTER CUSTOM OPTIONS
☐ 1966 STRATOCASTER
☐ 1969 STRATOCASTER CONSTRUCTION
☐ OTHER 1960‘S STRATOCASTER ________ ☐ LEFT HANDED GUITAR
☐ ELITE STRATOCASTER ☐ HOLLOW BODY W/ F-HOLE (STRAT/TELE)
☐ ANVIL FLIGHT CASE OPTION (STRAT) HOLLOW BODY W/ 2 F-HOLES (NO PG TELE)
NOCASTER/TELECASTER/ESQUIRE ☐ BODY BINDING 1 SIDE
☐ 1951 NOCASTER ☐ BODY BINDING 2 SIDES
☐ 1952 TELECASTER ☐ REVERSE HEADSTOCK

WHITE EGGSHELL AGED WHITE
☐ OTHER 1950‘S TELECASTER ________ ☐ CONTOURED NECK HEEL
☐ 1960 TELECASTER ☐ BOUND FINGERBOARD
☐ 1960 TELECASTER CUSTOM ☐ REVERSE ANGLE BRIDGE PICKUP ROUT

57 BODY WOOD 58
☐ 1963 TELECASTER
☐ 1967 TELECASTER ☐ BASE MODEL BODY WOOD
☐ OTHER 1960‘S TELECASTER ________ ☐ SORT FOR LIGHT WEIGHT BODY WOOD
☐ 1959 ESQUIRE ☐ ASH
☐ OTHER YEAR ESQUIRE ________ (THRU ‘69) ☐ OKOUME
☐ 1950’S THINLINE TELECASTER ☐ FIJI MAHOGANY
☐ ELITE TELECASTER ☐ ADD ROASTED BODY WOOD OPTION
VINTAGE WHITE BLACK ☐ ANVIL FLIGHT CASE OPTION (TELE) ☐ OTHER BODY WOOD ______________________
JAZZMASTER/JAGUAR/BASS VI ☐ “AA” FLAME MAPLE TOP

☐ “AA” QUILTED MAPLE TOP
☐ 1962 JAZZMASTER
☐ SPALTED MAPLE TOP
PICKUP COVERS ☐ OTHER YEAR JAZZMASTER ________ (THRU ’65)
☐ 4A KOA TOP
☐ 1962 JAGUAR
☐ OTHER EXOTIC TOP _____________________
☐ OTHER YEAR JAGUAR ________ (THRU ’65)
☐ BASS VI BODY COLOR (SELECT FROM PAGE 32)
FENDER BASS ☐ SINGLE COLOR #________
☐ 1955 PRECISION BASS ☐ COLOR OVER COLOR #________ O #________

