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Руководство пользователя

Êîìïëåêò ïîñòàâêè
Êîìïëåêò ïîñòàâêè A-300PRO/500PRO/800PRO (äàëåå â äîêóìåíòå A-PRO) ñîäåðæèò ñëåäóþùèå ýëåìåíòû.
Ïîñëå âñêðûòèÿ óïàêîâêè ïðîâåðüòå íàëè÷èå âñåõ ýëåìåíòîâ. Ïðè îòñóòñòâèè êàêîãî-ëèáî èç íèõ îáðàòèòåñü ê ïðîäàâöó òîâàðà.

Êëàâèàòóðíûé MIDI-êîíòðîëëåð A-PRO Êàáåëü USB


fig Äàííûé êàáåëü ñëóæèò äëÿ ïîäêëþ÷åíèÿ A-PRO ê ðàçúåìó USB êîìïüþòåðà.
Ñì. “Óñòàíîâêà äðàéâåðà” (ñòð. 12).
* Èñïîëüçóéòå òîëüêî ïðèëàãàåìûé êàáåëü USB. Äëÿ åãî çàìåíû âñëåäñòâèå
ïîð÷è èëè óòåðè îáðàùàéòåñü â ñåðâèñíûé öåíòð Roland èëè ê
àâòîðèçèðîâàííîìó äèñòðèáüþòåðó Roland.

Ðóêîâîäñòâî ïîëüçîâàòåëÿ
Ýòî — äàííûé äîêóìåíò. Âñåãäà äåðæèòå åãî ïîä ðóêîé.

* Íà ðèñóíêå ïðèâåäåíà ìîäåëü A-500PRO. Èíñòðóêöèÿ ïî óñòàíîâêå Cakewalk Production Plus Pack
Îïèñûâàåò ïðîöåññû óñòàíîâêè è ðåãèñòðàöèè ïðîãðàììíîãî îáåñïå÷åíèÿ, âõî-
CD-ROM, DVD-ROM äÿùåãî â êîìïëåêò Cakewalk Production Plus Pack DVD-ROM. Åñëè íå ïðîèçâåñòè
A-PRO CD-ROM ïðîöåäóðó ðåãèñòðàöèè è ïîëó÷åíèÿ ðåãèñòðàöèîííîãî êîäà, êàê óêàçàíî â äàí-
Ñîäåðæèò äðàéâåðû A-PRO. íîé èíñòðóêöèè, äàííîå ïðîãðàììíîå îáåñïå÷åíèå áóäåò ðàáîòàòü â äåìîíñòðà-
Cakewalk Production Plus Pack DVD-ROM öèîííîì ðåæèìå, îãðàíè÷åííûì ñðîêîì â 7 äíåé ñ ìîìåíòà óñòàíîâêè.
Cakewalk Production Plus Pack, ñîäåðæàùèé íàáîð âûñîêîêà÷åñòâåííûõ ïðîãðàì-
ìíûõ ñðåäñòâ äëÿ ñîçäàíèÿ ìóçûêè.
* Íå ïðèêàñàéòåñü è íå öàðàïàéòå ðàáî÷óþ ñòîðîíó äèñêà(ïîâåðõíîñòü ñ
êîäèðîâàííûìè äàííûìè). Ïîâðåæäåííûé èëè çàãðÿçíåííûé äèñê áóäåò
ðàáîòàòü ñî ñáîÿìè. ×èñòèòå äèñêè ñ ïîìîùüþ ñïåöèàëüíûõ ñðåäñòâ.
202
Copyright © 2010 ROLAND CORPORATION
Âñå ïðàâà çàùèùåíû. Âîñïðîèçâåäåíèå äàííîãî ìàòåðèàëà, ïîëíîå èëè
Íå âîñïðîèçâîäèòå ïðèëàãàåìûé äèñê CD-ROM/DVD-ROM íà áûòîâîì ÷àñòè÷íîå, áåç ïèñüìåííîãî ðàçðåøåíèÿ êîðïîðàöèè ROLAND çàïðåùåíî.
CD-ïðîèãðûâàòåëå. Âûñîêèé óðîâåíü âîñïðîèçâåäåíèÿ ìîæåò ïîâðå-
äèòü ñëóõ, âûâåñòè èç ñòðîÿ äèíàìèêè èëè äðóãèå êîìïîíåíòû àóäèî-
201a
ñèñòåìû. Ïðåæäå ÷åì ïðèñòóïèòü ê ðàáîòå, âíèìàòåëüíî îçíàêîìüòåñü ñ
èíôîðìàöèåé, ïðèâåäåííîé íà ñòðàíèöàõ 3 – 5. Òàì ñîäåðæàòñÿ âàæíûå
ñâåäåíèÿ, êàñàþùèåñÿ ïðàâèëüíîé ýêñïëóàòàöèè óñòðîéñòâà. Äëÿ òîãî ÷òîáû
ìàêñèìàëüíî ýôôåêòèâíî èñïîëüçîâàòü âñå ôóíêöèîíàëüíûå âîçìîæíîñòè
ïðèáîðà, âíèìàòåëüíî ïðî÷òèòå äàííîå ðóêîâîäñòâî öåëèêîì. Ñîõðàíèòå
ðóêîâîäñòâî, îíî ìîæåò ïðèãîäèòüñÿ â äàëüíåéøåì.

2
Òåõíèêà áåçîïàñíîñòè

008e
• Ïîëüçóéòåñü òîëüêî âõîäÿùèì â êîìïëåêò ñåòå-
âûì êàáåëåì. Òàêæå íå èñïîëüçóéòå ýòîò êàáåëü
ñ äðóãèì îáîðóäîâàíèåì.
..............................................................................................................
009
• Íå ïåðåêðó÷èâàéòå è íå òÿíèòå ñëèøêîì ñèëüíî
ñåòåâîé øíóð, íå ñòàâüòå íà íåãî òÿæåëûå ïðåä-
ìåòû.  ïðîòèâíîì ñëó÷àå ìîæíî ïîâðåäèòü åãî
è óñòðîèòü êîðîòêîå çàìûêàíèå. Ïîâðåæäåí-
íûé øíóð ýëåêòðîïèòàíèÿ ìîæåò ñòàòü èñòî÷íèêîì ïîæà-
ðà èëè ïîðàæåíèÿ ýëåêòðîòîêîì!
..............................................................................................................
011
• Íå äîïóñêàéòå ïîïàäàíèÿ â ïðèáîð ïîñòîðîí-
íèõ ïðåäìåòîâ (òàêèõ êàê æèäêîñòè, ìîíåòû,
âèíòèêè è ò.ï.).

..............................................................................................................
002c 004 012b
• Íå âñêðûâàéòå ïðèáîð è íå ïðîèçâîäèòå êàêèå- • Íå õðàíèòå è íå èñïîëüçóéòå ïðèáîð â óñëîâèÿõ: • Íåìåäëåííî îòêëþ÷èòå ïðèáîð è îáðàòèòåñü â
ëèáî ìîäèôèêàöèè âíóòðè íåãî èëè ñåòåâîãî • ýêñòðåìàëüíûõ òåìïåðàòóð (íà ñîëíå÷íîì ñâåòå, áëèæàéøèé ñåðâèñíûé öåíòð Roland èëè ê
àäàïòåðà. â çàêðûòîì àâòîìîáèëå, âáëèçè îòîïèòåëüíûõ óïîëíîìî÷åííîìó äèñòðèáüþòîðó Roland, åñëè:
ïðèáîðîâ, íà èçëó÷àþùåì òåïëî îáîðóäîâàíèè); • Ïîâðåæäåí øíóð ýëåêòðîïèòàíèÿ èëè øòåï-
.............................................................................................................. • ñûðîñòè è âëàæíîñòè (â âàííûõ êîìíàòàõ, ïðà- ñåëü ýëåêòðîïèòàíèÿ;
003
• Íå ïûòàéòåñü ñàìîñòîÿòåëüíî ðåìîíòèðîâàòü ÷å÷íûõ, íà ìîêðîì ïîëó); • Ïîÿâèëñÿ äûì èëè íåîáû÷íûé çàïàõ;
ïðèáîð èëè çàìåíÿòü äåòàëè âíóòðè íåãî, çà èñ- • çàäûìëåííîñòè; • Âíóòðü ïðèáîðà ïîïàëè ïîñòîðîííèå ïðåäìå-
êëþ÷åíèåì ñëó÷àåâ, îïèñàííûõ â ðóêîâîäñòâå. • èñïàðåíèé; òû èëè æèäêîñòü;
Ïî ïîâîäó îáñëóæèâàíèÿ îáðàùàéòåñü â áëè- • ãäå îí ìîæåò ïîïàñòü äîæäü; • Ïðèáîð ïîïàë ïîä äîæäü (èëè íàìîê ïî èíîé
æàéøèé ñåðâèñíûé öåíòð èëè ê îôèöèàëüíîìó • çàïûëåííîñòè; ïðè÷èíå);
äèñòðèáüþòîðó êîðïîðàöèè Roland. • ãäå îí ìîæåò ïîäâåðãíóòüñÿ èíòåíñèâíîé âèáðàöèè. • Ïðèáîð íå ðàáîòàåò â íîðìàëüíîì ðåæèìå, èëè â åãî ðà-
.............................................................................................................. .............................................................................................................. áîòå íàáëþäàþòñÿ ñóùåñòâåííûå èçìåíåíèÿ.
007 008b ..............................................................................................................
• Óáåäèòåñü â òîì, ÷òî ïðèáîð ðàçìåùåí óñòîé÷è- • Èñïîëüçóéòå òîëüêî ïðèëàãàåìûé ñåòåâîé àäàï- 013
âî è ñòàáèëüíî. Íèêîãäà íå ñòàâüòå åãî íà øàò- òåð. Óáåäèòåñü â ñîîòâåòñòâèè ñåòåâîãî íàïðÿæå- • Òàì, ãäå åñòü ìàëåíüêèå äåòè, âçðîñëûå äîëæíû
êóþ, ñêîëüçêóþ èëè íàêëîííóþ ïîâåðõíîñòè. íèÿ óêàçàííîìó íà êîðïóñå àäàïòåðà. Äðóãèå íàáëþäàòü çà íèìè äî òåõ ïîð, ïîêà ðåáåíîê íå
.............................................................................................................. áëîêè ïèòàíèÿ ìîãóò îòëè÷àòüñÿ ïîëÿðíîñòüþ èëè áóäåò â ñîñòîÿíèè ñîáëþäàòü âñå ïðàâèëà, íå-
íàïðÿæåíèåì, ïîýòîìó èõ ïðèìåíåíèå ñïîñîáíî ïîâðå- îáõîäèìûå äëÿ áåçîïàñíîé ýêñïëóàòàöèè ïðè-
äèòü àïïàðàòóðó èëè ïðèâåñòè ê ïîðàæåíèþ ýëåêòðîòîêîì. áîðà.
.............................................................................................................. ..............................................................................................................

3
Òåõíèêà áåçîïàñíîñòè

012d 101b 109b


• Íåìåäëåííî îòêëþ÷èòå ïðèáîð è îáðàòèòåñü â • Ðàçìåùàéòå îáîðóäîâàíèå òàê, ÷òîáû îáåñïå- • Ïåðåä ÷èñòêîé àïïàðàòóðû âûêëþ÷èòå åå è îò-
áëèæàéøèé ñåðâèñíûé öåíòð Roland èëè ê ÷èòü õîðîøóþ âåíòèëÿöèþ. êëþ÷èòå øíóð ïèòàíèÿ îò ñåòåâîé ðîçåòêè.
óïîëíîìî÷åííîìó äèñòðèáüþòîðó Roland, åñëè:
• Ïîâðåæäåí øíóð ýëåêòðîïèòàíèÿ èëè øòåï- .............................................................................................................. ..............................................................................................................
ñåëü ýëåêòðîïèòàíèÿ; 102c 110b
• Ïðè âêëþ÷åíèè/âûêëþ÷åíèè ïèòàíèÿ äåðæè- • Ïðè ïðèáëèæåíèè ãðîçû îòêëþ÷èòå øíóð ïèòà-
• Ïîÿâèëñÿ äûì èëè íåîáû÷íûé çàïàõ; òåñü íå çà êàáåëü, à çà âèëêó. íèÿ îò ñåòåâîé ðîçåòêè.
• Âíóòðü ïðèáîðà ïîïàëè ïîñòîðîííèå ïðåäìå-
òû èëè æèäêîñòü; .............................................................................................................. ..............................................................................................................
• Ïðèáîð ïîïàë ïîä äîæäü (èëè íàìîê ïî èíîé 103b
ïðè÷èíå); • Íåîáõîäèìî ðåãóëÿðíî âûêëþ÷àòü øòåïñåëü
• Ïðèáîð íå ðàáîòàåò â íîðìàëüíîì ðåæèìå, èëè â åãî ðà- ýëåêòðîïèòàíèÿ èç ñåòåâîé ðîçåòêè è ïðîòè-
áîòå íàáëþäàþòñÿ ñóùåñòâåííûå èçìåíåíèÿ. ðàòü åãî ìÿãêîé ñàëôåòêîé, ÷òîáû óäàëèòü ñ
.............................................................................................................. êîíòàêòîâ âñå çàãðÿçíåíèÿ. Òàêæå ñëåäóåò âû- 204

