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Swinging Blues
Crotchet=120
here is a second time line from the second quaver the first two 4 bar phrases.
ie. 1/8 + 3/8 x 10 (felt as a swinging 3/4 starting halfway through on the and of one)
Bars 9 and 10 have a offbeat pedal ala Walkin. Lamby liked to turn the beat around here.
Brilliant Corners (Thelonious Monk) (No chart at the moment. I will track one tonight.)
http://www.youtube.com/watch?v=0TLEPQZIVOg
Every chorus alternates either slow or double time tempo (the whole form and harmony).
Slow form 8 bars, 7 bars, 7 bars.
Fast form 8 bars, 7 bars, 8 bars.
33/8 (4/4 + 3/8 + 2/4 + 2/4 + 2/8 + 3/8 + 2/8 + 3/8 + 2/4)
Crotchet=160
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Friday the 13 (Thelonious Monk) (No chart at the moment. I will track one tonight.)
http://www.youtube.com/watch?v=xYtO1dsCm4M
http://www.youtube.com/watch?v=uQzJsGAHsVM&feature=related
Free Swing
First two lines are rubato on cue with a ruckus on each fermata. Crotchet approx. 175 BPM
Bridge is double time swing in time (walking on the quavers). Double time feel is Crotchet=300.
http://www.youtube.com/watch?v=tCqnzdb_rWk (different tunes but a reasonable model of the style
of the original)
AABA in head – Free for solos
Kosta Tszyu
Shuffle Boil (Thelonious Monk) (No chart at the moment. I will track one tonight.)
http://www.youtube.com/watch?v=hlKvSranA3U
13/8
Straight.
Slow Samba-Reggae
http://www.youtube.com/watch?v=_YzOuQZkcPM
Crotchet=120
Bars 9-16 is the cue to solos and close. Fine on and of 4.
Wuruwuru
Rubato ballad
Rubato Crotchet=60
From beginning simmer to a boil at bar 16. The Pot should then boil over until bar 22 when the heat
is turned down.
Free solos on Afro 12/8. Dotted Crotchet= approx. 90
Yackiya
Part A
Afro 10/8
Crotchet=170
First two bars are the bell pattern. Then next two are the bass line.
The drums can play from this and/or a quintuplet 4/4 funk feel (20/8?).
This idea is inspired a little by Robin Eubank’s song Matatape.
http://www.amazon.com/gp/recsradio/radio/B0000021KO/ref=pd_krex_dp_001_001?ie=UTF8&track=
001&disc=001
Part B
Mambo
Crotchet=170
The last E of the bass in Part A becomes the pickup ponche for the new mambo feel.
The melody is in 2 ½ bar phrases.