Академический Документы
Профессиональный Документы
Культура Документы
Edited by
George Ferzoco and Carolyn Muessig
ISBN 0-7185-0246-9
Illustrations Vll
Contributors IX
Preface xiii
Acknowledgements XIV
9 Educating Heloise
W. G. East 105
vi Contents
Abbreviations 198
Bibliography 199
Index 231
Illustrations
W. G. East holds degrees from Oxford and Yale, and has taught in
Cork, Sunderland and York universities. A Catholic priest, he
continues to teach and publish on various medieval topics. Recent
x Contributors
The editors would like to record their gratitude to the Downside Trust,
a charitable organization dedicated to the promotion of scholarship in
the field of religious history and thought, which sponsored the
Medieval Monastic Education conference, Downside Abbey, 22-25
June 1999. In addition to the help and support of the Downside Trust,
many thanks are owed to Downside Abbey, the University of Bristol
Research Fund, and the Department of Theology and Religious
Studies, University of Bristol - all assisted in the sponsorship and
support of this conference. We would like to give warm thanks in
particular to Fr Richard Yeo, Abbot of Downside, Fr Aidan Bellenger,
Fr Charles Fitzgerald-Lombard, Fr James Hood, Fr Dunstan O'Keeffe
and Fr Daniel Rees. The dedicated participation of all the contributors
to this volume is warmly acknowledged.
The editors wish to dedicate this book to
Jacques Menard
and to all who teach by word and example
This page intentionally left blank
1 The changing face of
tradition: monastic education
in the Middle Ages
George Ferzoco
The Rule of Benedict begins with the call: 'Listen carefully, my son, to
the master's instructions, and attend to them with the ear of your
heart' (RB: Prologue). How one should listen and how one should
instruct are, however, never clearly laid out in the Rule; and the
methods that were developed and employed to fill this lacuna have
been the subject of several landmark books addressing education in
the Middle Ages. Presently, a handful of these books will be addressed
to outline the main trends in this area of study.
One of the most influential books in the study of monastic culture and
education is Jean Leclercq's The Love of Learning and the Desire for
God (1974). Analysing monastic education from Benedict of Nursia
(tc.540) to Bernard of Clairvaux ( t 1 153), the book underlines that
monastic houses were places where monks developed their theological
sensibilities in order to find God. Leclercq's study is a thematic tour de
force, addressing aspects of monastic pedagogy such as poetry, liturgy,
classical studies, methods of reading, biblical imagination, humanism,
scholasticism, hagiography and liturgy, to name only a few.
While Leclercq's book offers depth and breadth to the under
standing of monastic culture which all students should examine, he
tends to synthesize various monastic approaches to education into a
monolithic characterization of the learned monk:
To combine a patiently acquired culture with a simplicity won
through the power of fervent love, to keep simplicity of soul in
the midst of the diverse attractions of the intellectual life and, in
order to accomplish this, to place oneself and remain firmly on
the place of the conscience, to raise knowledge to its level and
never let it fall below: that is what the cultivated monk succeeds
in doing. He is a scholar, he is versed in letters but he is not
2 George Ferzoco
cathedral schools. Sections of the book study the subject of the teacher
and identify a progression of attitudes toward learning and teaching in
the eleventh and twelfth centuries. Although Jaeger focuses more on
cathedral schools, he does address monastic learning in his chapter on
Bernard of Clairvaux.2 He sees a continuity between different centres
of learning: 'Monasticism gave Europe new ways of studying;
humanism gave it new ways of behaving; scholasticism gave it new
ways of thinking' (Jaeger, 1994: 325-6). This is a move away from the
common tendency to separate learning techniques sharply among
monastic and scholastic thinkers. 3 Jaeger's development of a scholarly
terminology regarding pedagogy and attitudes toward teaching and
learning is a welcome tool in the study of medieval monastic education.
Behind the activity of learning in monastic milieus are a variety of
factors that do not technically fall under the category of learning, but are
integral to an understanding of monastic education. Brian Patrick
McGuire's book Friendship and Community: The Monastic Experience
350-1250 (1988) demonstrates how bonds of community were intimately
connected to bonds of learning. McGuire defined medieval monastic
friendship as a relationship where one monk was a custos animi, guardian
of the soul, for his fellow monk (McGuire, 1988: xv). Such nuances of
monastic culture must be closely studied in order to grasp the various
levels of learning and formation which existed in the cloister.
Abelard for Heloise's nuns, one sees how the world of the cloisters was
not an isolated one, but rather one in which real and instructive
dialogue could take place through teaching and learning.
One could teach and learn in the monastic milieu through a variety
of source materials, and the chapters of Graham Jones and Miriam Gill
concentrate largely on this matter. Jones presents a case study of
Guthlac and his cult, and how one can only come to understand the ties
drawn between the English hermit and the figure of the apostle
Bartholomew by entering into very close readings of hagiographical
texts. Jones shows how the lives of saints were not simply spiritually
uplifting, but also served to inform the mission of a monastery and to
reinforce the sense of identity and community that needed to be
instilled in all members. Gill's contribution provides a careful overview
of how the visual arts were used in monastic education. Focusing on
wall paintings, Gill not only shows how they were used to educate
monks, but she also demonstrates the role played by monastic art in
teaching lay visitors to the monastery.
The influences that traditional monastic pedagogy had on lay people,
as well as on other related religious communities, provide a focus for
the final three chapters. Penelope Galloway, in looking at the beguine
communities of Douai and Lille, shows not only how they would
provide an education for themselves, but also how they would teach
local children as well; this education would be at once practical and
intellectual. Bert Roest examines the debt owed by Franciscan
pedagogy to its monastic antecedents, and shows that this debt was
especially profound, owing much to Cistercian and Victorine
approaches to education. Constant Mews, finally, reveals the hitherto
ignored educational agenda favoured by the Hirsau reform movement.
In presenting and analysing the contents and products of the
Zwiefalten library and scriptorium, Mews shows (as does Roest with
the Franciscans) that there could and did exist a remarkable harmony
between monastic and scholastic educational concerns. In accomplish
ing this, Mews calls for a revision of Leclercq's rather monolithic
separation of these two broad Christian communities in the Middle
Ages.
Given the riches contained in these chapters, I think it would be
folly to attempt a comprehensive list of their inspirations for future
research. Although such a list would likely be as long as this present
book, I believe it to be worthwhile to point out just a handful of the
more obvious paths opened to us. One has to do with geography.
Although these essays are very illuminating with regard to England and
the northern part of Europe, very little is stated explicitly with regard
to the Mediterranean basin. A second would deal with how other
sources may be used to provide even more detailed and accurate
information on the themes discussed. For example: if Franciscan
pedagogical links can be made to monasticism through scholastics like
Bonaventure, then what will we find upon analysing Franciscan
writings for novices, for Poor Clares, for tertiaries, for lay people
6 George Ferzoco
Notes
Susan Boynton
In the early eleventh century, Guido of Arezzo fumed that 'cantors are
foolish above all men' because their lifelong study of singing left no
time for other learning. He deplored the fact that singers could not
learn even the shortest antiphon by themselves without the help of a
teacher, and consequently spent all their time learning chant. Worse,
both secular clergy and monks neglected the Psalms, readings and
pious works essential to salvation to devote themselves exclusively to
the art of singing 'with assiduous and most foolish labor'.l Guido's
invective echoes Agobard of Lyon's complaint two hundred years
earlier that singers spent their entire lives, from childhood to old age,
learning and practising the chant repertory instead of pursuing useful
and spiritual studies.2 Learning melodies by rote imitation and
repetition, singers were utterly reliant on their teachers; as Regino
of Priim remarked around 900, most musicians knew nothing about
their art, but simply performed as they had learned from their
teachers. 3 Indeed, although the science of music theory had achieved
major advances between the Carolingian period and the early eleventh
century, chant pedagogy did not match this progress before Guido,
whose innovative systems of notation and sight-singing enabled singers
to learn melodies more quickly.4
What do the sources tell us about the lengthy process of training
young singers to take part in the monastic liturgy during the central
Middle Ages? Musical education was part of a broader liturgical
formation in which reading, singing and writing were fully integrated.
Since music theory treatises rarely make explicit reference to the
environment in which liturgical instruction went on, studies of early
music education based entirely on them tend to be schematic and
abstract (Smits van Waesberghe, 1969; Walter, 1996). The treatises do
not provide information on the social context, roles and responsi
bilities of teachers, or on the times and places of instruction. To
understand these aspects of elementary liturgical education we need
texts not only about music but also about musicians, and particularly
about boys, since in this period child oblates constituted the primary
group undergoing elementary liturgical training. The richest sources
for studying the process of monastic liturgical training are customaries
8 Susan Boynton
from the tenth to the twelfth centuries, which form the principal basis
of this study.5
Monastic customaries indicate that oblates were responsible for a
great variety of liturgical tasks, including intoning Psalms and hymns,
reciting litanies, reading lessons, and singing both simple and complex
chants. Boys were assigned an ever greater number of chants and
readings over the course of the tenth and eleventh centuries (Boynton,
1998). Their responsibilities seem to have peaked in the late eleventh
and early twelfth centuries, as reflected in the Cluniac customaries of
Bernard and Ulrich, from the 1 080s, and the Fruttuaria customary of
around 1 100. The lengthy account of boys' liturgical duties in
Bernard's customary concludes with an imposing list of tasks:
[They] pronounce the versicles of each psalm at all the canonical
hours, intone the antiphons on ferial days, and intone whatever is
sung at the morning mass, unless it is a major feast day; at Lauds
and Vespers, they sing a responsory and say the versicles; in the
summer at Matins they say the single short lesson; they always
read in chapter, never in the refectory.6
Learning these chants and readings, as well as many others, seems
to have occupied every free moment of the day. The training process
necessarily constituted a monk's entire education, at least until he
mastered the most essential liturgical material. The first chants to be
learned were the Psalms, canticles and hymns. The Murbach Statutes
of 8 1 6 mention these chants first in a programme of elementary
learning,7 and the same items, in the same order, were apparently
assigned to beginners in the twelfth century by the Augustinian canons
of St Victor of Paris, whose customary states that 'when a novice sits in
the cloister, he should learn his psalter, and repeat it literally by heart,
and afterwards the hymnary'. 8 Prescriptions in the customaries
assigning liturgical items to the pueri or in/antes enable us to deduce
exactly which chants and readings were studied after this elementary
programme.
The customaries also provide ample information on the places and
times of liturgical instruction. While the pueri practised reading in the
cloister, most singing instruction seems to have taken place in the
chapter house, perhaps because it provided convenient acoustic
isolation.9 Study went on under the supervision of teachers during
intervals between services, usually early in the morning. The early
Cluniac customaries and the Decretal of Lanfranc prescribe that the
children go to the chapter house to sing with their teachers in the
interval between Matins and Lauds during the winter months. After
Prime, they return to the chapter house to sing until the sun comes up,
then go into the cloister to read aloud. 1o In the autumn, however, they
stay in the cloister with the other brothers after Prime, first reading
and then singing (Dinter, 1980: 177; Hallinger, 1983: 10). While
reading and singing are usually the only activities mentioned, the
Fruttuaria customary states that children practise writing in the
Training for the liturgy 9
interval after Matins as well (Spatling and Dinter, 1987: I, 20). Other
texts mention further times of instruction. The Wiirzburg redaction of
the early Cluniac customs prescribes that between None and Vespers,
while the monks sit reading in the cloister, the boys can practise their
chants in a low voice and receive instruction from the cantor if he is
present. ! 1 In the Liber tramitis the pueri read in the interval after
Vespers (Dinter, 1 980: 47). A twelfth-century Cluniac customary from
Melk prescribes that the boys read aloud after Prime, Mass and Sext.12
The various kinds of learning taking place at these times ranged on a
continuum from individual practice to group practice with teachers,
culminating in a formal lesson or rehearsal with a teacher.
The customaries provide a shifting picture of the officials
responsible for liturgical training. In the central Middle Ages, a single
person taught both reading and singing, and often was the librarian as
well, with duties including the correction and annotation of the
monastery's liturgical books. Before the eleventh century, however,
the organization of these activities was somewhat different. Ninth- and
tenth-century customaries describe the cantor and librarian as
different officials, or distinguish the cantor from the master of the
children's choir. A ninth-century customary from Corbie and a tenth
century one from Einsiedeln have separate headings for cantor and
librarian, and the tenth-century Regularis concordia distinguishes
between the cantor and the director of the children's choir without
mentioning a librarian (Fassler, 1985: 37-40). The Fleury customary
from around the year 1000 mentions the 'armarius qui et scolae
praeceptor vel librarius' , a librarian who is also the teacher (Davril and
Donnat, 1984: 1 6 - 1 7). But it was the succentor, mentioned as an
assistant in the description of the precentor's duties, who taught
chant:
For assistance [the precentor] is given a brother of demonstrable
talent who is called the succentor. For the master of the school is
the receiver of the children. In all study of chants and with daily
attention, he carefully orders the cadences of the modes and the
divisions of the Psalms, and is accustomed to drive to the chapter
those who treat the Divine Office negligently.13
Several customaries of the eleventh and early twelfth centuries, a
period of increasing reliance on liturgical books, combine the offices of
armarius and cantor. ! 4 In the Liber tramitis, which reflects Cluniac
customs between about 1027 and 1048, the role of the armarius has
been expanded to absorb functions previously attributed to the cantor;
he is called 'armarius uel cantor' (as distinguished from the weekly
cantor). This official is in charge of the library, liturgy and the
education of the oblates (Dinter, 1 980: 238-9; Fassler, 1985: 44-6).
The later Cluniac customaries of Bernard and Ulrich, both written
around 1080, indicate that the armarius has taken over the office of
the cantor. Presumably because of his full schedule, the instruction of
the children in reading and singing was entrusted to an assistant, and
10 Susan Boynton
neither the boys' teacher nor their cantor can discipline the boys, and
the symbolic removal of the cowl is the cantor's prerogative: 'if the
cantor arrives when a boy has already been stripped [of his cowl] , [the
boy] immediately puts it on with the permission of the person who
made him take it off.'19 Although the Cluniac and the Fruttuaria
customaries share the element of humiliation through removal of the
cowl, the differences between their prescriptions are significant. The
purely punitive corporal punishment described by Bernard contrasts
with the pedagogical character of the forced recitation in the
Fruttuaria text, which takes the form of the liturgical training carried
out in the context of the daily lesson with the cantor.
How exactly did children learn to read and sing? In the central
Middle Ages, they learned chant by listening and then repeating after
the teacher, the traditional method of instruction specifically
mentioned in the Cluniac customary of Ulrich: 'the boys sit in the
chapter house, and learn the chant from someone singing it before
them'.20 Reading seems to have been practised in a variety of different
ways, induding repetition, reading aloud and silent reading. The Liber
tramitis explicitly describes children practising reading silently from
books.21 Moreover, several customaries indicate that children could
practise reading during the celebration of Mass, which implies that the
other times for daily study were not sufficient. Bernard's customary
states that boys are allowed to read silently during Mass if they are
preparing a reading for Matins or for the collation, and novices are
allowed to memorize their Psalms at the same time.22 Similarly, in the
Fruttuaria customary, a boy is allowed to read during Mass if he is
preparing a reading for the refectory or learning the Psalms or hymns
for the first time; he is excused from singing with the other boys
(Spiitling and Dinter, 1987: I, 2 1) .
This prescription is a significant indication of the increased use of
books for learning the elementary chant repertory of Psalms and
hymns. The Fruttuaria customary also refers to the use of books
during the boys' lesson with their own cantor: 'no one looks at the
book there, except a boy who is so old that he cannot learn otherwise;
and if there are two of them, they take a board, put it between them,
and place the book on top of it' P Apparently younger children were
expected to learn liturgical texts aurally, while older ones needed the
visual prompt of a book.24 More reliance on books is also reflected in
the Fruttuaria customary's prescriptions for the education of novices.
If they were literate, they were given a Psalter and a hymnary which
they could keep for up to a year and use in church during Mass to
practise their lessons silently. Novices were required to recite one or
two Psalms for their teacher every day, but otherwise seem to have
studied independently.25 This difference between the training of boys
and adult novices with regard to books is striking: according to the
Fruttuaria customary, teachers avoided using books as a primary
support for children, but depended on them for the education of
novices.
12 Susan Boynton
one day before and the responsories on the next day. On Saturday
the boy who is responsible for that week writes half of the brevis,
whether there are twelve lessons or three; the person who will
read the next day writes the other half. If the boy who reads in
chapter does not know how to write the brevis, his teacher does it
for him . . . The boy writes the whole brevis on Sunday and on
feasts of twelve lessons, except for the weekly server at mass,
and the reader at table and in the kitchen. The cantor writes
those three, but the boy writes all the others in order. 34
These three accounts of the brevis may indicate a progression over
time, reflecting an increase in the use of writing in liturgical training
during the eleventh century. While a boy reads the brevis written by
others in the earliest of the three texts, he helps others write it in the
Cluniac customary from about 1040, and in the Fruttuaria customary
he often writes the entire brevis himself.
The picture of liturgical training in the customaries can be
completed by didactic texts pertinent to singing and reading. 35
Medieval music theory treatises provide information on the basic
subjects of chant pedagogy: the Psalm tones, modes and intervals. 36
The Psalm tones, a set of recitation formulas for chanting the Psalms
in the divine office, were combined with various cadential formulas for
the termination of verses (differentiae). Performance of the Psalms
also required knowledge of their accentuation patterns for executing
the terminations. Thus chanting the Psalms entailed learning tones as
well as the texts, and also assimilating rules for applying the
appropriate differentia (Dyer, 1989). Since the choice of Psalm tone
and differentia depended on the mode of the antiphon chanted before
and after the Psalm, beginning students had to learn the church
modes, a system of tonal organization adopted in the Carolingian
period that provided parameters for the classification and memoriza
tion of chants. This body of knowledge corresponds to the 'cadences of
the modes and the divisions of the Psalms' taught by the succentor,
according to the Fleury customary, 37 Modes were distinguished by
characteristic tonal structures and melodic gestures that were
manifested in chants, in mnemonic formulas and in the organization of
tonaries. Expositions of modal theory with reference to specific chants,
which constitute a major component of treatises, could serve as examples
for teaching. Another way to internalize the modal system was to
memorize modal formulas in the form of model melodies set to texts
composed of nonsense syllables of Greek origin or to Latin scriptural
texts. 38 These formulas provided convenient paradigms that could help
a student determine the mode of a chant. Tonaries, which are lists of
chants grouped by mode, also had pedagogical and mnemonic
functions. Intervals were another essential component of chant theory;
knowledge of intervals enabled singers to understand the tonal
structure of chant melodies and to apply consonances and dissonances
correctly in polyphonic singing. Music theory treatises furnish the
rules that singers were taught to apply in singing polyphony.
14 Susan Boynton
Notes
1 . Temporibus nostris super omnes homines fatui sunt cantores. In omni enim
arte valde plura sunt quae nostro sensu cognoscimus, quam ea quae a
magistro didicimus . . . Miserabiles autem cantores cantorumque discipuli,
etiamsi per centum annos cottidie cantent, numquam per se sine magistro
unam vel saltem parvulam cantabunt antiphonam, tantum tempus in
cantando perdentes, in quanta et divinam et secularem scripturam
potuissent plene cognoscere. Et quod super omnia mala magis est
periculosum, multi religiosi ordinis clerici et monachi psalmos et sacras
lectiones et nocturnas cum puritate vigilias, et reliqua pietatis opera, per
quae ad sempiternam gloriam provocamur et ducimur, neglegunt, dum
cantandi scientiam, quam consequi numquam possunt, labore assiduo et
stultissimo persequuntur (Guido of Arezzo, 1999a: 406- 10).
2. Et adulescentulis atque omnibus generaliter, quibus cantandi officium
iniunctum est, magna occasio stultae et noxiae occupationis aufertur. Ex
quibus quam plurimi ab ineunte pueritia usque ad senectutis canitiem
omnes dies uitae suae imparando et confirmando cantu expendunt, et totum
tempus utilium et spiritalium studiorum, legendi uidelicet et diu ina eloquia
perscrutandi, in istiusmodi occupatione consumunt (Van Acker, 198 1:
350).
3. Solum hoc confitebitur, quod hec ita faciat, sicut a magistro accepit et didicit
(Bernhard, 1989: 70-1). See also Boynton, 1999.
4. See Smits van Waesberghe, 1951; 1953; Rosa Barezzani, 1995. For a new
edition and translation with commentary of the Epistola ad Michahelem,
which presents Guido's new system for learning a melody, see Guido of
Arezzo, 1999b.
5. After completing my own analysis of references to child oblates in the
customaries, I found that many of the passages cited below are also
studied in Lahaye-Geusen, 1991: 241-57.
6. Ad horas omnes regulares singulos psalmorum versiculos pronuntiare, in
privatibus diebus antiphonam imponere, et quidquid cantatur ad missam
matutinalem, nisi sit aliquod magnum anniversarium; ad matutinas et
vesperas responsorium decantare, versus dicere; in aestate ad nocturnos
illam minimam et unicam lectionem dicere; in capitulo legere semper, in
refectorio nunquam (Herrgott, 1 726: 208).
7. Ut scolastici, postquam psalmi, cantica et hymni memoriae commendata
fuerint, regula, post regulae textum liber comitis, interim uero historiam
diuinae auctoritatis et expositores eius necnon et conlationes patrum et uitas
eorum legendo magistris eorum audientibus percurrant; Actuum praelimi
narium synodi primae aquisgranensis commentationes sive Statuta
Murbacensia (CCM 1, 1963: 442).
8. Quando autem in claustro nouitius sedet, debet firmare psalterium suum, et
cordetenus ad uerbum reddere, et postea hymnarium (Jocque and Milis,
1984: 1 07).
9. While some customaries refer to boys practising in the scola, this term
does not necessarily indicate an established physical space in the
monastic buildings; in the customaries, scola can mean the boys in a
group or a place where they study. See Tilliette, 1992: 65-7.
10. Knowles, 1967: 8: Infantes in capitulo cum luminaribus diligenter a
magistris custodiantur canentes quod necessarium erit aut si nimis
profunda nocte surrexerint pausent iacentes ad sedilia sua; Hallinger,
1983: 18, 287.
18 Susan Boynton
1 1 . Conuentus autem sedeat in claustro uacans lectioni. Si cui cantare opus est,
uocem ita supprimat ne alios inquietet. Armarius interim si opus est pueris
lectiones et quae docere necesse fuerit insinuet (Hallinger, 1983: 283).
12. Sedeant in claustro ad legendum vel cantandum et pueri in scolis suis
legant aperta voce quousque custos sonet signum . . . Post missam eant pueri
ad prandium, fratres vero sedeant ad lectionem in claustro. Pueri vero
exeuntes de refectorio legant iterum clara voce. Cum tempus fuerit, sonetur
Sexta. Post Sextam iterum sedeant in claustro et pueri legant aperte
(Hallinger, 1983: 394).
13. Huic frater probabilis ingenii solatia datur qui succentor nuncupatur. Nam
scole magister est acceptor infantum. In omni studio cantilenarum et
cottidiana cura tonorum diffinitiones et psalmorum distinctiones providus
disponit et divinum officium negligenter tractantes propellare in capitulo
solet (Davril and Donnat, 1984: 15).
14. See Fassler, 1985: 43, note 6 1 . Tilliette, 1992: 70, notes that the
magister was a supervisor, while the teacher was either the cantor or the
librarian.
15. Omni die diluculo postquam pueri tres psalmos, ut mos est, perlegerint,
continuo venit ad eos, ut illi, qui lecturus est in capitulo auscultet lectionem.
Ea etiam vice si ipsi pueri aliquid offendunt cantando vel legendo negligenter,
vel si minus diligenter cantum addiscunt, dignam ab eo disciplinam
experiuntur (Herrgott, 1726: 163). The corresponding passage in the
customary of Ulrich is almost identical (Ulrich of Zell: col. 749).
16. Ad nocturnos autem, imo ad omnes horas, si quid ipsi pueri offendunt in
psalmodia, vel in alia cantu, vel dormitando, vel aliquid tale ullo modo
committendo, minime differtur; absque mora frocco et cuculla exuti
iudicantur, et in sola camisia caeduntur (nisi laici sint in ecclesia, a
quibus videri possint) et hoc fit vel a priore, vel a praefato eorum magistro,
virgis vimineis levibus, et teretibus ad hoc provisis (Herrgott, 1 726: 2 0 1 ).