014 êëþ÷àòü øòåïñåëü ýëåêòðîïèòàíèÿ èç ñåòåâîé * Microsoft, Windows è Windows Vista ÿâëÿþòñÿ çàðåãèñòðè-
• Îáåðåãàéòå ïðèáîð îò ñèëüíûõ óäàðîâ (íå ðî- ðîçåòêè, åñëè àïïàðàòóðà äëèòåëüíîå âðåìÿ íå ðîâàííûìè òîðãîâûìè ìàðêàìè Microsoft Corporation.
íÿéòå åãî!) èñïîëüçóåòñÿ. Ëþáîå ïîïàäàíèå ãðÿçè ìåæäó 206e
* Èçîáðàæåíèÿ ýêðàíà èñïîëüçóþòñÿ â ýòîì äîêóìåíòå ñ
øòåïñåëåì è ðîçåòêîé ìîæåò íàðóøèòü èçîëÿ-
ðàçðåøåíèÿ Microsoft Corporation.
.............................................................................................................. öèþ è ïðèâåñòè ê âîçãîðàíèþ. 206j
015
• Íå âêëþ÷àéòå øíóð ýëåêòðîïèòàíèÿ àïïàðàòó-
.............................................................................................................. * Îôèöèàëüíûì íàçâàíèåì Windows® ÿâëÿåòñÿ "Îïåðàöèîí-
ðû â ñåòåâóþ ðîçåòêó, ê êîòîðîé óæå ïîäêëþ÷å-
104
íàÿ ñèñòåìà “Microsoft® Windows®”.
• Íå ïåðåãèáàéòå øíóðû è êàáåëè. Êðîìå òîãî, 207+209
íî ñëèøêîì ìíîãî äðóãèõ ýëåêòðîïðèáîðîâ. âñå øíóðû è êàáåëè äîëæíû áûòü ðàçìåùåíû * Apple, Macintosh è Mac OS ÿâëÿþòñÿ çàðåãèñòðèðîâàííûìè
Áóäüòå îñîáåííî âíèìàòåëüíû ïðè èñïîëüçîâà- â íåäîñòóïíîì äëÿ äåòåé ìåñòå. òîðãîâûìè ìàðêàìè Apple Inc.
íèè óäëèíèòåëåé – ñîâîêóïíàÿ ìîùíîñòü ýëåêò- ..............................................................................................................
ðîïðèáîðîâ, ïîäêëþ÷àåìûõ ê óäëèíèòåëþ (Âò/ 106 * Cakewalk ÿâëÿåòñÿ çàðåãèñòðèðîâàííîé òîðãîâîé ìàðêîé
À), íèêîãäà íå äîëæíà áûòü âûøå ïðåäåëüíî äî- • Íå ñàäèòåñü íà ïðèáîð, íå êëàäèòå íà íåãî òÿ- Cakewalk, Inc.
ïóñòèìîé äëÿ äàííîãî óäëèíèòåëÿ. Èçáûòî÷íàÿ æåëûå ïðåäìåòû.
* SONAR è ëîãîòèï Cakewalk ÿâëÿþòñÿ òîðãîâûìè ìàðêàìè
íàãðóçêà ìîæåò ïðèâåñòè ê ïåðåãðåâó è äàæå
.............................................................................................................. Cakewalk, Inc.
ðàñïëàâëåíèþ èçîëÿöèè øíóðà ýëåêòðîïèòàíèÿ. 220
107c
.............................................................................................................. • Íèêîãäà íå âêëþ÷àéòå øíóð ýëåêòðîïèòàíèÿ è * Âñå íàçâàíèÿ ïðîäóêöèè, óïîìèíàþùèåñÿ â ýòîì äîêóìåí-
016
íå âûêëþ÷àéòå åãî èç ñåòåâîé ðîçåòêè âëàæíû- òå, ÿâëÿþòñÿ òîðãîâûìè ìàðêàìè èëè çàðåãèñòðèðîâàííû-
• Ïðè ýêñïëóàòàöèè îáîðóäîâàíèÿ â ñòðàíå, îò-
ìè ðóêàìè. ìè òîðãîâûìè ìàðêàìè ñîîòâåòñòâóþùèõ âëàäåëüöåâ.
ëè÷íîé îò ñòðàíû-ïðîèçâîäèòåëÿ, ïðîêîíñóëü-
òèðóéòåñü ñ ïðîäàâöîì, ñåðâèñíûì öåíòðîì .............................................................................................................. * MMP (Moore Microprocessor Portfolio) îáîçíà÷àåò ïîðòôî-
108b
êîìïàíèè Roland èëè åå àâòîðèçîâàííûì äèëåðîì. • Ïðè ïåðåìåùåíèè ïðèáîðà îòñîåäèíèòå ñåòå- ëèî ïàòåíòà ìèêðîïðîöåññîðíîé àðõèòåêòóðû, ðàçðàáî-
.............................................................................................................. âîé àäàïòåð è âñå êàáåëè, êîììóòèðóþùèå åãî òàííîé Technology Properties Limited (TPL). Êîìïàíèÿ
023
• Íå âîñïðîèçâîäèòå äèñê CD-ROM íà áûòîâîì ñ âíåøíèì îáîðóäîâàíèåì. Roland ïîëó÷èëà ëèöåíçèþ íà äàííóþ òåõíîëîãèþ ó TPL
CD-ïðîèãðûâàòåëå. Âûñîêèé óðîâåíü âîñïðîèç- .............................................................................................................. Group.
108c
âåäåíèÿ ìîæåò ïîâðåäèòü ñëóõ, âûâåñòè èç • Ïåðåä ïåðåìåùåíèåì ïðèáîðà îòñîåäèíèòå * Roland è GS ÿâëÿþòñÿ çàðåãèñòðèðîâàííûìè òîðãîâûìè
ñòðîÿ äèíàìèêè èëè äðóãèå êîìïîíåíòû àóäèî- âñå êàáåëè, êîììóòèðóþùèå åãî ñ âíåøíèì ìàðêàìè èëè òîðãîâûìè ìàðêàìè Roland Corporation â ÑØÀ
ñèñòåìû. îáîðóäîâàíèåì. è/èëè äðóãèõ ñòðàíàõ.
..............................................................................................................
..............................................................................................................

4
Âàæíûå çàìå÷àíèÿ

Èñòî÷íèê ïèòàíèÿ 355b


• Ïðè ïåðåìåùåíèè àïïàðàòóðû èç îäíîãî ìåñòà â äðóãîå, â Ìåðû ïðåäîñòîðîæíîñòè
301
êîòîðûõ íàáëþäàåòñÿ çíà÷èòåëüíûé ïåðåïàä òåìïåðàòóðû 551
• Íå ïîäêëþ÷àéòå èíñòðóìåíò ê èñòî÷íèêó ýëåêòðîïèòàíèÿ, •  ðåçóëüòàòå ñáîåâ â ýëåêòðîïèòàíèè èëè íåêîððåêòíîé
è/èëè âëàæíîñòè, âíóòðè ìîãóò îáðàçîâàòüñÿ êàïëè âîäû
ê êîòîðîìó óæå ïîäêëþ÷åíû ýëåêòðîïðèáîðû ñ èñïîëüçî- ðàáîòû ñ èíñòðóìåíòîì ñîäåðæèìîå ïàìÿòè ìîæåò áûòü
(êîíäåíñàò). Åñëè ïîïûòàòüñÿ èñïîëüçîâàòü àïïàðàòóðó â
âàíèåì ïðåîáðàçîâàòåëÿ íàïðÿæåíèÿ (òàêèå êàê õîëîäèëü- áåçâîçâðàòíî ïîòåðÿíî. ×òîáû ýòîãî íå ïðîèçîøëî ñîõðà-
òàêîì ñîñòîÿíèè, â ðåçóëüòàòå ìîæåò âîçíèêíóòü íåèñ-
íèê, ñòèðàëüíàÿ ìàøèíà, ìèêðîâîëíîâàÿ ïå÷ü èëè íÿéòå âàæíûå äàííûå â êîìïüþòåð.
ïðàâíîñòü èëè ñáîè â ðàáîòå. Ïîýòîìó, ïðåæäå ÷åì ïðèñòó-
êîíäèöèîíåð), à òàêæå ñíàáæåííûå ìîòîðîì. Â çàâèñèìîñ- 552
ïèòü ê ýêñïëóàòàöèè àïïàðàòóðû, íåîáõîäèìî ïîäîæäàòü • Âîçìîæíû ñèòóàöèè, â êîòîðûõ âîññòàíîâèòü äàííûå âíóò-
òè îò ñèòóàöèè, ñåòåâàÿ íàâîäêà ìîæåò âûçâàòü ñáîè â ðà-
íåñêîëüêî ÷àñîâ, ÷òîáû êîíäåíñàò âûñîõ. ðåííåé ïàìÿòè ïðèáîðà èëè êîìïüþòåðà íå ïðåäñòàâëÿåò-
áîòå àïïàðàòóðû è ïîñëóæèòü ïðè÷èíîé øóìîâûõ ïîìåõ. 358 ñÿ âîçìîæíûì. Êîìïàíèÿ Roland îòâåòñòâåííîñòè çà
Åñëè îòäåëüíóþ ñåòåâóþ ðîçåòêó èñïîëüçîâàòü íåâîçìîæ- • Íå ñòàâüòå íà êëàâèàòóðó êàêèå-ëèáî ïðåäìåòû. Ýòî ìîæåò
ñîõðàííîñòü äàííûõ íå íåñåò.
íî, òî ìåæäó èíñòðóìåíòîì è àïïàðàòóðîé íåîáõîäèìî ïðèâåñòè ê íåèñïðàâíîñòÿì. 553
ïîäêëþ÷èòü ôèëüòð ïîäàâëåíèÿ ñåòåâûõ íàâîäîê. 360 • Ïîæàëóéñòà, îáðàùàéòåñü àêêóðàòíî ñ êíîïêàìè, ðåãóëÿòî-
• Â çàâèñèìîñòè îò ìàòåðèàëà è òåìïåðàòóðû ïîâåðõíîñòè,
302 ðàìè è äðóãèìè êîíòðîëëåðàìè. Íåáðåæíîå îáðàùåíèå
• ×åðåç íåñêîëüêî ÷àñîâ ðàáîòû ïðèáîðà ñåòåâîé àäàïòåð íà êîòîðîé ñòîèò ïðèáîð, åãî ðåçèíîâûå íîæêè ìîãóò èç-
ìîæåò ïðèâåñòè ê ïîâðåæäåíèþ àïïàðàòóðû.
íàãðåâàåòñÿ è íà÷èíàåò èçëó÷àòü òåïëî. Òàêàÿ ñèòóàöèÿ ÿâ- ìåíèòü öâåò èëè èñïîðòèòü ïîâåðõíîñòü. ×òîáû èçáåæàòü 554
ëÿåòñÿ øòàòíîé è íå äîëæíà âûçûâàòü áåñïîêîéñòâà. ýòîãî, ìîæíî ïîìåñòèòü ïîä íîæêè êóñîê âîéëîêà èëè òêà- • Íå óäàðÿéòå ïî äèñïëåþ è íå íàæèìàéòå íà íåãî.
307
íè. Ïðè ýòîì ñëåäèòå, ÷òîáû ïðèáîð ñëó÷àéíî íå ñîñêîëü- 556
• Äî ïîäêëþ÷åíèÿ èíñòðóìåíòà ê äðóãèì óñòðîéñòâàì, îò- • Ïðè ïîäñîåäèíåíèè/îòñîåäèíåíèè øíóðîâ è êàáåëåé íè-
çíóë ñ ïîâåðõíîñòè.
êëþ÷èòå ýëåêòðîïèòàíèå âñåõ ïðèáîðîâ. Ýòî ïîçâîëèò èç- êîãäà íå òÿíèòå çà øíóð. Äåðæèòå òîëüêî ñàì ðàçúåì, ÷òî-
áåæàòü ïîâðåæäåíèÿ äèíàìèêîâ èëè äðóãèõ óñòðîéñòâ. áû íå ïîâðåäèòü âíóòðåííèå ýëåìåíòû êàáåëÿ.
Óõîä 558b
• ×òîáû íå âûçûâàòü íåäîâîëüñòâà îêðóæàþùèõ, ïîñòàðàé-
Ðàçìåùåíèå 401a
• Äëÿ ÷èñòêè ïðèáîðà èñïîëüçóéòå ìÿãêóþ ÷èñòóþ òêàíü èëè òåñü óñòàíàâëèâàòü ïðèåìëåìûé óðîâåíü ãðîìêîñòè. À ÷òî-
352a
àíàëîãè÷íûé ìàòåðèàë, ñëåãêà ñìî÷åííûé âîäîé. Äëÿ óäà- áû íå äóìàòü îá ýòîì âîâñå, îñîáåííî íî÷üþ, ëó÷øå
• Ïðèáîð ìîæåò ÿâëÿòüñÿ èñòî÷íèêîì ïîìåõ äëÿ òåëå- è ðà-
ëåíèÿ çàãðÿçíåíèé èñïîëüçóéòå òêàíü, ñìî÷åííóþ ñëàáûì èñïîëüçîâàòü íàóøíèêè.
äèîïðèåìíèêîâ. Íå óñòàíàâëèâàéòå åãî â íåïîñðåäñòâåí-
íåàáðàçèâíûì ìîþùèì ñðåäñòâîì. Çàòåì ïðîòðèòå ïðè- 559a
íîé áëèçîñòè îò îáîðóäîâàíèÿ òàêîãî òèïà. • Ïðè òðàíñïîðòèðîâêå ïðèáîðà èñïîëüçóéòå îðèãèíàëüíóþ
áîð ìÿãêîé ñóõîé òêàíüþ.
352b çàâîäñêóþ óïàêîâêó, âêëþ÷àÿ óïëîòíèòåëè äëÿ ñìÿã÷åíèÿ
• Ïîñòîðîííèé øóì ìîæåò ïîÿâèòüñÿ, åñëè ðÿäîì ñ àïïàðà- 402
• Èñïîëüçîâàíèå áåíçèíà, ðàñòâîðèòåëÿ èëè ñïèðòà çàïðå- óäàðîâ, èëè àíàëîãè÷íûå ìàòåðèàëû.
òóðîé èñïîëüçóþòñÿ ìîáèëüíûå òåëåôîíû. Ýòîò øóì âîç-
ùàåòñÿ. Ýòî ìîæåò ïðèâåñòè ê èçìåíåíèþ öâåòà è/èëè äå- 561
íèêàåò âî âðåìÿ âõîäÿùåãî èëè èñõîäÿùåãî ñèãíàëà, à • Èñïîëüçóéòå òîëüêî ðåêîìåíäóåìóþ ïåäàëü ýêñïðåññèè
ôîðìàöèè êîðïóñà ïðèáîðà.
òàêæå ðàçãîâîðà. Ïðè âîçíèêíîâåíèè ïîäîáíûõ ïðîáëåì (EV-5 èëè EV-7; ïðèîáðåòàåòñÿ îòäåëüíî). Ïîäêëþ÷åíèå ïå-
íåîáõîäèìî óäàëèòü ñðåäñòâà ñâÿçè îò àïïàðàòóðû èëè âû- äàëåé äðóãèõ òèïîâ ìîæåò ïîâðåäèòü ïðèáîð.
êëþ÷èòü èõ. Ðåìîíò è äàííûå
354a
• Ñëåäèòå çà òåì, ÷òîáû íà èíñòðóìåíò íå ïîïàäàëè ïðÿìûå
452
• Ïîìíèòå î òîì, ÷òî ïðè îòïðàâêå ïðèáîðà â ðåìîíò äàí- Îáðàùåíèå ñ CD-ROM è DVD-ROM
ñîëíå÷íûå ëó÷è, ðàçìåùàéòå åãî íà óäàëåíèè îò ïðèáî- íûå åãî âíóòðåííåé ïàìÿòè ìîãóò áûòü ïîòåðÿíû. Ïîýòîìó 801

