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Aming pahahalagahan.
Para sa kinabukasan.
I am who I am today
Datus of Lanao, with thirty Sultans signed a strongly worded letter, popularly known as
"Dansalan Declaration" to U.S. President Franklin Roosevelt and the United States Congress
asking them that the Filipinos should be granted independence and the Moro Province should
also be given their own independence or better left under American rule until such time that
they were prepared to grant their independence to be known as Bangsamoro.
Overview
If we look at the history of the Bangsamoro people, there were many declarations and petitions
by then Moro leaders to exclude themselves under the Unitary Philippine corrupted Republic
example,
1)– June 9, 1921 - petition of the people of Sulu, they stated clearly: “ We are independent for
500 years. Even Spain failed to conquer us. If the United States quits the Philippines, and the
Filipinos attempt to govern us. We will fight.”
3) - March 18, 1935 –Dansalan Declaration Lead by Hadji Abdulhamid Bongabong of Unayan
and 189 Maranaos sent a letter of Appeal to the US Congress , the portion of appeal runs this: “
Should the American People grant Philippine independence, the Islands of Mindanao and Sulu
should not be included in such independence. Our public land should not be given to other
people other than the Moro Nat.
We should be given time to acquire them, because most of us have no lands. Our people do not
yet realize the value of acquiring those lands by the process of law. Where shall we obtain the
support of our family if our lands are taken from us? It will be safe to us that a law should be
created restricting (the acquisition) of our land by other people.
This will avoid future trouble.”… Look at deeply the biases and unfair laws passed in the US
Congress and Philippine Commonwealth that ignited those predicaments and eventually made
Bangsamoro became strangers to their own homeland:
1) The Philippine Commission Act 2254 of 1913, requiring the Christians Settlers or
Homesteaders from Luzon and Visayas to own 16 hectares of land in Mindanao while the native
Bangsamoro to own only 8 hectares.
2) The Public Act 2874 of 1919, for the Christian Settlers to have 24 hectares whiles the native
Moros only 10 hectares.
3) The Commonwealth Act 141 of 1936, 24 hectares for the Christians and only 4 hectares for
the Moros, and many laws followed. Because of such laws, Christian settlers came to Mindanao
in waves until such time outnumbered the Moro population.
So the Moro people became minority to their own homeland. and so, the declaration of Martial
Law that killed and mayhem thousands of innocent civilians both settlers and Moros. Many
provinces in Mindanao created without the consultations of the Bangsamoro.
History tells us also, that one of the Spaniard's objectives was to Christianized or even eradicate
the Moros in Mindanao. If we borrow the accounts of Professor Melanio A. Laguardia (Pres.
Southern Christian College, Midsayap, 2007.)
In his book Strengthening Muslim-Christian Solidarity “Because of the minority situation of the
Muslims in the Philippines, there were those who believe that the solution to the Moro
Problem is to eradicate all the Muslims.
After all, they would say that A GOOD MORO IS A DEAD MORO. Before we are carried
emotionally with the argument, let us think that Christians in Southeast Asia are in the minority.
There are about 65 million Christians in Southeast Asia compared to about 150 million Muslims.
This is not to mention the Muslims in South Asia and the Middle East. (1992)”.
“Had the Spaniards were delayed by one generation or half century in coming to the
Philippines, the country could dominantly Muslims. Thus, it was pointed out jokingly that
instead of a Moro Problem, we could have had an Ilocano Problem”.
Every ancestral domain of different tribes in the Philippines have their right to claims their right
to practice their customs and norms, but the Bangsamoro ancestral domain is quite differ
among the other group such as the Tagbanuas, Bilaans and others. Before the coming of the
Spaniards , the Muslims had already their own governance and had business contact and
treaties with foreign countries, in fact, the 1st group of people called Moro by the Spaniards
were the Muslims in Manila ruled by Rajah Sulaiman Mahmud and assisted by his uncle Rajah
Matanda in 1570.
Rajah Sulaiman, the last Muslim Ruler in Manila preferred Martyrdom than to submit to the
Spaniards. He perished in the hands of Capt. Martin de Goiti.