17. Si quis eorum oppressus somnolentia ad nocturnos non bene cantaverit,
magister dat ei in manus unum codicem grandiusculum, donee experge fiat
(Herrgott, 1 726: 204).
18. Si puer grauatur sopore ad opus dei, non quidem pro hoc omni hora est
uapulandus, sed cum uiderit eum magister saepe somno grauari, det
unumquemlibet libellum in sua brachia sustendandum, quousque de ipsa
pigritia eum excitet (Dinter, 1980: 223).
19. Qui bene lectionem ad Matutinas non legit et responsorium non cantauit et
ibi emendare non potu it, tunc non obliuiscitur; similiter qui ad collationem
et in refectorio, non obliuiscitur, et facit eum ante se legere exutum cuculla.
Quamdiu ibi stat magister puerorum nee ille, qui eis can tat, ullam
disciplinam pueris faciunt, et si iam puer exutus est cantor uenit, statim se
induit cum licentia illius, qui eum exuere fecit (Spatling and Dinter, 1987:
II, 1 38).
20. Pueri sedent in capitulo, et per aliquem praecinentem cantum addiscunt
(Ulrich of Zell: col. 687). The other common method of rote learning was
to repeat the chant after hearing it played on a monochord; Guido of
Arezzo characterizes this approach as suitable for beginners (Guido of
Arezzo, 1999b: 458-60).
2 1 . Exientes autem paruum fiat interuallum, uidelicet usquedum coadunentur
pueri cum magistris in scola et codices aperuerint et quantulumcumque
subter silentium leguerint (Dinter, 1980: 47).
22. Solis pueris conceditur in choro legere ad missam, cum in crastino debent
esse duodecim lectiones, aut cum praevident aliquam lectionem collationis,
Training for the liturgy 19
vel huiusmodi; aut si aliquis eorum est novitius, poterit psalmos suos
firmare ad utramque missam, dum tacet conventus (Herrgott, 1 726: 204).
23. Nullus ibi aspicit in librum, nisi tam magnus puer sit, qui aliter discere
non possi!, et si duo sunt, apprehendunt tabulam et inter se ponunt et
librum desuper mittunt (Spatling and Dinter, 1987: II, 150-1).
24. The importance of the visual aid furnished by manuscripts apparently
increased in the twelfth century. Hugh of St Victor remarked that boys
had more trouble memorizing a text when they did not always use the
same copy of it, because a specific image was an essential part of the
memorization process. See Carruthers, 1990: 263.
25. Si est litteratus apprehensa confessione psalterium et ymnarius ei in
manum mittitur et usque ad unum annum, si ei necesse est, dimittitur. In
ecclesia ad missas in manu tenere et legere conceditur et cottidie unum
psalmum aut duos magistro suo reddere (Spatling and Dinter, 1987: II,
265).
26. Fratribus, quibus iniunctum est, cantum suum cotidie firmare et reddere,
debet armarius singulis libros, in quibus cantant, specialiter assignare . . .
Similiter his, qui psalm os et hymnos suos firmare habent, psalteria et
hymnarios, prout opus fuerit, distribuat . . . Debet autem armarius unum
antiphonarium uel duos et alios libros de cantu et psalteria et hymnarios in
communi proponere, in quibus ceteri fratres possint, quod prouidendum est,
prouidere (Jocque and Milis, 1984: 146).
27. Sed et legere, et cantare, et psallere alta et demissa uoce, prout tempora
deposcunt, eum ibidem faciat et omnia, quae in publico acturus fuerit, prius
in secreto praetemptet et assuescat (Jocque and Milis, 1984: 107).
28. Deinceps postquam ad conuentum uenerit, debet abbas, si prior magister ei
uacare non potest, aliquem prouidere alium, qui eum assidue doceat et cui
ille cotidie lectionem suam reddat, qui etiam eum instruere debet et docere
ea, quae eum specialiter in choro cantare uel legere oportet, id est
antiphonas et responsoria, lectiones, uersiculos et cetera talia, et quando et
quomodo cantare uel legere debeat ostendere (Jocque and Milis, 1984: 109-
10).
29. Deinde abbas, aduocato armario, iubet ut in breui ponatur ad legendum et
ad cantandum, secundum scientiam suam et possibilitatem, ad lectiones et
ad responsoria et antiphonas ad horas (Jocque and Milis, 1984: 1 10).
30. Postquam nouitius plene ad conuentum admissus fuerit, magister eius non
tamen curam eius omnino postponere debet, sed saepius cum eo loqui sicut et
prius (Jocque and Milis, 1984: 1 1 1).
3 1 . Quotiens hystoriae aliquae, siue de sanctis, siue de tempore, quae graues
sunt et inusitatae, in ecclesia cantari debent, tempestiue debet armarius
fratres in capitulo praemonere, ut ea, quae cantanda sunt, diligenter
praeuideant . , . Fratribus, quibus iniunctum est cantum suum firmare,
debet armarius uel aliqui de senioribus, quibus abbas in capitulo iusserit,
assistere, qui et eos, si errauerint, corrigant et lectiones eorum, quando
reddere uoluerint, audiant (Jocque and Milis, 1984: 146-7).
32. Qua soluta brevem pronunctiat puer divini officii (Davril and Donnat,
1984: 49).
33. Die sabbatorum debent esse quattuor qui breuem faciant quorum infans qui
scribat capita responsoriorum . . . In duodecim lectiones sint tres: armarius,
cantor, infans (Dinter, 1980: 238-9).
34. Nam omni tempore ipsum breuem puer, qui in capitulo legit, uno die
antequam pronuncietur totum scribit usque ad lectionem, si potest . . . In
tribus lectionibus scribit nomina fratrum uno die ante et responsoria in
20 Susan Boynton
Isabelle Cochelin
puberty, i.e. usually before the age of fifteen.5 After this point in their
physical development they were considered youths, iuuenes, and taken
out of the schola; they then had to make their profession, and join the
ranks of the adult monks. In other words, the closing of the first and
most important stage of monastic education, the one dispensed in the
schola, was signalled by a bodily change, the appearance of puberty,
and not by some specific step in mental maturation.
The adult monks' perception of their younger brothers should first
be discussed. Indeed, the manner in which the educators looked at
their pupils is inseparable from the pedagogical techniques they
devised to transform these pupils into full-fledged monks. As a whole,
the Cluniac discourse on pueritia is derogatory, even if occasionally
compassionate. This does not mean that the Cluniacs did not like their
oblates,6 but rather that they did not look at them as we gaze at little
ones today. This divergence is obviously meaningful to our topic.7 I will
not discuss all the manifold characteristics of this discourse on
childhood, but rather will concentrate on the themes which are
important to understanding the training of the oblates: the perception
of the child's inferiority, his innocence/ignorance and finally his
docility/levity.
Through the customaries we learn that their fellow brothers
exaggerated the childishness of the oblates and their inferior status.
For instance, in the sign language used by the monks, an oblate was
symbolized by bringing the little finger to the mouth as if to suck it.8
The little finger was probably preferred to the thumb because it
evoked the adjective paruus small, inferior (Herrgott, 1 726: 1 72).
-
Therefore, the gesture for the oblate both exaggerated his young age -
the majority of the oblates were between the ages of seven and
fourteen, and would have long ceased to suck their thumbs - and
underlined his position of inferiority.
This inferior position is best observed in the hierarchical structure
of the Cluniac community. This structure is of fundamental importance
given that, again and again throughout the day, the monks positioned
themselves hierarchically: in church, in the refectory, in the chapter, in
procession. In this configuration, the pueri were assigned the bottom
places, below all the adult brothers. One might comment that in the
past this perception of the child as an inferior was scarcely unusual;
but the inferiority of the child is far from obvious in a spiritual context.
Besides Christ's comments regarding the eminent place reserved to
the little ones in Paradise (Matthew 19: 13-15; Mark 10: 13-16; Luke
18:15- 16), Benedict had specifically required in his rule that age not
be considered as an organizing factor, but rather seniority and,
occasionally, spiritual progress: in other words, a ten-year-old oblate
who entered the convent at the age of five should theoretically be
above a recently converted fifty-year-old man.9 But the Cluniacs
disregarded this rule, as illustrated for instance in the numerous
descriptions of processions given in the customaries (e.g. Dinter,
1 980: 23, 4 1 , 52, 69, 78, 89, 104, 108, 1 1 5, 1 5 1 , 242, 270, 275, 284).
24 Isabelle Cochelin
1988)). This passivity assigned to the Cluniac saints in the tenth- and
eleventh-century vitae is singular when compared to the independence
manifested by the child saints in the hagiographic sources of the first
centuries (Boulhol, 1990), and the later Middle Ages (Weinstein and
Bell, 1982: 45-6). The reading of the customaries tells us that this
hagiographic depiction of the child as a subdued individual reflected
Cluny's mode of functioning: the oblate shared all aspects of the life of
the monks inside the cloister, but was never an initiator, only an
imitator. For instance, contrary to what scholars have thought in the
past (e.g. Deroux, 1927: 14- 15; Jong, 1996: 136), children did not take
an active part in the chapters. They sat in them, but had to keep quiet;
discussions of the abbey's administration, even denunciations of the
brothers' faults, were the prerogative of the adult monks (Herrgott,
1726: 167; Cochelin, 1996: 232-6).
With respect to education, the passivity of the child is best observed
in the acquisition of knowledge. Most of the hagiographers describe
the process by using the verb imbuere, meaning to impregnate, to soak
in, to imbueY The finest description of this process can be found in
the Life of Odo of Cluny rewritten by the monk Nalgod in the 1 120s.
Typical of this author (and the vitae of the twelfth century generally)
are a keener attention paid to education and hints of tenderness
regarding childhood that are absent from the earlier writings, including
the tenth-century text he used as his model. In the story, Odo had just
been weaned when he was sent to a far-away priest to be educated.
The priest instructed the child he had received with kindness and
smoothness, as his very fragile age required. He imbued his
untaught infancy with the rudiments of the letters. He was doubly
careful with the child to inculcate in him the [right] path by his
honest discourse and to pour the rivers of science into his tender
but tenacious memory. (Nalgod, 1680: col. 87A)
The verbs used in this excerpt, 'instituere ', 'jubere', 'inculcare',
'transfundere', all express the conviction that education consisted in
pouring knowledge into a passive receptacle. A caricatured image of
this process might be that children were bodies into which the monks
poured spirit. I will go even further, perhaps too far, by evoking
Genesis 2:7 as an interesting parallel: 'And the Lord God formed man
of the slime of the earth: and breathed into his face the breath of life,
and man became a living soul.'18 In both cases, the process of
spiritualization, symbolized by raising someone or something from the
earth closer to the Divine, has been made possible by having spirit or
knowledge insufflated into it. More pragmatically, one notes that
Cluniacs perceived children's memorization primarily as a passive
phenomenon. This raises the question (which cannot be answered in
this short chapter) whether the calculative ability of medieval memory
described by Carruthers was developed during a monk's later life
stages, or was a result of different methods of education in cathedral
schools and universities (Carruthers, 1990: 19; Jaeger, 1994: 22).
Cluny in the tenth and eleventh centuries 27
Notes
is the only Cluniac author to mention this concept, which was more
current in the Protestant literature of the Reformation (Ozment, 1983:
138-9, 1 6 1ff).
7. For the last forty years, ever since Philippe Aries published his history of
childhood (English translation, 1962), the bibliography on the topic has
increased conspicuously. Following in his footsteps, many scholars have
adopted an extreme position, depicting medieval childhood in excessively
sombre or optimistic colours. Overall, the most reliable studies have
been those based on a well-delineated corpus of sources, such as Desclais
Berkvam, 1981 or Hanawalt, 1993. For an overview of the topic: Shahar,
1990 (on monasteries: 19 1ff). On the life in the monastery, besides the
studies already cited in this article: Jong, 1996 and the numerous articles
by Riche, the latest being Riche and Alexandre-Bidon, 1997: 1 3-14.
8. Herrgott, 1726: 1 70-3; Ulrich of Zell, 1853: col. 704A. On the monastic
sign languages: Jarecki, 1981; Umiker-Sebeok and Sebeok, 1987.
9. RE: 63: 1 ; but it is already clear in the Rule that the strict application of
the principle of seniority was problematic regarding children: Benedict
felt obliged both to justify his decision (RE: 63:5-8) and to limit its use to
the oratory and the refectory (RE: 63:18-19). The inferior status of
oblates is not specific to the Cluniacs (e.g. Mittermiiller, 1880: 576; Jong,
1996: 1 45-6).
10. Cf. for instance the passages in Maleul's hagiographic corpus where his
'iuuenilis uigor' , 'iuuenilis feruor' and 'fortitudo adolescentium' are lauded
in his old age (Nalgod, 1 680: 666C-D; Marrier and Duchesne, 19 1 5b: col.
1 764E; Iogna-Prat, 1988: 280- 1; also Marrier and Duchesne, 1 9 1 5a: col.
1 784B-C). These adjectives do not refer to pueritia, but to the following
age in the life cycle, iuuentus.
11. Cf. William of Volpiano ( t I 031): 'Nam et habitudo tenerrime etatis ita
dissimilis uidebatur ceterorum ut nimium admirabilis haberetur' (BuIst,
1989: 258, 260). The most classical form of negation of childhood is
found in the topos of the puer-senex, present in three Cluniac vitae. For
instance, see Nalgod's description of Maleul (t994) in the 1 1 20s: ' Videres
in virgine puero lascivam pueritiae levitatem censoriae gravitatis acrimonia
condemnari: videres insolentiam puerilem et motus incompositos aetatis
illius matura morum canitie castigari' (Nalgod, 1680: 657E). Cf. also the
abbreviated vita of Odo (t942) written in the tenth and eleventh
centuries (Fini, 1968-70a: 2 1 1 ) and Jotsald's vita of Odilo (t I 049)
(Jotsald, 1880: col. 899B). Sometimes, no reference is made to old age,
but the child is praised for his maturity (in Maleul's Vita breuior: Marrier
and Duchesne, 19 15b: col. 1 765A-B) or the fact that he transcended his
childhood by acting as an adult (cf. the vita of Babolein, founder of Les
Fosses, written between 1 058 and 1 067, some four hundred years after
his death; Chifflet, 1681: 358).
12. Cf. for instance, Jerome ( 1884): 'Non praecipitur apostolis, ut aetatem
habeant parvulorum, sed ut innocentiam, et quod illi per annos possident,
hi possideant per industriam: ut malitia, non sapientia parvuli sint'
(Commentarium in Evangelium Matthaei ad Eusebium Libri quattuor PL.
26: col. 1 33A). Similar remarks are to be found in Ambrose, Augustine
and Gregory among others (cf. for instance Leclercq, 1975: 172;
Lamirande, 1983: 1 10; see also Weinstein and Bell, 1982: 28-30; Jong,
1996: 132-4).
13. The vita of Hugh of Semur (t 1 1 09) written by Gilo c. 1 1 20-2 offers the
best illustration of this: 'In pupillaribus annis constitutus, non ut illa etas
Cluny in the tenth and eleventh centuries 33
assolet lasciuiae frena laxauit nec inerti luxu emollitus nugales ineptias
sectatus est; sed, secundum quod scriptum est, innocenter habitabat domi'
(Cowdrey, 1978: 49). For examples of adults praised for their innocence
or simplicity, d. Peter Damian, 1853: col. 928A, 943C; Jotsald, 1880: col.
9 1 6A-B; Huygens, 1980a: 47, 5 1 . The only portrait of an innocent adult
which seems to evoke children's qualities dates from the middle of the
twelfth century: Bouthillier, 1988: 24-5.
14. Cluniac authors used different names for this fault, but all referred to the
same lack of grauitas: puellaris mollitia (Odo of Cluny, 1881: col. 6 74B);
leuitas aetatulae illius (Marrier and Duchesne, 1 9 1 5a: col. 1783B);
lasciva leuitas (Nalgod, 1680: 657E); lasciuia (Jotsald, 1880: col. 917 A;
Cowdrey, 1978: 49; Huygens, 1980a: 40); aetas lasciua (Ulrich of Zel!,
1853: col. 636B). On the antiquity of this criticism made against
childhood see Giannarelli, 1991: 35-6.
15. Nalgod, 1 680: 657D-E; Hildebert of Lavardin, 188 1 : col. 381B; Marrier
and Duchesne, 19 15a: col. 1 783B; Iogna-Prat, 1988b: 183. Cf. also
Leclercq, 1972: 283.
16. Cf. MaYeul being called a 'docilis puer' and the reference made to his
' mens tenerrima' in the Vita altera written in the 1 120s (Marrier and
Duchesne, 1915a: col. 1 783B).
17. Chifflet, 1 68 1 : 358; Odilo of Cluny, 1880: col. 947-8; Vita beatae Idae,
1880: col. 438D; John of Salerno, 1881: col. 46D; Nalgod, 188 1 : col. 87A;
Bourel de la Ronciere, 1892: 5; Fini, 1968-70a; 1968-70b: 2 1 1 . In the
Vita Maioli altera, the orphan MaYeul imbues himself with knowledge
(,ultra aetatem literas combibebat . . . ') (Marrier and Duchesne, 1915a: col.
1 783A-B).
None of Hugh's vitae, all dating from the twelfth century, present
education in this manner. The other twelfth-century Cluniac hagiog
rapher, Nalgod, does use 'imbuere', but he also employs the verb
'informare' (Nalgod, 1680: 657D). It is quite possible that this change in
vocabulary illustrates the emergence of a new perception of education, to
be linked with the contemporary flourishing of the cathedral schools.
Ulrich also uses 'imbuere' to describe the training of novices (Ulrich of
Zell, 1853: col. 700C). However, he employs 'instruere' in the same
sentence and the next ones, proof that the training of adults was
perceived as a different intellectual process (e.g. Ulrich of Zel!, 1853:
col. 70 1A, col. 702B, 7 12D).
18. Vulgate. On the World Wide Web, see:
http://www .cybercomm.net/ � dcon/OT/genesis.html
19. Neither the vitae nor the customaries address this problem directly
(except for John of Salerno, 1881: col. 51C and Bouthillier, 1988: 46-7
regarding events taking place outside of Cluny; Huygens, 1980c: 106 for
Cluny). However, the repetitive interdictions against physical contact
between adult monks and children, and the prescriptions that no
individual could ever be left alone with an oblate, leave no doubt: the
Cluniacs did everything they could to prevent such sexual temptations in
their cloister (d. Lahaye-Geusen, 1991: 426-32; Cochelin, 1996: 271-
81). More generally, it was necessary to preserve the innocence/
ignorance of the oblates vis-a-vis the impurities of the world as much as
possible (Jong, 1996: 143ff).
20. Cf. e.g. Mittermiiller, 1880: 418-19 (even though surveillance over oblates
was also very strict in his monastery: Jong, 1996: 147-8) and Shahar, 1990:
195.
34 Isabelle Cochelin
2 1 . The Cluniacs were proud of this situation. Ulrich ended his chapter on
the children saying that they were so well kept under surveillance day
and night that no prince could have been better nurtured: 'Et ut tandem
de ipsis pueris concludam, saepenumero videns quo studio die noctuque
custodiantur, dixi in corde mea difficile fieri posse ut ullus regis filius
majore diligentia nutriatur in palatio quam puer quilibet minimus in
Cluniaco' (Herrgott, 1 726: 2 1 0 ; Ulrich of Zell, 1853: col. 74 7C-D).
22. However, d. also Ulrich's furore before the oblates' claim to know better
than the conuersi what should be the life and disciplina inside the
monastery (Ulrich of Zell, 1853: col. 636A).
23. On the fact that this method of education was the appropriate one for the
'simpliores' of the community: RB: 2 : 1 2. Cf. also Illmer, 1 9 7 1 (who
summarizes this mode of training by the formulation 'Lemen durch
Nachleben'); jong, 1 996: 1 49.
4 A medieval novice's
formation: reflection on a
fifteenth-century manuscript
at Downside Abbey
Aidan Bellenger
three chapters, the first missing and the second on figures of Holy
Writ. The third chapter consists of a collection of phrases in the Bible
and the Divine Office which were, in the compiler's view, difficult to
understand. The continuing use of the manuscript is shown in the
editing, correcting and supplementing in various hands - 'presumably',
Watkin says, ' succeeding generations of novice masters' (Watkin,
1939: 478) or indeed student religious. Many worked-over student
books exist. In the Worcester Cathedral Library, for example, there are
four surviving notebooks that belonged to Worcester monk students at
Oxford which had found their way back to the monastic library where
they could be of use to other students.6 In the Downside manuscript
there are various northern English glosses and on fol. 16 Lincoln is
given as a place (Ker, 1977: 443).
The second section (fols. 55-100v), following two blank sheets, is
made up of 1 1 5 hymns. 'The first half of the explanation gives the
meaning, the second half is a prayer composed from the matter of
the verse (Watkin, 1939: 479).' Ninety-seven of the hymns are in the
printed Sarum Expositio hymnorum of 1496 and eleven, not there, are
in the printed Expositio hymnorum of 1488. The others, with the
exception of number 98, are York hymns (Ker, 1977: 443). Ker,
following Watkin, points out the similarities with another manuscript:
Cambridge, Peterhouse, 2 1 5 (James, 1899: 257-61). The next, the
third section, is a treatise De accentu (fols. 1 0 1 -13), which explains the
accentuation and pronunciation of the Latin words, important in a
period before choir books were accented. There are thirty-eight
columns of rules, followed by thirteen columns of rules of pronuncia
tion arranged in alphabetical order and in rhyme. The fourth section,
Nomina propria (fols. 1 14- 15) consists of a list of 1 50 Latin Christian
names, with one to five English equivalents for each. Watkin
reproduces these names in full (Watkin, 1939: 480-3). The fifth
section (fols. 1 1 5v-19v) is a list of adverbs and adjectives, the Latin
being written above its English equivalents. There are seventy adverbs
and 128 English equivalents (Ker, 1977: 443). The sixth section is in
the form of a Nomina numeralia, Roman and Arabic, from one to three
million, on which the compiler concludes, Etcetera usque millesies
millia etcetera usque ad infinitum, and then explains, Sciendum est quod
omnis figura coniuncta cum aliis figuris (Ker, 1977: 444).
The seventh and final section of the book is a substantial Latin
dictionary, the core of the medulla (fols. 122-252). Many of the more
difficult Latin words have been given English equivalents. Watkin took
the average of Latin words in each column to be thirty-six and the
average of English words to be ten and calculated them as nearly
nineteen thousand Latin words and over five thousand English in the
dictionary (Watkin, 1939: 485). It suggests, in its many Latinized
Greek words, a wide classical sympathy, and in its description of fauna
a typical medieval confusion between the actual and the mythical.
There are few words of specifically Benedictine character although the
English for Dompnus is given as 'Danne'; 'Don', or 'Danne' being the
38 Aidan Bellenger
Notes
Joan Greatrex
Introduction
The only school to which St Benedict referred was the 'school of the
Lord's service' (RB: Prologue, 45), a phrase which encapsulated the life
long undertaking of a prospective monk. In other words, the monastery
was itself a school where the monk passed his days in learning to serve
God and his brethren by way of obedience and humility (RB: 5, 7).
Learning is the key word, learning in its widest sense, implying
constant growth in the knowledge and love of God realized in and
through all the daily occupations no matter how menial. With the more
limited sense of a prescribed course of learning Benedict was not
concerned; but it is noteworthy that in the daily horarium he set aside
significant periods for study and meditation upon the sacred texts of
Scripture and the Fathers (RB: 73: 3-5). The time provided for what
Benedict described as teetio divina amounted to a minimum of three
hours in the summer and slightly fewer in winter when the hours of
daylight were less. ! Leetio divina, it should be stressed, was prayerful
rather than academic reading and implied 'a total immersion of oneself
in the Word of God and its exposition by the . . . Fathers' (RB 1980: 86).
Instruction in other subjects such as grammar, rhetoric and musical
chant was subservient to the aim of ensuring that those who were
received into the community achieved a standard of proficiency that
enabled them to use with understanding the primary texts of the faith,
i.e. the Scriptures and the Psalms on which the daily offices were
based.