ðîâ, èçëó÷àþùèõ òåïëî, íå îñòàâëÿéòå âíóòðè çàêðûòûõ àâ- • Íå ïðèêàñàéòåñü è íå öàðàïàéòå áëåñòÿùóþ (ðàáî÷óþ) ïî-
ïðåäâàðèòåëüíî èõ íåîáõîäèìî ñîõðàíèòü â êîìïüþòåð,
âåðõíîñòü. Ïîâðåæäåííûé èëè çàãðÿçíåííûé äèñê áóäåò
òîìîáèëåé è â äðóãèõ ìåñòàõ, ïîäâåðæåííûõ ëèáî çàïèñàòü íà áóìàãó. Âî âðåìÿ ðåìîíòà èíñòðóìåíòà
ðàáîòàòü ñî ñáîÿìè. ×èñòèòå äèñêè ñ ïîìîùüþ ñïåöèàëü-
èíòåíñèâíîìó òåïëîâîìó âîçäåéñòâèþ. Ïðè ïîâûøåííîé îñîáîå âíèìàíèå óäåëÿåòñÿ ñîõðàííîñòè äàííûõ âíóòðåí-
òåìïåðàòóðå êîðïóñ èíñòðóìåíòà ìîæåò äåôîðìèðîâàòü- íûõ ñðåäñòâ.
íåé ïàìÿòè. Îäíàêî âîçìîæíû ñèòóàöèè, íàïðèìåð, âûõîä
ñÿ èëè èçìåíèòü öâåò. èç ñòðîÿ ñõåì ïàìÿòè, â êîòîðûõ ýòîãî äîáèòüñÿ íåâîçìîæ-
íî. Êîìïàíèÿ Roland íå íåñåò îòâåòñòâåííîñòè çà ñîõðàí-
íîñòü äàííûõ âíóòðåííåé ïàìÿòè ïðèáîðà.

5
Ñîäåðæàíèå

Êîìïëåêò ïîñòàâêè.......................................................... 2 Ìåíþ.................................................................................................................................................27


File.....................................................................................................................................27
Òåõíèêà áåçîïàñíîñòè .................................................... 3 Edit ....................................................................................................................................27
Options............................................................................................................................27
Help ..................................................................................................................................27
Âàæíûå çàìå÷àíèÿ.......................................................... 5
“Ãîðÿ÷èå” êëàâèøè.....................................................................................................................28
Èñïîëüçîâàíèå êàðò íàçíà÷åíèÿ êîíòðîëëåðîâ .........................................................29
Îïèñàíèå ïàíåëåé ........................................................... 8 Íàçíà÷åíèå MIDI-ñîîáùåíèé...............................................................................29
Ïàíåëü................................................................................................................................................ 8
Ïðîâåðêà íàçíà÷åíèÿ MIDI-ñîîáùåíèé..........................................................30
Áîêîâàÿ ïàíåëü............................................................................................................................11
Çàãðóçêà êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ èç A-PRO ...............................31
Ïåðåäà÷à êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ â A-PRO................................31
Óñòàíîâêà äðàéâåðà......................................................12 Ñîõðàíåíèå êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ â êîìïüþòåð .................................32
Windows 7/Windows Vista........................................................................................................12 Çàãðóçêà êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ, ñîõðàíåííîé â êîìïüþòåðå ........32
Windows XP ....................................................................................................................................15 Ïàðàìåòðû ñîîáùåíèé...........................................................................................33
Mac OS X ..........................................................................................................................................17 Èñïîëüçîâàíèå íàáîðà óñòàíîâîê êëàâèàòóðû............................................................40
Ïðîâåðêà êîððåêòíîñòè óñòàíîâêè....................................................................................19 Çàãðóçêà íàáîðà óñòàíîâîê êëàâèàòóðû .........................................................40
Ïðîâåðêà â SONAR (Windows)..............................................................................19 Ïåðåäà÷à íàáîðà óñòàíîâîê êëàâèàòóðû .......................................................40
Ïðîâåðêà â GarageBand (Mac OS X) ...................................................................20
Èñïîëíåíèå (ðåæèì Play)............................................. 41
Âîçìîæíîñòè A-PRO ......................................................21 Èãðà íà êëàâèàòóðå....................................................................................................................41
Èñïîëíåíèå ...................................................................................................................................21 Óäîáíûå ôóíêöèè èñïîëíåíèÿ.............................................................................................41
Èñïîëüçîâàíèå ACT ...................................................................................................................21 Îïðåäåëåíèå òåêóùåãî êàíàëà (ïåðåäàþùåãî MIDI-êàíàëà) .................................42
Èñïîëüçîâàíèå êàðò íàçíà÷åíèÿ êîíòðîëëåðîâ .........................................................21 MIDI-êàíàë.....................................................................................................................42
Ñîçäàíèå ïîëüçîâàòåëüñêèõ óñòàíîâîê ...........................................................................21 Âûáîð òåìáðîâ (PROGRAM CHANGE/BANK)....................................................................43
PROGRAM CHANGE ....................................................................................................43
Èñïîëüçîâàíèå A-PRO Editor .......................................22 Bank Select (BANK)......................................................................................................43
Óñòàíîâêà A-PRO Editor.............................................................................................................22 Âûáîð òåìáðîâ UPPER è LOWER...........................................................................................44
Windows .........................................................................................................................22 Âûáîð òåìáðà UPPER................................................................................................44
Mac OS X .........................................................................................................................22 Âûáîð òåìáðà LOWER ..............................................................................................44
Íàçíà÷åíèå ïîðòîâ MIDI .........................................................................................................23 Íàëîæåíèå äâóõ òåìáðîâ (DUAL) ........................................................................................45
Windows .........................................................................................................................23 Ðàçäåëåíèå êëàâèàòóðû (SPLIT) ............................................................................................45
Mac OS X .........................................................................................................................23 Íàñòðîéêà äèíàìèêè èñïîëíåíèÿ (VELOCITY)...............................................................46
Îêíà ïðîãðàììû .........................................................................................................................24 Óñòàíîâêà ôèêñèðîâàííîé Velocity (KEY VELOCITY)...................................46
Ãëàâíîå îêíî................................................................................................................24 Âûáîð ÷óâñòâèòåëüíîñòè êëàâèàòóðû (VELOCITY CURVE) .......................46
Îêíî íàçíà÷åíèÿ ñîîáùåíèé ..............................................................................24 Ìüþòèðîâàíèå çíà÷åíèé êîíòðîëëåðîâ (PRM MUTE) ...............................................47
Îêíî Keyboard Set .....................................................................................................26 PRM MUTE ......................................................................................................................47

6
Ñîäåðæàíèå

Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT) ..............48 Ïðî÷èå óñòàíîâêè ......................................................................................................................69


H-ACTIVITY ON/OFF....................................................................................................69
Íàçíà÷åíèå MIDI-ñîîáùåíèÿ ñ ïîìîùüþ êëàâèàòóðû A-PRO................................48
Íàçíà÷åíèå íà êîíòðîëëåð íîò (Note).............................................................49 L9 FUNCTION.................................................................................................................69
OMNI ................................................................................................................................70
Íàçíà÷åíèå íà êîíòðîëëåð ïîñëåêàñàíèÿ (Aftertouch) ...........................50
FACTORY RESET............................................................................................................70
Íàçíà÷åíèå íà êîíòðîëëåð ñîîáùåíèé Control Change.........................51
Íàçíà÷åíèå íà êîíòðîëëåð ñîîáùåíèé Program Change.......................52
Íàçíà÷åíèå RPN/NRPN ............................................................................................53
Ïðèëîæåíèå ................................................................... 71
Íàçíà÷åíèå íà êîíòðîëëåð ñîîáùåíèé òåìïà (Tempo) ..........................54 Äâà ïîðòà MIDI .............................................................................................................................71
Äîïîëíèòåëüíûå ôóíêöèè......................................................................................................56 Ïîäêëþ÷åíèå A-PRO ê çâóêîâîìó ìîäóëþ......................................................................72
Êîïèðîâàíèå íàçíà÷åíèÿ......................................................................................56 Ðåæèì ñòàíäàðòíîãî äðàéâåðà ............................................................................................73
Ñáðîñ íàçíà÷åíèÿ (NO ASSIGN)...........................................................................56 Óñòàíîâêà ñòàíäàðòíîãî äðàéâåðà....................................................................73
Óñòàíîâêè âõîäíûõ/âûõîäíûõ óñòðîéñòâ ......................................................73
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)...........................57
Óñòàíîâêà êîíòðàñòíîñòè äèñïëåÿ......................................................................................59
Íåèñïðàâíîñòè .............................................................. 74
LCD CONTRAST.............................................................................................................59 Ïðîáëåìû ñ óñòàíîâêîé äðàéâåðà .....................................................................................74
Óñòàíîâêè êëàâèàòóðû..............................................................................................................60 Ïðîáëåìû ñ óñòàíîâêàìè........................................................................................................76
KEYBOARD VELOCITY CURVE ..................................................................................60 Ïðîáëåìû ñ âîñïðîèçâåäåíèåì ..........................................................................................77
KEYBOARD AFTERTOUCH CURVE...........................................................................61 Äîïîëíèòåëüíûå äåéñòâèÿ ....................................................................................................79
KEYBOARD PORT SET..................................................................................................61
KEYBOARD ACTIVE PART...........................................................................................62 Òàáëèöà MIDI-ôóíêöèé................................................. 83
TRANSPOSE....................................................................................................................62
SHIFT KEY LATCH .........................................................................................................62 Òåõíè÷åñêèå õàðàêòåðèñòèêè ..................................... 84
Óñòàíîâêè ïýäîâ..........................................................................................................................63
PAD VELOCITY CURVE................................................................................................63
PAD AFTERTOUCH CURVE ........................................................................................63
Óñòàíîâêè òåìïà..........................................................................................................................64
MIDI CLOCK ON/OFF...................................................................................................64
MIDI CLOCK DEFAULT TEMPO ................................................................................64
MIDI CLOCK OUTPUT PORT......................................................................................64
Óñòàíîâêè USB ..............................................................................................................................65
ADVANCED DRIVER MODE .......................................................................................65
Óñòàíîâêè MIDI .............................................................................................................................66
MIDI I/F SWITCH ...........................................................................................................66
MIDI MERGE DESTINATION ......................................................................................67
Óñòàíîâêè Control Map .............................................................................................................68
STARTUP MEMORY......................................................................................................68
Óñòàíîâêè êîëåñà [VALUE].......................................................................................................68
FUNCTION ......................................................................................................................68

7
Îïèñàíèå ïàíåëåé

Ïàíåëü
f
i
1 Äèñïëåé
g
. Îòîáðàæàåò ðàçëè÷íóþ èíôîðìàöèþ, íàïðèìåð, òåêóùèé ðåæèì.
P
a
n
Èíäèêàöèÿ Îïèñàíèå
e
l Ïðè ìàíèïóëÿöèÿõ ñ êîíòðîëëåðîì íåêîòîðîå âðåìÿ îòîáðàæàåòñÿ çíà-
Áóêâû, öèô-
- ÷åíèå ïàðàìåòðà, íàçíà÷åííîãî íà äàííûé êîíòðîëëåð. Òàêæå îòîáðà-
ðû, ñèìâîëû
L æàåòñÿ èíôîðìàöèÿ, íàïðèìåð, MIDI-êàíàë è Program Change.
e
f Êîãäà êóðñîð óêàçûâàåò íà ýòî ïîëå, ïðè ìàíèïóëÿöèÿõ ñ êîíòðîëëåðîì
t PRM MUTE
MIDI-ñîîáùåíèÿ íå ïåðåäàþòñÿ (ñòð. 47).
.
e
p CTRL MAP Êîãäà êóðñîð óêàçûâàåò íà ýòî ïîëå, êîëåñîì [VALUE] 2 ìîæíî âûáè-
s ðàòü êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ, õðàíÿùèåñÿ â A-PRO (ñòð. 21).

PGM CHANGE Êîãäà êóðñîð óêàçûâàåò íà ýòî ïîëå, êîëåñîì [VALUE] 2 ìîæíî ïåðå-
äàâàòü ñîîáùåíèå Program Change ïî òåêóùåìó êàíàëó (ñòð. 43).

MIDI CH Êîãäà êóðñîð óêàçûâàåò íà ýòî ïîëå, êîëåñîì [VALUE] 2 ìîæíî èçìå-
íÿòü MIDI-êàíàë ïåðåäà÷è ñîîáùåíèé êëàâèàòóðû è äæîéñòèêà (ñòð. 42).

USER ASSIGN Êîãäà êóðñîð óêàçûâàåò íà ýòî ïîëå, êîëåñîì [VALUE] 2 ìîæíî èçìå-
íÿòü çíà÷åíèå íàçíà÷åííîãî íà íåãî ïàðàìåòðà (ñòð. 68).

2 Êîëåñî [VALUE], êíîïêà [ENTER]


Êîëåñîì [VALUE] ìîæíî èçìåíÿòü MIDI-êàíàë, âûáèðàòü ñîîáùåíèÿ Program
Change èëè êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ, à òàêæå èçìåíÿòü çíà÷åíèå íàçíà-
÷åííîãî íà íåãî ïàðàìåòðà.
 ðåæèìå EDIT êîëåñî [VALUE] âûáèðàåò ïàðàìåòð èëè ðåäàêòèðóåò åãî çíà÷åíèå.
Íàæàòèå êîëåñà àíàëîãè÷íî íàæàòèþ êíîïêè [ENTER].

3 Êíîïêà [ACT]
Íàæìèòå ýòó êíîïêó, åñëè èñïîëüçóåòñÿ SONAR èëè ïðîãðàììà, ñîâìåñòèìàÿ ñ òåõ-
íîëîãèåé ACT (Active Controller Technology) (ñòð. 21).
Äëÿ óïðàâëåíèÿ òàêîãî ðîäà ïðîãðàììàìè èñïîëüçóéòå êîíòðîëëåðû [B1] – [B4],
[R1] – [R9], [L1] – [L9], [S1] – [S9] è [A1] – [A8].