The entire Luzon and Visayas were subdued and Christianized thereafter. In 1619, Sultan
Kudarat ascended the throne of Maguindanao Sultanate, he was the famous, and unparalleled
Moro warrior in history, unconquered and died of old age at 90 in 1671. His sphere of influence
and able to collect tribute reached as far as Mindoro, Zamboanga and some part of Borneo and
the Visayas. He was honored to call him the “Greatest Muslim Moro Warrior in History of all
time”.
According to Retired Gen. Esperon, the major reference for the resumption of the peace talk in
the future between the GRP-MILF will be the unsigned MOA-AD (Mindanews, Sept.2008). So, if
I may ask, I preferred to focus the area of BJE to the Autonomous Region in Muslim Mindanao,
forget other areas stipulated in the MOA –AD.
Let the MILF confront and overcome the multifaceted problems inherent to the Bangsamoro,
not just a simple problem but it requires thorough repair or in medical parlance Major Surgery,
such as low moral and spiritual upbringing among moros, illiteracy, too many loose firearms,
the private armies, injustices, underdeveloped countryside, family feud, political dynasties,
poor social and health services among rural folks and many more. Albeit, the basis in solving
those problems should be strong moral and spiritual approach or foundation.
To the MILF, please let repeat the May 29, 2005 (Huge Moro Gathering in Darapanan town), call
again the entire Bangsamoro masses to gather again in Darapanan and prove or show to the
world that entire Bangsamoro people are for the MOA-AD.
The MILF is a legitimate revolutionary organization with full mandate from entire Bangsamoro if
not all and with complete military set up. So, DDR or Disarmament, Demobilization and
Reintegration as the new approach and a requisite for the resumption of another round of
peace talks, is a tantamount to surrender on the part of the MILF.
If I may conclude my reaction, here are some points to consider in order achieving everlasting
peace in Mindanao. Let the MOA-AD be signed anyway plebiscite may determine the fate of
those affected areas, and this alone is a form of consultation, or the MOA-AD should be the
basis for the resumption of another round of talks and the congress will passed into law any
agreement signed after the plebiscite and lastly, sincerity and respect to the peace process and
agreement is the win-win solution.
(drkuit@yahoo.com)
Biography of Ibrahim A. Jubaira
Jubaira started writing in his native Zamboanga and Sulu at the age of
eighteen. His first story, “Death and My Father Dying,” appeared in the
Graphic in 1939 when he was only nineteen years of age. This was later
listed among Jose Garcia Villa’s Best Short Stories of the 1940s. In 1956 he
was the recipient of a SmithMundt grant in creative writing and journalism. In
2959, the University of the Philippines honored him with the Golden Jubilee
Award. In 1970, Jubaira received the Presidential Medal and Certificate of
Merit in Literature. Also he was granted the Republic Heritage Award.
Introduction
So much blood has been shed in the struggle over Mindanao, Sulu and Palawan. I
believe it is high time, and the reason has been more than enough, for all of us to dig
into the facts of history and find out once and for all who or which group of people may
claim the region as their ancestral domain.
The availability of more documents on the history of the Moro people compels us to
focus our analysis on the ancestral lands of the Muslims. In the process, however, we
shall eventually touch on the lands of the Lumadnon.
What Standard Do We Use for Determining the Ancestral Domain of the Muslims?
For us to say that a particular territory falls, within ancestral domain, the following
factors must be present:
First, a tribe must have enjoyed prior and uninterrupted occupancy over the territory
until 1898 (or even until 1939 when only a handful of settlers from Luzon and the
Visayas have so far moved into the area);
Second, one sultanate or another must have reigned over this tribe, and such reign
must have been uninterrupted until 1898. Brief interruptions like a Spanish take over
need not bother us if they are brief and temporary in nature.
We shall not include here the content of “Bangsa Moro” as defined by the Moro National
Liberation Front (MNLF) inasmuch as this concept surfaced only with the emergence of
the MNLF in 1972.
Let us now examine the territories of the Sulu and Maguindanao sultanates.
The Islamized tribes in the territory were the Tausug in Sulu; Sama and Badjao in Tawi-
Tawi; Jama Mapun in Cagayan de Sulu and southern Palawan; Palawani and Molbog
(or Melebugnon) in Southern Palawan; Yakan in Basilan, and the Kalibugan in
Zamboanga. Non-Islamized tribes included the Batak and Tagbanua of southern
Palawan and the Subanun of the Zamboanga peninsula. No other tribe has been known
to have occupied said territories before them. Note that we have not included northern
Palawan; there is no clear cut historical evidence that this portion ever fell within the
territory of the Sulu sultanate. Muslim settlements in the province were located in the
following areas:
And these generally correspond to that portion from Aborlan southward to Balabac.