Moreover, it was the psalmist who impressed upon the monk that
the beginning of wisdom was to be found in the fear of the Lord:
initium sapientiae timor Domini - fear, with the meaning here of
reverence, worship, adoration (Ps. 1 10:10). At the same time the
42 Joan Greatrex
Instruction of novices
with the customs and regulations of the particular house. However, the
general outlines were similar and probably changed very little during
the three centuries before the Dissolution. In addition to the novice
master, one or more monk masters gave instruction and secular
masters were sometimes appointed. A Benedictine chapter visitation
of 1384 at Durham reported the lack of an 'instructor claustralis . . . ad
instruendum monachos in primitivis scienciis, videlicet gramatica, logica
et philosophia'. 4 In 1 437 at Winchester a schoolmaster from outside
was appointed to instruct the young monks in grammar and singing,
and in 1501 at Worcester a schoolmaster was appointed as instructor
to teach 'fratres nostros et scholasticos domus nostre Elemosinarie [in]
grammatice vel arte dialectice'.5 Since some of the Canterbury, Ely and
Worcester lectors known by name in the fourteenth century were
among the most competent scholars in their communities, with
doctorates in theology, the younger brethren would surely have
benefited from the university training of their seniors.6
The question at once arises: Can we delve more deeply into what
they were taught?7
The monastic formation called for impressive feats of memorization
that included the Rule, the Psalter and other parts of the divine office
(Carruthers, 1990, 1992). In addition, practical training in liturgical
chant must have been a frequent, if not a daily, part of the timetable in
the novitiate under the direction of the precentor, who also gave or
arranged for organ lessons for some of the musically gifted.8 A
thirteenth-century Christ Church customary refers to the morning and
afternoon study periods but makes no mention of the times when
lectures were given or of their content.9 According to a former monk of
Durham reminiscing some fifty years after the Dissolution, all the
elderly monks spent the afternoons studying, each in his own carrel on
the north side of the cloister. 'All' may be an exaggeration due to the
dimming of his memory but the regular pursuit of learning by some
need not be doubted (Fowler, 1903: 83, 87). Beyond these facts we are
on less firm ground when we try to reconstruct the programme of
studies that occupied the novice for most of his waking hours outside
of choir.
Grammar
Theology
History
The importance of history to the monks lies in the fact that for them it
was nothing less than the history of salvation, which began with
creation and will only have its end in the new Jerusalem. The cathedral
priories' extant manuscripts display a broad selection ranging from
universal histories to chronicles recording events in the history of a
single monastery. Peter Comestor's Historia scholastica and Ranulph
Higden's Polychronicon (Lumby and Lumby, 1865-86) were among the
most popular in the former category. Peter came to be known as
Master of the Histories, having produced a summary of biblical history
from creation to Acts.36 It became a classic; there were at least ten
copies at Canterbury, four at Durham, three or four at Rochester, six at
Worcester and one each at Coventry and NorwichY The Polychronicon
also began with creation but carried on until Ranulph's own time in the
mid-fourteenth century; the copies owned by Canterbury, Bath and
Norwich have survived along with those from many other monasteries.38
Many of the cathedral priories had their own monk historians who
carefully recorded the principal events of their house but often
digressed to cover wider topics relating to affairs of national
importance in church and state.39 The lives of patron saints were also
copied and composed with the intent of preserving and promoting
their words and deeds. Novices and senior monks had a wide selection
of saints' lives from which to choose, many of them in the popular
collection known as the Legenda aurea of James of Voragine (t1298) of
which copies remain from Canterbury, Winchester, Worcester and
Durham.4o The impressive historical output of the St Albans and Bury
monks that endured well into the later fifteenth century has no parallel
among the cathedral priories, but there are a few indications that in
English cathedral priories in the later Middle Ages 51
Conclusion
These few illustrations are tiny chinks of light faintly visible through the
keyhole of the monastic library door; they are suggestive but as yet not
adequately substantiated apart from a few other examples. Once the
medieval library catalogues and the forthcoming manuscript catalogues
(for the cathedral priories) have been completed, we will benefit from a
fuller knowledge of the contents of both the lost and extant manuscripts;
we will then be on firmer ground. By then we may also have the names
and details of more monks, especially those of Bath and Coventry where
many still remain unknown along with most of their books.
The sons of Benedict have always included a broad spectrum of
persons and temperaments. Among these each succeeding generation
has produced an unknown number whose inclinations were literary and
reflective. For them their vocation was expressed by their constant
desire to rediscover 'the perennial synthesis between culture and
spirituality' within the monastic tradition (Leclercq, 1986; O'Keeffe,
1995: 278). Can we find more of them in the monasteries of late
medieval England?48
Notes
1. Timothy Fry suggests that, aside from the liturgical readings, about four
hours a day were given to [ectio 'which included reading, private prayer
and meditatio, the memorization, repetition and "rumination" of biblical
texts' (RE 1980: 95).
2. By intellectual tradition I mean the 'intellectual interpretation of faith' ,
which for the monk was 'inseparable from spiritual life and religious
experience' (Leclercq, 1 960: 104).
English cathedral priories in the later Middle Ages 53
18. For Osbern see Hunt, 1 980. Higden's writings extend to all three
subjects of study under discussion in this paper: a Pedagogium artis
grammaticae, a Distinctiones theologicae and the Polychronicon discussed
below.
1 9 . For Thomas Undyrdown I and Thomas de Stureye II see Greatrex,
1 997a.
20. Sharpe et al., 1996: B 1 l 6.25, and for Lawerne's career see Greatrex,
1997a, in the Worcester section. The Canterbury volumes are in James,
1903: 158, nos 157, 1 6 0 and 156.
21. This is now CUL, Kk.5.10.
22. These are items 1576 and 1579 in James, 1903.
23. Now Cambridge, Corpus Christi College Ms 137.
24. Now CUL, Kk. 2 . 2 1 .
25. Now CUL, Kk.3.26.
26. Ker, 1 964b: 162; this is now BL, Royal 5A.iv. Another Rochester volume,
which is also numbered among the Royal manuscripts ( 1 2C .i), has similar
contents.
27. See R.H. and M.A. Rouse, 1 974; Christ Church, Canterbury had a copy of
one of the three editions, now Cambridge, St John's College 51, and so
did Durham, DCD, A.I.2, and Norwich, Sharpe et al., 1 996: B64.7, under
'Yarmouth'. The Norwich copy has survived as BL, Royal 4E.v. At
Worcester, WCL, F. 1 75 contains one section only which, presumably,
was once complete.
28. Botfield, 1840: 8 1 , 82. Thomas de Horstead, precentor of Rochester in
the 1330s, was responsible for the tabula to his monastery's copy of
Gregory's Moralia, now BL, Royal 6D.vii, fols. 268-96; he acquired this
and other volumes for the library including a Concordancie bibliae, BL,
Royal 4E.v, one of the St Jacques productions; see Greatrex, 1 997a: 6 1 3 .
29. Smalley, 1984: 246. James, 1 903: n o . 1 6 1 4 (Canterbury); Botfield, 1840:
53 (Durham); Sharpe et ai., 1996: B64.6 (Norwich cell at Yarmouth, 15th
c.); WCL, Q,42 (Worcester).
30. They ranked next to Augustine and Gregory in popularity judging by the
Eastry catalogue, James, 1 903: 13- 142, and the Durham Catalogi veteres
(Botfield, 1 840).
31. Pantin, 1931-37: I , 75. Note also that the same statutes ruled that some of
the claustrales were to be occupied 'in studendo, libros scribendo, corrigendo,
illuminando', etc.; this was repeated in 1343 (ibid.: I, 74 and II, 51).
32. Emden, 1957-59: I, 2 12-13, gives a summary of his career and writings.
33. These treatises are discussed by Pantin, 1 948. Apart from Uthred there
are very few surviving Benedictine writings in theology in the two
centuries before the Dissolution.
34. E.g. Worcester, WCL, F. 1 0 (Benedictine sermons), F . 1 l4, F. 126, Q.9,
Q.18 (Benedictine collations), Q.56 (Carmelite), Q.63, Q.65; except for
F . 1 0 and Q.18 the exact number of sermons contained in these
manuscripts that were preached by Benedictines has not yet been
ascertained.
35. The sermon collections of the Durham monk, Robert Ripon (tafter
14 19), and of the monk bishops of Rochester, Thomas Brinton ( t 1 389)
and John Shepey ( t 1352), should also be examined; for the manuscripts
and printed editions see Sharpe, 1997.
36. See Daly, 1957, which discusses his career and writings. The His to ria
scholastica is printed in PL 198, 1 053-1722. Higden's history has been
edited in the Rolls Series; see also Taylor, 1966, and the critical
English cathedral priories in the later Middle Ages 55
James C. Clark
Mitchell, 1972: 165, 220, 3 13). It is possible that the vacations were
also attractive to the monks for other reasons. Extending from October
to June, the university year coincided with what in liturgical terms
must have been the busiest period in a monastery of any size and
status. Consequently it seems that abbots and priors preferred to
release their most able monks only during the summer months.
Periods of study divided between Oxford and the home community,
and the uneasy interaction with the university and its own cycle,
clearly affected the form and content of the monk-scholars' studies. It
severely restricted their access to university teaching, much more so
than the capitular, papal and college regulations. In a learning
environment where academic progress was measured in terms of the
time spent following the reading of particular authors and texts, this
must have directly affected the ways in which the monks could prepare
for their degrees. Some insight into these difficulties is offered in the
case of John Hatfield, a St Albans monk, who incepted in theology in
c. 1 430. Hatfield told the university officers that he had spent no fewer
than eight vacations studying philosophy at Gloucester College, but he
had still not heard the ordinaries, the prescribed lectures for his
degree (Mitchell, 1998: 194). Like Hatfield, monk-scholars were
dependent on the resources of their own colleges and cloisters, and to
what must have been largely independent, self-regulating patterns of
study.
The comparatively meagre provisions for teaching in the monastic
colleges reinforced the independent character of monastic studies at
Oxford. Very little evidence of the internal life of the colleges survives,
but it seems clear that for more than a century after their foundation,
they struggled to provide consistently either a wide range of books or
teaching for their members. In this context the inventories of books
which are preserved from Canterbury and Durham Colleges should be
treated with some caution. More than a dozen survive from Canterbury
College, and about half that number from Durham, but the earliest
Canterbury inventory dates from the second half of the fifteenth
century and only one of the Durham documents record books actually
in situ at the college, the remainder being records of the transfer of
books from the mother-house.5 For the first century or so of their
existence, neither college had a library building, and probably only the
beginnings of a common book collection. Individual students were
obliged to borrow books on an ad hoc basis from the home library, or to
purchase or even copy their own.6 From the early fifteenth century,
both colleges' book collections were expanded; before 1450, however,
they were still lacking multiple copies of many of the standard
academic textbooks, particularly those prescribed for the arts course.
The colleges' holdings in academic theology were greater, although
older commentary traditions were better represented than the work of
more recent or contemporary authors. The Canterbury College monks
appear to have been using some of the oldest books from the mother
house, including one alleged to have belonged to Thomas Becket
60 James C. Clark
treatises of the Oxford master John Leland.16 The Coventry monks also
made use of a large compendium of dictaminal texts, including a series
of model letters that may have been compiled at the priory specifically
for the training of university monksY The study of dictamen and
rhetoric seems to have been regarded as especially important for
monks intending to take degrees in canon law. In the library at Christ
Church, Canterbury, dictaminal texts were kept in the same place as
the law books and catalogued 'libri legis canonici et ciuilis' (James,
1903: 145).
The monk-scholars also studied some subjects on the very fringes
of the arts curriculum. There is some evidence that their preparatory
work included the study of elementary mathematical and astronomical
texts. This again contrasted with the university arts faculty where, in
the later fourteenth and fifteenth centuries, the study of the natural
and physical sciences had entered a decline. By c. 1 409 Iohannes Sacro
Bosco's De sphaera was the only major scientific text prescribed for
bachelors, and only the Theorica planetarum and Ptolemy's Almagest
were required for Masters of Arts (Pantin and Mitchell, 1972 : XXXI -III).
Several manuscript anthologies compiled by Oxford monks include
astronomical tables and tracts on the movements of the planets, while
John Westwyk, a St Albans monk at Gloucester College c. 1400, even
completed a revision of Richard of Wallingford's Tractatus Albionis.18
Closely associated with the study of mathematics and astronomy, some
monk-scholars also appear to have studied music as part of this
preparatory programme. Several scholars' books include fragments of
music, voice parts and extracts from treatises on notation.19 Some
monks even went on to study science or music in the higher faculties.
The registers of Congregation record several cases of monks incepting
for bachelor degrees in medicine and music, in some cases after having
graduated in another subject (Pantin, 1 947-85: III, 261 ; Mitchell,
1998: 263).
The training of monk-scholars 'in the primitive sciences' owed
more to the traditional conception of the liberal arts, the trivium and
quadrivium, than it did to the speculative culture of the fourteenth
century schools. But there is no doubt that the monks also followed
some more conventional course of study in logic and philosophy. Given
the few opportunities for group teaching in the colleges and the home
community, and the emphasis on individual study, their approach to
these disciplines was again very different from their secular counter
parts. Probably they worked on a piecemeal basis taking each text or
author in turn, and simply omitting those texts they had been unable to
acquire. Henry Renham, a fourteenth-century monk-scholar (appar
ently from Rochester priory), managed to acquire a late thirteenth
century anthology containing Aristotle's De anima, De celo et mundo,
De generatione et corruptione. The texts were of poor quality, but
Renham improved them by adding notes and glosses from other
sources and from those disputations and lectures he was able to
attend.20 Similarly, in the early fifteenth century, John Broughton, a
University monks in late medieval England 63
Games, 1903: 525-40; Ker, 1964: 40-7; Knorr, 1991: 269-84). John
Moorlinch, a Glastonbury monk, produced a Polychronicon continuation
and other historical writings drawn from domestic chronicles while at
Oxford between 1400 and 1410.34 Understandably, many were required
to apply their studies to the needs of their own house. Successive
generations of Worcester monks provided sermons and sermon digests
for use in the mother-house on a wide range of occasions.35 In the early
decades of the fifteenth century, St Albans monk-scholars seem to
have been encouraged to provide Latin and vernacular sermons
condemning Wyclif and the dangers of Lollardy for use at home.36
Earlier in the 1 370s, the abbot, Thomas de la Mare, had commissioned
one of his monk-scholars, Nicholas Radcliffe, to compile a series of
dialogues on Wyclif to be used in teaching at the Abbey.37
As well as writing, many monk-students also spent time copying and
decorating books. The atmosphere in the monastic colleges again
seems to have encouraged activities for which there were increasingly
few opportunities at home. In many late medieval monasteries
organized in-house book production was in steady decline and the
monk-scholars' work may have also met a practical need. From their
description, it seems likely that a good number of the books listed in
the Canterbury and Durham College inventories were copied and
compiled by the monks themselves (Pantin, 1947-85: I, 3-6, 1 1 -16,
18-28). Several surviving books can also be shown to be the work of
monk students. Hugh Eyton, a St Albans monk-scholar who completed
his degree in c. 1410, copied Richard Rolle's commentary on the
Psalms.38 The Glastonbury monk, John Moorlinch, compiled and
probably copied no fewer than five manuscripts at Gloucester College.
The books were lavishly decorated and included a series of images
depicting various attitudes of monastic study.39
In this connection, there is some evidence that Oxford monks
actually became involved in the publication of texts. While at
Gloucester College in 1389, Nicholas Fawkes, a Glastonbury monk,
compiled and copied an anthology of contemporary theological texts.
Fawkes's anthology included the earlier of only two surviving copies of
Nicholas Aston's Quaestiones; the only other copy is also found in a
monastic manuscript from Worcester. Presumably Fawkes had
acquired the exemplar at Oxford and was directly responsible for its
circulation in Oxford to a wider audience within his own monastic
network.40 Similarly, an analysis of the transmission of Nicholas
Radcliffe's Quaestio on Wyclif suggests it was also published from
Oxford and circulated through networks of monk-scholars.4l
Perhaps the most striking feature of the monk-students' books,
notebooks and anthologies, however, is their interest in Latin
literature. In particular, many of them seem to have been drawn to
the study of rhetoric and dictamen, not simply as a practical skill, but as
the basis for a deeper understanding of poetry and prose, and the use
of colour, metre and the cursus. Library catalogues reveal several
monk-scholars who amassed sizeable collections of such texts during
66 James C. Clark
Notes
1. Wilkins, 1737: II, 585-613; Pantin, 1931-37: I, 64-92; II, 28-62, 64-82.
2. Wilkins, 1 737: II, 594; Pantin, 1 93 1 -37: I, 55-8, 74-82.
3. For example, Thomas de la Mare and John Whethamstede, both abbots of
St Albans in the later Middle Ages, were educated at grammar schools
before their profession. See BL, Harley 139, fo!' 9 1r; Riley, 1867-69: II,
372.
4. The Canterbury College book inventories for 1443 and 1459 include
multiple copies of the dictionaries and glossaries of Huguccio of Pisa, John
of Genoa and William Brito. Significantly, by 1501 a section of the library
was devoted to elementary grammatical texts, including Isidore's Etymola
giae and Priscian. See Pantin, 1947-85: I, 3-6, 1 1- 15, 27-8. For similar
texts, including novice 'readers' at Durham College, see Burrows, 1896: 36-
9; Salter et al., 1942: II, 244.
5. For these inventories see Durham, Cathedral Chapter Library, B.lV. 46, fo!.
15r; Burrows, 1896: 36-9; Pantin, 1947-85: 1 1-16, 18-28, 39-50, 59-62,
70-2, 76, 80-92.
6. In these circumstances some monk-scholars amassed considerable
personal libraries. See the collections of the Durham monks Thomas
Westoe, William Ebchester and Thomas Swalwell: Ker and Watson, 1987:
87-97.
7. The construction of the college library was funded by John Whetham·
stede, abbot of St Albans, and completed in c.1440. Only four books
survive, all of them Whethamstede's gifts. See Ker, 1 964: 146; Ker and
Watson, 1 987: 54.
8. See CUL, Ee 4.20, fo!. 274r; Riley, 1867-69: III, 389.
9. See for example WCL, F.50, F.124, Q.31 and Q.7 1 .
10. S e e for example WCL, F.62, F . 1 3 9 and F.156.
1 1 . See BL, Cotton Nero D.vii, fols. 1 1 1v, 157r; Riley, 1867-69: III, 372.
12. For the university arts curriculum see Weisheipl, 1 964, 143-85; Pantin
and Mitchell, 1 972: XXIX-XXXIV; Fletcher, 1992: 3 15-45.
13. See for example the grammar texts in use at Crowland, Glastonbury and
Ramsey in Sharpe et al., 1996: 1 1 4-25 (B24), 230-1 (B43), 354-415
(B68); also those in use at Christ Church, Canterbury and Dover, in
James, 1 903: 355-9, 385-8, 432-3; and at Durham, Raine, 1838: 33, 49,
111.
14. See for example Oxford, Bod!., Rawlinson G.99, an early fifteenth-century
collection compiled by Hugh Legat (a St Albans monk-scholar), and
WCL, F.123, fols. 25r-98v. See also the grammar books in use in the
later fourteenth century at Durham and Ramsey: Raine, 1838: 33; Sharpe
et al. , 1 996: 354-4 15 (B68.23, 327, 396, 471, 535).
15. Cambridge, Trinity College, R. 3. 5 1 .
16. S e e WCL, F. 123, fol. 98v; Oxford, Bodl., Bodley 8 3 2 , fols. 8r-v.
1 7 . Oxford, Bodl., Auct. 2.3.9. The model letters are at 4 1 4-27.
18. See for example the books on loan to the Worcester monk-scholars John
Lawerne, John Broughton and Isaac Ledbury; Sharpe et al., 1996: 661-2
(B 1 16.22-3). For Westwyk's text see Oxford, Bodl., Laud Misc. 657, fols.
1r-78v.
19. See for example Dublin, Trinity College 444, fols. 9v- 10r (St Albans).
See also the book lists from Evesham and Worcester; Sharpe et al., 1996:
1 42 (B30.34), 661-2 ( B 1 1 6 . 1 5).
20. BL, Royal 12G.ii. The ex libris inscription at fol. Iv reads: 'librum scripsit
70 James G. Clark
15A.xxii. See also Emden, 1957-59: III, 2098-9; Greatrex, 1997a, 649-50.
5 1 . See for example Oxford, Bodl., Digby 64, 100; WCL, Q.79.
52. BL, Royal 8B.iv.
53. Richard Trevytlam, De laude Oxoniae, 1. 314, 'quod narrat optime de bellis
Hectoris'. See Burrows, 1896: 204. For Trevytlam see Emden, 1957-59: III,
1904.
54. The colophon of Lydgate's version of Aesop's fable of the dog and
shadow identifies the translation as having been 'made in Oxenforde'.
See Oxford, Bodl., Ashmole 59, fol. 24v.
55. Legat's commentary on Architrenius survives uniquely in Oxford, Bodl.,
Digby 64, fols. 1 08r-20v. His commentary on Boethius' Consolatio is now
lost, although Bale records its incipit in Poole et al., 1990: 1 7 1 , 215.
56. Legal's prologue is preserved in a quotation by Bale from a lost copy of
the text which belonged to Norwich Cathedral Priory. See Poole et al.,
1 990: 215.
57. For Whethamstede's verses see Cambridge, Gonville and Caius College,
230, fols. 56v-7r; 79r, 80v, 86r-9v, 1 70r-v. For the Pabularium
poetarum see BL, Egerton 646, fols. 23r-72v, 79r-82v.
58. For Sellyng see Weiss, 1 957: 148-50, 153-9. For Joseph see Aveling and
Pantin, 1967.
59. For an account of these changes see Catto, 1992b: 769-83; Fletcher,
1 993: 343-4.
7 Hildegard of Bingen's
teaching in her Expositiones
evangeliorum and Ordo
virtu tum
represent the struggle of the soul both within itself and in a larger
cosmological context.
Hildegard composed fifty-eight Expositiones evangeliorum, or
homilies on the Gospels, devoted to twenty-seven scriptural passages
and liturgical occasions.3 She mentions some expositiones in the
prologue to the Liber vitae meritorum as having been written (but not
necessarily completed):
After that vision the subtleties of the various creatures of nature,
and responses and admonitions for many lesser and greater
persons, and the symphony of the harmony of celestial
revelations, and an unknown language and writings, with certain
other expositions. (Carlevaris, 1995: 8)
From that passage, we can conclude that the Expositiones were
composed, at least in part, by 1 157. In addition, intratextual references
in two homilies probably place one during the schism of 1 159-77 and
another during the crisis over the Cathars burnt in Cologne in 1 163.4
Hence, Hildegard probably composed the Expositiones over a number
of years, progressively adding to them and filling out her coverage of
the liturgical year. They have received very little attention from
scholars, and compared to Hildegard's major visionary trilogy -
Scivias, Liber vitae meritorum, Liber divinorum operum - they are
practically unknown.
I call Hildegard's Expositiones homilies because of their literary
form: they comment on the biblical passage progressively, that is,
phrase by phrase.5 The written text of the Expositiones differs from
most extant twelfth-century monastic sermons because of its informal
quality and the performative dimension that must be imagined behind
it. To understand the Expositiones, one needs to picture Hildegard
speaking to her sisters, the scriptural text either before her, read
aloud to her, or recited from memory, section by section in sequential
order. After each section, she adds her explanations. 6
This observation leads us to consider the first of three key aspects
of the identity of Hildegard's audience, a community of twelfth-century
Benedictine nuns living in the Rhineland. The Rule of Benedict
grounds and shapes Hildegard's message; it provides the authority, the
responsibility and the liturgical structure for her exegesis, preaching
and teaching.7 According to the Rule, the abbot, and likewise the
abbess, was responsible at the Judgment for the souls of the
community, and he or she was obliged to encourage or reproach their
b ehaviour as needed.s In one letter, Hildegard describes her
responsibility to her daughters and the forces weighing against her:
I exercised the care of my daughters in all things necessary for
both their bodies and their souls . . . In a true vision I saw with
great concern how various airy spirits9 battled against us, and I
saw that these same spirits were entangling certain of my noble
daughters in various vanities as it were in a net. I made this
known to them through a showing of God, and I fortified and
74 Beverly Mayne Kienzle
virtues and vices within the individual soul captured the late antique
and medieval sense of struggle, from Prudentius's Psychomachia to the
iconography of Christian art and architecture, and the content of
treatises on the virtues and vices (Bloomfield, 1939; Newhauser,
1993). Hildegard, informed by medical cosmology, envisioned the
inner spiritual and physical struggle extending to the cosmos (Glazer,
1998: 12 5-48). The notion of inner and cosmic conflict, microcosm and
macrocosm, dates back in Christian exegesis as far as Origen.16 The
sources for Hildegard's cosmology and its relationship to twelfth
century Platonism and scientific studies poses a complex problem that
I shall not tackle here,17 but the importance of cosmology must be
mentioned because of its role in Hildegard's exegesis.
