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The Siren is the student-run literary arts magazine at Southwest High School. No, don’t worry; nobody on The Siren will roll their eyes at you if you
ask, “What even is a literary arts magazine?”
We get it. The term ‘literary arts’ probably isn’t your everyday lingo.
Literary arts magazines are publishing platforms for creative writers and visual artists. The Siren was created to celebrate artists at Southwest by pro-
viding a formal medium to represent their work alongside the work of their peers. At The Siren, we believe that inspiring each other in our creativity
and raising each other up as young adults is both powerful and necessary.
The Siren is currently accepting submissions of visual art and writing for its annual spring publication. Submission categories include fiction, nonfic-
tion, poetry, paintings, illustrations, photography, and digital art. The editors on the Siren understand that not all submitted works will fall neatly into
these categories, and they encourage students to simply submit any works that can be printed onto the pages of a magazine.
Ready to submit to the Siren? Here are the two things you should do (in order)!
Untitled
By Anonymous
photography
The Boy on the Train
By Emily Hedrick
The train was rumbling down the track. Sometimes it sped up, sometimes it slowed down, sometimes it went through tunnels, and sometimes
it moved in a more serpentine way than I expected.
Never before had I been on such an unpredictable train ride on such an unpredictable railroad. The train seemed to have a consciousness of its
own at times, as well as a different perception of time. It had the ability to cover impossible ground in the blink of an eye, regardless of its actual speed.
As you looked out the window you saw landscapes that should not have been present on the route that had been planned out. There were places that
I’d never been. I was certain of that. The people I saw spread out among said landscapes, however, summoned the hidden memories that had been
carefully stored in a top secret file cabinet in the back of my mind. How extremely suspicious.
The other passengers seemed blissfully unaware of the unexpected movements of both train and countryside. They were also painfully oblivi-
ous to the fact that the food that was being served to us was an exact replica of a certain less than delicious airline meal. I could taste how disgusting it
was without putting it in my mouth.
What a strange little trip. I thought to myself. In all honesty, I wasn’t sure how to feel about all of this. Not until things went wrong, that is.
Suddenly, the sky darkened slightly and the train lurched sideways. Despite the fact that I was nowhere near the doors, I found myself outside
the train, running to keep up with it. Why it had thrown me out, I had no idea. Even stranger was the fact that there was no human-shaped whole
where I had been expelled from the train. How did it happen?
Anyway, I was running as fast as I could to keep up with it. The more train cars that passed me by, the more desperate I became. I knew that I
had to catch up, or else...what? I didn’t know, but I knew that being left behind was not an option.
Then suddenly, I heard someone call my name from somewhere behind me. Still running, I looked over my shoulder, and I saw him.
He was framed in his train car’s open doorway. He looked spectral and out of place, but he was real, from his haircut to his shoes, and no one
else had a voice like that. I couldn’t believe my eyes. It was really him. He was here, even though he couldn’t have been.
He called my name again, though his expression and tone of voice didn’t change. He beckoned for me to come over. Then I realized what was
going on. He was communicating that there was an open door through which I could get back on the train. He was trying to help me.
I turned around and ran toward it. He held out his hand. I got one foot inside the train and grabbed a handle by the door. The boy grabbed my
other hand and pulled me inside. His hand felt so substantial, and his touch so real, though it couldn’t have been.
I thanked him quickly and ran down the aisle, though I’m not sure why. I ran through car after car until I reached the front once again and
returned to my seat, though I made sure to stay more alert after that. I now understood that I had to hold on tight at all costs.
Untitled
By Lola Yost
photography
Birchbark Design
By Saheli Patel
Adobe Illustrator
Untitled
By Lola Yost
photography
Stretch Marks the headache
By Jadyn Breitenbach By Maddie Tatum
the tiger stripes left on the curves of human bodies i put my earbuds in
read like a map because i’m afraid
to show you where somebody’s been. of being alone
with myself
shrinkingstomachs
widening butts with nothing but
GROWING CHESTS the sounds
stretching backs from inside my head
are just some of the places where you can find these curvy markings, eyes closed
each different than the one that came before. volume up
each another page to the story to how a body’s grown,
into the body it has become. i waste time thinking about
wasting time
the BILLBOARD hanging on 58th street, things that
claims stripes are not a sight wanted to be seen, haven’t happened yet
“Because they’re not in magazines, keep me up at night
they should be scrubbed off with this cream!”
but why should I hide that i’m a growing/changing being? i’m too tired
to think right now
caterpillars grow into butterflies. i’ll start my life
one seed turns into a ten foot tree. sometime
an egg hatches into a sea turtle. tomorrow
and i’m slowing turning into me.
skip
living beings grow next song
bodies have been changing since the caveman time. need some
tiger stripes are completely normal, advil
and there is beauty in for this headache
thinking ahead
shot in the dark By Maddie Tatum
By Maddie Tatum
i wish i could
taking a shot in the dark bundle them up in a package
doesn’t mean anything savor my dreams
but you never know until i can make them reality
just what could come not to let them spoil
from picking up the gun in someone else’s company
and taking your aim
The Weary Angel
By Suzi Ann
Ibis Paint X
Farhana Untitled
By Eliza Broan By Lilah Kyllonen
Acrylic Notan Paper Cut
Spider Light
By Meredith Smith
photography
Untitled
Anonymous
Photography
The Siren Bios
Sonia Carroll Rory Madden
Sonia is the senior leader of the Siren. In her Rory is the junior leader of the Siren.
free time, she enjoys writing, frolicking in flow- She is a proud choir kid and she loves
ery meadows, and jamming out to loud music to listen to music. She joined the Siren
when no one is watching. Her current favorite because she thought it was a great way
book is All the Light We Cannot See by An- to show how much talent Southwest’s
othony Doerr, and her favorite childhood story students have. She is a big fan of the
was Cloudy with a Chance of Meatballs by Judi Harry Potter series.
Barrett.
Annabelle Hendrickson
Annabelle is a senior and enjoys horseback Harris Coller
riding, reading, cooking, and photogra- Harris is a junior and enjoys music,
phy. Her love for art and literature is what video games, and trying new hobbies.
led her to join the Siren team. Some of her A book that inspires him is Fully Auto-
favorite artists include Ansel Adams and mates Luxury Communism by Aaron
Georgia O’Keeffe, and the last book she Bastani.
read was Donald Payne’s Walkabout.
La Chaise
Maddie Tatum
Acrylic on Wood