☐ SPARKLE COLOR
☐ 1959 PRECISION BASS
☐ PINK PAISLEY (TOP)
☐ 1960 PRECISION BASS
☐ PINK PAISLEY (TOP & BACK)
☐ OTHER YEAR PRECISION BASS ________ (THRU ’69)
☐ BLACK PAISLEY (TOP)
WHITE EGGSHELL AGED WHITE ☐ 1964 JAZZ BASS
☐ BLACK PAISLEY (TOP & BACK)
☐ 1975 JAZZ BASS
☐ BLUE FLOWER (TOP)
☐ OTHER YEAR JAZZ BASS ________ (THRU ’74)
☐ BLUE FLOWER (TOP & BACK)
BODY FINISH
DE S IG N G U ID E
☐ BASE MODEL FINISH
☐ NITRO LACQUER
☐ NITRO LACQUER / WLS UNDERCOAT
☐ FLASH COAT LACQUER
☐ URETHANE
VINTAGE WHITE BLACK *For base model specifications see page 17
BRIDGE CONTROL KNOBS
CUSTOM OPTIONS (CONTINUED) ☐ BASE MODEL BRIDGE ASSEMBLY* ☐ BASE MODEL KNOBS*
STRATOCASTER BRIDGE STRATOCASTER KNOBS
NECK WOOD NUT MATERIAL ☐ AM VINTAGE SYNCHRONIZED TREMOLO ☐ WHITE
☐ BASE MODEL NECK WOOD (FLAT SAWN) ☐ BASE MODEL NUT MATERIAL* ☐ 2-POINT CLASSIC PLAYER TREMOLO ☐ EGGSHELL WHITE
☐ RIFT SAWN MAPLE ☐ MICARTA ☐ 2-POINT CUSTOM CLASSIC TREMOLO ☐ PARCHMENT WHITE
☐ QUARTERSAWN MAPLE ☐ BONE ☐ RSD STRAT TREMOLO ☐ VINTAGE WHITE
☐ “AA” FLAME QUARTERSAWN MAPLE ☐ GRAPHITE ☐ RSD HARD-TAIL (SAWED OFF TELE) ☐ BLACK
☐ “AA” FLAME MAPLE ☐ LSR ROLLERNUT ☐ VINTAGE HARD-TAIL TELECASTER/PRECISION BASS KNOBS BRIDGE
☐ “AAA” FLAME MAPLE NUMBER OF FRETS ☐ FLOYD ROSE® ORIGINAL ☐ VINTAGE KNURLED
☐ “AA” BIRDSEYE MAPLE ☐ CUSTOM CLASSIC HARD-TAIL ☐ ALUMINUM KNURLED
☐ BASE MODEL NUMBER OF FRETS TELECASTER BRIDGE
☐ “AAA” BIRDSEYE MAPLE
☐ 22 FRETS (STRAT/TELE)
STRAT PICKUP COVERS
☐ ADD ROASTED NECK WOOD OPTION ☐ ’51 – ’53 TELECASTER – BRASS SADDLES ☐ BASE MODEL COVERS*
☐ ROSEWOOD NECK
FRET WIRE ☐ ’54 – ’57 TELECASTER – STEEL SADDLES
☐ WHITE
☐ OTHER NECK WOOD ______________________ ☐ BASE MODEL FRET WIRE ☐ ’60 & ‘66 TELECASTER – THREADED SADDLES
☐ EGGSHELL WHITE
☐ VINTAGE ☐ ’67 TELE – SLOTTED STEEL SADDLES
☐ PARCHMENT WHITE
NECK TINT ☐
☐ MEDIUM VINTAGE 47095 CUSTOM DELUXE TELE BRIDGE
☐ VINTAGE WHITE
☐ NO TINT
☐ NARROW TALL 6105 ☐ RSD TELE BRIDGE
☐ ☐ BLACK
LIGHT TINT
☐ MEDIUM JUMBO 6150 ☐ RSD HARD-TAIL (SAWED OFF TELE)
☐ LIPSTICK COVERS (EACH)
☐ MEDIUM TINT
☐ JUMBO 6100 ☐ BIGSBY® B-5 VIBRATO TAILPIECE
☐ DARK TINT WIRING
☐ OTHER FRET WIRE ______________________ PRECISION/JAZZ BASS
NECK FINISH POSITION & SIDE MARKERS ☐ VINTAGE 2-SADDLE BRIDGE ☐ BASE MODEL WIRING
☐ BASE MODEL FINISH ☐ VINTAGE THREADED SADDLES BRIDGE STRATOCASTER WIRING
☐ BASE MODEL DOT MATERIAL
☐ VINTAGE GROOVE SADDLES BRIDGE ☐ VINTAGE STRAT
☐ NITRO LACQUER
☐ VINTAGE BLACK
☐ FLASH COAT LACQUER ☐ MODERN BASS BRIDGE ☐ MODERN STRAT
☐ VINTAGE WHITE
☐ RSD BASS BRIDGE ☐ VINTAGE MODIFIED #1
☐ URETHANE
☐ PEARL WHITE
☐ SATIN URETHANE
JAZZMASTER/JAGUAR ☐ VINTAGE MODIFIED #2 W/TONE-SAVER
☐ BLACK BLOCK INLAYS ☐ RSD J-BRIDGE ☐ STRAT BLENDER
59 ☐ MATCHING PAINTED HEADCAP
☐ PEARL BLOCK INLAYS
60
TUNING MACHINES ☐ STRAT BLENDER W/GREASEBUCKET
NECK SHAPE 12TH FRET DOT SPACING
☐ BASE MODEL TUNING MACHINES ☐ FAT '50S HOOK-UP
☐ BASE MODEL NECK SHAPE*
☐ ☐ FAT '50S HOOK-UP W/HALF BLENDER
BASE MODEL DOT SPACING* ☐ VINTAGE STYLE
☐ CUSTOM NECK SHAPE #________ (START AT PAGE 36)
☐ WIDE 12TH FRET DOT SPACING ☐ VINTAGE-STAGGERED FAT ‘50S HOOK-UP W/GREASEBUCKET
FINGERBOARD WOOD ☐ NARROW 12TH FRET DOT SPACING ☐ VINTAGE LOCKING ☐ H-S-S POMO STRAT 250/500
☐ BASE MODEL FINGERBOARD WOOD HARDWARE COLOR ☐ SPERZEL DELUXE ☐ H-S-S CONFIGURATION
☐ 1-PIECE MAPLE NECK
☐ BASE MODEL HARDWARE COLOR* ☐ SPERZEL DELUXE W/ PEARL BUTTONS ☐ H-S-H CONFIGURATION
☐ ROUND-LAM MAPLE
☐ NICKEL/CHROME ☐ SPERZEL TRIM-LOK ™ ☐ H-H CONFIGURATION
☐ SLAB ROSEWOOD
☐ GOLD ☐ FENDER/SCHALLER “F” TELECASTER/ESQUIRE WIRING
☐ ROUND-LAM ROSEWOOD ☐ OTHER ________ ☐ ‘51 NOCASTER
NECK PLATE
☐ SORT FOR DARK ROSEWOOD
PICKGUARD ☐ ‘51 MODIFIED NOCASTER
☐ AFRICAN BLACKWOOD ☐ BASE MODEL NECK PLATE ☐ VINTAGE TELE 1953-1967
☐ ☐ BASE MODEL PICKGUARD
☐
☐ EBONY V-LOGO NECK PLATE MODERN TELE
☐ F-LOGO NECK PLATE ☐ 1-PLY EGGSHELL WHITE
☐ MODERN TELE W/ GREASEBUCKET
FINGERBOARD RADIUS
☐ 1-PLY PARCHMENT WHITE