That Hildegard was a woman writing for women raises questions of
gender connected to the content of her writings and to her authority.
While the concerns of monastic life and the struggle to achieve
salvation probably weighed more heavily in her preaching and teaching
than did gender differences, the sisters received a somewhat different
message than a male audience, in particular, a greater emphasis on
virginity. Numerous expositiones teach lessons about chastity, virginity
and the struggle between virtues and vices that also animate the
Speculum virginum, a manual on virginity that achieved popularity in
religious houses from the twelfth century onward.18
Finally, the question of authority must be considered. Since
Hildegard's uniqueness among medieval women has concerned many
other scholars, we shall call attention to just a few points. First, the
Rhineland provided an unusual environment in which other magistrae
received respect before and at the same time as Hildegard . l9
Nonetheless, they did not achieve the level of Hildegard's fame nor
are any works of theirs extant. Second, Hildegard's position as woman
exegete was as remarkable as her status as a preacher. The
Expositiones offer us a text where the two roles merge. Third,
Hildegard's gift as seer, described as either visionary or prophet,
grounded the authority for her exegesis20 and apparently placed her
beyond the controversies over abbesses' and other women's preach
ing.21 Finally, the understanding that Hildegard gained as a visionary
and prophet entailed the call to transmit her revelations to others -
first, her sisters through various compositions, notably the homilies,
drama, music; and then to those beyond her monastery through the
letters, other writings and four preaching tours.22 Thus Hildegard's
response to the understanding she gained through visions was to
transmit it through teaching and preaching; exegeting the Scriptures
elucidated both the conflicts humans faced and the solutions they were
to find.23
Hildegard's preaching to her community is attested not only by the
extant texts of her homilies, but also by a letter that her secretary
Volmar drafted on behalf of the sisters. Together Volmar and the
sisters expressed what they valued and would miss most about
Hildegard, including her 'new interpretation of the Scriptures' and her
76 Beverly Mayne Kienzle
'new and unheard-of sermons on the feast days of saints' .24 Evidently
Hildegard's community recognized that her interpretations of Scrip
ture were different from what they were accustomed to hear preached
or read from patristic homiliaries. That different interpretation relates
no doubt to the allegorical and cosmological vision that one finds in her
works. Hildegard's reputation as exegete also extended beyond
Rupertsberg, as evidenced by her Solutiones triginta octo quaestionum,
a treatise she sent to Guibert of Gembloux for the monks at Villers.25
Now let us turn to Hildegard's view of exegesis, which she expounds
in Homily 21.2 (Ninth Sunday after Pentecost) on Luke 19:41-47, the
story of Jesus expelling the moneychangers from the temple.26 In
Hildegard's explication, Jesus and, after him, the interpreters of the New
Testament, that is, Gregory the Great, Ambrose, Augustine and Jerome,
have changed the old into the new, specifically into the spiritual meaning.
They cleanse old ways of worship and lead carnal institutions to humility
by means of spiritual understanding. They leave no written word and no
worship without transformation; indeed, so profound is the alteration that
not one word remains unchanged. Hence, for Hildegard, every word of
Scripture must be interpreted spiritually.
Hildegard does not speak here of the three or four traditional levels
of scriptural interpretation: historical-literal, allegorical, moral,
anagogical. She does demonstrate knowledge of the conventional
modes when she explicates the first book of Genesis in the Liber
divinorum operum, Book II. Her approach there follows three levels of
meaning, and the manuscript rubrics reflect them with labels of
Littera, Allegoria, Moralitas. Nonetheless, Hildegard's interpretation
in these passages remains strikingly original. 27 While in general we
may distinguish between literal and spiritual interpretation in
Hildegard's Expositiones, the spiritual predominates and her method
resists attempts to draw neat categories.28
Hildegard is indebted to the tradition that precedes her and, like her
predecessors, to the second-century scholar Origen above all.29 To
varying degrees, most twelfth-century interpreters of Scripture and, in
fact, most medieval exegetes held the view that the hidden meaning of
Scripture, revealed by spiritual or allegorical interpretation, surpasses
the literal or historical sense. M.-D. Chenu used the term 'symbolist
mentality' to describe this mode of twelfth-century thought, and
scholars have investigated a school of German symbolism during the
same period.30 Hildegard was certainly a product of her age in this
regard; yet there is something more and unmistakably unique about
her homilies and their approach to the scriptural text.
The Expositiones, like the Ordo virtutum, hold at least three possible
patterns of theological interpretation. The first is the collective
struggle of humankind in salvation history; the second, the journey of
the faithful soul, which typifies the individual inner struggle of every
human soul when confronted with temptations and evil; and the third,
the individual and collective battles against sin which the nun and her
community wage in the monastic life. These correspond roughly to
Hildegard of Bingen 's teaching 77
works and the heavenly Jerusalem. The second starts from the
Incarnation and treats the turning from the old law to the new in the
Gospel, when humankind accepts belief in Christ's dual nature and
subjects itself to God's commands. The third homily dramatizes the
virtues' role in conversion and victory over the Devil.
For the three homilies on Luke 19:41-47 (21 . 1-3, Ninth Sunday
after Pentecost), the story of Jesus expelling the moneychangers,41 the
first expositio offers a panorama of salvation history from the moment
of creation to Christ's teaching. The second has an incarnational focus,
explaining Jesus' transformation of the Law and the understanding of
the Scriptures. Homily three focuses on the individual sinner and the
drama of her conversion from sin to righteousness, from vices to
virtues, from the thieves' den (the Devil's house of ill repute) to the
temple, where angels and saints openly and joyously praise the
repentant sinner.
In the third set of three expositiones (16. 1-3, Invention of the Holy
Cross) this one on John 3:1-15, the story of Nicodemus,42 the third
expositio focuses on the individual sinner, as occurs in the previous two
sets. Here the emphasis lies on the journey from sin through penance,
specifically compunction and confession. While the struggle between
virtue and vice does not play a prominent role, the rejection of vices
and of aridity constitutes part of the process of repentance. The first
two expositiones in this set do relate to salvation history but they differ
strikingly from the others examined so far. The first teaches about
salvation history starting from the Creation, but it takes its point of
departure from the misconceptions of a pseudo-prophet, designated by
Nicodemus. His questioning Jesus about rebirth reveals views that
resemble those of the Cathars. Hildegard emphasizes God as sole
creator, the importance of baptism with water and Christ's dual nature
- all key differences between orthodox and Cathar theology. The
second expositio begins with knowledge of evil, defined as nothingness
and differentiated from good. The frequent Hildegardian image of the
wheel (from the first chapter of Ezekiel) holds a central function here,
as do the life-giving power of God and the concept of viriditas. One can
imagine the Cathars in the back of Hildegard's mind here too, when
she emphasizes God's creative power.43
Hildegard composed several works against Cathar beliefs, as she
collaborated with Elizabeth of Schonau and her brother Ekbert in the
anti-heretical campaign in the Rhineland (Kienzle, 1998: 165-8). One
of those is a homily belonging to the set of four expositiones (24.1-4) on
Luke 2 1 :25-33, to which we now turn. The first of these is labelled
Littera in the manuscript margin, the second AUegorica; the third and
fourth are not identified by a specific mode of interpretation.44
However tempting it may be to match these four homilies with the
traditional four levels of interpretation, such labels prove insufficient.
This Lukan text lends itself handily to Hildegard's cosmological
vision. The first part of the Gospel passage (Luke 2 1:25-29) describes
the signs preceding the end of the age and the parousia. The second is
80 Beverly Mayne Kienzle
a very short Parable of the Fig Tree (Luke 2 1:29-3 1) whose leaves
announce the coming of summer (not the longer Parable in Luke 13:6-
9). Most medieval exegetes leave aside the fig tree, but not so with
Hildegard. Even German vernacular sermons on the same pericope
and from the same period pass it over in silence and furthermore do
not incorporate virtues and vices into their commentary as Hildegard
does.45 Moreover, she enhances the dramatic tension in all four of her
texts, retelling the cosmic reactions and the Parable of the Fig Tree
with heightened conflict - battling virtues and vices, cosmic groans
and jealous angels.
While the first version follows most closely the literal meaning of
the Scripture and the literal interpretation of salvation history, it
incorporates a cosmological dimension nonetheless. The elements of
the cosmos are moved by humanity's evil deeds, and humans then
experience physical or natural consequences of their sin: the shaking
wrought by heavenly bodies, aridity - the opposite of greenness
(viriditas), sadness instead of happiness. Hildegard says:
The air and water are affected and the water extends to the sun,
the moon and the stars, since those reflect from the water. And
so those heavenly bodies shake humans violently with
unaccustomed terror.46
Humans also provoke the anger of the angels. The community
envisioned here encompasses the cosmos, and the inter-relatedness
and interaction of the cosmos, humankind and the angels enhances the
element of drama in the text. The signs announce Christ's coming in
humanity and divinity. Greenness in the blossoming of trees and
flowers signals redemption and reward for the righteous. The visible
world will be transformed into a better and more stable condition.
The fourth homily corresponds to the pattern of Hildegardian
interpretation that recreates the drama of the individual soulY It
introduces vices and virtues but imagines their conflict as a mirror of
the inward struggle between care for heaven and concerns on earth,
the psychodrama that played out in individual sisters' souls and in the
monastic community as a whole. Carnal desires and licentiousness
besiege faith and knowledge. Humans doubt and fear, unable to discern
God from the Devil. The soul's powers - rationality, faith, hope and
charity - are shaken by the body's tempests.
With Christ's coming, the virtues allow human knowledge to
conquer evil with good. The fig tree represents knowledge of good and
the turning towards it. Trees producing fruit are humans who examine
and reveal their conscience and then groan and weep in repentance.
The summer's heat again designates the Holy Spirit, which produces
the flowers of virtues. The reward of heaven does not come until the
battle of virtues and vices has ended and earthly follies are no longer
present in the mind. Since this expositio evokes pure contemplation
associated with attaining heaven, one may call at least this aspect of it
anagogical.
Hildegard of Bingen 's teaching 81
Notes
1. One could extend this further to include the music of Hildegard's play
and the songs she composed for the liturgy. See Fassler, 1998: 157. On
the titles magistra and the less common abbatissa for Hildegard, see
Mews, 1998: 94-5.
2. A passage similar to the Ordo virtutum (Davidson, 1985) but shorter
appears at the end of Hildegard's first great visionary work, Scivias
(Dronke, 1981: 100-1); Fassler, 1998: 249, agrees with Dronke's dating
(Dronke, 1981). Constant Mews has also pointed out to me the usually
overlooked similarity between the chorus of the Ordo and the Liber
divinorum operum (Derolez and Dronke, 1996: III. 8-24). Dronke points
this out in the 'Introduction' (Derolez and Dronke, 1996: lxxixii) where
he describes the Liber divinorum operum text as 'amplifications' of the
Ordo's final chorus, the difference being that in the Liber divinorum
operum the Son speaks to the Father, whereas in the Ordo the virtues are
joined by the souls.
3. The Expositiones are published in Analecta Sanctae Hildegardis, Pitra,
1882: VIII, 245-327. A new edition is being prepared from Wiesbaden,
Hessische Landesbibliothek, 2 (Riesenkodex), fols. 434r-61v, and BL,
Add. 1 5 102, fols. 1 46-9 1 (a 1487 copy) for the Corpus Christianorum
Continuatio Mediaevalis by Beverly Mayne Kienzle and Carolyn Muessig
with assistance from Monika Costard and Angelika Lozar. The
Riesenkodex is described by Van Acker 1991: XXVII-XXIIX; Albert
Derolez, ' Introduction' , in Derolez and Dronke, 1996: XCVII-C1.
4. See below, Homily 24.2, with references to the Cathars and Homily 24.3
with two references to schism ( 'Erunt signa', Wiesbaden, Hessische
Landesbibliothek, II, 459v-60v; Pitra, 1882: 3 1 2-14).
5. See Kienzle, 2000b. Wenzel, 1986: 62, observes three structural steps of
the homily: 'narrative of the Gospel, allegorical exegesis and moral
exegesis'.
6. In her commentary on the Rule, Hildegard emphasizes the importance of
committing the Scriptures to memory. Feiss, 1990: 24-5.
7. The Rule of Benedict describes the monastery as the schola Christi;
within it, the abbot or abbess holds authority and responsibility for
instructing the community. Hildegard felt strongly that an abbess's words
should inspire in her sisters the desire to hear them; to another abbess,
Hildegard wrote that she was bearing her burden well, because her sheep
wanted to hear God's admonishment through her teaching (Van Acker,
1991: 339).
8. Rochais, 1980: 2.6, 23-40.
9. Aerii spiritus, d. principem potestatis aeris huius, Eph 2,2.
10. See also Van Engen, 1998: 44-5. Whereas Hildegard uses aerii spiritus, a
passage from Origen speaks of the aerae potestates. Homilia VIII in
Exodum, 46, cited by Bloomfield, 1952: 5 1 , note 68. Elsewhere Hildegard
refers to 'aerios spiritus' (Van Acker, 1991: 40).
1 1 . Rochais, 1980: 9.8. For Hildegard's use of expositio, Derolez and Dronke,
1996: 1. (visio) IV. CV on John 1. See also Mohrmann, 1961: 63-72; Lubac
and Doutreleau, 1976: lI.6, 1 2 . 1 4.25.26, pp. 106, 1 08. See also Griesser,
1956: 234-45 for uses of exponere in chapter talks.
12. Carlevaris calls attention to the importance of those readings and
explains the ties of Disibodenberg to the Cluniac reforms and homiliary;
see Carlevaris, 1998: 72-3.
Hildegard of Bingen 's teaching 83
13. The Orda virtutum was probably performed at the end of either Matins or
Vespers; see Fassler, 1998: 15 1-3.
14. Sheingorn proposes that the Orda was written to be performed at the
celebration for the consecration of virgins; Sheingorn, 1992: 52-7.
Holloway, 1 992: 68-72, discusses the role of drama in monasteries and
proposes a link to Hildegard's deep regret over her friend Richardis of
Stade's departure to another monastery and eventual death. Fassler,
1 998: 150, says that the Orda 'would always have been a play within a
play, a mousetrap for conventual souls'.
15. While twelfth-century Victorines and others took increased interest in
salvation history and thus the historical-literal sense of Scripture, their
emphasis in exegesis remained allegorical. On the interest in the
historical-literal sense, see Van Engen, 1983: 287; Mews, 1996: 27-42.
16. Striking examples are: Lubac and Doutreleau, 1976: 1. 1 1 , 11. 3 1 -6; XII.3,
11. 10-22, 23-39; Borret, 1 985: Hom . 13.3, 274, 1.25.
17. On cosmology and cosmic struggle, see Mews, 1998: 99; on the scientific
tradition in Rhenish abbeys, Van Engen, 1 983: 85-6; on Rupert of
Deutz's interest in nature and cosmology in his commentary on Genesis,
Gersh, 1 99 1 : 5 1 2-36; Burnett, 1998: 1 1 1 -20; Dronke, 1 998: 1-16.
Singer, 1 95 1 : 1-59, stresses neoplatonism and an influence of Bernard
Sylvestris's De universa.
18. SPeculum virginum (Seyfarth, 1 990). Constant Mews emphasizes the
differences in outlook between the SPeculum virginum and Hildegard and
Tenxwind of Andernach in 'Hildegard, the SPeculum virginum and
religious reform in the twelfth century'. Mews, 1998: 96, notes that a
copy of her Speculum Virginum from Andernach contains one extant leaf
of melodies. I am grateful to Constant Mews for a pre-publication copy of
the paper on the SPeculum.
19. Mews, 1 998: 94, observes: 'Hildegard was growing up in a world in which
female spiritual leaders were emerging outside the traditional aristoc
racy and the Benedictine order'.
20. Phillip, dean of the cathedral at Cologne, identifies the Holy Spirit as the
source for Hildegard's authority when he writes asking for a copy of the
sermon she delivered in Cologne. Epist. XV, Van Acker, 1 9 9 1 : 33. See the
comment from Robert of Val-Roi reported by Guibert of Gembloux, Epist.
XVIII, Derolez, 1 989: 229; Mews, 1998: 109, note 96. Bernard McGinn,
in 'Hildegard of Bingen as Visionary and Exegete', discusses the three
forms of divine vision distinguished by Augustine (corporeal, spiritual,
intellectual) and finds that Hildegard's descriptions fall into the broad
category of spiritual vision, that based on images in the mind. Hildegard
also claimed the Spirit's enlightenment as the grounds for her
understanding of the Scriptures. I am grateful to Bernard McGinn for
a pre-publication copy of his paper.
2 1 . On the controversies around abbesses' preaching, see Blamires, 1995:
1 35-52; Biller, 1997: 68-9. On abbesses preaching at Admont, see
Borgehammar, 1993: 47-52; Knapp, 1 994: 74-8.
22. On Hildegard's preaching, see Pernoud, 1 996: 15-26; Kienzle, 1998:
1 63-8 1 .
23. Hildegard did not claim the authority specifically to preach, but she
apparently supported pastoral leadership for Benedictine monks. On the
controversy over monks' preaching, see Van Engen, 1 983: 329-30. On
Hildegard's views, see Fuhrkotter and Carlevaris, 1 978: II.v(isio). 1 7-2 1 ,
pp. 1 90-4; Mews, 1 998: 107.
84 Beverly Mayne Kienzle
associates the old law with carnal union and the new with abstinence,
chastity and virginity. Crucifixion represents the inner experiential death
of corrupt desire and frees the flesh from its enslaved state. The second
text contains a passage where Hildegard switches from indirectly narrating
the story in the third person to directly addressing her audience in the
second person plural as she underscores the lesson. These homilies have
been analysed by Jaehyun Kim, Princeton Theological Seminary, who
compares Hildegard's exegesis to that of Gregory the Great in an
unpublished conference paper, 'Hildegard of Bingen's Gospel Homilies
and her Exegesis of Mark 16:1-7', International Congress of Medieval
Studies, Kalamazoo, Michigan, May 1999.
34. Homilies 1 2 . 1 and 12.2, 'Homo quidam', Wiesbaden, Hessische Land
esbibliothek, II, 447v-9v; Pitra, 1882: 277-82.
35. Two homilies for the Eighth Sunday after Pentecost (Ninth Sunday of
Trinity, 26. 1 , 2) exegete Luke 16:1-9, the Parable of the Unjust
Steward), and include the whole story (salvation or individual) but wrap it
up very quickly. See also Wailes, 1987: 245-53, on this parable.
36. Homily 1 8 . 1 , Homo quidam fecit coenam magnam, Wiesbaden, Hessische
Landesbibliothek, II, 454v-5r; Pitra, 1882: 296-8.
37. Homily 1 8 . 2 , 'Homo quidam fecit coenam magnam ' , Wiesbaden,
Hessische Landesbibliothek, II, 455r-v; Pitra, 1882: 298-9.
38. Homily 6 . 1 , ' Cum factus esser, Wiesbaden, Hessische Landesbibliothek,
II, 441r-v; Pitra, 1882: 258-9.
39. Homily 6.2, ' Cum factus esser, Wiesbaden, Hessische Landesbibliothek,
II, 441v-2r; Pitra, 1882: 259-60.
40. Homilies 20.1-3, 'Cum turbae irruerent', Wiesbaden, Hessische Land
esbibliothek, II, 456r-7v; Pitra, 1882: 301-5.
41. Homilies 2 1 . 1-3, 'Cum appropinquaret Jesus', Wiesbaden, Hessische
Landesbibliothek, II, 457v-8r; Pitra, 1882: 305-7.
42. Homilies 16. 1-3, 'Erat homo ex Pharisaeis', Wiesbaden, Hessische
Landesbibliothek, II, 45 1r-3r; Pitra, 1882: 287-92.
43. The two possible parallels I have found so far for associating Nicodemus
and heresy appear in Rabanus Maurus and Rupert of Deutz. Both discuss
heretical and schismatic views on rebaptism in a sermon mentioning
Nicodemus but do not attribute them to Nicodemus. Rabanus, 1880:
283A; Rupert of Deutz, 1894: 325B.
44. Homilies 24.1-4, 'Erunt signa', Wiesbaden, Hessische Landesbibliothek,
II, 459v-60v; Pitra, 1882: 3 1 1- 1 5 . Dronke, 1992: 386-7, suggests
anagogical and moral designations for homilies 24.3 and 24.4, while he
also observes that they perhaps were seen as aspects of Allegoria and
therefore not labelled as anything different. He does not mention the
references to heresy and schism.
45. Wailes, 1987: 1 67-9. Hans-Jochen Schiewer, 'Preaching Doomsday.
Heaven and Hell in Vernacular Sermons from the 1 2th to the 15th
Century', paper presented at International Congress of Medieval
Studies, Kalamazoo, Michigan, May 1999. Six of approximately 800
early German sermons are devoted to the Second Sunday in Advent; they
focus on the signs of the coming of Christ. These are found in model
sermons for priests from the second half of the twelfth century and
include the collections referred to as of Leipzig, Oberaltaich, Priest
Conrad, Millstatt and St Paul.
46. Wiesbaden, Hessische Landesbibliothek, II, 459v; Pitra, 1882: 3 1 1 .
47. Wiesbaden, Hessische Landesbibliothek, II, 460v; Pitra, 1882: 314-15.
86 Beverly Mayne Kienzle
Carolyn Muessig
was put under the care of a religious woman named Uda who
strengthened her in regard to 'virtue' (Staab, 1992: 175-6; Silvas,
1 998: 68). On 1 November 1 1 12 at the male Benedictine abbey of
Disibodenberg, the twenty-one-year-old Jutta was enclosed as an
anchoress with two younger girls; one of the girls was Hildegard of
Bingen, who was in her fifteenth year (Staab, 1992: 1 76; Silvas, 1998:
69).10 The solitude of the anchorhold, however, did not last for long.
Jutta's scriptural learning and monastic spirit led to the development
of a scola around her.
We learn more about Jutta's 'scola' in a letter written by Guibert of
Gembloux (t12 13) who was Hildegard of Bingen's secretary in the
final years of her life (Silvas, 1998: 93). Guibert reveals that Jutta's
holy life attracted many young girls; this caused the small anchorhold
to be opened to many:
When the entrance to her tomb [i.e. her anchorhold] was opened
up, she brought inside with her the girls who were to be nurtured
under the guidance of her disciplined guardianship. It was on this
occasion that what was formerly a sepulchre became a kind of
monastery, but in such a way that she did not give up the
enclosure of the sepulchre, even as she obtained concourse of a
monastery. !l
For all intents and purposes, Disibodenberg had become a double
monastery, with Jutta in charge of teaching the nuns.
Jutta was greatly honoured for her practices of asceticism which
entailed strict fasting and self-mortification (Staab, 1993: 180; Silvas,
1998: 74). It is clear that Hildegard respected her ascetic magistra for
she endeavoured to have Jutta's vita recorded by one of the monks of
Disibodenberg (Silvas, 1998: 62). As Hildegard's magistra, lutta was
successful in leading the younger woman on the path to virtue:
And her venerable mother [i.e. lutta] . . . took pains over her [i.e.
Hildegard] and rejoiced in her progress as she began to perceive
with wonder that from a disciple she too was becoming a magistra
and a pathfinder in the ways of excellence. So it came about that
the benevolence of charity glowed in her [i.e. Hildegard's] breast,
a benevolence which shut out no-one from its embrace. The
rampart of her humility defended the tower of her virginity.