8
Îïèñàíèå ïàíåëåé

4 Êíîïêè [ ], [ ] 10 Äæîéñòèê
Ïåðåìåùàþò êóðñîð ìåæäó ïîëÿìè CTRL MAP, PGM CHANGE, MIDI CH èëè USER Èçìåíÿåò âûñîòó òîíà èëè äîáàâëÿåò âèáðàòî.
ASSIGN íà äèñïëåå. Òàêæå íà äæîéñòèê ìîæíî íàçíà÷èòü MIDI-ñîîáùåíèå è èñïîëüçîâàòü åãî â êà÷åñ-
òâå êîíòðîëëåðà.
5 Êîíòðîëëåðû [B1] – [B4] (êíîïêè) Ñì. “Íàçíà÷åíèå MIDI-ñîîáùåíèé” (ñòð. 29)

Èñïîëüçóþòñÿ äëÿ íàçíà÷åíèÿ íà íèõ MIDI-ñîîáùåíèé.


Ñì. “Íàçíà÷åíèå MIDI-ñîîáùåíèé” (ñòð. 29)

6 Êíîïêè [SPLIT], [DUAL], [LOWER], [UPPER]


Êíîïêà [SPLIT]
Èñïîëüçóåòñÿ äëÿ ðàçäåëåíèÿ êëàâèàòóðû íà ïðàâóþ (UPPER) è ëåâóþ (LOWER) çî-
íû, íà êàæäóþ èç êîòîðûõ ìîæíî íàçíà÷àòü ðàçëè÷íûå çâóêè.
Êíîïêà [DUAL]
Èñïîëüçóåòñÿ äëÿ íàëîæåíèÿ äâóõ çâóêîâ.
Êíîïêà [LOWER]
Èñïîëüçóåòñÿ äëÿ èñïîëíåíèÿ ïàðòèè LOWER.
Êíîïêà [UPPER]
Èñïîëüçóåòñÿ äëÿ èñïîëíåíèÿ ïàðòèè UPPER.

7 Êíîïêà [SHIFT]
 ðåæèìå PLAY (ñòð. 41) ìîæíî, óäåðæèâàÿ êíîïêó [SHIFT], èñïîëüçîâàòü êîíòðîë-
ëåðû [B1] – [B4], êíîïêè [DUAL]/[LOWER]/[UPPER], [TRANSPOSE] è OCTAVE [–] [+] â êà-
÷åñòâå öèôðîâûõ êíîïîê. ×òîáû ââåñòè ïðîáåë, óäåðæèâàÿ êíîïêó [SHIFT],
íàæìèòå êíîïêó [SPLIT].

8 Êíîïêà [TRANSPOSE]
Ïîçâîëÿåò òðàíñïîíèðîâàòü êëàâèàòóðó ââåðõ èëè âíèç ñ øàãîì â ïîëóòîí.
Ñì. “TRANSPOSE” (ñòð. 62)

9 Êíîïêè OCTAVE [–] [+]


Ïîçâîëÿþò òðàíñïîíèðîâàòü êëàâèàòóðó ââåðõ èëè âíèç ñ øàãîì â îêòàâó.

9
Îïèñàíèå ïàíåëåé

fig.Panel-Top.eps

11

12 13 14 15

11 Êîíòðîëëåðû [R1] – [R9] (ðåãóëÿòîðû) V-LINK


V-LINK ( ) – ýòî òåõíîëîãèÿ, êîòîðàÿ ïîçâîëÿåò îáúåäèíèòü èñïîëíåíèå
Èñïîëüçóþòñÿ äëÿ óïðàâëåíèÿ íàçíà÷åííûìè íà íèõ MIDI-ñîîáùåíèÿìè.
ìóçûêè è óïðàâëåíèå âèçóàëüíîé èíôîðìàöèåé. Èñïîëüçóÿ âèäåî îáîðóäîâàíèå,
Ñì. “Íàçíà÷åíèå MIDI-ñîîáùåíèé” (ñòð. 29)
ñîâìåñòèìîå ñ V-LINK, ìîæíî âêëþ÷àòü âî âðåìÿ èãðû âèçóàëüíûå ýôôåêòû, êîòî-
ðûå óñèëèâàþò âûðàçèòåëüíîñòü ïîäà÷è èñïîëíÿåìîãî ìóçûêàëüíîãî ìàòåðèàëà.
12 Êîíòðîëëåðû [L1] – [L8] (êíîïêè)
Èñïîëüçóþòñÿ äëÿ óïðàâëåíèÿ íàçíà÷åííûìè íà íèõ MIDI-ñîîáùåíèÿìè. 14 Êîíòðîëëåðû [S1] – [S9] (ñëàéäåðû)
Ñì. “Íàçíà÷åíèå MIDI-ñîîáùåíèé” (ñòð. 29)
Èñïîëüçóþòñÿ äëÿ óïðàâëåíèÿ íàçíà÷åííûìè íà íèõ MIDI-ñîîáùåíèÿìè.
Ñì. “Íàçíà÷åíèå MIDI-ñîîáùåíèé” (ñòð. 29)
13 Êíîïêà [HOLD]
Âêëþ÷àåò/îòêëþ÷àåò ôóíêöèþ Hold (óäåðæèâàþùóþ çâóê íîò äàæå ïîñëå îòïóñêà- 15 Êîíòðîëëåðû [A1] – [A8] (ïýäû)
íèÿ ïýäîâ [A1] – [A8]).
Èñïîëüçóþòñÿ äëÿ óïðàâëåíèÿ íàçíà÷åííûìè íà íèõ MIDI-ñîîáùåíèÿìè.
Òàêæå íà ýòó êíîïêó ìîæíî íàçíà÷èòü MIDI-ñîîáùåíèå èëè èñïîëüçîâàòü åå äëÿ
Ñì. “Íàçíà÷åíèå MIDI-ñîîáùåíèé” (ñòð. 29)
âêëþ÷åíèÿ/îòêëþ÷åíèÿ ôóíêöèè V-LINK.
Ïýäû ìîãóò ïåðåäàâàòü çíà÷åíèÿ velocity, ñîîòâåòñòâóþùèå ñêîðîñòè íàæàòèÿ íà
Ñì. “L9 FUNCTION” (ñòð. 69)
íèõ, èëè çíà÷åíèÿ aftertouch.

10
Îïèñàíèå ïàíåëåé

Áîêîâàÿ ïàíåëü
fig.Panel-Side.eps
18 Ðàçúåì USB
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ A-PRO ê êîìïüþòåðó êàáåëåì USB.

19 Ñåëåêòîð [MIDI MERGE]


Âêëþ÷àåò/îòêëþ÷àåò ôóíêöèþ Merge äëÿ ñîîáùåíèé ñî âõîäà MIDI IN.
Ñì. “MIDI MERGE DESTINATION” (ñòð. 67)

20 Ðàçúåìû MIDI IN/OUT


Ñëóæàò äëÿ êîììóòàöèè ñ âíåøíèì MIDI-îáîðóäîâàíèåì â öåëÿõ îáìåíà ñ íèì
MIDI-äàííûìè.
Ñì. “Óñòàíîâêè MIDI” (ñòð. 66)

21 Ðàçúåìû HOLD (P1), EXPRESSION (P2)


Ñëóæàò äëÿ ïîäêëþ÷åíèÿ ïåäàëåé ñëåäóþùèõ òèïîâ.

16 17 18 19 20 21 22
Ïîäêëþ÷åííàÿ ê äàííîìó ðàçúåìó íîæíàÿ ïåäàëü (DP-2, DP-10; îïöèî-
HOLD
íàëüíûå) èñïîëüçóåòñÿ â êà÷åñòâå ïåäàëè Hold.
16 Ðàçúåì DC IN Ïîäêëþ÷åííàÿ ê äàííîìó ðàçúåìó ïåäàëü ýêñïðåññèè (EV-5, EV-7; îïöè-
EXPRESSION
îíàëüíûå) óïðàâëÿåò çâóêîì èëè ãðîìêîñòüþ â ðåàëüíîì âðåìåíè.
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ îïöèîíàëüíîãî ñåòåâîãî àäàïòåðà. Îòíîñèòåëüíî ìîäå-
ëè àäàïòåðà ïðîêîíñóëüòèðóéòåñü ñ ïðîäàâöîì èíñòðóìåíòà èëè â ñåðâèñíîì
öåíòðå Roland. Òàêæå íà ïåäàëè ìîæíî íàçíà÷èòü MIDI-ñîîáùåíèÿ è èñïîëüçîâàòü èõ â êà÷åñòâå
êîíòðîëëåðîâ.
Ñì. “Íàçíà÷åíèå MIDI-ñîîáùåíèé” (ñòð. 29)
17 Ñåëåêòîð [Power]
* Èñïîëüçóéòå òîëüêî ðåêîìåíäóåìóþ ïåäàëü ýêñïðåññèè (EV-5 èëè-7; îïöèî-
DC Ïèòàíèå îò ñåòåâîãî àäàïòåðà íàëüíûå). Èñïîëüçîâàíèå ïåäàëåé äðóãèõ òèïîâ ìîæåò ñòàòü ïðè÷èíîé âûõîäà
èíñòðóìåíòà èç ñòðîÿ.
OFF Ïèòàíèå îòêëþ÷åíî

Ïèòàíèå ïî USB 22 Çàùèòíûé ñëîò ( )


USB (ò.e.,øèííîå ïèòàíèå) äîñòóïíî ïðè ïîäêëþ÷åíèè A-PRO ê êîìïüþòåðó ïî
USB USB. Ïèòàíèå ïîäàåòñÿ èç êîìïüþòåðà ïî êàáåëþ USB. http://www.kensington.com/
* Íåêîòîðûå êîìïüþòåðû íå â ñîñòîÿíèè îáåñïå÷èòü ïèòàíèå A-PRO ïî øè-
íå USB.  òàêîì ñëó÷àå èñïîëüçóéòå îïöèîíàëüíûé ñåòåâîé àäàïòåð.

11
Óñòàíîâêà äðàéâåðà
Äðàéâåð — ýòî ïðîãðàììà, ÿâëÿþùååñÿ ñâÿçóþùèì çâåíîì â ïåðåäà÷å äàííûõ
ìåæäó A-PRO è ïðèëîæåíèÿìè êîìïüþòåðà ïðè ïîäêëþ÷åíèè A-PRO ê êîìïüþòå- Windows 7/Windows Vista
ðó.
Øàãè, âûïîëíÿåìûå â ðàìêàõ A-PRO, îòìå÷åíû ñòðîêîé Операция с A-PRO . Íå
Ïðîöåäóðà óñòàíîâêè è íàñòðîéêè çàâèñèò îò îïåðàöèîííîé ñèñòåìû, íî â ëþáîì ïîäêëþ÷àéòå A-PRO ê êîìïüþòåðó, ïîêà íå áóäóò âûäàíû ñîîòâåòñòâóþùèå ýêðàí-
ñëó÷àå ñîñòîèò èç ñëåäóþùèõ äâóõ îñíîâíûõ øàãîâ. íûå èíñòðóêöèè.
fig.H_install.eps * Ïðèìåðû ýêðàíîâ îòíîñÿòñÿ ê Windows 7.
Windows 7 /
Windows Vista
Windows XP Mac OS X 1 Îòêëþ÷èòå A-PRO è çàãðóçèòå Windows.
Çàãðóçèòå ñèñòåìó ïðè ïîëíîì îòñóòñòâèè USB-êîììóòàöèè (çà èñêëþ÷åíèåì
Установка
1. драйвера стр. 12 стр. 15 стр. 17 êëàâèàòóðû è ìûøè USB, ïðè èõ íàëè÷èè).
2 Çàêðîéòå âñå ïðèëîæåíèÿ.
3 Âñòàâüòå ïðèëàãàåìûé äèñê CD-ROM â ïðèâîä êîìïüþòåðà.
2. Проверка стр. 19 стр. 19 стр. 20
 äèàëîãîâîì îêíå àâòîçàïóñêà íàæìèòå [Open folder to view files].
4 Â ñîîòâåòñòâóþùåé ïàïêå CD-ROM äâàæäû íàæìèòå èêîíêó
[Setup] äëÿ çàïóñêà èíñòàëëÿòîðà.

ÎÑ Èíñòàëëÿòîð

Windows 7 Â ïàïêå [Driver] îòêðîéòå ïîäïàïêó [Win7]

Windows Vista  ïàïêå [Driver] îòêðîéòå ïîäïàïêó [Vista]

Windows 7 64-áèòíàÿ âåðñèÿ Â ïàïêå [x64Driver] îòêðîéòå ïîäïàïêó [Win7]

Windows Vista 64-áèòíàÿ âåðñèÿ Â ïàïêå [x64Driver] îòêðîéòå ïîäïàïêó [Vista]

Åñëè âûâåäåòñÿ ñîîáùåíèå “The operating system you are using is not supported”
èëè “The version of this file is not compatible with the version of Windows you’re
running”, èëè æå åñëè íåèçâåñòíî, êàêàÿ âåðñèÿ ÎÑ èñïîëüçóåòñÿ, ïðîâåðüòå ñëå-
äóþùåå.

Åñëè â “System type” îòîáðàæàåòñÿ “64-bit Operating System” ñèñòåìà ÿâëÿåòñÿ 64-
áèòíîé.

12
Óñòàíîâêà äðàéâåðà

Windows 7 7 ×òîáû çàïóñòèòü óñòàíîâêó, ïîâòîðíî íàæìèòå [Next]. Óñòàíîâ-


Îòêðîéòå “Control Panel”, íàæìèòå “System and Security”, çàòåì íàæìèòå êà íà÷íåòñÿ.
[System]. fig.win7securitya-e.eps_36
Åñëè Control Panel îòîáðàæàåòñÿ â âèäå èêîíîê, íàæìèòå [System].

Windows Vista
Îòêðîéòå “Control Panel”, íàæìèòå [System and Maintenance], çàòåì íàæìèòå
[System].
Åñëè Control Panel èìååò êëàññè÷åñêèé âèä, äâàæäû íàæìèòå èêîíêó “System”.
5 Îòîáðàçèòñÿ ýêðàí ñ çàïðîñîì íà ïîäòâåðæäåíèå äîñòóïà.
Íàæìèòå [Yes], åñëè èñïîëüçóåòñÿ Windows 7, èëè [Continue], åñ-
ëè èñïîëüçóåòñÿ Windows Vista.
fig.win7uac_e.eps

Åñëè îòîáðàçèòñÿ äèàëîãîâîå îêíî Çàùèòíèêà Windows, íàæìèòå [Install].