The whole time that the Spaniards were wreaking havoc in the sultanate domain, from
1565 to 1898, the sultanate machinery generally remained intact. But certain portions of
its territory went to the colonizers Samboangan or the present site of Zamboanga City
was taken over in 1718 through armed might; southern Palawan was ceded to them by
the Sultan of Sulu in 1705. There is one curios angle in this cession. Earlier, in 1703,
the same territory was ceded by the Sultan of Maguindanao to the Spaniards.
One additional factor in the story of Zamboanga may be cited here. The chavacano
speaking people were brought in by the Spaniards in 1718 and have always been
colonial subjects to the end of Spanish rule. To this date, they constitute a substantial
number in Zamboanga City. May the areas they occupied be considered as their
ancestral domain? I am not sure, really.
After the wholesale land grabbing effected through the Treaty of Paris, the American
colonial government opened Basilan to capitalist settlers and investors. Likewise with
Zamboanga. But not too many settlers entered the area before 1939. Panacan in
Palawan was opened to settlement in 1949.
What was the Relationship of the Sultan to His Sakop, and in What Way Did This
Affect the Question of Territory?
The sultan was the head of state of the sultanate. He was assisted by a hierarchy of
officials and had several datus as sakop. The sultan was a datu himself and each datu
and his own mini-state, complete with the four constitutive elements of a state: people,
territory, government, and suzerainty. A datu became sakop of another only as result of
conquest or the traditional modes of alliances.
The relationship between the sultan and his datu-sakop had a certain fluidity to it. As
long as the sultan was strong, his sakop remained his sakop. But when he or his
successor became weak, his sakop could easily behave independently. The sultan-
sakop relationship was commonly characterized by the sultan’s obligation to protect his
sakop or help him in times of need. The sakop in turn paid regular tribute and provided
assistance to his sultan in times of need.
Where now comes the question of territory? The relationship of the sultan to his datu-
sakop is a personal one in that it did not carry with it a transfer of right to the territory or
sakop of the latter. The Datu-sakop retains his authority / suzerainty over his own
followers and territory. This relationship between the Sultan and his Muslim datus is
essentially the same as his relationship with non-Muslim chieftains, although in most
instances, it was his datu-sakop or another who exercised dominance over the
Lumadnon.
The fluidity of the sultan-sakop relationship is most important here, for it was this that
reflected the see-saw of power not only between the sultan and his sakop but also
between the sultanates and the Spanish colonizers. The Maguindanao sultanate
expanded and contracted within the duration of the Spanish Colonial period. The extent
of Kudarat’s territory was never repeated after him. So that now, for purposes of
determining the boundaries of the Maguindanao ancestral domain, it becomes a messy
game to try to use the history of the Maguindanao sultanate as a standard of measure.
How much weight do we, for instance, give to his 25 years peak period of dominance
when this dominance disappeared and was never recovered until 1898? Thus, because
of the fluidity of the political fortunes of the Maguindanao and Sulu sultanates, it
becomes necessary at present to fall back on the tribal domain, if our intention is to
determine at least the broad boundaries of Moro and Lumadnon ancestral domain.
More so, because after the American conquest, the sultanates themselves ceased to
function with effect.
One more item remains to be scrutinized. How do we explain the cession of Palawan,
Davao Gulf area and the regions of Sibugay and Biasungan? These were effected
minus the pressure of war and did not undoubtedly partake of an arrangement that was
temporary in nature. These cessions certainly implied the sultans’ exercise of direct
authority over the territories of their datus-sakop. There cold be several interpretations
but one plausible answer is to posit that perhaps by the time of the cessions, that stage
of development similar to the present day disposition of state domain has been reached.
We come now to the most important question of our discussion. Whose ancestral
domain is Mindanao, Sulu and Palawan?
In other words they are all leaning on the legitimacy of the state's authority to dispose of
public lands; on the legitimacy of the state's claim to ancestral domain as state domain.
And for this reason and as Filipinos who moved into Philippine lands, they do not see
themselves as alien in Mindanao, Sulu and Palawan. The most that can be said at this
point is that they have proprietary, not ancestral rights over the lands they occupy.