Likewise, she backed up her frugality of food and drink with
meanness of clothing. So too, she showed the guarded tranquillity
of her heart by silence and fewness of words. Among all these
jewels of the virtues which adorned the spouse of Christ . . . the
guardian which watched over them all was patience.12
But Hildegard did not view Jutta as an intellectual mentor. She
provided an example of formation, i.e. proper living rather than proper
learning. In regard to a formal pedagogy, a different view of Jutta was
noted. Hildegard described her as an 'indocta mulier', that is an
unlearned woman (Klaes, 1993: 24; Silvas, 1998: 160). Hildegard
Hildegard of Bingen and Herrad of Landsberg 91
attributed Jutta with teaching her the monastic virtues of humility and
innocence, and how to read the Psalms (Klaes, 1993: 6 ; Silvas, 1998:
1 3 9 ) . 13 Hildegard's trusted and beloved secretary, the Disibodenberg
monk Volmar, was also accorded some recognition of her formation;
she referred to him as her magister (Klaes, 1993: 24; Silvas, 1998:
159). But beyond this she claimed that she had 'received no teaching
in the arts of literature or music from a human source' (Silvas, 1998:
1 3 9 ) . 14 While set on the right path of holy living by J utta, Hildegard
never associated her wisdom as being passed on by her magistra. In
fact, in all of her theological writings she presents an original and
inventive voice which shows little trace of direct sources (Dronke,
1 998: 1 - 1 6). She saw herself as a prophetess, hence she attributed her
wisdom to God, not to man, and especially not to Jutta. Nonetheless,
the prophetess was also a teacher, for she assumed the role of
magistra when Jutta died (Derolez, 1989: 375; Silvas, 1998: 1 1 1 ).
Hildegard makes it clear that she did not learn anything 'academically'
from Jutta, but she did adopt one lesson that she had learned from her
magistra. Through right living Jutta showed her disciple how to reveal
her virtue, and Hildegard would do the same for her community of
nuns. She did not stress asceticism as had Jutta, but she did put
forward a plan of formation which would lead the soul along its right
and virtuous path.
With much resistance from the monks and some of the nuns of the
Disibodenberg, Hildegard relocated her sisters to another site,
Rupertsberg on the Rhine, thirty kilometres away from Disibodenberg
(Newman, 1 998b: 9 - 1 0 ; Berger, 1999: 3). Moving away from the
memory of J utta and the interference of the monks of Disibodenberg,
she firmly established a monastic community which was greatly shaped
in her image and likeness. Based on elaborate worship, she created a
path to God which at once invited worshipper and the worshipped to
participate. The liturgical atmosphere that Hildegard crafted was a sort
of spiritual allurement to display the holy attractiveness of her nuns to
God.
Hildegard as hymn writer and magistra stressed the centrality of
praising God through song (Fassler, 1998: 149-75). Although this was
not innovative, some characteristics of her liturgy were novel and
raised the eyebrows of contemporaries. This is best demonstrated in
an intriguing letter to Hildegard from Tenxwind (tc. 1 1 52), the abbess
of the Augustinian convent of Andernach. In this letter Tenxwind
objected to two liturgical practices established by Hildegard. She
describes the first practice in the following manner:
on feast days your virgins stand in the Church with unbound hair
when singing the psalms and . . . as part of their dress they wear
92 Carolyn Muessig
white, silk veils, so long that they touch the floor. Moreover, it is
said that they wear crowns of filigree into which are inserted
crosses on both sides and the back, with a figure of the Lamb on
the front, and that they adorn their fingers with golden rings. 16
This practice disturbed Tenxwind because it went against 1 Tim. 2:9,
which exhorted women not to adorn themselves 'with plaited hair, or
gold, or pearls or costly attire' (Van Acker, 1991: Ep. 52, 126; Baird
and Ehrman, 1994: 127) .
The second practice which disturbed Tenxwind was Hildegard's
custom to allow only women of noble and wealthy families into the
Rupertsberg convent while rejecting those of lower birth and wealth
(Van Acker, 1991: Ep. 52, 126-7; Baird and Ehrman, 1994: 127). The
tone of her letter indicates that she believed Benedictine monasticism
needed reforming in regard to its elitist tendency, and that Hildegard
of Bingen's convent was an example of established Benedictine
snobbery.
To the first charge Hildegard argued that virgins did not need to
cover their hair and that they could wear white vestments to indicate
betrothal to Christ (Van Acker, 1 9 9 1 : Ep. 52R, 128-9; Baird and
Ehrman, 1994: 129). In regard to the noble status of her nuns she
wrote:
Thus it is clear that differentiation must be maintained in these
matters, lest people of varying status, herded all together, be
dispersed through pride of their elevation, on the one hand, or
the disgrace of their decline, on the other, and especially lest the
nobility of their character be torn asunder when they slaughter
one another through hatred. Such destruction naturally results
when the higher order falls upon the lower, and the lower rises
above the higherY
While Hildegard's liturgical methods were creative, her approach to
formation was, on one level, traditionally Benedictine. Benedictines in
the early twelfth century had been accused of viewing wealth as a
measure of virtue (Van Engen, 1986: 2 9 1 ; Jaeger, 1994: 1 10). One
could argue that to some degree Hildegard's liturgical practices and
preference for noble nuns manifest these attributes of the Benedictine
trend to view wealth as a measure of virtue. But other influences were
at work which reinforced this distinct mode of worship at Rupertsberg.
First, Benedictine liturgical practice highlighted the importance of the
intercessory role of the monk and nun. Some Benedictines believed
that monastic intercessory prayer would be more fruitful if embellished
with fine vestments and properly adorned churches (Van Engen, 1 986:
297); Hildegard clearly shared this sentiment. Second, Hildegard
belonged to the generation of monastic thinkers who believed that the
external reflected the internal perfection of the soul. Conrad of
Hirsau's Dialogue on the Contempt and Love of the World, which
Hildegard may have known,18 argued that the animus had to conform to
the habitus (Jaeger, 1994: 1 1 0). Hildegard belonged to a tradition of
Hildegard of Bingen and Herrad of Landsberg 93
and not nuns. Before the reforms of the twelfth century, theoretically
there were three main differences between nuns and canonesses.
Canonesses had more flexibility in their comings and goings than nuns
did since they were not strictly enclosed.21 Second, with the exception
of the abbess, canonesses did not take permanent vows of chastity and
hence were technically free to marry (McNamara, 1996: 1 79).22 Third,
upon entering communal life canonesses did not take vows of poverty
and thus they reserved their wealth (McNamara, 1996: 179).
Canonesses were most often attached to wealthy and influential
families. In those areas under Hohenstaufen authority, including
Hohenburg, some canonesses were closely associated with the
imperial family. Canonesses were the subject of reform in the second
quarter of the twelfth century; in 1 13 9 the Second Lateran Council
insisted that canonesses adopt a regular way of life:
We decree that the pernicious and detestable custom which has
spread among some women who, although they live neither
according to the rule of blessed Benedict, nor Basil, nor
Augustine, yet wish to be thought of by everyone as nuns, is to
be abolished. For when, living according to the rule in
monasteries, they ought to be in church or in the refectory or
dormitory in common, they build for themselves their own
retreats and private dwelling-places, where, under the guise of
hospitality, indiscriminately and without shame they receive
guests and secular persons contrary to the sacred canons and
good morals. (Tanner, 1990: I, 203)
Furthermore, in 1 148 the Council of Reims stipulated that canonesses
must establish common ownership (Torquebiau, 1942: 497).
Hortus deliciarum
1979a: 45).34 It is likely that access to such a rich variety of works was
partly owing to Herrad's relationship with the two nearby priories
which oversaw the canonesses' masses and various sacramental needs
(Green et al., 1 979a: 59). As mentioned above, the Augustinian canons
of Truttenhausen came from Marbach, which was a centre of
intellectual life in Alsace.
The Hortus encouraged self-development through education, with an
emphasis on chastity. Herrad makes her intention clear from the
outset:
Herrad, who through the grace of God is abbess of the church on
the Hohenburg, although unworthy, addresses the sweet virgins
of Christ in the same church who work as though in the vineyard
of the Lord; may the Lord grant grace and glory. I was thinking of
your holiness when like a bee guided by the inspiring God I drew
from diverse flowers of sacred and philosophical writing this book
called 'Garden of Delights'. And I have put it together for the
praise of Christ and the Church, and for your enjoyment, as
though into a sweet honeycomb. And therefore you must
diligently seek your pleasing nourishment in this book and
refresh your weary spirit with its sweet honey drops, so that
occupied with the allurement of your Bridegroom and fattened on
spiritual sweets, you may safely hurry over what is transitory, and
possess lasting happiness through delight. And I making my way
through the many dangerous currents of the sea, by your fruitful
prayers may you unbind me from earthly ties, and may you pull
me heavenwards to be one with you in the love of your Beloved.
Amen.35
Herrad is concerned to lead the canonesses to salvation by means of a
thorough education which includes Christian and pagan texts, art and
religious poetry. She invites them to increase their knowledge and
chances of redemption through studying the Hortus deliciarum. But
she makes it equally clear that she needs the prayers of her community
to bolster her own spiritual progress. There is reciprocity of intention
and endeavour. This reflects the Augustinian ethos of the community
as the Rule of Augustine underlines a spirit of unity and charity and
stresses that each person in the community should be an example for
others to emulate:
Everything you do is to be for the service of the community, and
you are to work with more zeal and more enthusiasm than if each
person were merely working for herself and her own interests.
For it is written of love that 'it is not self-seeking' (1 Cor. 13:5);
that is to say, love puts the interests of the community before
personal advantage, and not the other way around. Therefore the
degree to which you are concerned for the interests of the
community rather than for your own, is the criterion by which you
can judge how much progress you have made. (Canning, 1984:
33-4)36
98 Carolyn Muessig
the divine service of worship as was fitting for virgins, so her life
outside of the cloister was not appropriate. Ironically Richardis died
very soon after her departure from Rupertsberg. In Hildegard's
estimation, the nuns of Rupertsberg were not educated to move out
into the world, but were to remain in her cloister.
To some degree, the different approaches employed by the two
women are similar to the old and new learning that was found in men's
schools in the eleventh and twelfth centuries. The 'old learning'
method is reminiscent of Hildegard's magisterial approach in that the
prophetess is similar to a charismatic teacher who edifies students
through his virtuous character. Herrad relied on a different source
from divine revelation, using instead an arsenal of textual authorities.
Her form of education belonged more to the world of canons and their
scholastic aspirations than to the mystical theology of Hildegard. That
is where Herrad's educational authority rested, not in prophecy but in
her role as compiler and hence mediator of textual authorities and
tradition; in this sense, Herrad is an example of 'new learning'.
The examples of Hohenburg and Rupertsberg indicate that medieval
female education and formation was varied; this variation indicated
different expectations for medieval women, all the while revealing that
they participated in the trends of education just as their male
counterparts. Caroline Walker Bynum, in her book Docere Verbo et
Exemplo, studied the differences between the spirituality of twelfth
century monks and canons. She discovered that texts written by
canons emphasized a concern to edify one's fellow neighbour by word
and by example. 'Canonical authors allowed a sense of responsibility
for edification to coexist in their treatises with an emphasis on the
canon's own salvation (Bynum, 1979: 1 17). Monastic writers, however,
did not express an awareness of 'a process of learning' (Bynum, 1979:
181).
The same broad descriptions hold true for Herrad and Hildegard's
approach. Like the Augustinian canons, Herrad turned to education in
order to reform and to train the souls of her students. Through reading
the Hortus, they would learn and develop their self-awareness and
along the way they would pray for Herrad's soul too. When one looks to
Hildegard's attitude to education one does not discover an articulated
notion of pedagogy. Hildegard looked to the outer perfection of the
nun as representing her inner perfection. Her nuns did not become
more knowing and wise about God through systematic training. The
Rupertsberg liturgy made manifest their innate and essential virtue as
virgins. In Hildegard's view, the high-born virgins who made up her
community were perfect models of Christ's brides in their white
dresses and free flowing hair. To borrow Bernard of Clairvaux's words,
the luminosity of their beauty reflected the very image of their minds.45
Although one might be tempted to postulate general similarities
between these two women's approach to learning and mentoring, it
can be argued that their views of education reflect the religious orders
to which they belonged rather more than gendered affinities.46
Hildegard of Bingen and Herrad of Landsberg 101
Notes
W. C. East
The correspondence ends with two very long letters . . . They are
by no means readable, and they are seldom read. They have no
personal interest. They must have cost him much dreary toil.
(Southern, 1970: 1 0 1 )
We know a great deal about the education of two major monastic
figures of the twelfth century, Abelard and Heloise. Abelard tells us
about his own education in the Historia calamitatum:2
My father had acquired some knowledge of letters before he was
a soldier, and later on his passion for learning was such that he
intended all his sons to have instruction in letters before they
were trained in arms. His purpose was fulfilled. I was his first
born, and being specially dear to him had the greatest care taken
over my education. (Radice, 1 974: 57-8)
We believe that he was taught by the nominalist Jean Roscelin, though
he does not mention Roscelin in the Historia calamitatum, doubtless
because of Roscelin's condemnation in 1093 for denying the unity of
the Trinity (Radice, 1974: 58, n. 1). He studied under William of
Champeaux and made a lifelong enemy of him (Radice, 1974: 58)
before founding, at Melun, the first of several schools of his own
(Radice, 1974: 59). Later, turning his attention from philosophy to
theology, he studied under Anselm of Laon, again incurring his
teacher's enmity (Radice, 1974: 62-4).
Abelard tells us much too about the education of his wife Heloise.
She was already famous for her learning when Abelard was engaged as
her tutor:
There was in Paris at the time a young girl named Heloise, the
niece of Fulbert, one of the canons, and so much loved by him
that he had done everything in his power to advance her
education in letters. (Radice, 1974: 66)
It is worth pointing out that this is a non sequitur; many men in the
twelfth century must have loved their daughters, or nieces, without
seeing any need to make extraordinary provision for their education.
Abelard never portrays Fulbert as being particularly far-sighted or
advanced in his views on women's education, but relates Fulbert's
concern for Heloise's education in letters as casually and naturally as
he mentions his own father's concern for Abelard's education.
Abelard tells us later in the Historia calamitatum that Heloise's early
106 W. C. East
Two of the texts in this corpus, the History of Nuns6 and the Rule for
Nuns,? have been rather neglected. David Luscombe has observed that
their correspondence concludes with three letters (5, 6, and 7 with
Abelard's Rule for Heloise and her nuns at the Paraclete) which are
almost entirely concerned with problems to do with female monasti
cism. He recalls that Southern once described these letters as 'by no
means readable' and 'seldom read' (Southern, 1970: 101). He was
right, Luscombe thinks, to say that they are seldom read; in the
Penguin Classics translation of Letter 6, the late Betty Radice
summarized merely in three pages what takes up more than thirty
columns in the Patrologia Latina (Luscombe, 1997: 101).
This Letter 6 was Abelard's history of female monasticism. The
Latin text is edited by Muckle ( 1 955) and for those who require it,
there is a somewhat quaint earlier translation by C.K. Scott Moncrieff
( 1925: 105-42 ). Betty Radice, in choosing merely to summarize it,
says: 'To us it seems prolix and not very logical in the arrangement of
the many examples of the specially favoured position of women
amongst the followers of Christ and in the early Church' (Radice, 1974:
180). In fact, the letter is a sustained and remarkable defence of the
dignity of women. It has been ably studied by Mary Martin
McLaughlin, who regards it as 'the fullest, if not the most extreme,
statement ,of what may not unreasonably be called an "evangelical
feminism" (McLaughlin, 1975: 304). Far from agreeing with Southern
that these and the other late letters 'have no personal interest'
(Southern, 1970: 10 1) , she observes that what makes this letter, in
Leclercq's words, so 'new', so 'personal', indeed, 'unique in medieval
literature' , is the force and direction of the argument that derives its
special power from the firmness of its foundation in the teachings and
actions of Christ and their Gospel sources.8
The ministry of women is said several times to be higher than that
of men. Jesus often ministered to his disciples, but he allowed only
women to minister to himself (Scott Moncrieff, 1925: 108). Only a
woman was allowed to anoint him: 'Perpend therefore the dignity of
woman, from whom when He was alive Christ, being twice anointed, to
wit both on the head and on the feet, received the sacraments of
Kingship and Priesthood' (Scott Moncrieff, 1925: 109). The Latin
reads: regis et sacerdotis suscepit sacramenta (Muckle, 1955: 255).
Abelard was writing while the definition of the word 'sacramentum' was
still somewhat vague, and before the definitive list of the seven
sacraments had been drawn up by Peter Lombard. Kingship would not
in later times be regarded as a sacrament; but Abelard is still making a
powerful claim for the ability of women, in some circumstances and in
some sense, to confer the sacraments. He observes in passing, 'at
times women may presume to baptise' (Scott Moncrieff, 1925: 1 08).
Abelard is careful not to claim any hierarchical position for the
woman, but seems to recognize a parallel ministry, we might say a
charismatic ministry, alongside the ordained ministry: 'The humble
woman . . . performs these sacraments before Christ, not by the office
1 08 W. C. East
men's: 'Through these holes the fumes of wine are quickly released'
(Radice, 1974: 166). That being so, was there any chance of a little
more wine in the daily allowance? A bit more meat would also be
welcomed; not the thing for monks, of course, but harmless and
necessary to support the infirmity of the weaker sex. She also fancied
wearing linen next to the skin, like Augustinian canons, not the rough
cloth worn by monks (Radice, 1974: 165). Abelard may have had this
request in mind when he made provision for the burial of nuns:
The body of the dead woman must then be washed at once by the
sisters, clad in some cheap but clean garment and stockings, and
laid on a bier, the head covered by the veil . . . The burial of an
abbessI3 shall have only one feature to distinguish it from that of
others: her entire body shall be wrapped only in a hair-shirt and
sewn up in this as in a sack. (Radice, 1974: 2 16-17)
Heloise wrote a Rule of her ownI4 which differed from Abelard's in a
number of respects. It is instructive to compare the two texts. Heloise
specifies that the nuns are to eat pure wheat bread, whereas Abelard
had laid down that coarse grains should be mixed with the wheat.
Abelard had kept the nuns firmly within the cloister; Heloise allows
them to go outside for necessary business. Most significantly, in order
to provide the priests and deacons necessary for the services, Abelard
had envisaged a double monastery, ruled over by a male superior. In
Heloise's Rule, the abbess is in charge of the monks serving the
convent; nobody is superior to the abbess.
No doubt one is right to detect an element of banter in these two
documents. Abelard and Heloise were to some extent playing games
rather than devising Rules seriously intended for use in a real convent.
The Rule actually put into use at the Paraclete seems to have owed
very little to Abelard, or indeed to Heloise; it appears to have been
based on Cistercian customs.15 And yet there is a more serious
intention than mere banter in Abelard's Rule. Mary Martin McLaughlin
regards it as a work that was meant from the first as far more than 'a
kind of institute or rule', and one whose implications may in the end
have outrun its author's intentions. What he proposed, McLaughlin
thinks, was something much closer to a 'mirror' of monastic
perfection, a 'treatise of instruction' and exhortation aimed, if we
may judge by its content, at translating into reality a highly personal
vision of the monastic ideal' (McLaughlin, 1975: 318). She notes the
extraordinary amount of learning that Abelard pours into the treatise,
observing that 'the remarkable breadth of scriptural and monastic
learning there deployed for the edification of Heloise and her nuns
further underscores Abelard's didactic and exhortatory, rather than
merely regulatory, purposes' (McLaughlin, 1975: 3 1 9).
The Hymnary which Abelard wrote for the Paraclete, a collection of
133 hymns to accompany the daily office, is one of the glories of
medieval Latin literature. It is a significant contribution to a tradition,
begun as far as the West is concerned by Ambrose, of using the liturgy
110 W. C. East
painted buildings, for its walls (though not its ceiling) were painted
with the story of the defeat of Troy (Virgil, Aeneid I: 452-93). We may
marvel how, with a single word, Abelard can evoke a fabulous world of
artifice and splendour, in contrast to the simple, 'real', world of the
poor man.
Abelard's Easter hymns have been memorably described by Peter
Dronke as 'an exuberant series of rondeaux - our first examples of the
lyrical strophe with internal refrain, which Abelard may even have
invented' (Dronke, 1968: 52). Interestingly, they present a traditional
view of the Atonement as the victory by Christ (, Christus Victor') over
the Devil, a view which can be traced back to Venantius Fortunatus,
and before him to Gregory the Great, Leo the Great, Augustine, Hilary
of Poitiers, Irenaeus of Lyons and the Latin Fathers generally.
Elsewhere, in his commentary on the Letter to the Romans, Abelard
criticized this view, in terms like those of Anselm of Canterbury in his
Cur Deus Homo:
What right to possess mankind could the devil possibly have
unless perhaps he had received man for purposes of torture
through the express permission, or even the assignment, of the
Lord? (Fairweather, 1956: 281)
Anselm had suggested seeing the Atonement in terms of satisfaction
offered to God, rather than of ransom offered to the Devil. Abelard, in
his commentary on Romans, thought in more subjective terms of the
crucifixion as an example:
Now it seems to us that we have been justified by the blood of
Christ and reconciled to God in this way: through this unique act
of grace manifested to us - in that his Son has taken upon himself
our nature and persevered therein in teaching us by word and
example even unto death - he has more fully bound us to himself
by love; with the result that our hearts should be enkindled by
such a gift of divine grace, and true charity should not now shrink
from enduring anything for him. (Fairweather, 1956: 282)
In these hymns, however, Abelard uses the traditional images of
victory over the Devil. Perhaps the poetic images were too good to be
missed, or the pull of the traditional liturgy and exegesis too strong to
be resisted.21 So Abelard writes (Hymn 28, In Paschale Domini,
Sz6verffy, 1975: II, 127): 'Christiani, plaudite, / Resurrexit Dominus, /
Victo mortis principe Christus imperat, / Victori occurrite, / Qui nos
liberat - 'Christians applaud, the Lord is risen. The Prince of Death
has been conquered.' (Such is the title given to the Devil in the Latin B
version of the Acts of Pilate (James, 1924: 127); 'Christ rules', as
Sz6verffy notes, is 'reminiscent of the liturgical acclamation: "Christus
vincit, Christus regnat, Christus imperat'" (Sz6verffy, 1975: II, 127).)
'Run to the victor, who frees us.'
The third stanza begins with a particularly striking reference to this
view of the atonement: 'Fraus in hamo fallitur' 'Deceit is deceived by
-
112 W. C. East
(East, 1997: 56). These poems acknowledge the great sacrifice Heloise
had made for Abelard. They are perhaps as near as he came to saying
'Sorry'.
The Hymn for Lauds on the feasts of holy women (Hymn 127,
Sz6verffy, 1975: II, 262-3) tells two stories of Mary Magdalene.27 In
terms very like those used in his History of Religious Women, Abelard
celebrates her as anointing the feet of Christ, conferring upon him the
'sacraments' of priesthood and kingship: ' Christi pedes / capit unguens
mulier, / Christum eum / fecit corporaliter; / Sacerdotis / et regis
mysteria / Suscepisse / constant hunc a femina, / Et qui eum / sexus
peperit, / Sacramenta / quoque tradidit' - 'The woman takes the feet of
Christ and anoints them. She made him bodily the Christ [i.e. 'the
Anointed One']. The mysteries of priest and king allow him to receive
themselves from a woman, and the sex which brought him forth also
conferred the sacraments upon him.'
The next stanza (Sz6verffy, 1975: II, 263), again in terms
reminiscent of the History of Religious Women, refers to Mary
Magdalene as the first witness to Christ's Resurrection: 'Et sepulto /
ferens hic aromata / Resurgentis / prius vidit gaudia' - 'And now,
carrying spices to the buried one, she is the first to see the joys of the
rising one.'