☐ MODERN TELE W/ 4-WAY SWITCH
☐ BASE MODEL FINGERBOARD RADIUS ☐ 1-PLY BLACK
☐ ☐ FAT ‘50S TELE
7.25" ☐ 1-PLY BLACK PHENOLIC LAMINATE
☐ NASHVILLE TELE (3-PICKUP TELE)
☐ 9.50" ☐ 3-PLY EGGSHELL WHITE
☐ ☐ H-S TELE
12.00" ☐ 3-PLY PARCHMENT WHITE
☐ H-S TELE CABALLO TONO 250/500
☐ 7.25" TO 9.5" COMPOUND RADIUS ☐ 3-PLY MINT GREEN
☐ ☐ H-S TELE DUAL-STACK 250/500
7.25" TO 12" COMPOUND RADIUS ☐ 3-PLY BLACK
☐ H-H TELE CONFIGURATION
☐ 9.5" TO 12" COMPOUND RADIUS ☐ 4-PLY BROWN SHELL
☐ ☐ FULL THROTTLE ESQUIRE (1-PICKUP)
9.5" TO 16" COMPOUND RADIUS (BASS ONLY) ☐ ANODIZED GOLD
JAZZ BASS® WIRING
☐ SCALLOPED FINGERBOARD
☐ OTHER ________
☐ VINTAGE JAZZ BASS W/ CONCENTRIC KNOBS
WIDTH AT NUT
DE S IG N G U ID E
☐ BASE MODEL NUT WIDTH*
☐ 1.650"
☐ 1.685”
☐ 1.6875"
*For base model specifications see page 17 *For base model specifications see page 17
MISCELLANEOUS ELECTRONICS OTHER TELE PICKUPS BASS PICKUPS N M B
H/W DUAL-MAG STRAT ☐ ☐ ☐
☐ 5-WAY SWITCH (STRAT) FENDER NOISELESS ☐ - ☐ PRECISION BASS PICKUPS
☐ REVERSE TELE CONTROL PLATE
H/W EL DIABLO STRAT ☐ ☐ ☐
DUNCAN FIVE-TWO™ TELE ☐ - ☐ ‘55 PRECISION BASS - ☐ -
☐ TONE-SAVER TREBLE BLEED H/W ANCHO POBLANO STRAT ☐ ☐ ☐
☐ GREASEBUCKET TONE CONTROL DUNCAN QUARTER POUND ☐ - ☐ ‘57 PRECISION BASS - ☐ -
H/W TOMATILLO STRAT ☐ ☐ ☐
☐ TBX TONE CONTROL DUNCAN LITTLE ‘59 ™
☐ - ☐ ‘59 – ‘62 PRECISION BASS - ☐ -
OTHER STRAT PICKUPS
☐ NO-LOAD TONE CONTROL
☐ ☐ ☐
HUMBUCKING/P90 PICKUPS N M B ‘59 – ‘62 PRECISION BASS (FLAT POLES) - ☐ -
☐ S-1 SWITCH FENDER LACE SENSOR
S-1 FUNCTION ___________________________ FENDER SHAWBUCKER ☐ - ☐ H/W ’55 PRECISION BASS - ☐ -
FENDER NOISELESS™ ☐ ☐ ☐
☐ - ☐ ☐
PICKUPS
CuNiFe WIDE RANGE H/W ‘57 PRECISION BASS - -
DUNCAN® HOT RAILS™ SLDS-1 ☐ ☐ ☐
EVH HUMBUCKING
®
☐ - ☐ H/W ‘62 PRECISION BASS - ☐ -
DUNCAN HOT SSL 3 ☐ ☐ ☐
PICKUPS N M B DUNCAN '59 SH-1 NECK
™
☐ - - JAZZ BASS PICKUPS
DUNCAN LIL SCREAMIN’ DEMON ™ ☐ ☐ ☐