Apparently, Chairman Nur Misuari recognizes this when he gave the assurance that
property rights of bona fide residents in the Bangsa Moro homeland will be guaranteed.
It is a matter of utmost importance that the basis of the Philippine claim to Mindanao,
Sulu and Palawan as state domain be clarified.
What is the Basis of the Philippine Claim to Mindanao, Sulu and Palawan as State
Domain?
Nothing but the obviously acknowledged legitimacy of the transfer of supposed Spanish
possession to the Americans by the Treaty of Paris and the further transfer of the same
by the Americans to the Republic of the Philippines. This is an exercise of the Regalian
doctrine, plain and simple.
When Magellan planted the cross of Christianity at Limasawa, the act also symbolized
his taking possession of the entire archipelago in the name of the king of Spain, And by
virtue of this possession, lands were distributed in the beginning as encomiendas, then
later, laws were passed requiring landowners to document or have a title to their
ownership. Royal possession or state possession included the sole authority to dispose
of the land to its citizens.
This may be well for portions of the archipelago which indisputably fell within the direct
control of Spanish colonialism. But we are all aware by this time that there were
territories within the archipelago, chief among them were the lands of the sultanates and
the Igorots and those inhabitants of the interior, which enjoyed freedom, although
beleaguered, from colonial subjection. So that in the cession of the entire archipelago in
the Treaty of Paris. The Spaniards were disposing of lands which never became their
possession and the Americans were paying 20 million dollars for lands which they
thought were owned by Spain at the time of the Treaty. There was already a free though
newly born Republic of the Philippines, there were the free Muslim sultanates, all five of
them, and those of others which never fell within Spanish sovereignty.
It is true that the entire Philippine archipelago and all the peoples, of the same territory
were conquered by the Americans, which is another story. But for the Republic of the
Philippines to accept the transfer of possessory rights from the Americans in complete
disregard of the historical realities before them is to sustain the legitimacy of the
regalian doctrine and uphold colonialism. Worse, this has been enshrined in the
Constitutions of 1935, 1973 and 1986. Granted that the U.S. prevailed upon the Filipino
leaders, which is an incontrovertible and still continuing reality. The Philippine govern-
ment of the present can at least go through the motions of indigenizing its legal system,
particularly that aspect which concerns land laws.
Even the grant of autonomy to "Muslim Mindanao" and in the Cordillera had to be
squeezed out of the Constitutional Commission. And the provisions that emerged do not
quite reflect an in-depth study of historical realities.
Finally, it should be pointed out that the regalian doctrine as presently practiced by the
Philippine government indicates little, if any, recognition of the legitimacy of the
ancestral land claims of the Lumadnon and the Moro people.
The contradiction between the Philippine government claim to state domain and the
claim to ancestral domain of the Lumadnon and the Moro people has not only remained
alive; it has in fact intensified within the oppressive conditions of the Maros dictatorship.
Fueling the intensification were the infrastructure projects running rough shed over the
rights of the people; the Chico dam project, the hydro-electric constructions at Agus in
Lanao, at Pulangi in Bukidnon and at T'boli in South Cotabato. Most earthshaking in
magnitude was the struggle for self-determination launched by the MNLF.
Those who have been labelled officially as cultural minorities have awakened and are
no longer unquestioning recipients of their oppressed and exploited status. The MNLF
has bannered the Bangsa Moro political identity; there are indications that Lumad
nationality is fast taking shape; more and more Christian Filipinos of differing political
persuasions have come to accept and advocate state recognition of the right to self-
determination of the Bangsa Moro and the Lumadnon, along with the recognition of their
ancestral lands claim.
More and more people are questioning the colonial foundations of the Philippine state.
They have come to realize that the present problems confronting Mindanao, Sulu and
Palawan are rooted in colonialism, and the perpetuation of the colonial order. It is not a
simple case of colonial mentality. It runs in the veins of our entire legal system; it is
found in the U.S. made democracy that we are using, it is enshrined in the fundamental
law of the land. The subtlety with which the forces of colonialism affect us is itself
serving as the blinder that hoodwinks us from perceiving our own mistakes, and from
recognizing the fundamental rights to self-determination of our brothers Moro and
Lumadnon.