Having in this hymn dealt with the Magdalene as anointer of Christ
and witness to his resurrection, in his two hymns for the feast of Mary
Magdalene Abelard presents her as the type of the repentant sinner,
the 'peccatrix'. Central to Hymn 128 is the interiority of the
Magdalene's repentance. Paraphrasing Psalm 50(5 1): 18-19, Abelard
writes (Sz6verffy, 1975: II, 264-5): ' Cor contritum / tribulatus spiritus /
Holocaustis / gratius est omnibus' - 'A contrite heart, a troubled spirit,
is more acceptable than all burnt sacrifices.' The rest of the hymn
contrasts the external ('foris') observances of the Old Testament with
the interior ('intus') dispositions of the New, the old 'falsitas' with the
new 'veritas', the old 'umbra corporis' with the new 'corpus'. The
Magdalene is strikingly described as 'felix meretrix', the 'happy harlot'.
By her tears she obtained instant forgiveness ('statim indulgentia').
The second hymn for Mary Magdalene's feast is described by
Sz6verffy as 'one of Abelard's most intriguing hymns from the point of
view of interpretation' (Sz6verffy, 1975: II, 266). Taking up the idea of
'instant forgiveness' from the previous hymn, Abelard contrasts this
with the severe penitential disciplines of the Church (Sz6verffy, 1975:
II, 266-7): 'Poenitentum / severa correptio / Et eorum / longa satisfactio
/ Crebris carnem / edomant ieiuniis / Asperisque / cruciant cilciis [sic.
,
Sc. ciliciis) - 'The severe reproof of penitents, and their long period of
satisfaction, overcome the flesh with cruel fasts, and torture it with
harsh hair-shirts.' Sz6verffy comments perceptively that this is
obviously a 'criticism' of the practice, but wonders if it was prompted
by Abelard's own experiences and if so, if it expresses his personal
bitterness over his own treatment. He is inclined to believe that this is
the correct explanation, but in the absence of any positive indication,
Educating Heloise 1 15
Notes
1 9 . East, 1 999: 41-9. The hymn is number 39 in Sz6verffy, 1975: II, 101.
20. See the instances in Livy, Caesar and Tacitus listed in Lewis and Short,
1896.
21. It is not possible to speak of Abelard changing his mind from one point of
view to the other, for we cannot date either the Commentary on Romans
or the Hymnary with any precision. Buytaert discusses the dating of the
Commentary at some length and observes: 'We must conclude that the
Commentary was redacted not later than 1 137' (Buytaert, 1969: 37).
Sz6verffy says of the hymns: 'It should be noted here that the date of
their composition cannot be ascertained, but they probably belong to a
later period of Abelard's life than most scholars would be willing to
assume' (Sz6verffy, 1975: I, 19). Nor can we have any idea how long the
ideas in either the Commentary or the Hymnary had been forming in
Abelard's mind. What is certain is that the traditional view of the
atonement had been attacked by St Anselm in his Cur Deus Homo (1097),
long before Abelard had turned his mind to theological issues.
22. Venantius Fortunatus, Pange, Lingua, quoted from Raby, 1 924: 90.
23. Translation in Dearmer, 1 906: no. 95.
24. Virgil, Eclogue I , 68; in Mynors, 1969: 3.
25. Thomas Aquinas, 'Verbum supernum prodiens', in Dreves and Blume,
1886-1922: I , no. 388, p. 588.
26. East, 1997: 54ff. See also Alexiou and Dronke, 1 9 7 1 : 8 1 9-63.
27. On Mary Magdalene hymns see Sz6verffy, 1 963: 79-146; Fiinten, 1 966.
1 0 The role of images in
monastic education: the
evidence from wall painting
in late medieval England
Miriam Gill
For medieval apologists and modern art historians alike, probably the
most famous justification of religious art is that offered by Gregory the
Great: 'What writing does for the literate, a picture does for the
illiterate looking at it, because the ignorant see in it what they ought to
do, those who do not know letters read it' (Duggan, 1989: 227).
Gregory's proposed parity of words and images as sources of
information is problematic (Camille, 1985: 26-49; Duggan, 1 989:
2 2 7-5 1 ) . However, his statement describes the basic role of
monumental art in late medieval parish churches, where literacy could
not be presumed and books were scarce.
However, as Bernard of Clairvaux implied in his Apologia of c. 1 125,
the Gregorian formula did not justify monastic art (Rudolph, 1990b:
10-12, 39, 5 1 ) . Bernard argued such art threatened monastic
enclosure by attracting pilgrims and that violent and worldly images
distracted monks from reading and meditation (Rudolph, 1990b: 52,
1 1 1 , 120). Bernard's catalogue of unsuitable subjects found in the
cloister - 'filthy apes . . . fierce lions . . . monstrous centaurs . . .
creatures part man and part beast . . . striped tigers . . . fighting
soldiers and hunters blowing horns' (Rudolph, 1990b: 1 1 ) - is echoed
in the introduction to the English typological work, Pictor in Carmine
(James, 195 1 : 141; Park, 1986: 199-200). The attack on distracting
external imagery was also closely connected to the spiritual ideal of
imageless devotion (Hamburger, 1990: 4). Monastic suspicion of
images found its most striking expression in the visual austerity of the
early Cistercians (Park, 1986: 197).
However, in the same period, another tradition emerged exempli
fied by Abbot Suger of St Denis ( t 1 1 5 1 ), who created and championed
a distinctively monastic art 'accessible only to the litterati' (Rudolph,
1990a: 73; 1990b: 108). Suger stressed two concepts central to the
justification of monastic art: that material images led to immaterial
118 Miriam Gill
things (Rudolph, 1990a: 57, 70) and that the exegetical function of art
was an extension of monastic [eetio (Rudolph, 1990a: 71). The first idea
was developed in Rhineland convents in the thirteenth century, where
art gained acceptance as an aid to mystical experience (Hamburger,
1990: 3). The second idea found expression in complex typological
schemes accompanied by Latin inscriptions, such as those in the
Chapter House at Worcester (e. 1 1 60-70), in late twelfth-century glass
at Canterbury Cathedral, on the choir stalls at Peterborough (e. 1233-
45) and at Bury St Edmunds (Sandler, 1974: 1 10-15; Henry, 1990: 3 1 -
2, 35-4 1 , 44, 71-3).
In this Chapter I use wall painting to explore the didactic function of
monumental monastic art in England from e. 1300 to the Dissolution.
Three specific areas will be examined: the role of murals in education
for the monastic life; the visual interpretation of monastic space and
activity; and the role of the monastery in the visual education of the
laity. While this paper focuses on monumental painting, the important
and in many instances parallel role of stained glass and monumental
sculpture should be remembered.
Any study of monastic wall painting in England faces problems.
While not usually subject to violent iconoclasm, murals are intrinsically
vulnerable to the ruin and radical alteration which befell most English
religious houses after the Dissolution. For this reason, a large
proportion of the surviving corpus comes from Benedictine abbeys
adopted as cathedrals or parish churches. Almost no late medieval
convent painting survives, although some early sixteenth-century
sacred heraldry is recorded in a building associated with the Cistercian
convent at Hampole in Yorkshire (Whiting, 1938-39: 206). This loss is
particularly regrettable, given the remarkable mural expressions of
bridal mysticism in convents at Gass in Austria (e. 1283-85) and
Chelmno in Poland (mid-fourteenth century) (Hamburger, 1 990: 53,
85-6). While attitudes to religious art among the Cistercians appear to
have softened considerably in this later period (Park, 1986: 198-9),
the fragmentary corpus may obscure the persistence of distinctions
between the orders.
Some polychromy - painted decoration - in monastic buildings
represents the encroachment of lay patronage and concerns. For
example, the simple Crucifixions and Marian subjects on the north
arcade of St Albans Abbey appear to chart the gradual advance of side
altars patronized by the laity from the west end to the east between
e. 1230 and e.1320 (Binski, 1992: 256-71). The Capella ante Portas at
Hailes Abbey (Cistercian) in Gloucestershire includes many apparently
secular subjects, such as grotesques, heraldry and hunting (e. 1320-40)
(Park, 1986: 200-4). These instances raise the question of how
monastic and parochial art are best distinguished.
Not all surviving monastic polychromy is didactic. Some is simply
decorative, while other schemes perform a specific liturgical function,
for example accompanying an altar, as at Wimborne Minster in Dorset
(Royal Commission on Historical Monuments, 1975: frontispiece). It is
The role of images: wall painting 1 19
the dragon (right). Two angels are shown with attributes of triumph
and punishment. Rather than depicting his victory, the painting thus
focuses on a moment of decision and potential conversion, implying
that resistance (as expressed in the monastic life) emulates and is
aided by the saints who have already overcome the three-fold enemy.
The viewer is confronted with an image of the nature of monastic
vocation which can galvanize the resolve to resist temptation and
persevere. Unfortunately, as the purpose of the painted chamber is
uncertain, we do not know if this obscure image was a personal aide·
memoire or a familiar sight to members of the monastic community.
The power of images to prompt moral and spiritual development by
presenting choices and engaging the emotions is also stressed in the
early twelfth-century treatise De fructibus carnis et spiritus.
It is good to represent the fruits of humility and pride as a kind of
visual image so that anyone studying to improve himself can clearly
see what things will result from them. Therefore we show the
novices and untutored men two little trees, differing in fruits and in
size, each displaying the characteristics of virtues and vices, so
that people may understand the products of each and choose which
of the trees they would establish in themselves. (Hugh of St Victor:
De fructibus, col. 997; Caiger-Smith, 1963: 50)
Such diagrammatic trees were probably considered suitable for
'novices and untutored men' because they required a less sophisti
cated knowledge of Latin than a passage of prose. By providing visual
scaffolding on which ideas and images could be stored, such diagrams
also related to contemporary memory theory (Carruthers, 1 990: 85).
The use of an emotive reaction to an image to prompt a moral choice is
also characteristic of such theory (Carruthers, 1990: 60).
The frequency of such diagrams in encyclopaedic collections, such
as the SPeculum virginum, suggests that they were considered
appropriate and successful tools for monastic education, possibly even
superior to unadorned prose.6 Although such material originated in
didactic texts, by the late thirteenth century it was depicted on rolls for
classroom display (Saxl, 1942: 1 1 0) and in monumental paintings, for
example, the late thirteenth-century domestic scheme at Tre Fontane
(Cistercian) in Rome (Park, 1986: 1 98-9).
Versions of these visual aids entered English wall painting
sometime after 1300. The debt they owe to their monastic exemplars
is evident in the comparison of the Tree of Sins, the most frequently
depicted of such subjects, in the earliest manuscript of the Speculum
virginum (Figure 10.2) and in a wall painting at Hoxne in Suffolk of
c . 1 39 0- 1 4 1 0 (Long, 1930), where text has been replaced by
caricatures, and complexity with simplicity (Figure 1 0.3). The
advowson at Hoxne was held by the Benedictines of Norwich, but it
is not clear whether the dissemination of such diagrams to parishes
was ever the product of active monastic promotion rather than lay
enthusiasm and emulation.
-4 1Mt f.if f ) � � .3 (, )y
Figure 10.2 Tree of the Seven Deadly Sins. Speculum virginum
(c. 1 1 40) (London, BL, Arundel 44, fol. 28 verso). (By permission of the
British Library.)
124 Miriam Gill
Figure 10.3 Tree of the Seven Deadly Sins. Hoxne, Suffolk (c. 1390-
1410) (Long ( 1930) 'Some Recently Discovered English Wall Paintings',
Burlington Magazine 56, plate IlIA) (By kind permission of Professor
Tristram's daughters, Mary and Philippa.)
Just as images in the cloister may have been intended to enhance lectio
and study, the image of Christ in Judgement at Westminster, already
"
--
\.
I ;JP-'--
. .,
'\ '.
<
� 1
//
1/
, /1
Conclusion
Notes
1. The extracts from Lydgate are reproduced with the kind permission of
the Council of the Early English Text Society. Grateful thanks also to
Kristin Bliksrund Aavitsland for her help with Tre Fontane.
2. For the well-known practice of 'reading' a crucifix in relation to the Seven
Deadly Sins (Barnum, 1976: 83-4).
3. Grateful thanks to Dr John Goodall for his help in confirming the
probable position of the inscription.
4. Pearshall, 1970: 181-3.
5. Oesterley, 1872: 28, 40, 49, 51, 56, 86, 101, 120, 135, 141, 597; Park,
1986: 206-8, pI. 88; Babington et al., 1999: 46-7.
6. ' Ut melius innotescat ex pictura, si quid dignum proferri potest ex scriptura'
(Hamburger, 1990: 3 0 0 , note 74) For the SPeculum see Mews
(forthcoming).
The role of images: wall painting 135
7. Proverbs 15:18: 'vir iracundus provocat rixas qui patiens'; Proverbs 29:22:
' vir iracundus provocat rixas'.
8. Turner, 1985: 90- 1; Binski, 1995: 189; Babington et al., 1999: 10, 30-2.
9. This possibility is discussed in Clark, 1997: 1 2 1 .
10. I a m grateful t o D r James Clark o f the University o f Oxford for drawing
this possibility to my attention.
1 1 . A similar scheme was executed at St Albans by Abbot Thomas ( 1349-96)
(Riley, 1867-69: III, 386; Binski, 1995: 188).
12. At St Albans, St Benedict was depicted in the cloister: Riley, 1867-69: III,
386.
13. London, Society of Antiquaries, Brown Portfolio for Warwickshire: fol. 6.
14. Clark, 1997: 121. For the Wheel of Fortune see Riley, 1867-69: III, 385.
The text accompanying the Virgin may be found in Riley, 1873: II, 298.
15. Incorrectly identified as St Catherine and the former Lollard, Nicholas
Hereford (Turpin, 1 9 19: 250-1).
16. BL, Harleian 3775 no. 11, fols. 122-3r; Riley, 1870-7 1 : I , 418-25; Lloyd,
1873: 20-3.
17. The ascent from humility to charity may derive from the Tree of Virtue in
Hugh of St Victor, De fructibus, col. 1 002-5.
18. The manuscript context was drawn to my attention by Dr Clark. For the
abbey's opposition to Lollardy, see Clark, 1997: 271-82.
19. Abbot William ( 1 2 14-35) placed images here 'ad laicorum . . .
aedificationem et consolationem saecularium' (Riley, 1867-69: I , 287).
20. For example, hagiography and history at Stone Priory in Staffordshire
(Gerould, 1917: 323-5); the tombs of the benefactors, Worksop Priory in
Nottinghamshire (Gerould, 1 9 1 7: 336); indulgences at Durham Cathedral
(Fowler, 1903: 43).
1 1 Ghostly mentor, teacher of
mysteries: Bartholomew,
Guthlac and the Apostle's cult
in early medieval England
Graham Jones
Bartholomew in text
By the ninth century the practice had begun of identifying the disciple
known by his patronymic Bartholomew (Son of Tolmai), mentioned in
the Gospels of Matthew, Mark and Luke - but only in their lists of the
Twelve, which coupled him with Philip - with a disciple known by his
given name Nathanael 'of Cana', mentioned only in the Gospel of
John.17 John reported Nathanael's recruitment by Philip and his
consequent conversation with Jesus. In John 1 : 47 Jesus tells
Nathanael, who is described as 'an Israelite without guile', that he
has seen him under a fig tree - the 'tree of knowledge'.18 If it is
possible to sense here an implied suggestion of a second sight, then
added significance is lent to Jesus's bestowal (in John 1 : 5 1 ) of a second
sight on Nathanael-Bartholomew: 'You shall see heaven laid open and,
140 Graham Jones
above the Son of Man, the angels of God ascending and descending.' It
is hoped to demonstrate that this allusion to Jacob's vision at Bethel,
an episode understood exegetically as a mythologizing of the Hebrews'
appropriation of the Canaanite temple of Baal at Bethel, is crucial in
interpreting Bartholomew's importance for Guthlac and for the Church
in early medieval Europe in genera1.19 Since the allusion, on this
hypothesis, points directly ahead to the later legend of Bartholomew's
doings (in a career whose course may have been run historically by
c.60), its inclusion in the Gospel of John by 100 conceivably points to
an origin for the legend no more than half a century after the career it
purported to describe.20
Beccel, who had been tempted to cut Guthlac's throat while shaving
him.33 Then, too, there is Guthlac's contest with so-called demons for
possession of his chosen home at Crowland, an ancient burial
chamber, together with the barrow, or beorg, on which it stood and
the Fenland round about. Small wonder that by the thirteenth century
his reputation was 'supreme tamer, or conqueror, of monsters,
Monstrorum domitor' . 34
When Guthlac is described by Felix as abducted into Hell, and
Bartholomew rescuing him, the resonances with Bartholomew's
apocryphal visions of Heaven and Hell, and Christ's narration to
Bartholomew of his harrowing of Hell, are deafening (Olsen, 1981:
50).35 There can be no doubt of the deep meanings of these esoteric
motifs for the early medieval Church, whether in the East or in 'Dark
Age' Britain. Bartholomew is introduced in the verse Lives as
'ofermaecg', literally 'the man above' or 'the son or kins-person from
above'. Alexandra Olsen has pointed out that this 'hapax legomenon'
runs parallel to what is correctly described as the 'consistent'
etymology of the name Bartholomew by the Commentators. It is
explained as filius suspendentis aquas 'son of one who suspends the
-
waters (or himself), that is, son of God' (Ryan, 1993: II, 1 09).
Ofermaecg has been noticed as an almost precise equivalent of this
etymology's reduction to filius ('son') and celsus ('above') in the poetic
works of Sedulius Scotus, the Irish monk who established a centre of
learning at Liege in 848.36 The Hebrew Nathan-'el, 'God has given [a
son] ', consequently takes on particular significance.
In choosing Bartholomew as mentor, Guthlac was making a
statement about himself, setting himself an agenda of spiritual and
therapeutic formation and achievement. He was tying his reputation
and posthumous remembrance to that of an apostolic hero and, in
effect, engaging in a programme of religious appropriation.
\�.. " . .. ,
\ .
1\
L,J;. '. _� . ,",
.... ,
/
AqUNAnNtm.dH ,
.
\ \
� eIllill
'
"
NI"* J ,
.
, ..' ,
.. .. .....
" ' - '"-�
, e
conjunction with the 'pagan' place-names (all but absent in Norfolk and
Suffolk), it is possible that it echoes the contrasting attitudes of Anglo
Saxon kings towards Christianity. The role of Polymius and Astriges in
the Bartholomew legend may have been pointed out to such kings, in
association perhaps with the example of Solomon and Josiah, with the
expectation that Christian holy men would throw down their 'idols'. It
is the latter allusion which seems crucial in searching for an early
medieval context for Bartholomew dedications.39
Pre-Christian cemeteries
Abbey, was published more than a century ago.42 It has been suggested
that it represents the foundations of a Roman rather than a Bronze Age
or Neolithic barrow.
Healing shrines
Places of worship
Monastic training
Notes
al., 1898) that the Frankish Latin compilation was the original o f the
Greek Passion of Bartholomew (known from a single manuscript of 1 279,
printed in Tischendorf, 1851). The earliest manuscript of the Latin
compilation is of the eighth or ninth century.
26. On the texts employed see R. Lipsius, 'Abdius' , in Smith and Wace, 1900:
I , 1-4, especially 4. The Ambrosian Preface, which survives only from the
tenth century, is now said to be based on 'les Actes apocryphes des
Apotres' (Moeller, 1980-8 1: 1 6 1 : xciv-v; 1 6 1 C : 274; 1 6 1D: 425). A
further Preface for Bartholomew's feast day was composed for the
Mozarabic church in Toledo, Spain, by the ninth century (Moeller, 1980-
81: 1 6 1 : xxxiv-v; 161C: 465-6. Janini, 1982: xxxii-iii, 296-30 1). Later
adaptations included the thirteenth-century Legenda Aurea of James of
Voragine (little altered from the Pseudo-Abdias), most recently
translated by Ryan, 1993, II: 1 09-15. Ethiopic texts were translated
and printed by Malan, 1871 and Budge, 1899, 1901, and Arabic texts by
Lewis, 1904. James, 1954: 471ff.
27. The Apostle is not martyred by flaying, however. This was to be a later
addition to the legend; see James, 1954: 468.
28. On these deities, see Gehman, 1944: 45-6, 53-4, and with their cities,
see Moscati, 1973: 57-68.
29. The Christian Apostle had been clothed, therefore, in the mantle of
Elijah but also that of King Josiah, who threw down Solomon's altar of
Astaroth.
30. King Astriges's name appears to resonate with that of Astaroth, a neat
apposition.
31. The description of the pantheon by Philo of Byblos was propagated in
Eusebius's Praeparatio Evangelica I (Sirinelli and Des Places, 1974).
32. Van Dam ( 1988): I, 33. The resting place at Lipari was also known to the
author of the Greek Acts of Bartholomew (Tischendorf, 1851: 259). A
previous resting place from c.507 in Daras in Mesopotamia was reported
by Lector ( 1 6 1 8-22), pt.505. The prevalence of islands in association
with Bartholomew - Lipari, the island in the Tiber at Rome, and here
Crowland - resonates with the themes of desert and solitude.
33. Colgrave, 1956: 1 10-13. Beccel was said to be present at Guthlac's
eventual natural death. Redin, 1919: 85, took Beccel's name (Beccelmus
in the Guthlac Roll) to be from Celtic bekko-s, 'little' (and thus comparable
to modern Welsh bachgen, diminutive of bach, 'little' , thus 'little one'), or
perhaps a hypocoristic form of a compound with Beorn- or Beorht-.
34. Henry of Avranches, Vita Sancti Guthlaci Confessoris (Russell and
Heironimus, 1935), quoted by Henderson, 1986: 88. Was the contest tale
a substitute for, or accompaniment to, a foundation charter endowing
Crowland with its lands? One of the unique fragments in Henry of
Avranches's Vita Sancti Guthlaci Confessoris (Russell and Heironimus,
1935) is the story that Guthlac's sister, Pega, herself a solitary at what is
now Peakirk, not far from Crowland, appeared to her brother in the form
of the Devil. Guthlac was not deceived.
35. Henderson, 1986: 8 1 , has pointed out that a similar vision, culminating in
rescue by the Apostle, was had by Rahere, founder of St Bartholomew's
Hospital, Smithfield, London. It is described in Webb, 1921: 42-3.
36. Olsen, 198 1 : 53-4, and on ofermaecg, 18 (following Robinson, 1968).
37. Gelling, 1988: 1 60, Figure 1 1 ; Wilson, 1992: 5-2 1.
38. Brook and Leslie, 1963-78: I, lines 1-7, p. 2-3.
39. Such a context can be seen also on the European mainland. Budak, 1998:
152 Graham Jones
Penelope Galloway
their towns through the provision of a range of social services for the
community as a whole. Almost all substantial beguine communities
acted as hospitals and many also maintained schools within their
compounds (McDonnell, 1969: 27 1-2; Galloway, 1998: 262-3 19). We
know this from the vitae of various religious women who attended
beguine schools. The Life of Beatrice of Nazareth tells how her father, a
wealthy patrician and the founder of three nunneries, sent his daughter
to a beguine school in Leau, after her mother died (Henriquez, 1630:
1). Ida of Leau also spent her childhood in beguine houses before
becoming a Cistercian nun at the age of sixteen (Henriquez, 1630:
109F, 1 10A). On entering the convent of La Ramee, Ida was swiftly
placed in the scriptorium because of her skill with a pen, the benefit of
a beguine education (Henriquez, 1630: 109-10, 1 1 3).
What sort of education was provided in a medieval beguine school?
The foundation documents for beguine houses in Brussels speak of the
beguines 'raising children', which might suggest a caring rather than
educational role (McDonnell, 1969: 272). According to Ernest
McDonnell, the pre-eminent historian of beguines, these schools
would have taught elementary subject matter and a substantial amount
of religious instruction (McDonnell, 1969: 272). A fourteenth-century
description of the beguines of Gent attested that:
they have such respectable manners and are so learned in
domestic affairs that great and respectable persons often send
them their daughters to be raised, hoping that, to whatever estate
they may later be called, whether in the religious life or in
marriage, they may be found better trained than others.6l
One result of this expertise in domestic training is that beguines
appear to have been in demand as maids or companions, duties they
performed in return for money or bed and board.62 These women could
be employed within or outside beguine communities. Marie de la Tour,
a beguine in St Elizabeth's in Lille, mentions Isabiaus dou Maressiel,
her companion (ADN, B 1528/2493, July 1283). Records from Douai
include references to a beguine named Bietris, who lived with one
Agnes Ie Cuveliere.63
Most scholars have assumed that beguine schools were only
intended to educate girls. Their reasoning is that the majority of
beguinages had clearly established regulations advocating that
beguines avoid contact with all laymen over the age of seven.64
However, we know that in certain cases these regulations were
suspended. Numerous beguine communities in Douai were founded by
men - the beguinage of Wetz, the convents of St Thomas, Pilates, Ie
Huge, Souchez, and those of Philippe Ie Toilier, Werin Mulet and
Lanvin Ie Blaier - and in some cases these men actually lived in the
houses they established.65 The most significant example of this
phenomenon is Gervais Dele Ville, who founded the beguinage of Wetz
in 1245 on the understanding that he and his wife would live in the
community until their deaths (AMD, GG 1 9 1 , 1247).