8 Операция с A-PRO Óñòàíîâèòå â A-PRO ñåëåêòîð [POWER] â OFF.
9 Êîãäà ýêðàí îòîáðàçèò “Ready to install the
Операция с A-PRO
driver”, êàáåëåì USB ïîäêëþ÷èòå A-PRO ê êîìïüþòåðó.
6 Ýêðàí îòîáðàçèò “A-PRO Driver will be installed on your fig.win7drv3-e.eps_36

computer”. Íàæìèòå [Next].


Ïðè îòîáðàæåíèè ëþáîãî äðóãîãî ñîîáùåíèÿ ñëåäóéòå åãî ðåêîìåíäàöèÿì.

Ïðè îòîáðàæåíèè ëþáîãî äðóãîãî ñîîáùåíèÿ ñëåäóéòå åãî ðåêîìåíäàöèÿì.


10 Операция с A-PRO Óñòàíîâèòå â A-PRO ñåëåêòîð [POWER] â USB.
Äðàéâåð óñòàíîâèòñÿ àâòîìàòè÷åñêè.

13
Óñòàíîâêà äðàéâåðà

11 Ïî îêîí÷àíèè óñòàíîâêè â îêíå “A-PRO Driver Setup” ïîÿâèòñÿ


ñîîáùåíèå “Installation has been completed”.
Íàæìèòå [Close] äëÿ çàêðûòèÿ îêíà “A-PRO Driver Setup”.
Åñëè îòîáðàçèòñÿ äèàëîãîâîå îêíî “System Settings Change”, íàæìèòå [Yes].
Windows àâòîìàòè÷åñêè ïåðåçàãðóçèòñÿ.
Òåïåðü ïðîâåðüòå êîððåêòíîñòü óñòàíîâêè äðàéâåðà.
Ñì. “Ïðîâåðêà â SONAR (Windows)” (ñòð. 19)

14
Óñòàíîâêà äðàéâåðà

Windows XP
Øàãè, âûïîëíÿåìûå â ðàìêàõ A-PRO, îòìå÷åíû ñòðîêîé Операция с A-PRO . Íå ïîäêëþ÷àéòå A-PRO ê êîìïüþòåðó, ïîêà íå áóäóò âûäàíû ñîîòâåòñòâóþùèå ýêðàííûå èíñòðóêöèè.

1 Îòêëþ÷èòå A-PRO è çàãðóçèòå Windows. Åñëè îòîáðàçèòñÿ äèàëîãîâîå îêíî “Software Installation”, íàæìèòå [Continue
Çàãðóçèòå ñèñòåìó ïðè ïîëíîì îòñóòñòâèè USB-êîììóòàöèè (çà èñêëþ÷åíèåì Anyway] äëÿ ïðîäîëæåíèÿ óñòàíîâêè.
êëàâèàòóðû è ìûøè USB, ïðè èõ íàëè÷èè).
Åñëè ïðîäîëæåíèå íåâîçìîæíî, íàæìèòå [OK], ÷òîáû ïðåðâàòü óñòàíîâêó. Çà-
2 Çàêðîéòå âñå ïðèëîæåíèÿ. òåì âûïîëíèòå èíñòðóêöèè ðàçäåëà “Óñòàíîâêà öèôðîâîé ïîäïèñè äðàéâåðà
(Windows XP)” (ñòð. 80), è ïîâòîðèòå óñòàíîâêó.
3 Âñòàâüòå ïðèëàãàåìûé äèñê CD-ROM â ïðèâîä êîìïüþòåðà.
7 Операция с A-PRO Óñòàíîâèòå â A-PRO ñåëåêòîð [POWER] â OFF.
4 Íà CD-ROM îòêðîéòå ïàïêó [Driver], çàòåì ïîäïàïêó [XP] è äâàæ-
äû íàæìèòå èêîíêó [Setup]. 8 Операция с A-PRO Êîãäà ýêðàí îòîáðàçèò “Ready to install the
Åñëè îòîáðàçèòñÿ ñîîáùåíèå “The operating system you are using is not driver”, êàáåëåì USB ïîäêëþ÷èòå A-PRO ê êîìïüþòåðó.
fig.xpdrv4-e.eps_27
supported” èëè ñîîáùåíèå î íåñîâìåñòèìîñòè ïðèëîæåíèÿ, ïðîâåðüòå âåð-
ñèþ îïåðàöèîííîé ñèñòåìû.

Åñëè îòîáðàçèòñÿ äèàëîãîâîå îêíî “Install Program As Other User”, íàæìèòå


[Cancel], ÷òîáû ïðåðâàòü óñòàíîâêó, âîéäèòå â Windows ñ ïðàâàìè àäìèíèñò-
ðàòîðà è ïîâòîðèòå óñòàíîâêó.
5 Ýêðàí îòîáðàçèò “A-PRO Driver will be installed on your
computer”. Íàæìèòå [Next].
Ïðè îòîáðàæåíèè ëþáîãî äðóãîãî ñîîáùåíèÿ ñëåäóéòå åãî ðåêîìåíäàöèÿì.
6 ×òîáû íà÷àòü óñòàíîâêó, íàæìèòå [Next].
fig.xpdrv2-e.eps_27

Ïðè îòîáðàæåíèè ëþáîãî äðóãîãî ñîîáùåíèÿ ñëåäóéòå åãî ðåêîìåíäàöèÿì.


9 Операция с A-PRO Óñòàíîâèòå â A-PRO ñåëåêòîð [POWER] â USB.
 íèæíåì ïðàâîì óãëó ýêðàíà îòîáðàçèòñÿ ñîîáùåíèå “Found New Hardware”.
* Äî ïîÿâëåíèÿ íà ýêðàíå ñîîáùåíèÿ “Found New Hardware Wizard” ìîæåò
ïðîéòè îò 10 ñåêóíä äî íåñêîëüêèõ ìèíóò.

15
Óñòàíîâêà äðàéâåðà

10 Ïðè çàïðîñå íà ñîåäèíåíèå ñ óçëîì Windows Update âûáåðèòå 12 Åñëè îòîáðàçèòñÿ äèàëîãîâîå îêíî "Hardware Installation", íà-
[No, not this time] è íàæìèòå [Next]. æìèòå [Continue Anyway] äëÿ ïðîäîëæåíèÿ óñòàíîâêè.
fig.xpwupd-e.eps fig.xpdrv7-e.eps

11 Âûáåðèòå [Install the software automatically (Recommended)] è Åñëè ïðîäîëæåíèå íåâîçìîæíî, íàæìèòå [OK], ÷òîáû ïðåðâàòü óñòàíîâêó. Çà-
íàæìèòå [Next]. òåì âûïîëíèòå èíñòðóêöèè ðàçäåëà “Óñòàíîâêà öèôðîâîé ïîäïèñè äðàéâåðà
fig.xpdrv6-e.eps
(Windows XP)” (ñòð. 80), è ïîâòîðèòå óñòàíîâêó.
13 Ýêðàí îòîáðàçèò “Completing the Found New Hardware Wizard”.
Íàæìèòå [Finish].
14 Ïî îêîí÷àíèè óñòàíîâêè îêíî “A-PRO Driver Setup” îòîáðàçèò
“Installation has been completed”.
Íàæìèòå [Close] äëÿ çàêðûòèÿ îêíà “A-PRO Driver Setup”.
Åñëè îòîáðàçèòñÿ äèàëîãîâîå îêíî "System Settings Change", íàæìèòå [Yes]
äëÿ ïåðåçàãðóçêè Windows.

Òåïåðü ïðîâåðüòå êîððåêòíîñòü óñòàíîâêè äðàéâåðà.


Óñòàíîâêà äðàéâåðà çàêîí÷åíà.
Ñì. “Ïðîâåðêà â SONAR (Windows)” (ñòð. 19).

16
Óñòàíîâêà äðàéâåðà

Mac OS X
Øàãè, âûïîëíÿåìûå â ðàìêàõ A-PRO, îòìå÷åíû ñòðîêîé Операция с A-PRO . Íå ïîäêëþ÷àéòå A-PRO ê êîìïüþòåðó, ïîêà íå áóäóò âûäàíû ñîîòâåòñòâóþùèå ýêðàííûå èíñòðóêöèè.

* Åñëè â ïðîöåññå óñòàíîâêè îòîáðàçèòñÿ äèàëîãîâîå îêíî “Authenticate” èëè fig.osx-install-e.eps

“Installer requires that you type your password”, ââåäèòå ïàðîëü àäìèíèñòðàòîðà
è íàæìèòå [OK].
* Ñîäåðæèìîå ýêðàíà çàâèñèò îò âåðñèè ñèñòåìû.

1 Îòêëþ÷èòå A-PRO è çàãðóçèòå ñèñòåìó.


Çàãðóçèòå ñèñòåìó ïðè ïîëíîì îòñóòñòâèè USB-êîììóòàöèè (çà èñêëþ÷åíèåì
êëàâèàòóðû è ìûøè USB, ïðè èõ íàëè÷èè).
2 Çàêðîéòå âñå ïðèëîæåíèÿ.
3 Âñòàâüòå ïðèëàãàåìûé äèñê CD-ROM â ïðèâîä êîìïüþòåðà. 6 Åñëè äèñïëåé îòîáðàçèò "Select a Destination", âûáåðèòå çàãðó-
çî÷íûé ïðèâîä è çàòåì íàæìèòå [Continue].
4 Äâàæäû íàæìèòå íà îäíó èç ñëåäóþùèõ èêîíîê íà CD-ROM äëÿ
çàïóñêà èíñòàëëÿòîðà. 7 Íà çàïðîñ î òèïå óñòàíîâêè íàæìèòå [Install] èëè [Upgrade].
8 Íà ñëåäóþùåì ýêðàíå íàæìèòå [Continue Installation].
ÎÑ Èíñòàëëÿòîð
9 Êîãäà óñòàíîâêà çàâåðøèòñÿ, íàæìèòå [Restart] äëÿ ïåðåçàãðóç-
Mac OS X 10.6 è ñòàðøå [APRO_USBDriver.pkg] (/Driver/10.6) êè êîìïüþòåðà.
Mac OS X 10.5 è ìëàäøå [APROUSBDriver.pkg] (/Driver/10.4_10.5) * Ïåðåçàãðóçêà ìîæåò çàíÿòü íåêîòîðîå âðåìÿ.
10 Операция с A-PRO Óñòàíîâèòå â A-PRO ñåëåêòîð [POWER] â OFF.
 íåêîòîðûõ ñëó÷àÿõ ìîæåò ïîÿâèòüñÿ ñîîáùåíèå ñ çàïðîñîì íà ïðîäîëæå-
11 Операция с A-PRO Ïîñëå ïåðåçàãðóçêè êîìïüþòåðà êàáåëåì
íèå óñòàíîâêè.  ýòîì ñëó÷àå íàæìèòå [Continue].
USB ïîäêëþ÷èòå A-PRO ê êîìïüþòåðó.
Åñëè îòîáðàçèòñÿ ñîîáùåíèå î íåâîçìîæíîñòè óñòàíîâêè, ïðîâåðüòå âåðñèþ 12 Операция с A-PRO Óñòàíîâèòå â A-PRO ñåëåêòîð [POWER] â USB.
îïåðàöèîííîé ñèñòåìû è âåðíèòåñü ê øàãó 4.
13 Äâàæäû íàæìèòå [Audio MIDI Settings] (/Applications/Utility) äëÿ
5 Ýêðàí îòîáðàçèò “Welcome to the A-PRO Driver Installer”. Íàæìè-
çàïóñêà ïðèëîæåíèÿ.
òå [Continue].
14 Âûçîâèòå äèàëîãîâîå îêíî.
Mac OS X 10.6 è ñòàðøå
 ìåíþ [Window] âûáåðèòå [Show MIDI Window] äëÿ îòêðûòèÿ “MIDI Studio”

Mac OS X 10.5 è ìëàäøå


Íàæìèòå ÿðëûê [MIDI Devices].

17
Óñòàíîâêà äðàéâåðà

15 Óáåäèòåñü, ÷òî [A-PRO] îòîáðàæàåòñÿ â äèàëîãîâîì îêíå “MIDI


Studio” èëè “Audio MIDI Settings”. New Device Èìÿ
fig.osxaudiomidi1-e.eps 1 A-PRO MIDI OUT

2 A-PRO

3 A-PRO MIDI IN

4 A-PRO 1

5 A-PRO 2

18 Ìûøüþ ïåðåòàñêèâàéòå ñòðåëêè ▲ è ▼ (îáîçíà÷àþùèå ïîðòû


âõîäîâ è âûõîäîâ) äëÿ [A-PRO] è êàæäîãî èç [New Device], ÷òîáû
ðåàëèçîâàòü ñëåäóþùóþ ñõåìó êîììóòàöèþ.
fig.osxmidiset-e.eps_32

Åñëè A-PRO íå îòîáðàæàåòñÿ èëè îòîáðàæàåòñÿ ñåðûì öâåòîì, îí ðàñïîçíàí


íåêîððåêòíî. Íàæìèòå [Rescan MIDI]. Èëè æå ïîïðîáóéòå îòêëþ÷èòü êàáåëü
USB îò A-PRO è ñíîâà ïîäêëþ÷èòü åãî.
16 Íàæìèòå [Add Device] ïÿòü ðàç.
fig.osxadddevice-e.eps

Îòîáðàçÿòñÿ ïÿòü èêîíîê [New Device].


17 Çàäàéòå èìÿ êàæäîìó èç óñòðîéñòâ [New Device].
1. Íàæìèòå äîáàâëåííûé [New Device] è íàæìèòå [Show Info].
2. Ââåäèòå èìÿ â ïîëå [Device Name]. Äëÿ êàæäîãî èç [New Device] 19 Çàêðîéòå äèàëîãîâîå îêíî “MIDI Studio” èëè “Audio MIDI Setup”.
ââåäèòå ñëåäóþùèå èìåíà. Òåïåðü ïðîâåðüòå êîððåêòíîñòü óñòàíîâêè äðàéâåðà.
fig.osxnewdevice-e.eps
Ñì. “Ïðîâåðêà â GarageBand (Mac OS X)” (ñòð. 20).

18
Óñòàíîâêà äðàéâåðà

Ïðîâåðêà êîððåêòíîñòè óñòàíîâêè


Ñëåäóþùèå ïðîöåäóðû ñëóæàò äëÿ ïðîâåðêè êîððåêòíîñòè óñòàíîâêè äðàéâåðà.
 êà÷åñòâå ïðèìåðà äëÿ Windows èñïîëüçóåòñÿ SONAR LE, äëÿ Mac OS X — GarageBand.