Most of us presumably believe in the sanctity of democracy, in "majority rule." But when
applied indisciminately to Mindanao, Sulu and Palawan, in complete disregard of
historical realities, this can easily be translated into the "rule of the mighty" or the
"democracy of colonialism." For instance, the government is aware of the predominance
of Christian Filipinos in most provinces of Mindanao and Palawan. And now it insists on
submitting the issue of Muslim autonomy to a referendum. So, what happens next? The
fundamental right of the Moro people to self-determination is being subjected to what is
euphemistically described as '''democratic processes" but which, in effect, is designed
to make a mockery of this very right.
What do we do now? Moros, Lumadnon and Christian Filipinos are presently bound to
the same land of Mindanao, Sulu and Palawan as a result of colonial design; they are
bound by common interests of survival but set apart by deep-rooted contradictions not
of their own making. Do we want war? Or peace? War is so easy to make but extremely
costly.
I would like to suggest a way to peace. Sandugo was used by Magellan to enter into
and cause the Spanish possession of our lands. We can use it again to bring peace to
ourselves.
In our tradition, sandugo symbolizes mutual acceptance by the parties involved of each
other as blood brothers; it is an oath not to oppress or exploit one another; it is a
commitment of mutual help. But preceeding the actual ritual are protracted discussions
to determine matters of mutual concern, to arrive at a mutual understanding.
PHALAENOPSIS
There is nothing that can make me come back, the Filipino told
them. I’m tired of lying, of pursuing a life that is not in the line
with my true nature. I’ll stay with this tree until I get to the roots
of myself.
But your real nature is to remain with us, they said to him. We
need you to affirm with us that the lives we lead are meaningful,
that our concerns are important, headed in the right direction.
But the Filipino was stubborn: he clung closer to the oak tree.
When they moved to take him away, he went higher up the trunk.
By the time the firemen arrived, he had already reached the crown.
Maybe we should cut the tree down, the City Mayor suggested.
But the Friends of Trees Society objected and the Parks Commission
agreed. And the Mayor, aware that it was another election year,
changed his mind.
The man stuck to the oak tree through the next three seasons,
nourished, not by ordinary food, but by oak sap and the fresh
wind, sunshine and rain that moved bountifully around him.
After the first year, something else began to happen to the man.
He slowly lost his human form and coloration. He started growing
like an epiphytic plant from a South Pacific rain forest.
After the third year, flower spikes were seen to be pushing out.
And in six months, hundreds of sprays of white blooms were open.
It was a breath-stopping sight: nothing like it had been seen before.
Tourists by the hundreds arrived from all over the world — to see
the renowned plant and take souvenir photos. Others, believing
the plant miraculous, bought dried fragments of its leaves.
Genres of Literature
Genres of literature are important to learn about. The two main categories
separating the different genres of literature are fiction and nonfiction. There
are several genres of literature that fall under the nonfiction category.
Nonfiction sits in direct opposition to fiction. Examples from both the fiction
and nonfiction genres of literature are explained in detail below. This
detailed genres of literature list is a great resource to share with any
scholars.
Types of Nonfiction:
Genres of Fiction:
Poetry is verse and rhythmic writing with imagery that evokes an emotional
response from the reader. The art of poetry is rhythmical in composition,
written or spoken. This genre of literature is for exciting pleasure by
beautiful, imaginative, or elevated thoughts.
Fairy Tales or wonder tales are a kind of folktale or fable. Sometimes the
stories are about fairies or other magical creatures, usually for children.
Short Story is fiction of such briefness that is not able to support any
subplots.
Realistic Fiction is a story that can actually happen and is true to real life.
Fiction in Verse is full-length novels with plot, subplots, themes, with major
and minor characters. Fiction of verse is one of the genres of literature in
which the narrative is usually presented in blank verse form.
Elements of Fiction
What Is Fiction?
Fiction is make-believe, invented stories. They may be short stories, fables, vignettes,
plays, novellas, or novels. Although writers may base a character on people they have
met in real life, the characters and the experiences that the character faces in the story
are not real.
So, how does a writer write fiction? Characters, setting, plot, conflict, point of view, and
theme are six key elements for writing fiction.
Characters
Characters are the people, animals, or aliens in the story. Readers come to know the
characters through what they say, what they think, and how they act.