156 Penelope Galloway
Douai was not unique in this respect. One beguine convent in Arras
contained seventy-two women and one man (Delmaire, 1 983: 152).
There were also a few men resident in the beguinage of St Elizabeth of
Lille in the later Middle Ages. Jean Ie Roux was given the use of a
house in the beguinage for his lifetime on 16 September 1458 (AHL,
Lille Beguinage, B32, 16 September 1458) while on 13 January 1501
properties within the beguinage were rented to Jean Crassier (AHL,
Lille Beguinage, B38, 13 January 1501) and to David de Bauvins (ADN,
B 334, 13 January 1501, fol. 20v). If adult men were permitted to
reside in beguine communities, it would appear more likely that boys
were attending beguine schools. We know that in Germany beguines
ran elementary schools for girls and boys in Mainz, Cologne and
Lubeck (Opitz, 1988: 3 13).
However, unlike the system in operation in more conventional
religious communities (discussed by Susan Boynton, Chapter 2 and
Isabelle Cochelin, Chapter 3), beguine schools were not established
primarily to train young beguines. Some women who later became
beguines may well have attended beguine schools, but the schools
themselves were open to all, not designed simply to educate oblates.
This is due, in part, to the restrictions imposed by beguine houses on
acceptance of girls younger than sixteen. The practice of accepting
girls under this age appears to have been officially frowned upon in
beguine communities.66 When Christine of Stommeln ran away from
her home at the age of nine to join the beguines of Cologne, the
women urged her to return to her parents, and refused to allow her
entry into their community (McDonnell, 1969: 445). However, there
were exceptions. One example is that of Jeanneton of Burgundy, who
entered the beguinage of Lille at the age of nine (ADN, 162H 9/7, 2 1
June 1439). Jeanneton was the daughter o f John the Fearless, Duke of
Burgundy, and, on her father's death she was placed in the beguinage
in Lille at the request of her sister-in-law, the Duchess of Burgundy,
Isabella of Portugal. Jeanneton's age was unusual enough to be
commented upon both by Isabella and by the mistress of the
beguinage, who had qualms about accepting her (ADN, 162H 9/7).
The mistress described Jeanneton as 'a young child' and initially
refused her a place on account of her youth.67 Isabella stated that
Jeanneton should be admitted to the Lille community 'notwithstanding
her youth'. 68 It is unclear what sort of provision was made for
Jeanneton's education, as the beguinage of Lille does not appear to
have contained a school as such. However, the extent to which the
mistress of the beguinage demurred about accepting this child, even at
the request of the Duchess of Burgundy herself, suggests that it was a
very unusual occurrence.
We can see that beguines had a role in the provision of education for
their local communities, but not necessarily a significant role in the
provision of education for beguines. What sort of education, or
training, did the majority of beguines receive? This question is difficult
to answer, partly because of a lack of source material. It is
Beguine education 157
the opus Dei and the prayers to be said at mealtimes (Hoornaert, 1929:
32). In the beguinage of St Christopher in Liege the rest of the opus
Dei, after morning mass, would be marked by the beguines in their own
homes or at work, where one woman would read to the others from a
Psalter.87 There was also an emphasis on reading at the beguinage in
Gent. The 1354 Rule of St Elizabeth's beguinage in Gent stipulates
that the women were obliged to read 'three psalms of Our Lady without
fail' each day.88
The pattern of devotion found in Liege is comparable with that seen
in documents from the beguinage of Lille, which refer to the beguines
as praying at the appointed hours.89 These prayers were to be recited
in the beguinage chape1.90 The beguines of Champfleury in Douai also
kept the liturgical hours in their community's parish church.91 Even in
smaller beguine communities which did not have their own church, the
women had to learn prayers. Bernard Pilates decreed that the ten
women resident in the beguine convent he established in Douai were
to learn the Pater Noster and Ave Maria, in order that they might recite
them before an image of the Virgin each day (AMD, GG19 1/290/524,
1 2 September 1362).
Clearly, participation in the devotional life of their community
required some learning. In what other forms of education did the
women participate? If we expand our definition of the word 'education'
from formal learned activities such as reading to encompass a broader
range of experiences which contribute to an individual's development
or formation, we find much more evidence of beguines engaged in
development of skills. This is apparent in a number of different areas,
most notably through the work the women did.
In view of the significance of the cloth industry to the city of Douai it
is unsurprising that we find beguines working in this trade. One
reference from Douai mentions an enigmatic 'beguine de la draperie'
(Espinas, 1 933-49: 35) and the only sources available concerning rural
beguines from the hamlet of Hornaing, situated between Douai and
Valenciennes, come from their involvement in the cloth trade.92 The
beguines of Wetz also appear to have been involved in the cloth trade
to some degree, perhaps working for Jaquemon de Tournay, a
Douaisien merchant in the early fourteenth century (AHD, Wetz
Hospital, 2/877, 7-8 April 13 13). This work, weaving and dying cloth,
required training in the form of apprenticeships. We should remember
that, as they contained members of the laity, beguine houses were not
strictly speaking church institutions and the women within them were
thus, in the sphere of economic activity, subordinate to guild
regulations.93 This may well have included the obligation to train
apprentices. There are no records from Douai and Lille of any
problems arising between beguine communities and guilds. Those
guilds which did exist in Douai were far more concerned with
attempting to eradicate the involvement of strangers (that is, anyone
who was not from Douai) in the cloth trade (Galloway, 1998: 289).
Artisans and small producers in the town had no guilds (Howell, 1993:
Beguine education 161
103). The guilds of Douai and Lille do not appear to have restricted the
involvement of women in the various trades (Galloway, 1998: 289).
Beguines also worked within their own communities as nurses,
teachers, accountants, almoners and in many other roles. In Lille some
beguines acted as merchants, selling their community's produce.
Accounts mention fruit and vegetable goods that the women had sold
(ADN, B 7730, 1417-18). Clearly the women in Lille produced for their
own community but the surplus was put on the market. Beguine
communities also made investments and some women managed the
community's financial and business affairs. Beguine houses kept their
own accounts and the beguinage of Champfleury had a separate
accounts office, staffed by the women themselves (ADN, 30R 1 6/227,
March 1478). Aelys Razarde, a resident of the beguinage of Lille, acted
as receiver or accountant for her community until 16 December 1409
(ARL, Lille Beguinage, E2, 16 December 1409). Women also acted as
receivers in other beguine houses. The first reference to an external
receiver for the beguinage of Wetz is not found until 1503.94 Until this
time the task had been performed by a succession of beguines.
One role within a beguine house which definitely required a certain
level of education and particular skills was that of the mistress. In
French Flanders the overall mistress of each beguine community was
known as the souveraine. In the beguine convents, such as those
established by Werin Mulet and Bernard Pilates in Douai, the
souveraine was the only mistress.95 In the beguinages, she was in
charge of the entire community, including those women who chose and
could afford to build their own houses within the community's
courtyard.96 Poorer beguines lived in convents within the beguinage
(each of which was governed by a mistress) all of whom were subject to
the souveraine.97
The souveraines of the beguinages of Champfleury and Wetz in
Douai and of St Elizabeth in Lille were public figures, appearing in a
range of documents as the legal representatives of their communities.
For example, in 1422 the souveraine of the beguinage of Lille
appointed Jean Deleforterie to the position of bailiff of the fief of
Bondues.98 The souveraine was also in charge of the common funds,
advancing money as necessary to particular convents and paying
expenses occasioned by the upkeep of buildings (ADN, B 7730). Other
responsibilities included investing the inheritance of the beguine
convents in her care, arranging the rental of property, and purchasing
land and property. She put her personal seal, as mistress and, on
occasion, as a private individual, on some documents.99 The souveraine
also made decisions regarding who was to be accepted into the
community and who could be ejected from it100 and dispensed charity
for poor beguines (ARL, Lille Beguinage, B20, 24 May 1371).
In some communities, such as Champfleury, a council of the most
senior beguines advised the souveraine in these matters. She was also
assisted by her second-in-command within the beguinage, the mistress
of the hospitaPOl Erembourc Dauby is described as the 'mistress and
162 Penelope Galloway
Notes
28. For Champfleury: ADN, 30H 18/296, August 1 323 and for Lille: AHL,
Lille Beguinage, C2, 16 March 1328.
29. Beguinas simpliciter nuncupatas que per virtutum odoramenta currentes
honeste vivunt, devote frequent ecclesias, prelatis suis reverenter obediunt et
se in premissis disputationibus et erroribus non involvunt, AHL, Lille
Beguinage, C2, 16 March 1 328.
30. Mulieres in villa Insulensi . . . beguine vulgariter et communiter
nuncupantur, esse et fuise bone vite, conversationis honeste ac devote
frequentare ecclesias et quod se disputationibus et erroribus de quibus in
litteris domini nostri fit mentio non involvunt, sed adeo honeste et
laudabiliter vixerunt et adhuc vivunt, pro nulla super hiis fuit nec est
suspitio aut infamia contra ipsas, AHL, Lille Beguinage, C2.
31. Non permiteas eas vel ipsarum aliquam in person is et bonis earumdem
occasione perhibitionis et abolitionis hujusmodi quosque de statu earum
fuerit aliter per sedem apostolicam ordinatum ab aliquibus molestari,
molestatores, si qui fuerint, per censuram ecclesiasticam, AHL, Lille
Beguinage, C2.
32. In litteralibus disciplinis, ADN, 30H 1 7/250.
33. Je donna me livres des Apostles au grant couvent des beguines devant les
freres meneurs, par si que elles ne Ie puissent vendre ne en wagnier, de la
Grange, 1897: 73.
34. Un livre de la souffranche et Passion Nostre Seigneur Jesus Christ dont Ie
texte est tel Ad Deum vadit, de la Grange, 1897: 738.
35. In Douai alone, 1077 wills are found in chirograph: AMD, FF861 ( 1228-
79) to AMD, FF888 ( 1495-1500); and 620 in register: AMD, FF444
(141 5-28); AMD, FF450 ( 1 495-1500).
36. For further discussion of the devotional practice of the beguine houses of
Douai and Lille, see Galloway, 1999.
37. Statutes transcribed in Hoyoux, 1961: 156.
38. Trois psaumes de Nostre Dame sans faillier, AHL, Lille Beguinage, E3.
Another copy may be found at ADN, B 20040/ 19915.
39. Item, que toutes soient chacun jour tant celles de la court com me dhospital
aux heures acoustumees, AHL, Lille Beguinage, E3, 25 June 1402.
40. En la chappelle pour dire leurs oroisons et prier, AHL, Lille Beguinage, E3.
41. Al eure que on dist Ie premiere messe a saint aubin sans avenir Ie messe et
offisse deum de Ie parroche de campflori devant dit, ADN, 30H 18/284,
1 3 1 3.
42. The beguines of Hornaing are listed in an assize document from 1304
which is part of BMD, Ms 1 096 piece 38.
43. For further details on beguines and guilds see McDonnell, 1969: 270-7.
Guilds are discussed in Epstein, 1991.
44. The echevins (town council) of Douai nominated Jean de Caudoy to act as
receiver. AHD, Wetz Hospital, 1/843, 30 October 1503.
45. Werin Mulet was himself the souverain of the community he established;
see Galloway, 1998: 9 1 . The convent of Lanvin Ie Blaier in Douai had a
demoiselle souveraine (AMD, GG 190, pre-1337); that of Pilates had a
souveraine (AMD, GG 1 9 1 , 12 September 1362).
46. In the regulations of the beguinage of Champfleury tout governe par un
seul kief a Ii ki es fort une feme beghine ki soit eslite pour fiet deo plus
souffisans de Ie cort . . . a estre maistresse, ADN, 30H 17/268.
47. AHL, Lille Beguinage, E3 and ADN, B 20040/19915. Original printed in
Bethune, 1883: 18-19, 89-92. See also ADN, 30H 1 7/268.
48. Nous maistresse du beghinage de lospital Sainte Ysabiel . . . et tous Ii
Beguine education 167
Bert Roest
Although the Franciscan school system did not emerge as quickly as its
Dominican counterpart, developments were well under way during
Francis of Assisi's last years. Important study houses were established
in Bologna ( 1 220-23), Montpellier and Toulouse (between 1223 and
1225), Oxford (between 1224 and 1229) and Paris (c. 1230). Alongside
these study houses more elementary theological schools appeared in
many of the larger Franciscan settlements, notably in the Italian,
southern French and English provinces.
A variety of sources indicates that a multi-levelled study organiza
tion began to emerge from the 1230s onwards. By the end of the
thirteenth century the educational organization of the Franciscan
order in nearly all order provinces had developed into a veritable
hierarchically structured network of schools. 1 Besides the many
schools in individual friaries meant for the lifelong instruction of
friars by the community lector, most or nearly all provinces had so
called studia particularia at the custodial and the provincial level.
These custodial and provincial schools were intended to provide young
friars after their novitiate with training in the arts and theology. Every
province was further entitled to send a selected number of its friars to
one of the studia generalia of the order for more advanced theological
studies.
Novice training
The Franciscan Rules of 122 1 and 1223 already pay attention to the
acceptance of new postulants, in accordance with the bull Cum
secundum (1220) of Pope Honorius III (1216-27) (Sbaralea, 1759-68:
I, 60; d. Bernarello, 1961: 37). Those who wanted to join the order
ordinarily were expected to absolve a novitiate period which lasted a
year. During this period, the postulant had to be initiated in the basics
of the Franciscan way of life.3 After the end of the novitiate, the novice
could be admitted to the profession of obedience and be allowed to
exchange his novitiate clothes for the friar's habit.4
The Franciscan order began as a movement for adults. Neither the
Rules nor early Rule commentaries paid much attention to the influx of
young postulants.5 Looking at subsequent constitutions, it would seem
that matters changed very slowly. The 1260 Narbonne constitutions
still took eighteen years as a minimum age for incoming friars.
Younger boys from fifteen years or older could only be accepted in
exceptional circumstances. Only the 1316 constitutions lowered the
age of admittance to fourteen. The 1325 statutes of Lyon and the
Farinarian constitutions of 1354 finally repeated this minimum age. In
addition, these later constitutions mentioned oblates. These could be
presented by their parents at a younger age (Oliger, 1915: 394-400; d.
Moorman, 1952: 106-7).6 Other sources, however, such as Franciscan
chronicles and saints' lives, as well as accusations by Parisian secular
masters, tell a different story, indicating that legislation and practice
could differ significantly. Based on such 'non-official' evidence, we can
deduce that from the 1 240s onwards it became more common to
receive fourteen-year-old postulants, and even much younger children
and oblates (d. Oliger, 1917: 271-88; MoUat, 1955: 195-6). Only the
fifteenth-century Observants were far less eager to accept oblates
(pueri ob/ali) and mere children.
The influx of adolescents motivated the friars to take the novitiate
period very seriously.7 Hence we see the emergence of the novice
master around 1240, followed shortly by the youth master (magister
iuvenum), responsible for younger friars under the age of twenty. In
addition, it became customary to select one or two friaries within each
custody to take care of incoming novices.8 These centres often housed
the custodial schools, where young friars could receive additional
training in the arts and theology after their novitiate. Young friars
would be under continual surveillance, first by the novice master and
thereafter by the magister iuvenum and the student master (the
magister studentium, who was responsible for the scholarly progress of
students) (Brlek, 1942: 67).
Interesting for my present purpose is the emphasis in sources
concerned with novice training. Franciscan novices were not expected
to devote their probation time to rigorous studies of philosophy or
theology. Instead, they should devote their novitiate to learn the divine
office and to internalize fully the basic principles of their chosen
Franciscan educational perspectives 171
The imitation of the life of Christ, the first and foremost goal of
minorite life, asked for an uncompromising embrace of poverty and
humility. The third goal (the mystical contemplation of God) asked for
a submission of body and soul to the discipline of asceticism, prayer
and meditation. The second goal, the apostolic mission, asked for the
study of Scripture as well as the ancillary arts and philosophical
sciences.38 Study itself therefore was part of a larger whole: one
important but limited way to fulfil the sapiential nature of man who was
created to know and to love his creator. Study should be seen in the
context of the apostolic mission of the order and man's objective to
contemplate divine truth. As study was a foundation for the apostolic
mission and for mystical contemplation, the spirit with which it was
taken on should be fully informed by a desire for God and compassion
for one's fellow men. Only then one could hope to reap the proper fruit
of these studies, namely wisdom and love (see Bonaventura, 189 1a:
420).
Bonaventure's own definition of wisdom made clear that study in
and of itself should be more than just a proficient use of logical
techniques and forms of formal reasoning. True wisdom was a light
descending from God in man, making the soul deiform and a house of
God, fully open towards eternal truths and the eternal forms.39 This
definition of wisdom as the proper fruit of study shows to what extent
the final aim of study in the Bonaventurean vision is dependent upon
grace and the correct disposition of mind and soul. This presupposes a
holy life according to the Franciscan precepts of poverty and humility.
The definition also shows to what extent study is itself an essential
element to engage in a fruitful mystical contemplation of God. Hence,
in Bonaventure's presentation, the three goals enshrined in the
Franciscan ideal are fully intertwined: the transition from mere
knowledge to true wisdom requires the practice of sanctity.40
Bonaventure could advocate the scientific stature of speculative
theology and the use of other sciences to perfect this science (indeed,
his academic writings forcefully confirm this). At the same time he
could negate the pursuit of the sciences for their own sake.
These and comparable themes also emerge in other Bonaventurean
writings in which the sanctifying aspects of the pursuit of Christian
perfection are central, such as the sermon De sancto Dominica, the
Itinerarium mentis in Deum and the Legenda major.41 These writings,
in one way or another, all make clear that Christian perfection consists
of the comprehension of truth and the practice of virtue. The
comprehension of truth is dependent upon the theological and
speculative virtues, which are purified in faith, illuminated in science
and perfected in contemplation. The practice of religious virtues,
which will make man clement, constant, humble and prudent, will
further ensure that the knowledge of truth will bequeath to man true
wisdom (Berube, 1976: 4-8, 260ff). Both the comprehension of truth
and the acquisition of true wisdom therefore are dependent on a life of
Christian perfection. The model for this life is given by the
Franciscan educational perspectives 177
Conclusion
Notes
Constant ]. Mews
In The Love of Learning and the Desire for God, originally presented as a
series of lectures for young monks in Rome in 1955-56, Dom Jean
Leclercq, OSB, argued with elegance and literary flair that monastic
culture in the Middle Ages was characterized by a contemplative focus,
fundamentally different from that pursued in non-monastic schools. In
his view, the cloister fostered a theology that was contemplative in
character and quite distinct from the pastorally oriented theology
taught in urban schools. Monks acquired their religious formation, he
held, not from a scholastic using the quaestio, but under the guidance
of an abbot or spiritual father within a liturgical context (Leclercq,
1982a: 2).1 Leclercq's thesis of a great divide between monastic and
scholastic culture has a seductive simplicity. It interprets the confronta
tion between Abelard and Bernard of Clairvaux as epitomizing the tension
between two very different ways of doing theology: one contemplative and
mystical, the other based on the quaestio (Leclercq, 1982a: 208-9). While
not denying the legitimacy of scholastic theology, Leclercq did not
disguise his preference for the thought of the cloister as 'less affected by
the concerns of the moment' (Leclercq, 1982a: 224). In a paper written in
1981, he commented that while scholasticism was of only 'temporary'
interest, the literature of monastic theology would have an enduring
legacy because of its appeal to 'human experience' and its 'enduring
beauty' ( 1982b: 87).2 Leclercq did much to promote the study of twelfth
century monastic authors as providing an alternative to what he feared
was the potential aridity of scholastic theological discussion, just as the
writings of his friend, Thomas Merton, helped renew interest in
contemplative spirituality in the second half of the twentieth century.
Leclercq's argument that underpinning the diversity of individual
monastic writings there was a single underlying 'monastic theology',
quite distinct from that of the schools, is problematic. The central
figure whom he presented as the embodiment of this 'monastic
The witness of Zwiefalten and the Hirsau reform 183
necrology (Cod. Hist. 2 ° 420) mentions just two scribes: (fol. 4v)
Mahtilt de Nifen conversa congregationis. Ista multos libros sancte Marie
conscripsit, and (fol. 15v) Albertus monacus nostre congregationis.
ScribaY The statement that Mathilda of Nifen 'wrote many books of St
Mary' is of particular interest for what it implies about levels of literacy
in the female community. Not all the nuns may have been as skilled in
copying as Mathilda. Nonetheless, it is noteworthy that the author of
the obituary saw fit to single out the contribution of a female conversa
as well as that of a monk. The variety of hands that copy these
manuscripts suggests that there must have been more than just two
scribes active in the twelfth century (Loffler, 1 931 : 8).
The only manuscripts of Zwiefalten that have so far received critical
attention are those with art historical interest.18 There can be no
doubt, however, that it possessed an exceptionally well-endowed
library. Certain codices copied before the twelfth century seem to have
been brought to the Abbey at its foundation.l9 If the twelfth-century
manuscripts are extracted from Kramer's list, we can derive a good
picture of its library. As no printed catalogue of the Codices Theologici in
the Landesbibliothek has ever been produced, it is likely that further
research will uncover more treasures. Nonetheless, even a preliminary
glance at the twelfth-century manuscripts of Zwiefalten reveals a number
of the authors mentioned in the Hirsau catalogue, as well as many others:
Karlsruhe, Badisches Generallandersarchiv, 65/ 1 1962 Isidore (frag
ment), c. 1 1 50/65
Karlsruhe, Badisches Generallandersarchiv, Aug. LX Antiphonale,
c. 1 165/ 1200
Stuttgart, WLB, Bibl. 2 ° 56-58, c. 1 120/ 1 200
Stuttgart, WLB, Bibl. 2° 65 Evangelium secundum Marcum Passionale,
cum glossis, s.XII
Stuttgart, WLB, Bibl. 2° 66 Evangelium secundum Lucam cum glossis ,
s.XII/XIII
Stuttgart, WLB, Bibl. 2° 67a-b Gilbertus Porretanus, In Psalmos, etc.,
c. 1 1 60/70
Stuttgart, WLB, Bibl. 2° 68 Evangelium secundum Lucam, etc., s.XII
Stuttgart, WLB, Bibl. 2° 70 Evangelium secundum Matthaeum cum
glossis, s.XII
Stuttgart, WLB, Bibl. 2° 72 Epistolae Pauli cum glossis, c. 1 160/ 1200
Stuttgart, WLB, Bibl. 2° 74 Ezekiel cum glossis, etc., s.XII/XIII
Stuttgart, WLB, Bibl. 2° 76 Evangelium secundum Lucam cum glossis,
s.XII
Stuttgart, WLB, Bibl. 2° 77 Exodus, cum glossis, s.XII/XIII
Stuttgart, WLB, Bibl. 2° 78 Numeri, cum glossis, s.XII
Stuttgart, WLB, Bibl. 2° 79 Evangelium secundum Iohannem cum
glossis , s.XII
Stuttgart, WLB, Bibl. 2° 8 1 Evangelium secundum Matthaeum, cum
glossis , s.XII
Stuttgart, WLB, Bibl. 4° 33 Lectionarium, c. 1 1 25/35
Stuttgart, WLB, Bibl. 4° 34 Biblia, s.XII
The witness of Zwiefalten and the Hirsau reform 187
Conrad of Hirsau
Boethius, Virgil, Lucan and Ovid) and then reflects on the functions of
grammar, dialectic and rhetoric within the pursuit of philosophy as a
whole. A guiding theme is that all these authors can assist in the
promotion of virtue. The treatise belongs to the same genre as the
Didascalicon of Hugh of St Victor, a canon regular (of German
extraction), but is very different in tone from any writing of Bernard of
Clairvaux. To argue that Conrad's dialogue exemplifies a distinctly
monastic attitude towards pagan learning is potentially misleading,
given the wide range of perspectives taken up within different
monastic communities to this particular question.