BASE MODEL PICKUPS* ☐ ☐ ☐ DUNCAN JB SH-4 BRIDGE - - ☐ '60S JAZZ BASS ☐ - ☐
DUNCAN LIPSTICK TUBE SLS-1 ☐ ☐ ☐
RWRP MIDDLE PICKUP ☐ DUNCAN ANTIQUITY HUMBUCKING ☐ ☐ ‘75 JAZZ BASS ☐ - ☐
STRAT PICKUPS – FENDER CUSTOM SHOP
TELE PICKUPS - FENDER CUSTOM SHOP DUNCAN ALNICO II PRO™ APH-1 ☐ - ☐ CUSTOM CLASSIC JAZZ BASS ☐ - ☐
‘50S STRAT ☐ ☐ ☐ DUNCAN ALNICO II PRO TBAPH-1 ☐ - ☐ H/W '60S JAZZ BASS ☐ - ☐
’51 TELECASTER/NOCASTER ☐ - ☐
FAT ‘50S STRAT ☐ ☐ ☐ DUNCAN DISTORTION TREMBUCKER™ ☐ - ☐ H/W '75 JAZZ BASS ☐ - ☐
’56/’57 TELE ☐ - ☐
‘60S STRAT ☐ ☐ ☐ ☐ - ☐
JAZZMASTER/JAGUAR/BASS VI PICKUPS
’63 TELE ☐ - ☐ DUNCAN PEARLY GATES ™ SH-PG1
‘58 STRAT ☐ ☐ ☐ VINTAGE JAZZMASTER ☐ - ☐
’67 TELE ☐ - ☐ DUNCAN SCREAMIN’ DEMON ™ ☐ - ☐
‘65 STRAT ☐ ☐ ☐ H/W VINTAGE JAZZMASTER ☐ - ☐
TEXAS SPECIAL TELE ☐ - ☐ DUNCAN DISTORTION ™ SH-6 ☐ - ☐
‘66 STRAT ☐ ☐ ☐ VINTAGE JAGUAR/BASS VI ☐ - ☐
TWISTED TELE ☐ - ☐ DUNCAN LIVEWIRE CLASSIC ☐ - ☐
‘69 STRAT ☐ ☐ ☐
HAND-WOUND TELE PICKUPS (PRICE PER PICKUP) DUNCAN INVADER SH-8 ☐ - ☐
61 TEXAS SPECIAL ™ STRAT ☐ ☐ ☐ 62
ADD MASTER WOUND UPGRADE ☐ ☐ DUNCAN TREMBUCKER ™
☐ - ☐
MASTER DESIGN STRAT ☐ ☐ ☐
H/W ORIGINAL BLACKGUARD "OBG" ☐ - ☐ TV JONES® CLASSIC (TELE ONLY) ☐ - ☐
HAND-WOUND STRAT® PICKUPS (PRICE PER PICKUP)
H/W '50/'51 BLACKGUARD ☐ ☐ TV JONES CLASSIC PLUS (TELE ONLY) ☐ - ☐
ADD MASTER WOUND UPGRADE
H/W ‘50/’51CRUSHED BLACKGUARD - - ☐ TV JONES POWER ‘TRON (TELE ONLY) ☐ - ☐
H/W ‘50S STRAT ☐ ☐ ☐
H/W ’51 NOCASTER ☐ - ☐ TV JONES POWER ‘TRON PLUS (TELE ONLY) ☐ - ☐
H/W FAT ‘50S STRAT ☐ ☐ ☐
H/W '51 LOADED NOCASTER ☐ ☐ TV JONES SUPER ‘TRON (TELE ONLY) ☐ - ☐
H/W ’60S STRAT ☐ ☐ ☐
H/W ‘55/’56 TELE ☐ - ☐ TV JONES MAGNA ‘TRON (TELE ONLY) ☐ - ☐
H/W FAT ‘60S STRAT ☐ ☐ ☐
H/W ’58 TELE ☐ - ☐ P-90 ☐ - ☐
H/W ’55 STRAT ☐ ☐ ☐
H/W ’63 TELE ☐ - ☐
H/W ’56 STRAT ☐ ☐ ☐
H/W ’67 TELE ☐ - ☐
H/W ’57 STRAT ☐ ☐ ☐
H/W TWISTED TELE ☐ - ☐
H/W ’59 STRAT ☐ ☐ ☐