E. M. Forster, an English novelist, identified that characters are either flat or round. Flat
characters do not play important roles in the stories. They often have only one or two
traits with little description about them. A flat character may even be a stock character,
which is a stereotypical figure that is easily recognized by readers, for example, the mad
scientist or the evil stepmother.
On the other hand, the round characters play an important role, often the lead roles in
stories. They are complex, dimensional, and well-developed. The stories are about
them; therefore, pages of writing will be about them. They often change by going
through a life-changing experience as the story unfolds.
When discussing stories with other readers and writers or when writing an analysis of a
story, fictional characters can be described as static or developing. Static means the
character stays the same throughout the story. They do not change. Developing, also
called dynamic, means the character changes. The change may impact the character’s
beliefs, attitudes, or actions. The change may be small or large. This change occurs
because the character experiences an epiphany, an insight about life.
If writers write about characters outside their own culture, they need to do research so
as not to misrepresent a particular culture. The same is also true of characters, who
have illnesses. The writer may need to research the illness and treatment for it in order
to be accurate about it.
Setting
Setting is where and when the story takes place. It includes the following:
Setting can function as a main force that the characters encounter, such as a tornado or
flood, or a setting can play a minor role such as setting the mood. Often times, the
setting can reveal something about the main character as he/she functions in that place
and time period.
Writers write about places they are familiar with. If they aren’t familiar with the place,
then they need to research it in order to be accurate about the place.
Plot
Plot is the order of events in the story. The plot usually follows a particular structure
called Freytag’s Pyramid. Gustav Freytag, a German playwright who lived during the
1800s, identified this structure.
Freytag’s Pyramid has five parts: exposition, rising action, climax, falling action, and
denouement, also known as resolution. See Figure 3.1.
Exposition is an introduction to the characters, time, and the problem. At the point
where exposition moves into rising action a problem, sometimes called an inciting
incident, occurs for the main character to handle or solve. This creates the beginning of
the story.
Rising action includes the events that the main character encounters. Each event,
developed in separate scenes, makes the problem more complex.
Climax is the turning point in the story. Usually, it is a single event with the greatest
intensity and uncertainty. The main character must contend with the problem at this
point.
Falling action includes the events that unfold after the climax. This usually creates an
emotional response from the reader.
Denouement or resolution provides closure to the story. It ties up loose ends in the
story.
Do writers plan out their stories? Some do, especially if they are an extreme think-write
writer. Some don’t. They have a story idea, begin it, and watch it unfold as they write.
Conflict
Conflict is the struggle between two entities. In story writing the main character, also
known as the protagonist, encounters a conflict with the antagonist, which is an
adversary. The conflict may be one of six kinds:
Point of View
First-person point of view means that one of the characters in the story will narrate–give
an account–of the story. The narrator may be the protagonist, the main character.
Writing in first-person point of view brings the readers closer to the story. They can read
it as if they are the character because personal pronouns like I, me, my, we, us,
and our are used.
Third-person point of view means that the narrator is not in the story. The third-person
narrator is not a character. Third-person point of view can be done two ways:
Third-person limited
Third-person omniscient
Third-person limited means that the narrator limits him/herself by being able to be in one
character’s thoughts. Whereas, third-person omniscient means the narrator has
unlimited ability to be in various character’s thoughts. Writing in third-person point of
view removes readers from the story because of the pronouns he, she, it, him, her, his,
hers, they, them, and theirs.
Theme
A theme is not the plot of the story. It is the underlying truth that is being conveyed in
the story. Themes can be universal, meaning they are understood by readers no matter
what culture or country the readers are in. Common themes include coming of age,
circle of life, prejudice, greed, good vs. evil, beating the odds, etc.
Elements of Poetry
Alliteration is a repetition of the same consonant sounds in a sequence of words, usually at the
beginning of a word or stressed syllable: “descending dew drops;” “luscious lemons.”
Alliteration is based on the sounds of letters, rather than the spelling of words; for example,
“keen” and “car” alliterate, but “car” and “cite” do not.
Assonance is the repetition of similar internal vowel sounds in a sentence or a line of poetry, as
in “I rose and told him of my woe.”