There can be no doubt, however, that Conrad was a significant and
original writer. His biggest literary composition is the Speculum
virginum, an extended dialogue about the spiritual life between
Peregrinus and a virgin of Christ called Theodora.22 Like the Dialogus
super auctores, it uses the quaestio within a monastic context, in this
case to provide a way of explaining to women the core values of the
spiritual life. The fact that books of Peregrinus are mentioned in the
Hirsau library catalogue supports the claim that he was indeed a monk
of this community. In 1492 Trithemius identified him simply as
Peregrinus,
a monk of Hirsau, a disciple and once listener of abbot William,
German by nationality, most learned in divine as in human
writings, subtle in talent and truly fluent in speech, brief and
most beautiful in words, but so rich and brilliant in teaching that
he seems not inferior to any of the ancients.23
By 1 494 Trithemius was referring to him as Conrad, 'a monk of Hirsau,
a philosopher, an orator, a musician and a distinguished poet' .24 He
could by then have come across a fuller manuscript of the Speculum
virginum, such as that copied c. 1 140-50 perhaps in part by the author
himself (London, BL, Arundel 44, from Eberbach), in which the author
introduces himself simply as C. In his De scriptoribus ecclesiasticis,
completed in 1494, Trithemius identified the Speculum virginum by
the words Collaturo tecum 0 Theodora (from the opening of its twelve
book version).25 Trithemius also cited the incipits of his Didascalon
(enabling Schepps to identify Conrad's authorship of the Dialogus
super auctores) and an as yet unidentified treatise on music and the
tones (Musica est secundum cuiusdam). Trithemius repeated many of
these details in his Chronicon Hirsaugiense (1495-1503),26 adding in
the Annales Hirsaugienses ( 1509-14) that Conrad was master of the
schools at Hirsau and that he was buried in the main church of the
abbey, having died in his eighties. This would suggest that Conrad
lived from c. 1070 to c. 1 150 and thus could well have been a disciple of
William of Hirsau.27
Independent evidence that Conrad was revered at Hirsau is supplied
by Parsimonius, who transcribed a large number of quotations
inscribed on a wall in the dormitory, including four of Peregrinus.28
Parsimonius also reports that Peregrinus was one of the many monks
The witness of Zwiefalten and the Hirsau reform 193
Conclusions
study of both secular and sacred authors. Leclercq's notion that there
was a sharp divide between the culture of the cloister and that of the
schools runs the risk of elevating a rhetorical contrast, perhaps keenly
felt in northern France in the twelfth century, into a universal
principle. To argue that the quaestio had no place in a monastic
educational system does not represent the reality of the situation. The
tendency to discuss issues through questioning was part of a general
movement that swept through all kinds of educational institutions,
whether monastic or non-monastic, throughout the twelfth century.
The educational culture fostered in monastic houses reformed by
Hirsau does not seem to have fostered a sense that there was any
sharp differentiation between monastic and non-monastic authors.
A distinguishing feature of Hirsau reformed monasticism, at least in
the first half of the twelfth century, is the value attached to women
within the monastic community. The Speculum virginum of Conrad of
Hirsau, presented as a dialogue about the spiritual life between
Peregrinus and Theodora, may well have been written as much for
monks occupied with preaching to women as directly for the women
themselves. Yet in presenting Theodora as a questioning disciple
eager to absorb the spiritual truths put forward by Peregrinus, Conrad
transformed a literary genre that traditionally had been constructed
simply in terms of male masters and disciples discussing points of
doctrine or philosophy. Although an enthusiastic writer of dialogues,
Anselm of Canterbury never imagined a dialogue in which his disciple
was a woman.
We do not know if Zwiefalten ever owned a copy of the Speculum
virginum. Yet the fact that its obituary should record the achievement
of a female scribe, Mathilda of Nifin, as well as that of a male monk, is
in itself significant. It suggests that the practice of combining
significant communitie s of religious women alongside a male
community did result in shifting conventional attitudes and in
promoting a modest form of recognition of the contribution that they
could make. At Disibodenberg, where Jutta and Hildegard lived in the
shadow of a larger male community, the encouragement which Volmar
gave to Hildegard, a woman whom he was deputed to teach, had far
reaching consequences. Volmar eventually gave up his role as
Hildegard's magister in order to dedicate himself to recording her
visions and her commentary on those visions. This was a form of
instruction that simply was not possible within the urban schools.
While Hildegard has become widely known to English-speaking
readers over the last two decades, the dynamism of the Hirsau reform
to which she was exposed is still relatively unknown, at least outside
Germany. The literary culture encouraged within religious houses
influenced by this reform movement, characterized by keen awareness
of new trends in intellectual enquiry, is not easily categorized by the
label 'monastic theology' developed by Leclercq in the 1950s. This
category, invented as a counter to the equally vague label of 'scholastic
theology', fails to come to terms with the great diversity of monastic
The witness of Zwiefalten and the Hirsau reform 195
Notes
from 1492, is not listed by Arnold, 136 and 282 (as note 29), but is
similar in contents to Berlin, Staatsbibliothek, cod. lat. fol. 410, written
at Sponheim in 1492.
24. Catalogus illustrium virorum Germaniae (Mainz 1495); Freher, 1966: 1 ,
136-7.
25. De scriptoribus ecclesiasticis (Basel 1494); Freher, 1 966: 1, 276.
26. Chronicon Hirsaugiense (written 1495- 1503; Basel 1 559); Freher, 1966:
2, 90- I .
27. Trithemius, Annales Hirsaugienses (not printed), Munich, Bayerische
Staatsbibliothek, Clm 703, fol. 190: Claruit his quoque temporibus in
hirsaugiensi cenobio Conradus monachus qui nomen suum ex humilitate
occultans peregrinum in suis se lucubrationbus nuncupat. Beati Wilhelmi
quondam auditor atque discipulus, vir in omni sciencia scripturarum
doctissimus et non minus religionis observantia venerandus: qui sub
nomine peregrini scripsit multa preclara opuscula: de quibus extant
subiecta. Ad theodoram sanctimonialem opus insigne quod prenotauit
speculum uirginum Ii. viii. In evangelia per circulum anni volumen
magnum. De vita spiritus et fructu mortis Ii i. Et alius qui prenotatur
matricularius Ii i. Didascalon Ii i. De musica et differentia tonorum Ii. i. De
laudibus sancti benedicti carmine heroico Ii. i. Sermones quoque varios
om elias simul et epistolas plures eleganter composuit: quorum mentionem
facere singulatim nimis prolixum foret ac tediosum. Muftis annis
monachorum scolis in hoc cenobio prefuit: et plures discipulos insignes
atque doctissimos educavit. Obiit tandem octogenarius cum patribus suis in
maiori cenobio ut servus Christi sepultus.
28. Tiibingen, Universitatsbibliothek Mh 1 64, fol. 40. Two are from the
SPeculum virginum 9, 11. 492 and 4 18-20; the other two are unidentified.
29. In the margin of fol. 27v of the Tiibingen copy is noted: Isti sancti, in
refectorio estiuali, conspiciuntur, in pariete qui ad circuitum vergit; and in
the margin of fol. 3 1 : In pariete Refectorii aestiualis, qui culinae est
contiguus.
30. Wolfenbiittel, Herzog August Bibliothek, Cod. 1 34. 1, fols. 1 13-1 13v and
Tiibingen, Universitatsbibliothek, Mh 1 64, fol. 35; Lessing, 1974: VI,
505.
31. Altercatio Synogogae et Ecclesiae in Chuonrado Pelopus, 1537. See
Blumenkranz and Chatillon, 1956; Bultot, 1965.
32. Stuttgart, WLB IV, 27, fol. 1: Conradus monachus Hirsaugiensis cenobium
in confinibus Suevie Ordinis Sancti Benedicti, natione Teutonicus Spirensis
diocesis, Vir divinis scripturis erudtiisimus, et in secularibus ualde peritus,
philosophus, rethoricus, musicus et poeta insignis . . . Ex hiis Ego Iohannes
Rotensis cognomen to Rapolt cucullatorum extremus codicem (qui ab eo
in<ti>tulatur matricularius) reuisendo perlegi, ubi mira elegantia in
Pentateucum Gamalielis et Pauli Altercacionem disserit, verumtamen non
minus iuxta historicum, quam etiam moralem, anagogicum et tropologicum
sensum intuenti granum e palea denudare uidetur, uti in hac abbreuiatura
per modum exercitii a me fratre LR. elaborata contuenti patebit. Cf. Boesse,
1975: 149-50.
33. Edition appears in Bultot, 1966. Also contained in manuscripts of this
work (Oxford, Bodl., Laud Misc. 377 from Eberbach and Cologne) is the
work described by Trithemius as De vita spiritus et fructu mortis
(including Cum omnis diuinae paginae). See Bultot, 1963; Bernards,
1967.
Abbreviations
Heloise and Other Works Closely Associated with Abelard and his
School', Revue d 'histoire des textes 14-15: 183-302.
Bartlett, A.C. ( 1 992) 'Commentary, Polemic, and Prophecy in
Hildegard of Bingen's Solutiones triginta octo quaestionum', Viator
23, 153-65.
Bartlett, R. (1994) 'Symbolic Meanings of Hair in the Middle Ages',
Transactions of the Royal Historical Society. 6th ser., t. 4, 43-60.
Baumann, F.L. (1983) Necrologia Germaniae 1: Dioceses Augustensis,
Constantiensis, Curiensis. Munich: MGH.
Becker, G. (ed.) (1885) Catalogi Bibliothecarum Antiquarum. Bonn:
Cohen.
Berger, M. ( 1999) Hildegard of Bingen on Natural Philosophy and
Medicine: Selections from Causae et cure. Cambridge: D.S. Brewer.
Bernard of Bessa ( 1 898) Speculum Disciplinae in Doctoris Seraphici S.
Bonaventurae Opera Omnia. Ad Claras Aquas (Quaracchi): Typ. ColI.
S. Bonaventurae, 1882-1902, VIII, 583-622.
Bernard, J.H. and Atkinson, R. ( 1897) The Irish Liber Hymnorum.
Henry Bradshaw Society 13. London: Henry Bradshaw Society.
Bernards, M. (1967) 'Urn den Zusammenhang zwischen "Speculum
Virginum", "Dialogus de mundi contemptu vel amore" und verwandte
Schriften', Recherches de thiologie ancienne et medievale 34: 84-130.
Bernarello, F. (1961) La formazione religiosa secondo la primitiva scuola
francescana. Venice: Istituto tipografico editoriale S. Nicolo di Lido.
Bernhard, M. ( 1989) Clavis Gerberti: Eine Revision von Martin Gerberts
Scriptores ecclesiastici de musica sacra potissimum (St. Blasien 1 784),
I. Munich: Bayerische Akademie der Wissenschaften.
Bertelli, C. ( 1967) 'The Image of Pity in Santa Croce in Gerusalemme',
in D. Fraser, H. Hibbard and M.l Lewine (eds), Essays in Art
Presented to R. Wittkower. London: Phaidon Press, 40-55.
Bertinato, D. ( 1954) De religiosa iuventutis institutione in Ordinis
Fratrum Minorum. Rome: Pontif. Univ. Gregoriana.
Berube, C. ( 1973) 'Guibert de Tournai et Robert Grosseteste: Sources
inconnues de la doctrine de l'illumination, suivi de l'Edition critique
de trois chapitres du Rudimentum doctrinae de Guibert de Tournai',
in S. Bonaventura, 1274-1974. Grottaferrata: Collegio S. Bonaven
tura, II, 627-54.
Berube, C. ( 1976) De la philosophie d la sagesse chez Saint Bonaventure
et Roger Bacon. Bibliotheca Seraphico-Cappuccina 26. Rome: Istituto
Storico dei Cap puccini.
Bethune, J. ( 1 883) Cartulaire du beguinage de sainte-Elisabeth d Gand.
Bruges: De Zuttere.
Bettenson, H. ( 1943) Documents of the Christian Church. World's
Classics 495. London: Oxford University Press.
Bieler, 1. ( 1 952) 'The Island of Scholars', Revue du moyen age latin 8,
2 13-3l.
Bihl, M. (1947) 'Fr. Bertramus von Ahlen, O.F.M. Ein Mystiker und
scholastiker, ca. 1315: Vorab tiber dessen Schrift "De Laude Domini
Novi Saec." ', Archivum Franciscanum Historicum 40, 3-48.
Bibliography 201
Brook, G.L. and Leslie, RF. (eds) ( 1963-78) Layamon, Brut: Edited
from British Museum Ms. Cotton Caligula A.IX and British Museum
Ms. Cotton Otho C.XIII. Early English Text Society 250, 277. 2 vols.
London: Oxford University Press.
Budak, N. ( 1998) 'Was the Cult of St Bartholomew a Royal Option in
Early Medieval Croatia?' , in B. Nagy and M. Seb6k (eds), The Man of
Many Devices, Who Wandered Full Many Ways: Festschrift in Honor of
Janos M. Bak. Budapest: CEU Press.
Budge, E.A.W. ( 1899 and 1901) The Contendings of the Apostles, Being
the Histories of the Lives and Martyrdoms and Deaths of the Twelve
Apostles and Evangelists: The EthioPic Texts Now First Edited from
Manuscripts in the British Museum, with an English Translation. 2
vols. London: Henry Frowde.
Budge, E.A.W. ( 1 9 1 3 ) Coptic Apocrypha in the Dialect of Upper Egypt.
London: British Museum, 1 -48, 1 79-230.
Buist, N. ( 1 989) 'Rodulphus Glaber, Vita domni Willelmi abbatis', in J.
France (ed.), Rodulfi Glabri Historiarum libri quinque. Oxford:
Clarendon Press, 2 54-99.
Bultot, R ( 1 963) 'L'auteur et la fonction litteraire du De fructibus
carnis et spiritus', Recherches de theologie ancienne et mCdievale 30,
148-54.
Bultot, R ( 1965) 'L'auteur de I 'Altercatio Synagogae et Ecclesiae
Conrad d'Hirsau?', Recherches de thiologie ancienne et medievale 32,
263-76.
Bultot, R (ed.) ( 1 966) Dialogus de mundi contemptu vel amore, attribue
d Conrad d 'Hirsau: Extraits de I 'Allocutio ad deum et du De ueritatis
inquisitione. Textes inCdits. Analecta Mediaevalia Namurcensia 19.
Louvain: Nauwelaerts.
Bultot, R (1971) ' ''Quadrivium'', "natura" et "ingenium naturale"
chez Guillaume d'Hirsau (d. 1 091)" Rivista di filosofia neo-scolastica
70, 1 7-27.
Burnett, C. ( 1998) 'Hildegard of Bingen and the Science of the Stars',
in C. Burnett and P. Dronke (eds), Hildegard of Bingen: The Context
of Her Thought and Art. Warburg Institute Colloquia 4. London:
Warburg Institute, 1 1 1-20.
Burrow, J.A. ( 1 986) The Ages of Man: A Study in Medieval Writing and
Thought. Oxford: Clarendon Press.
Burrows, M. (ed.) ( 1 896) Collectanea. Oxford Historical Society 32.
Oxford: Clarendon Press.
Bursill-Hall, G.L. ( 1 9 7 1 ) SPeculative Grammars of the Middle Ages: The
Doctrines of partes orationis of the modistae. The Hague: Mouton.
Butler, A. ( 1956) Butler's Lives of the Saints. 2nd edn, H. Thurston and
D. Attwater (eds) 4 vols. London: Burns & Oates.
Butler, C. (1912) Sancti Benedicti Regula Monachorum. Freiburg: Herder.
Butler, C. (1919) Benedictine Monachism. London: Longman.
Buytaert, E.M. (ed.) ( 1969) Petri Abaelardi Opera Theologica: I.
Commentaria in Epistolam Pauli ad Romanos. CCCM 1 1 . Turnholt:
Brepols.
Bibliography 205
University Press.
Nicholas Glassberger ( 1 887) Chronica: Analecta Franciscana sive
chronica aliaque varia documenta ad historiam fratrum minorum
spectantia 2 . Ad Claras Aquas: Patres collegi S. Bonaventura.
Nicholas, D. ( 1987) The Metamorphosis of a Medieval City: Ghent in the
Age of the Arteveldes, 1302-1390. Leiden: Brill.
�icholas, D. ( 1992) Medieval Flanders. London: Longmans.
o CrDinin, D. ( 1 995) Early Medieval Ireland 400-1200. London:
Longman, 1 69-95.
Odilo of Cluny ( 1880) Vita beati Maioli abbatis. PL 142, col. 943-62.
Odo of Cluny (1881) Vita of Gerald of Aurillac. PL 133, col. 639-704.
Oesterley, H. (ed.) ( 1872) Gesta Romanorum. Berlin: Weidmann.
O'Keeffe, D. ( 1995) 'Dom Jean Leclercq and the Concept of Monastic
Theology', Downside Review 1 19, 271-8 1 .
Oliger, L. (1915) 'De pueris oblatis in ordine minorum (cum textu
222 Bibliography
Riche, P. (1976) Education and Culture in the Barbarian Westfrom the Sixth
Through the Eighth Century. Trans. by ]. Contreni, with a foreward by
R.E. Sullivan. Columbia: University of South Carolina Press.
Riche, P. ( 1982) 'Sources pedagogiques et traites d'education',
Annales de l 'Est 34, 1 5-29.
Ric!le, P. and Alexandre-Bidon, D . ( 1997) 'L'enfant au moyen age:
Etat de la question', in R. Fossier (ed.), La petite enfance dans
l 'Europe medievale et moderne. Toulouse: Presses Universitaires du
Mirail.
Riley, H.T. (ed.) ( 1867-69) Gesta Abbatum Monasterii Sancti Albani a
Thoma Walsingham. Rolls Series, 3 vois. London: Longmans, Green,
Reader and Dyer.
Riley, H.T. (ed.) ( 1870- 7 1 ) Annales Monasterii S. Albani, a Johanne
Amundesham. Rolls Series, 2 vols. London: Longman and Co.
Riley, H.T. (ed.) (1872-73) Registra Johannis Whethamstede, Willelmi
Albon et Willelmi Walingforde. Rolls Series, 2 vols. London:
Longman and Co.
Roberts, E. ( 1 993) The Wall Paintings of Saint Albans Abbey. St Albans:
Fraternity of Friends of St Albans Abbey.
Roberts, ]. ( 1979) The Guthlac Poems of the Exeter Book. Oxford:
Clarendon Press.
Robinson, F.C. (1968) 'Some Uses of Name-Meanings in Old English
Poetry', Neophilologische Mitteilungen 69, 168-9.
Rochais, H. (ed.) (1957) Defensor Locogiacensis: Liber scintillarum.
Corpus Christianorum Series Latina 1 1 7. Turnhout: Brepols.
Rochais, H. (ed.) ( 1980) Regula Benedicti: La Regie de Saint Benoit.
Texte latin selon Ie manuscrit S. Gall. Paris: Desclee de Brouwer.
Roest, B. ( 1 998) 'Franciscaanse apocalyptiek in middeleeuws perspec
tief', in l.W. van Henten and O. Mellink (eds), Visioenen aangaande
het einde. Zoetermeer: Meinema, 189-220.
Rosa Barezzani, M.T. ( 1 995) 'Guido Musicus et Magister', Studi
gregoriani 1 1 , 1 31-53.
Rouche, M. ( 1 985) Histoire de Douai. Lille: Westhoek Editions.
Rouse, E.C. ( 1973) 'Bradwell Abbey and the Chapel of St Mary', Milton
Keynes Journal of Archaeology and History 2 , 34-8.
Rouse, R.H. and Rouse, M.A. (1974) 'The Verbal Concordance to the
Scriptures' , Archivum Fratrum Praedicatorum 44, 5-30.
Royal Commission on Historical Monuments ( 1975) An Inventory of the
Historical Monuments in the County of Dorset: East Dorset. V.
London: HMSO.
Rudolf of Biberach ( 1 985) De Septem Itineribus Aeternitatis. Nachdruck
der Ausgabe von Peltier 1866 mit einer Einleitung in die lateinische
Uberlieferung und Corrigenda zum Text von Margot Schmidt.
Stuttgart-Bad Cannstatt: Fromman-Holzboog.
Rudolph, C. ( 1990a) Artistic Change at St·Denis: Abbot Suger's Program
and the Early Twelfth-Century Controversy Over Art. Princeton:
Princeton University Press.
Rudolph, C. ( 1 990b) The 'Things of Greater Importance ': Bernard of
Bibliography 225
Vaughan, R. ( 1973) Charles the Bold: The Last Valois Duke of Burgundy.
London: Longmans.
Vaughan, R. ( 1975) Valois Burgundy. London: Allen Lane.
Vecchi, G. (1951) Pietro Abelard, I 'Planctus ': Introduzione, testo critico,
trascrizioni musicali. Testi e manuali 35. Rome: Istituto di filologia
romanza della Universita di Roma.
Verger, J. (1999) Culture, enseignement et societe en Occident aux XII" et
XIII" siecles. Rennes: Presses Universitaires de Rennes.
Vernet, A. ( 1979) La Bibliotheque de l 'abbaye de Clairvaux du XII" au
XVII" siicle. Paris: CNRS.
Vita beatae Idae ( 1880). PL 155, col. 437-38.
Waddell, C. ( 1983-85) The Old French Paraclete Ordinary: Paris,
Bibliothique nationale, Ms fran�ais 14410; and the Paraclete Breviary,
Chaumont, Bibliotheque municipale, Ms 31. Cistercian Liturgy
Series, 3-7. Trappist, KY: Gethsemani Abbey.
Waddell, C. ( 1987) The Paraclete Statutes Institutiones nostrae.
Cistercian Liturgy Series 20. Trappist, KY: Gethsemani Abbey.
Waddell, C. ( 1 989) Hymn Collections from the Paraclete. Cistercian
Liturgy Series, 8-9. Trappist, KY: Gethsemani Abbey.
Wadding, L. ( 1932) Annales Minorum, Vol. 12. Quaracchi: Typ. ColI. S.
Bonaventurae.
Wailes, S. ( 1 987) Medieval Allegories of Jesus ' Parables. Berkeley:
University of California Press.
Waitz, G. (ed.) (1861) Annales S. Disibodi. MGH SS 17. Hannover:
Hahn, 4-30.
Waitz, G. and von Simson, B. (eds) (1912) Otto of Freising, Gesta
Friderici I. MGH SS in usum scholarum. Hannover/Leipsig:
Hahnsche Buchhandlung.
Waller, }.G. ( 1873) ' On the Paintings in the Chapter House,
Westminster' , Transactions of the London and Middlesex Archae
ological Society 4, fig. l .
Walter, M. ( 1996) 'Sunt preterea multa quae conferri magis quam scribi
oportet: Zur MaterialiUit der Kommunikation im mittelalterlichen
Gesangsunterricht', in M. Kintzinger, S. Lorenz and M. Walter
(eds), Schule und SchUler im Mittelalter: Beitriige zur europiiischen
Bildungsgeschichte des 9. bis 15. Jahrhunderts. Cologne: B6hlau.
Wansborough, H. and Marrett-Crosby, A. (eds) ( 1 997) Benedictines in
Oxford. London: Darton, Longman and Todd.
Warner, G.F. ( 1928) The Guthlac Roll: Scenes from the Life of St.
Guthlac of Crowland by a Twelfth-century Artist, Reproduced from
Harley Roll Y. 6 in the British Museum. Oxford: Roxburghe Club.
Watkin, A. ( 1 939) 'An English Medieval Instruction Book for Novices',
Downside Review 57, 477-88.
Watkin, A. (1940) 'An English Medieval Instruction Book for Novices',
Downside Review 58, 53-66, 199-207.
Wattenbach, W. (ed.) ( 1 856) Vita Willehelmi abbatis Hirsaugiensis.
MGH SS 12. Hannover: Hiersemann, 209-25.
230 Bibliography