Ïðîâåðêà â SONAR (Windows)


 ïðèìåðå èñïîëüçîâàí ïðîãðàììíûé ìîäóëü ñèíòåçàòîðà, âõîäÿùèé â ñîñòàâ 6  ïîëå “Template” âûáåðèòå [Normal]; çàòåì ââåäèòå èìÿ ïðîåê-
SONAR LE. Ïðîöåäóðà èëè ýêðàíû çàâèñÿò îò êîíêðåòíîé âåðñèè. òà â ïîëå “Name” è íàæìèòå [OK].
Îòíîñèòåëüíî ðàáîòû ñ SONAR LE ñì. ñîîòâåòñòâóþùóþ äîêóìåíòàöèþ. fig.sonarnew.eps

1 Çàïóñòèòå SONAR LE.


2 Â ìåíþ [Options] íàæìèòå [MIDI Devices].
Îòîáðàçèòñÿ äèàëîãîâîå îêíî “MIDI Devices”.
3 Â äèàëîãîâîì îêíå “MIDI Devices” âûáåðèòå ñëåäóþùèå MIDI-óñ-
òðîéñòâà â ïîëÿõ [Inputs] è [Outputs].

Inputs Outputs

A-PRO MIDI IN
A-PRO
7 Â ìåíþ [Insert] âûáåðèòå [Soft Synths] è çàòåì [PSYN II].
A-PRO 1
A-PRO 2
A-PRO MIDI OUT 8 Â äèàëîãîâîì îêíå “Insert Soft Synth Options” â îáëàñòè [Open
These Windows] âûáåðèòå îïöèþ [Synth Property Page] è íàæìè-
Åñëè A-PRO âûáðàòü íåâîçìîæíî, îáðàòèòåñü ê ðàçäåëó “Ïðîáëåìû ñ óñòàíîâ- òå [OK].
êàìè” (ñòð. 76). fig.sonarinsertoption-e.eps_34

4 Íàæìèòå [OK] äëÿ çàêðûòèÿ äèàëîãîâîãî îêíà.


5 Â ìåíþ [File] íàæìèòå [New].
Îòîáðàçèòñÿ äèàëîãîâîå îêíî “New Project File”.

9 Èãðàéòå íà êëàâèàòóðå A-PRO.

Åñëè ìîíèòîð MIDI â ïàíåëè çàäà÷ ðåàãèðóåò, è ñëûøåí çâóê ñèíòåçàòîðà, êîììó-
òàöèÿ A-PRO ñ êîìïüþòåðîì ïðîøëà óñïåøíî.

19
Óñòàíîâêà äðàéâåðà

Ïðîâåðêà â GarageBand (Mac OS X)


Ïðîãðàììà GarageBand âõîäèò â ñîñòàâ Apple iLife. Åñëè çâóê îòñóòñòâóåò, ïðîâåðüòå ñëåäóþùåå.
• Â ìåíþ [GarageBand] íàæìèòå [Preferences]. Åñëè íà ÿðëûêå [Audio/MIDI] â ïîëå
Íèæå ïðåäïîëàãàåòñÿ, ÷òî èñïîëüçóåòñÿ GarageBand ‘09.  ñëó÷àå äðóãîé âåðñèè “MIDI Status” âõîä MIDI íå ðàñïîçíàåòñÿ, ñì. ðàçäåë “Ïðîáëåìû ñ óñòàíîâêàìè”
øàãè èëè ýêðàíû ìîãóò áûòü äðóãèìè. (ñòð. 76).
• Â “System Preferences” âûáåðèòå ÿðëûê [Sound] -> [Output]. Óáåäèòåñü, ÷òî ñèñ-
òåìíàÿ ãðîìêîñòü êîìïüþòåðà íå óñòàíîâëåíà â ìèíèìóì. Òàêæå ïðîâåðüòå,
1 Â ïàïêå [Applications] äâàæäû íàæìèòå [GarageBand]. ÷òî âûáðàíî âíóòðåííåå àóäèîóñòðîéñòâî.
2 Ïîñëå çàïóñêà GarageBand â ìåíþ [File] âûáåðèòå [New]. • Ïðè èñïîëüçîâàíèè íàóøíèêîâ óáåäèòåñü â èõ íàäåæíîé êîììóòàöèè ñ âûõîä-
íûì ðàçúåìîì êîìïüþòåðà.
3 Íà ýêðàíå “New Project” ââåäèòå èìÿ è íàæìèòå [Create]. • Åñëè ê êîìïüþòåðó ïîäêëþ÷åí àóäèîèíòåðôåéñ, îòíîñèòåëüíî êîððåêòíîñòè
fig.garageband_e.eps
åãî ïîäêëþ÷åíèÿ ñì. ñîîòâåòñòâóþùóþ äîêóìåíòàöèþ.

Åñëè çâóê íå ñëûøåí è â äðóãèõ ïðîãðàììàõ, êðîìå GarageBand, íåîáõîäèìî ïðî-


èçâåñòè óñòàíîâêè âõîäîâ/âûõîäîâ MIDI- è àóäèîóñòðîéñòâ. Äëÿ âõîäîâ/âûõîäîâ
MIDI çàäàéòå ñëåäóþùèå óñòàíîâêè.

Âõîäû Âûõîäû

A-PRO MIDI IN
A-PRO
A-PRO 1
A-PRO MIDI OUT
A-PRO 2
4 Èãðàéòå íà êëàâèàòóðå A-PRO.

Åñëè áóäåò ñëûøåí òåìáð Grand Piano, íàçíà÷åííûé íà òðåê GarageBand, êîììóòà-
öèÿ A-PRO ñ êîìïüþòåðîì ïðîøëà óñïåøíî.

20
Âîçìîæíîñòè A-PRO

Èñïîëíåíèå Èñïîëüçîâàíèå êàðò íàçíà÷åíèÿ êîíòðîëëåðîâ


Ïðè èãðå íà A-PRO ìîæíî âûáèðàòü òåìáðû â ïîäêëþ÷åííîì ê íåìó çâóêîâîì ìî-
äóëå. Òàêæå ìîæíî èãðàòü äâóìÿ çâóêàìè â ðåæèìàõ íàëîæåíèÿ (DUAL) èëè ðàçäå-
ëåíèÿ (SPLIT). Ïîíÿòèå êàðò íàçíà÷åíèÿ êîíòðîëëåðîâ
Ñì. “Èñïîëíåíèå (ðåæèì Play)” (ñòð. 41). Êàðòà íàçíà÷åíèÿ êîíòðîëëåðîâ (Control Map) îïèñûâàåò, êàêèå êîíòðîëëå-
ðû êàêèìè MIDI-óñòàíîâêàìè áóäóò óïðàâëÿòü.
Ñ ïîìîùüþ êàðò íàçíà÷åíèÿ êîíòðîëëåðîâ ìîæíî íàñòðàèâàòü êîíòðîëëåðû
íà óïðàâëåíèå óñòàíîâêàìè ðàçëè÷íûõ ïðîãðàìì, ÷òî îáëåã÷àåò àäàïòàöèþ
Èñïîëüçîâàíèå ACT óñòðîéñòâà ê ðàçëè÷íîìó ïðîãðàììíîìó îáåñïå÷åíèþ.

Ïðè ðàáîòå ñ SONAR ìîæíî èñïîëüçîâàòü A-PRO â êà÷åñòâå êîíòðîëëåðà äëÿ


A-PRO ïðåäîñòàâëÿåò 19 êàðò íàçíà÷åíèÿ êîíòðîëëåðîâ, àäàïòèðîâàííûõ ê ðàç-
SONAR. Äëÿ ýòîãî íåîáõîäèìî âêëþ÷èòü êíîïêó [ACT].
ëè÷íûì ïðîãðàììàì, ñ âîçìîæíîñòüþ èõ âûáîðà.

Ñì. ñîîòâåòñòâóþùåå ðóêîâîäñòâî.


Ïîíÿòèå ACT
Òåõíîëîãèÿ ACT (Active Controller Technology) ïîçâîëÿåò óïðàâëÿòü SONAR îò
âíåøíåãî óñòðîéñòâà, òàêîãî êàê A-PRO. Îíà ðåàëèçóåò êîíòðîëü íàä ïëàãèíà-
ìè ýôôåêòîâ èëè ñèíòåçàòîðàìè ôîðìàòà ïëàãèí â ðàìêàõ SONAR, ïîçâîëÿÿ ñý-
Ñîçäàíèå ïîëüçîâàòåëüñêèõ óñòàíîâîê
êîíîìèòü âðåìÿ, íåîáõîäèìîå äëÿ îïðåäåëåíèÿ ñîîòâåòñòâóþùèõ óñòàíîâîê.
A-PRO ïðåäîñòàâëÿåò 44 êîíòðîëëåðà; íà êàæäûé èç êîòîðûõ ìîæíî íàçíà÷àòü ëþ-
áûå MIDI-ñîîáùåíèÿ.
Ñì. äîêóìåíòàöèþ íà SONAR. Ñì. “Èñïîëüçîâàíèå A-PRO Editor” (ñòð. 22).

21
Èñïîëüçîâàíèå A-PRO Editor
Ïðîãðàììà A-PRO Editor ïîçâîëÿåò ñîçäàâàòü â êîìïüþòåðå êàðòû íàçíà÷åíèÿ
êîíòðîëëåðîâ (ñòð. 21) äëÿ óñòðîéñòâ ñåðèè A-PRO è ïðîèçâîäèòü óñòàíîâêè äëÿ Óñòàíîâêà A-PRO Editor
êëàâèàòóðû. Ðåäàêöèÿ çíà÷åíèé (óñòàíîâîê) ïðîèçâîäèòñÿ íà ãðàôè÷åñêîì äèñï-
ëåå.
fig.editor-mainwindow-e+.eps_39 Windows
1 Âëîæèòå ïðèëàãàåìûé A-PRO CD-ROM â ïðèâîä CD-ROM.
2 Íà CD-ROM îòêðîéòå ïàïêó [EDITOR] è äâàæäû íàæìèòå [SETUP]
äëÿ çàïóñêà èíñòàëëÿòîðà.
3 Îòîáðàçèòñÿ ýêðàí “Welcome to the InstallShield Wizard for A-PRO
Editor Setup”. Íàæìèòå [Next].
4 Êîãäà îòîáðàçèòñÿ îêíî “Please Read”, îçíàêîìüòåñü ñ åãî ñî-
äåðæèìûì è äëÿ ïîäòâåðæäåíèÿ íàæìèòå [Yes].
Áåç ýòîãî ïîäòâåðæäåíèÿ óñòàíîâêà A-PRO Editor íåâîçìîæíà.
A-PRO ñîäåðæèò â îáùåé ñëîæíîñòè 44 êîíòðîëëåðà: [B1] – [B4], [R1] – [R9], [L1] – 5 Îòîáðàçèòñÿ äèàëîãîâîå îêíî âûáîðà ïàïêè äëÿ óñòàíîâêè.
[L9], [S1] – [S9], [A1] – [A8], HOLD (P1), EXPRESSION (P2), BENDER, MODULATION è Ïðîñòî íàæìèòå [Next].
AFTERTOUCH. Íà êàæäûé èç íèõ ìîæíî íàçíà÷àòü ëþáîå MIDI-ñîîáùåíèå. 6 Îçíàêîìüòåñü ñ ñîäåðæèìûì îêíà “Confirmation of installation”
Ñîâîêóïíîñòü íàçíà÷åííûõ 44 ñîîáùåíèé äëÿ äàííûõ êîíòðîëëåðîâ íàçûâàåòñÿ è íàæìèòå [Next].
“êàðòîé íàçíà÷åíèÿ êîíòðîëëåðîâ”. Íà÷íåòñÿ êîïèðîâàíèå ôàéëîâ.
Ïðîñòî íàçíà÷èòü MIDI-ñîîáùåíèÿ íà êîíòðîëëåðû ìîæíî è â ñàìîì óñòðîéñòâå
A-PRO áåç èñïîëüçîâàíèÿ ïðîãðàììû ðåäàêöèè. Îäíàêî, A-PRO Editor òàêæå ïîç-
7 Ïî îêîí÷àíèè êîïèðîâàíèÿ íàæìèòå [Finish].
Óñòàíîâêà A-PRO Editor çàâåðøåíà.
âîëÿåò ïðîèçâîäèòü îáìåí äàííûìè êàðò êîíòðîëëåðîâ ìåæäó êîìïüþòåðîì è A-
PRO äëÿ ðåäàêöèè ýòèõ äàííûõ, à òàêæå ñîõðàíÿòü/çàãðóæàòü äàííûå óñòàíîâîê
êàðò êîíòðîëëåðîâ â ôîðìàòå SMF.
Ñì. “Íàçíà÷åíèå MIDI-ñîîáùåíèÿ ñ ïîìîùüþ êëàâèàòóðû A-PRO” (ñòð. 48) Mac OS X
1 Âëîæèòå ïðèëàãàåìûé A-PRO CD-ROM â ïðèâîä CD-ROM.
2 Íà CD-ROM îòêðîéòå ïàïêó [Editor] è ïåðåòàùèòå ïàïêó [A-PRO
Editor] â ïàïêó [Applications] êîìïüþòåðà (ñêîïèðóéòå åå).

Óñòàíîâêà A-PRO Editor çàâåðøåíà.

22
Èñïîëüçîâàíèå A-PRO Editor

Íàçíà÷åíèå ïîðòîâ MIDI


Äëÿ îáìåíà êàðòàìè êîíòðîëëåðîâ ìåæäó A-PRO Editor è óñòðîéñòâîì A-PRO íåîá-
õîäèìî çàäàòü ïîðòû MIDI â ðàìêàõ A-PRO Editor. Windows
* Åñëè A-PRO ïîäêëþ÷àåòñÿ ïî USB, äîñòóïíû ïîðòû, îïèñàíûå íèæå. Åñëè èñ-
ïîëüçóåòñÿ MIDI-êîììóòàöèÿ, âìåñòî “A-PRO 2” è “A-PRO” çàäàéòå âõîäíîé è âû- 1 Êàáåëåì USB ñîåäèíèòå A-PRO ñ êîìïüþòåðîì, çàòåì âêëþ÷èòå
õîäíîé MIDI-ïîðòû MIDI-óñòðîéñòâà, ê êîòîðîìó ïîäñîåäèíåí A-PRO. ïèòàíèå A-PRO.
2 Â ìåíþ [Start] ïîñëåäîâàòåëüíî âûáåðèòå [All Programs] -> [A-
PRO Editor] -> [A-PRO Editor] äëÿ çàïóñêà A-PRO Editor.
Ïîíÿòèå ïîðòà MIDI 3 Â A-PRO Editor â ìåíþ [Options] âûáåðèòå [MIDI Devices].
Ïîðò MIDI èñïîëüçóåòñÿ äëÿ îáìåíà äàííûìè MIDI ìåæäó êîìïüþòåðîì è fig.editor-device-e.eps
A-PRO. 4 Â äèàëîãîâîì îêíå MIDI Devices
çàäàéòå MIDI-óñòðîéñòâà, êàê ïî-
Âõîäíûå ïîðòû êàçàíî íà ðèñóíêå.