H/W TEXAS SPECIAL TELE ☐ - ☐
H/W ’60/’63 STRAT ☐ ☐ ☐
H/W RED HOT TELE ☐ - ☐
H/W ’64 STRAT ☐ ☐ ☐
H/W ’65 STRAT ☐ ☐ ☐
H/W ’66 STRAT ☐ ☐ ☐
H/W ’69 STRAT ☐ ☐ ☐
H/W TEXAS SPECIAL STRAT ☐ ☐ ☐
H/W MASTER DESIGN TROPO STRAT ☐ ☐ ☐
DE S IG N G U ID E
*For base model specifications see page 17 *For base model specifications see page 17
MASTERBUILT ONLY** CUSTOMER INFO
PICKUP SPECS
NOMINAL DC RESISTANCE +/- 10% ☐ MED JUMBO 6150 STAINLESS STEEL FRETS CUSTOMER INFORMATION
☐
*Enamel wire pickups typically measure lower DCR vs. the same number of turns as FORMVAR
HAND-WOUND NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES JUMBO 6100 STAINLESS STEEL FRETS
☐ SPECIFIED MAX GUITAR WEIGHT ________ NAME:
H/W '50S STRAT 6.12K 6.12K 6.12K FORMVAR ALNICO 5 VINTAGE
H/W '50S STRAT 6.39K FORMVAR ALNICO 5 CUSTOM LOW G