Figurative language is a form of language use in which the writers and speakers mean
something other than the literal meaning of their words. Two figures of speech that are
particularly important for poetry are simile and metaphor. A simile involves a comparison
between unlike things using like or as. For instance, “My love is like a red, red rose.” A
metaphor is a comparison between essentially unlike things without a word such as like or as.
For example, “My love is a red, red rose.” Synecdoche is a type of metaphor in which part of
something is used to signify the whole, as when a gossip is called a “wagging tongue.”
Metonymy is a type of metaphor in which something closely associated with a subject is
substituted for it, such as saying the “silver screen” to mean motion pictures.
Imagery is the concrete representation of a sense impression, feeling, or idea that triggers our
imaginative ere-enactment of a sensory experience. Images may be visual (something seen),
aural (something heard), tactile (something felt), olfactory (something smelled), or gustatory
(something tasted). Imagery may also refer to a pattern of related details in a poem. Rhyme is the
repetition of identical or similar concluding syllables in different words, most often at the ends of
lines.
Rhyme is predominantly a function of sound rather than spelling; thus, words that end with the
same vowel sounds rhyme, for instance, day, prey, bouquet, weigh, and words with the same
consonant ending rhyme, for instance vain, rein, lane. The rhyme scheme of a poem, describes
the pattern of end rhymes. Rhyme schemes are mapped out by noting patterns of rhyme with
small letters: the first rhyme sound is designated a, the second becomes b, the third c, and so on.
Rhythm is the term used to refer to the recurrence of stressed and unstressed sounds in poetry.
Poets rely heavily on rhythm to express meaning and convey feeling. Caesura is a strong pause
within a line of poetry that contributes to the rhythm of the line. When a line has a pause at its
end, it is called an end-stopped line. Such pauses reflect normal speech patterns and are often
marked by punctuation. A line that ends without a pause and continues into the next line for its
meaning is called a run-on line or enjambment.
Stanza is a grouping of lines, set off by a space, which usually has a set pattern of meter and
rhyme. Tone conveys the speaker’s implied attitude toward the poem’s subject.
Tone is an abstraction we make from the details of a poem’s language: the use of meter and
rhyme (or lack of them); the inclusion of certain kinds of details and exclusion of other kinds;
particular choices of words and sentence pattern, or imagery and figurative language (diction).
Another important element of tone is the order of words in sentences, phrases, or clauses
(syntax).
Elements of Drama
Drama in verse or prose intended to portray life or character or to tell a
story usually involving conflicts and emotions through action and dialogue
and typically designed for theatrical performance.
o The inciting incident, or conflict, is the event that sets the action of
the play in motion. It is what gets the story going.
o The climax is the turning point, or the peak, of a plot which holds an
utmost emotional intensity of the play.
o The falling action is a series of events following the climax that leads
to the solution of the conflicts.
• Setting is the place, together with other conditions, such as time and
the environment, involved in which the events occur. The setting in the
drama can be presented through the visual element deals with the scenes,
costumes and special effects used in it. The setting can as well be enhanced
by using viewable elements, sound effects, and music.
• Genre is the type of play. The examples of genre in which the play can
be classified include tragedy, comedy, romantic, mystery, and historical play.
• Exposition:
The story begins with a flashback of the life of Jaafar as an orphan and
a servant of the Datu’s daughter. Jaafar narrates how he started working at
the Astana and the first time that he met Dayang-Dayang. This is also where
the characters like Jaafar, Dayang-Dayang, the Babo of Jaafar, the Datu, and
the mother of Dayang-Dayang were introduced.
• Rising Action:
• Climax:
Falling Action:
Years have passed since they lived their separate lives and Jaafar
remained single. On the other hand, the royal family encountered many
problems. Muramuraan raised hand against Christian government by
refusing to pay taxes. It caused him to be sent to jail. His possessions were
confiscated and his men died, alongside Dayang-Dayang’s parents. Dayang-
Dayang continued living in Bonbon with her child in their small land, without
the riches she used to live on. Jafaar lived in Kanagi like a countryman,
buying and selling cattle.
• Denouement:
The two met after years when Jaafar went to Bonbon for a business.
What is unsettling here is the fact that Jaafar still had feelings for Dayang-
Dayang. He wanted to make her happy like she used to, beg her to just live
with him, and take care of her like before. But he still believes that he has no
right as he had no blue blood. “Not even the fingers of Allah perhaps could
weave us, even now, into quality.”