Âõîäíîé ïîðò Íàçíà÷åíèå 5 Íàæìèòå [OK], ÷òîáû çàêðûòü


A-PRO MIDI IN Ïðèåì äàííûõ ñ ðàçúåìà MIDI IN â A-PRO. äèàëîãîâîå îêíî.
Ïðèåì äàííûõ ñî ñëàéäåðîâ, ðåãóëÿòîðîâ èëè êíîïîê A-
A-PRO 1
PRO, êîòîðûå íàçíà÷åíû íà “PORT 1”. Mac OS X
Ïðèåì äàííûõ ñî ñëàéäåðîâ, ðåãóëÿòîðîâ èëè êíîïîê A-
A-PRO 2
PRO, êîòîðûå íàçíà÷åíû íà “PORT 2”. 1 Êàáåëåì USB ñîåäèíèòå A-PRO ñ êîìïüþòåðîì, çàòåì âêëþ÷èòå
Äëÿ ïðèåìà äàìïà äàííûõ ñ A-PRO, â êà÷åñòâå âõîäíîãî
ïîðòà âûáåðèòå [A-PRO 2].
ïèòàíèå A-PRO.
2 Äâàæäû íàæìèòå [A-PRO Editor] (/Applications/A-PRO Editor/) äëÿ
Îáúåêòû, êîòîðûìè óïðàâëÿþò MIDI-ñîîáùåíèÿ, ïåðåäàâàåìûå ïðè ìà- çàïóñêà A-PRO Editor.
íèïóëÿöèÿõ ñî ñëàéäåðàìè, ðåãóëÿòîðàìè è êíîïêàìè A-PRO, ìîæíî çà-
äàòü íåçàâèñèìî äëÿ êàæäîãî êîíòðîëëåðà. Ñì. “Äâà ïîðòà MIDI” (ñòð. 71).
3 Â A-PRO Editor â ìåíþ [Options] âûáåðèòå [MIDI Devices].
4 Â äèàëîãîâîì îêíå MIDI Devices çàäàéòå ñëåäóþùèå MIDI-óñò-
Âûõîäíûå ïîðòû ðîéñòâà.

Âûõîäíîé ïîðò Íàçíà÷åíèå Input port A-PRO 2

Ïåðåäà÷à MIDI-ñîîáùåíèé íà MIDI-óñòðîéñòâà, ïîäêëþ- Output port A-PRO


A-PRO MIDI OUT
÷åííûå ê ðàçúåìó MIDI OUT â A-PRO.

Ïåðåäà÷à MIDI-ñîîáùåíèé â A-PRO. 5 Íàæìèòå [OK], ÷òîáû çàêðûòü äèàëîãîâîå îêíî.


A-PRO Äëÿ ïåðåäà÷è äàìïà äàííûõ ñ A-PRO â êà÷åñòâå âûõîäíîãî
ïîðòà âûáåðèòå [A-PRO].

Äëÿ ïåðåäà÷è êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ, ñîçäàííîé â A-PRO Editor,


â A-PRO â êà÷åñòâå âûõîäíîãî ïîðòà íåîáõîäèìî âûáðàòü [A-PRO].

23
Èñïîëüçîâàíèå A-PRO Editor

Îêíà ïðîãðàììû
Ãëàâíîå îêíî Îêíî íàçíà÷åíèÿ ñîîáùåíèé
fig.editor-mainwindow-e.eps fig.editor04-num-e.eps, fig.editor05-num-e.eps

1 2 3 4
1
7
2
3

4 6 8
5

* Ñîäåðæèìîå îêíà çàâèñèò îò êîíòðîëëåðà è òèïà íàçíà÷àåìîãî ñîîáùåíèÿ.

1 Çàãîëîâîê 1 Èìÿ êîíòðîëëåðà


Ìîæíî çàäàòü èìÿ ðåäàêòèðóåìîé êàðòû êîíòðîëëåðîâ. Äîñòóïíî èñïîëüçîâàíèå Îòîáðàæàåò èìÿ ðåäàêòèðóåìîãî êîíòðîëëåðà.
òîëüêî îäíîáàéòíûõ ñèìâîëîâ áóêâ è öèôð. Ââåäåííîå çäåñü èìÿ îòîáðàæàåòñÿ â
âèäå çàãîëîâêà ôàéëà HTML, ýêñïîðòèðóåìîãî èç ìåíþ [File] êîìàíäîé [Export 2 Ñïèñîê Assign Message
Assign List]. Çäåñü ìîæíî âûáðàòü òèï MIDI-ñîîáùåíèÿ, íàçíà÷àåìîãî íà êîíòðîëëåð.

2 Êîíòðîëëåðû Ìåíþ Îïèñàíèå


Íàæìèòå íà êîíòðîëëåð, íà êîòîðûé íàçíà÷àåòñÿ MIDI-ñîîáùåíèå. Åñëè ïîìåñòèòü NO ASSIGN Íàçíà÷åíèå íå îïðåäåëåíî
ìûøü íàä êîíòðîëëåðîì (â îáëàñòü íàæàòèÿ), êóðñîð èçìåíèòñÿ íà , è ïðè íàæà- Channel Message Êàíàëüíûå ñîîáùåíèÿ (CC, íîòû, è ò.ä.)
òèè ìûøè îòêðîåòñÿ îêíî íàçíà÷åíèÿ ñîîáùåíèé.
System Realtime/F6 Ñîîáùåíèÿ System Realtime èëè F6 (Tune Request)

3 Íèñïàäàþùèé ñïèñîê [Control Map] System Ex. Ñîîáùåíèÿ System Exclusive äî 24 áàéòîâ

Çäåñü âûáèðàåòñÿ íîìåð ðåäàêòèðóåìîé êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ. Ñì. Free Message
Ëþáîå MIDI-ñîîáùåíèå äî 24 áàéòîâ (âîçìîæíî íàçíà÷åíèå íå-
ñêîëüêèõ ñîîáùåíèé)
“Çàãðóçêà êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ èç A-PRO” (ñòð. 31) è “Ïåðåäà÷à êàðòû
íàçíà÷åíèÿ êîíòðîëëåðîâ â A-PRO” (ñòð. 31). Tempo Ñîîáùåíèÿ òåìïà

4 [Transmit], [Receive]
Äëÿ ñîõðàíåíèÿ êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ â A-PRO ñ ïåðåçàïèñüþ ïðåäû-
äóùåé íàæìèòå [Transmit], äëÿ çàãðóçêè èç A-PRO – [Receive].

24
Èñïîëüçîâàíèå A-PRO Editor

3 Îáëàñòü íàçíà÷àåìîãî ñîîáùåíèÿ 7 Name


Çäåñü çàäàþòñÿ çíà÷åíèÿ ðàçëè÷íûõ ïàðàìåòðîâ MIDI-ñîîáùåíèÿ, âûáðàííîãî â Ìîæíî çàäàòü èìÿ íàçíà÷åííîé íà êîíòðîëëåð ôóíêöèè; îíî áóäåò îòîáðàæàòüñÿ
ñïèñêå Assign Message 2 . íà äèñïëåå A-PRO. Äîñòóïíî èñïîëüçîâàíèå äî 16 îäíîáàéòíûõ ñèìâîëîâ áóêâ è
Îòíîñèòåëüíî ïàðàìåòðîâ MIDI-ñîîáùåíèé ñì. “Ïàðàìåòðû ñîîáùåíèé” (ñòð. 33) öèôð. Ââåäåííîå çäåñü èìÿ îòîáðàæàåòñÿ â ïîëå “PARAMETER” ôàéëà HTML, ýêñ-
ïîðòèðóåìîãî èç ìåíþ [File] êîìàíäîé [Export Assign List].
4 Output Port
Îïðåäåëÿåò ïîðò USB, ÷åðåç êîòîðûé MIDI-ñîîáùåíèÿ ïåðåäàþòñÿ íà ïîðò USB 8 Virtual Center Click
êîìïüþòåðà. Åñëè êîíòðîëëåð îòíîñèòñÿ ê [R1] – [R9] èëè [S1] – [S9], ìîæíî çàäàòü óñòàíîâêó âèð-
òóàëüíîãî öåíòðà (ñòð. 55).
Ïîðò Îïèñàíèå Ýòî ïîçâîëÿåò ðàñøèðèòü îáëàñòü, â êîòîðîé êîíòðîëëåð ãåíåðèðóåò ñðåäíåå çíà-
÷åíèå èç ñâîåãî ðàáî÷åãî äèàïàçîíà.
Port 1 MIDI-ñîîáùåíèÿ ïåðåäàþòñÿ ÷åðåç “A-PRO 1”.

Port 2 MIDI-ñîîáùåíèÿ ïåðåäàþòñÿ ÷åðåç “A-PRO 2”. Ðåæèì Îïèñàíèå


Port 1+2 MIDI-ñîîáùåíèÿ ïåðåäàþòñÿ ÷åðåç “A-PRO 1” è “A-PRO 2”. OFF Ðåæèì îòêëþ÷åí

ON Ðåæèì âêëþ÷åí
5 Button Mode
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, çäåñü îïðåäåëÿåòñÿ ðåæèì åå ðàáîòû.

Ðåæèì Îïèñàíèå

Unlatch Âêëþ÷åíèå ïðè íàæàòèè êíîïêè; îòêëþ÷åíèå ïðè åå îòïóñêàíèè.

Ïðè êàæäîì íàæàòèè êíîïêè ïðîèñõîäèò ïåðåêëþ÷åíèå ñîñòîÿíèÿ


Latch
ìåæäó âêëþ÷åííûì è âûêëþ÷åííûì.

Ïðè êàæäîì íàæàòèè êíîïêè çíà÷åíèå óâåëè÷èâàåòñÿ íà åäèíèöó


(èëè óìåíüøàåòñÿ íà åäèíèöó, åñëè ìàêñèìàëüíîå çíà÷åíèå íèæå
Increase ìèíèìàëüíîãî). Êîãäà çíà÷åíèå äîñòèãàåò ìàêñèìóìà (ìèíèìóìà),
ïðîèñõîäèò ïåðåõîä ê ìèíèìàëüíîìó (ìàêñèìàëüíîìó) çíà÷åíèþ.
* Íåäîñòóïíî äëÿ ñîîáùåíèé Note.

6 AFT Mode
Åñëè êîíòðîëëåð îòíîñèòñÿ ê [A1] – [A8], ìîæíî çàäàòü óñòàíîâêè ïîñëåêàñàíèÿ.

Ðåæèì Îïèñàíèå

OFF Îòñóòñòâóåò

Channel Pressure Ïåðåäàþòñÿ ñîîáùåíèÿ êàíàëüíîãî ïîñëåêàñàíèÿ

Polyphonic Key Pressure Ïåðåäàþòñÿ ñîîáùåíèÿ ïîëèôîíè÷åñêîãî ïîñëåêàñàíèÿ

25
Èñïîëüçîâàíèå A-PRO Editor

5 Óñòàíîâêè äèàïàçîíà êëàâèàòóðû


Îêíî Keyboard Set
Çàäàåò íèæíþþ ãðàíèöó äèàïàçîíà ïàðòèè UPPER è âåðõíþþ äëÿ ïàðòèè LOWER.
fig.keyboarset-e.eps

1 2 3 4 5 6 [Transmit], [Receive]
Íàæìèòå [Transmit] äëÿ ñîõðàíåíèÿ íàáîðà óñòàíîâîê êëàâèàòóðû â A-PRO. Íà-
æìèòå [Receive] äëÿ çàãðóçêè íàáîðà óñòàíîâîê êëàâèàòóðû èç A-PRO.

7 Êíîïêè Setting
Îïðåäåëÿþò êíîïêó ([SPLIT]/[DUAL]/[LOWER]), íà êîòîðóþ íàçíà÷àåòñÿ íàáîð óñòà-
íîâîê êëàâèàòóðû.

8 [Close]
6 7 8
Çàêðûâàåò îêíî Keyboard Set.

Ïîíÿòèå Keyboard Set


Ñîâîêóïíîñòü óñòàíîâîê îòíîñÿùèõñÿ ê êëàâèàòóðå, âêëþ÷àÿ MIDI-êàíàë,
òî÷êó ðàçäåëà ïàðòèé UPPER è LOWER, à òàêæå óñòàíîâêè îêòàâ, íàçûâàåò-
ñÿ “íàáîðîì óñòàíîâîê êëàâèàòóðû (keyboard set)”.
Ñ ïîìîùüþ A-PRO Editor ìîæíî ñîçäàâàòü íàáîðû óñòàíîâîê êëàâèàòóðû
è íàçíà÷àòü èõ íà êíîïêè [SPLIT]/[DUAL]/[LOWER].
* Ñîõðàíèòü íàáîð óñòàíîâê êëàâèàòóðû â êîìïüþòåð íåâîçìîæíî.

1 Octave
Çàäàåò îêòàâó äëÿ ïàðòèé UPPER è LOWER.

2 Transpose
Çàäàåò òðàíñïîíèðîâàíèå êëàâèàòóðû.

3 MIDI Channel
Çàäàåò MIDI-êàíàë ïàðòèé UPPER è LOWER.

4 Active Part
Çàäàåò ïàðòèþ (ïàðòèè), íà êîòîðûå âîçäåéñòâóþò êîëåñî [VALUE] è êîíòðîëëåðû
BENDER, MODULATION, AFTERTOUCH, HOLD èëè EXPRESSION.