CALIBRATED SET
☐ SPECIFIED RELIC PATTERN ADDRESS:
H/W FAT '50S STRAT 6.26K 6.34K 6.48K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET
☐ BIGSBY® B16 TELE VIBRATO TAILPIECE
H/W '55 STRAT 5.60K 5.60K 5.60K FORMVAR ALNICO 3 VINTAGE LOW G
☐ SET NECK
☐ NECK-THROUGH-BODY CITY:
H/W '56 STRAT 5.98K 5.98K 6.22K FORMVAR ALNICO 5 CUSTOM LOW G CALIBRATED SET
☐ DOUBLE NECK
H/W '57 STRAT 6.02K 6.02K 6.39K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET
☐ ROSEWOOD BODY STATE:
H/W '59 STRAT 5.80K 5.80K 5.80K FORMVAR ALNICO 5 VINTAGE ☐ AAAA FLAME MAPLE NECK
PHONE #:
H/W '60S STRAT 5.83K 5.83K 5.83K 5.83K FORMVAR ALNICO 2 VINTAGE ☐ AAAA BIRDSEYE MAPLE NECK
H/W FAT '60S STRAT 6.64K 6.64K 6.64K 6.64K FORMVAR ALNICO 2 VINTAGE ☐ PAINTED NECK EMAIL:
H/W '60-'63 STRAT 6.20K 6.35K 6.47K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET ☐ CUSTOM COMPOUND FRETBOARD RADIUS
DATE:
H/W '64 STRAT 5.31K 5.56K 5.81K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET ☐ COLOR MATCH (PROVIDE SAMPLE)
H/W '65 STRAT 6.27K 6.27K 6.27K 6.27K POLYSOL ALNICO 5 VINTAGE ☐ CUSTOM COLOR PAISLEY FINISH STORE:
H/W '69 STRAT 5.61K 5.61K 5.61K 5.61K ENAMEL ALNICO 5 VINTAGE
☐ GOLD LEAF FINISH
CITY:
H/W TEXAS SPECIAL STRAT 5.94K 6.27K 6.56K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET
☐ AAAA FLAME MAPLE TOP
SALESPERSON:
H/W MASTER DESIGN STRAT 6.45K 6.45K FORMVAR ALNICO 5 VINTAGE
CALIBRATED SET
H/W MASTER DESIGN STRAT 6.84K ENAMEL ALNICO 5 FLUSH ** Please Note: Certain finishing and
H/W POBLANO STRAT 6.25K 6.47K FORMVAR ALNICO 3 VINTAGE LOW G custom wiring requests may be available Final approval, verification and
CALIBRATED SET
H/W POBLANO STRAT 6.27K ENAMEL ALNICO 5 FLUSH at the Masterbuilt level only. estimated delivery date must be verified
H/W TOMATILLO STRAT 6.00K 6.00K 6.72K FORMVAR ALNICO 2 by the Fender Custom Shop.
H/W EL DIABLO STRAT 5.55K 5.93K ENAMEL ALNICO 5 CUSTOM LOW G
CALIBRATED SET
H/W EL DIABLO STRAT 6.34K ENAMEL ALNICO 5 FLUSH W/ HIGH "D" NOTICE REGARDING USE OF HISTORIC PATENT NUMBERS/MARKINGS:
FENDER is proud to offer some of the most iconic musical instruments and
H/W DUAL-MAG 5.79K 6.05K 6.05K 6.27K FORMVAR
ALNICO 5
UNBEVELED VINTAGE ADDITIONAL NOTES amplifiers of the past 60 years. Some FENDER products are intentional
63 CALIBRATED SET recreations or reissues of vintage guitars and amplifiers, and may therefore 64
ALNICO 2
H/W DUAL-MAG 5.79K 6.05K 6.05K 6.27K FORMVAR BEVELED VINTAGE incorporate markings or text associated with original patents that have since
expired. Specific examples of such models include patent numbers on the
NOMINAL DC RESISTANCE +/- 10% tremolo plates and decals of the JAGUAR® and JAZZMASTER® guitars, “Pat
Pending” on some vintage TELECASTER® guitar bridge plates, and “Design
NON HAND-WOUND STRAT NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
and Circuits Patented” language on the control panels of certain model
'50S STRATOCASTER 6.12K 6.12K 6.12K 6.39K FORMVAR ALNICO 5 VINTAGE amplifiers in FENDER Vintage Modified, Vintage Reissue and Custom lines.
'60S STRATOCASTER 5.83K 5.83K 5.83K 5.83K FORMVAR ALNICO 2 VINTAGE
Such markings are included only for the sake of historical accuracy, and are
not intended to denote or imply live patents or ongoing patent protection.
'65 STRATOCASTER 6.27K 6.27K 6.27K 6.27K POLYSOL ALNICO 5 VINTAGE
'66 STRATOCASTER 5.61K 5.61K 5.61K 5.61K ENAMEL ALNICO 5 VINTAGE
TEXAS SPECIAL STRAT 5.94K 6.27K 6.27K 6.56K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET
FAT '50S CUSTOM SHOP 6.26K 6.34K 6.48K 6.48K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET
'69 STRAT CUSTOM SHOP 5.48K 5.48K 5.48K 5.48K ENAMEL ALNICO 5 VINTAGE
FENDER NOISELESS 9.8K 9.8K 9.8K 9.8K POLYSOL ALNICO 2 CUSTOM

NOMINAL DC RESISTANCE +/- 10%

HAND-WOUND TELE NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS BRIDGE PU STAGGER NOTES
ORIGINAL BLACKGUARD TELE 10.49K ENAMEL ALNICO 5
NECK = ALNICO 5
'51 LOADED NOCASTER 7.88K 9.38K ENAMEL BRIDGE = ALNICO 3
NECK = ALNICO 5
'50/'51 BLACKGUARD TELE 7.33K 9.73K ENAMEL BRIDGE = ALNICO 3 FLUSH
CRUSHED BLACKGUARD TELE BRIDGE 10.7K ENAMEL FLUSH
'56/'57 TELECASTER 7.83K 7.72K ENAMEL ALNICO 5 FENDER CUSTOM SHOP | CORONA, CA. | USA
NON HAND-WOUND TELE NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS BRIDGE PU STAGGER NOTES
'51 NOCASTER 7.9K 7.72K ENAMEL ALNICO 3 FLUSH
DE S IG N G U ID E
'63 TELECASTER 7.37K 6.59K ENAMEL ALNICO 2 VINTAGE
'67 TELECASTER 5.57K 5.99K ENAMEL ALNICO 5 VINTAGE
TEXAS SPECIAL 9.02K 10.16K ENAMEL ALNICO 5 VINTAGE Please contact a Fender Custom Shop Showcase Dealer with your
completed Design form for a quote.
TWISTED TELE 5.95K 10K ENAMEL ALNICO 5 CUSTOM
NOISELESS 12K 8.6K ENAMEL ALNICO 2 CUSTOM To locate the nearest Custom Shop Showcase Dealer go to
fendercustomshop.com
For Design Guide orders, CUSTOM ELECTRIC XII ® - AGED CADILLAC GREEN
please use: PN# 7718713000 MASTERBUILT BY CARLOS LOPEZ - 9216080305

2020 Custom Shop Design Guide

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2020 Custom Shop Design Guide

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FE N DE R ® C U S TO M S H O P

’64 STRAT HEAVY RELIC ®

All colors, features and specifications are subject to change

Photography by Mark Keraly ©FMIC

01 SELECT A BUILD LEVEL

02 SELECT A CUSTOM SHOP BASE MODEL

03 SELECT AN AGING PACKAGE

04 SELECT YOUR OPTIONS

options are not listed

06 SUBMIT YOUR ORDER

DALE WILSON PAUL WALLER

He enjoys calling upon his extensive

Kyle McMillin brings 15 years of musical instrument

VINCENT VAN TRIGT

BODY WOOD ASH BODY WOOD ALDER

BODY WOOD ALDER BODY WOOD ALDER

HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME

HARDWARE CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME

BODY WOOD ALDER BODY WOOD ALDER BODY WOOD ASH

PRECISION BASS BASE MODELS

BODY WOOD ASH BODY WOOD ALDER BODY WOOD ALDER

JAZZ BASS BASE MODEL

1964 JAZZ BASS BASS VI

BODY WOOD ALDER BODY WOOD ALDER

HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME

ALDER ASH MAHOGANY

ROASTED ASH OKUME ROASTED ALDER

04 DAPHNE BLUE 05 OLYMPIC WHITE 06 06 | BLACK 07 VINTAGE BLONDE

08 OCEAN TURQUOISE 09 CANDY APPLE RED 12 RED SPARKLE 13 BLUE SPARKLE

20 AMBER 21 NATURAL 22 SUNSET ORANGE TRANS 23 PEARL WHITE

24 INCA SILVER 25 25 | CHROME RED 26 VIOLET 27 SAPPHIRE BLUE TRANS

28 CRIMSON BURST 29 BLUE AGAVE 30 CHERRY SUNBURST 31 AGED CHERRY SUNBURST

#19 MODERN #29

#20 MODERN #30

0.790 ʼ60 P 4 STRING “C”

#59 ʼ63 “C” 0.790 0.990 0.875

*Also available in Stainless Steel

NARROW TALL JUMBO

TEXAS SPECIAL™ STRAT DUAL-MAG STRAT EL DIABLO STRAT

Hand-Wound: True to Fender history prior to 1965, hand-wound or “scatter-

‘63 TELE ‘67 TELE TWISTED TELE TEXAS SPECIAL TELE

3 WAY SELECTOR SWITCH

TONE CONTROL T 1 (NECK PICKUP)

TONE CONTROL 2 (MIDDLE PICKUP)

POS 1 POS 2 POS 3 POS 4 POS 5

5 WAY SELECTOR SWITCH

TONE CONTROL (NECK PICKUP)

POS 1 POS 2 POS 3 POS 4 POS 5

5 WAY SELECTOR SWITCH

w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS

TONE CONTROL (NECK PICKUP)

TONE CONTROL (NECK PICKUP)

POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)

TONE CONTROL (MIDDLE / BRIDGE PICKUP)

3 WAY SELECTOR SWITCH

TONE CONTROL (NECK PICKUP)

TONE CONTROL (BRIDGE PICKUP)

POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)

MASTER TONE CONTROL

3 WAY SELECTOR SWITCH

3 WAY SELECTOR SWITCH

JAZZ BASS WIRING

VOLUME NECK PICKUP (UPPER)

☐ 1955 PRECISION BASS ☐ COLOR OVER COLOR # O #