26
Èñïîëüçîâàíèå A-PRO Editor

Ìåíþ
File Options

Ìåíþ Îïèñàíèå Ìåíþ Îïèñàíèå

Ñîçäàåò íîâóþ êàðòó íàçíà÷åíèÿ êîíòðîëëåðîâ. Èçìåíÿåò ïàðàìåòð [LOWER], [DUAL] èëè [SPLIT] íàáîðà óñòàíî-
Show Keyboard Panel
New  íîâîé êàðòå îòñóòñòâóþò êàêèå ëèáî íàçíà÷åíèÿ MIDI-ñîîáùå- âîê êëàâèàòóðû.
íèé íà êîíòðîëëåðû.
Çàäàåò ïîðòû MIDI äëÿ ñâÿçè ñ êëàâèàòóðîé A-PRO.
MIDI Devices
Çàãðóæàåò êàðòó íàçíà÷åíèÿ êîíòðîëëåðîâ, ñîõðàíåííóþ â ôîð- Ñì. “Íàçíà÷åíèå ïîðòîâ MIDI” (ñòð. 23).
Open ìàò SMF. Ñì. “Çàãðóçêà êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ, ñîõðà-
íåííîé â êîìïüþòåðå” (ñòð. 32). Îòîáðàæàåò íàçíà÷åíèÿ MIDI-ñîîáùåíèé íà êîíòðîëëåðû â
Show Messages ãëàâíîì îêíå A-PRO Editor. Ñì. “Ïðîâåðêà íàçíà÷åíèÿ MIDI-ñî-
Ñîõðàíÿåò òåêóùóþ êàðòó íàçíà÷åíèÿ êîíòðîëëåðîâ â ôîðìàòå îáùåíèé” (ñòð. 30).
Save
SMF ñ ïåðåçàïèñüþ ïðåäûäóùåé.

Ñîõðàíÿåò òåêóùóþ êàðòó íàçíà÷åíèÿ êîíòðîëëåðîâ â ôîðìàòå


Save As SMF ñ âîçìîæíîñòüþ ïåðåèìåíîâàíèÿ. Ñì. “Çàãðóçêà êàðòû íà-
çíà÷åíèÿ êîíòðîëëåðîâ, ñîõðàíåííîé â êîìïüþòåðå” (ñòð. 32).
Help
Âûâîäèò â ôîðìàòå HTML ñïèñîê âñåõ íàçíà÷åííûõ íà êîíòðîë-
ëåðû ñîîáùåíèé òåêóùåé êàðòû.
Export Assign List
* Ñîçäàííûé ôàéë HTML íåâîçìîæíî çàãðóçèòü êîìàíäîé
[Open] ìåíþ [File]. Ìåíþ Îïèñàíèå

View Assign list Îòîáðàæàåò íàçíà÷åííûå MIDI-ñîîáùåíèÿ â âåá-áðàóçåðå. About Îòîáðàæàåò âåðñèþ A-PRO Editor.

Recently Used Files Îòîáðàæàåò ñïèñîê èñïîëüçîâàííûõ ïîñëåäíèìè ôàéëîâ.

Edit

Ìåíþ Îïèñàíèå

Copy Êîïèðóåò óñòàíîâêè âûáðàííîãî êîíòðîëëåðà â áóôåð îáìåíà.

Âñòàâëÿåò óñòàíîâêè èç áóôåðà îáìåíà â âûáðàííûé êîíòðîë-


Paste
ëåð.

No Assign Ñáðàñûâàåò íàçíà÷åíèå âûáðàííîãî êîíòðîëëåðà â No Assign.

27
Èñïîëüçîâàíèå A-PRO Editor

“Ãîðÿ÷èå” êëàâèøè
Ïðè ðàáîòå ñ A-PRO Editor äîñòóïíû ñëåäóþùèå “ãîðÿ÷èå” êëàâèøè.

Êëàâèøè Êëàâèøè
Êîìàíäà
(Windows) (Mac OS X)

[File] – [New] Ctrl + N Command + N

[File] – [Open] Ctrl + O Command + O

[File] – [Save] Ctrl + S Command + S

[File] – [Save As] Ctrl + Shift + S Command + Shift + S

[File] – [Exit] Alt + F4 Command + Q

[Edit] – [Copy] Ctrl + C Command + C

[Edit] – [Paste] Ctrl + V Command + V

[Edit] – [NO ASSIGN] Del Del

Ñëåäóþùèé êîíòðîëëåð Ctrl + F Command + F

Ïðåäûäóùèé êîíòðîëëåð Ctrl + B Command + B

 òåêñòîâûõ îêíàõ, íàïðèìåð, â ïîëå çàãîëîâêà ãëàâíîãî îêíà, “ãîðÿ÷èå” êëàâèøè


äëÿ êîìàíä [Copy] è [Paste] ìåíþ [Edit] ìîæíî èñïîëüçîâàòü äëÿ îïåðàöèé ñ òåêñ-
òîì.

28
Èñïîëüçîâàíèå A-PRO Editor

Èñïîëüçîâàíèå êàðò íàçíà÷åíèÿ êîíòðîëëåðîâ


Íàçíà÷åíèå MIDI-ñîîáùåíèé
Íèæå îïèñàíà ïðîöåäóðà íàçíà÷åíèÿ MIDI-ñîîáùåíèé íà êîíòðîëëåðû. fig.editor-assign4.eps

fig.editor-assign1.eps
4 Â ïîëå Output Port çàäàéòå âû-
õîäíîé ïîðò MIDI.
1 Â ãëàâíîì îêíå íàæìèòå íà êîí-
òðîëëåð, íà êîòîðûé íàçíà÷à- 5 Ïðè æåëàíèè ââåäèòå èìÿ â ïî-
ëå Name.
åòñÿ MIDI-ñîîáùåíèå.
6 Íàæìèòå [OK].

fig.editor-assign2.eps

2  îêíå íàçíà÷åíèÿ ñîîáùåíèé â


ïîëå Assign Message âûáåðèòå
òèï íàçíà÷àåìîãî MIDI-ñîîáùå-
íèÿ.

fig.editor-assign3.eps

3 Ñîãëàñíî òèïó âûáðàííîãî


MIDI-ñîîáùåíèÿ â ïîëÿõ îáëàñ-
òè íàçíà÷åíèÿ çàäàéòå ïàðà-
ìåòðû.
Ñì. “Ïàðàìåòðû ñîîáùåíèé” (ñòð. 33).

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Èñïîëüçîâàíèå A-PRO Editor

Ïðîâåðêà íàçíà÷åíèÿ MIDI-ñîîáùåíèé


Äëÿ ïðîâåðêè íàçíà÷åííûõ MIDI-ñîîáùåíèé ñóùåñòâóåò äâà ñïîñîáà. Èíäèêàöèÿ Îïèñàíèå

NO ASSIGN
Ïðîñìîòð ñïèñêà íàçíà÷åíèé
×òîáû ïðîñìîòðåòü ñïèñîê íàçíà÷åíèé ñ ïîìîùüþ âåá-áðàóçåðà, â ìåíþ [File] âû- Note

áåðèòå êîìàíäó [View Assign List]. Channel Pressure


Ýòî – ñòàíäàðòíûé ñïîñîá ïðîñìîòðà âñåõ óñòàíîâîê êàðòû íàçíà÷åíèÿ êîíòðîë-
ëåðîâ. Polyphonic Key Pressure
×òîáû ñîõðàíèòü ñïèñîê íàçíà÷åíèé â êà÷åñòâå ôàéëà HTML, â ìåíþ [File] âûáåðè-
Control Change
òå êîìàíäó [Export Assign List...]. Â äèàëîãîâîì îêíå “Save As” âûáåðèòå ìåñòîïîëî-
æåíèå ôàéëà, çàäàéòå åìó èìÿ è íàæìèòå [Save]. Program Change

Ïðîñìîòð íàçíà÷åííûõ ñîîáùåíèé Program Change (Min-Max)

×òîáû ïðîñìîòðåòü óñòàíîâêè êîíòðîëëåðîâ â ãëàâíîì îêíå, â ìåíþ [Options] âû- Bank Select + Program Change
áåðèòå êîìàíäó [Show Messages] è óñòàíîâèòå ôëàæîê [Show Assigned Messages].
Program Change - Dec
Òåêóùèå íàçíà÷åíèÿ áóäóò îòîáðàæàòüñÿ ñëåäóþùèì îáðàçîì.
fig.editor-assignmessage.eps
Program Change - Inc

RPN

NRPN

Encoder Simulate

System Realtime/F6

System Ex.

Free Message

Tempo

Öâåò îáîçíà÷àåò âûõîäíîé ïîðò.


Öâåò Âûõîäíîé ïîðò
Æåëòûé Port 1
Ñâåòëî-ñèíèé Port 2
Ñâåòëî-çåëåíûé Port 1 + 2
Ðîçîâûé NO ASSIGN

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Èñïîëüçîâàíèå A-PRO Editor

Çàãðóçêà êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ èç A-PRO Ïåðåäà÷à êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ â A-PRO
×òîáû ðåäàêòèðîâàòü êàðòó íàçíà÷åíèÿ êîíòðîëëåðîâ A-PRO ïîñðåäñòâîì A-PRO ×òîáû èñïîëüçîâàòü â A-PRO óñòàíîâêè êîíòðîëëåðîâ, ñîçäàííûå â A-PRO Editor,
Editor, âûïîëíèòå ñëåäóþùóþ ïðîöåäóðó çàãðóçêè. âûïîëíèòå ñëåäóþùóþ ïðîöåäóðó.
fig.editor-rcv1.eps fig.editor-trans1.eps

1 Â ñïèñêå [Control Map] âûáåðèòå íî- 1 Â ñïèñêå [Control Map] âûáåðèòå íî-
ìåð ðåäàêòèðóåìîé êàðòû. ìåð, ïîä êîòîðûì íåîáõîäèìî áó-
2 Íàæìèòå [Receive]. äåò ñîõðàíèòü êàðòó íàçíà÷åíèÿ
êîíòðîëëåðîâ.
2 Íàæìèòå [Transmit].

fig.editor-rev3-e.eps_50 fig.editor-trans3-e.eps_50

3 Â îòîáðàçèâøåìñÿ äèàëîãîâîì îê- 3 Â îòîáðàçèâøåìñÿ äèàëîãîâîì îê-


íå íàæìèòå [Continue]. íå íàæìèòå [Continue].

fig.editor-trans4-e.eps_40 fig.editor-trans4-e.eps_40

4 Îòîáðàçèòñÿ îêíî çàãðóçêè. 4 Îòîáðàçèòñÿ îêíî ïåðåäà÷è.


Ïîñëå çàâåðøåíèÿ îïåðàöèè îêíî çàêðîåò- Ïîñëå çàâåðøåíèÿ îïåðàöèè îêíî çàêðîåò-
ñÿ. ñÿ.

31
Èñïîëüçîâàíèå A-PRO Editor

Ñîõðàíåíèå êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ Çàãðóçêà êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ,


â êîìïüþòåð ñîõðàíåííîé â êîìïüþòåðå
Óñòàíîâêè êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ ìîæíî íå òîëüêî ïåðåäàòü èç A-PRO Óñòàíîâêè êàðòû íàçíà÷åíèÿ êîíòðîëëåðîâ, ñîõðàíåííûå â êîìïüþòåðå â êà÷åñò-
Editor â A-PRO, íî òàêæå è ñîõðàíèòü â êîìïüþòåð â êà÷åñòâå ôàéëà SMF. âå ôàéëà SMF, ìîæíî çàãðóçèòü â A-PRO Editor.
Âûïîëíèòå ñëåäóþùóþ ïðîöåäóðó. Âûïîëíèòå ñëåäóþùóþ ïðîöåäóðó.

1 Â ìåíþ [File] âûáåðèòå êîìàíäó [Save As]. 1 Â ìåíþ [File] âûáåðèòå êîìàíäó [Open].
×òîáû ïåðåïèñàòü îòêðûòûé ôàéë, â ìåíþ [File] âûáåðèòå êîìàíäó [Save]. 2 Âûáåðèòå ôàéë SMF è íàæìèòå [Open].
2 Ââåäèòå èìÿ ôàéëà è íàæìèòå [Save].
* Ôàéë SMF, íå ñîäåðæàùèé äàííûõ êàðò êîíòðîëëåðîâ A-PRO, îòêðûòü íåâîç-
ìîæíî. Ôàéë SMF äîëæåí ñîäåðæàòü óñòàíîâêè âñåõ êîíòðîëëåðîâ.
* Ñîäåðæèìîå ïîëÿ Name ìîæíî çàãðóçèòü òîëüêî èç ôàéëà SMF, ñîõðàíåííîãî
ïîñðåäñòâîì A-PRO Editor.
* Çàãðóçêà äàííûõ êàðò êîíòðîëëåðîâ óñòðîéñòâ PCR-300/500/800 è áîëåå ðàí-
íèõ ìîäåëåé ñåðèè PCR íå ïîääåðæèâàåòñÿ.

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Èñïîëüçîâàíèå A-PRO Editor

Ïàðàìåòðû ñîîáùåíèé
Ýëåìåíòû, îòîáðàæàåìûå â îêíå íàçíà÷åíèÿ ñîîáùåíèé, çàâèñÿò îò âûáðàííîãî MIDI-ñîîáùåíèÿ. Íèæå îïèñàíû óñòàíîâêè âñåõ äîñòóïíûõ MIDI-ñîîáùåíèé. Çíà÷åíèÿ ïàðàìåòðîâ
ïðèâîäÿòñÿ â äåñÿòè÷íîé ñèñòåìå.
Ïîäðîáíååå ïîëå Settings îïèñàíî â “Îêíî íàçíà÷åíèÿ ñîîáùåíèé” (ñòð. 24).

NO ASSIGN Channel Message


Îòìåíÿåò âñå íàçíà÷åíèÿ. Íàçíà÷àåò êàíàëüíîå ñîîáùåíèå. Channel Pressure
Åñëè êîíòðîëëåð íàçíà÷åí íà NO ASSIGN, ïðè ìàíè-  ïîëå Type âûáåðèòå òèï íàçíà÷àåìîãî ñîîáùåíèÿ. Íàçíà÷àåò êàíàëüíîå ïîñëåêàñàíèå.
ïóëÿöèÿõ ñ íèì íèêàêèå ñîîáùåíèÿ íå ïåðåäàþòñÿ. Â çàâèñèìîñòè îò òèïà ñîîáùåíèÿ óñòàíîâèòå ñëåäó- fig.editor-chpress.eps

fig.editor-noassign.eps þùèå ïàðàìåòðû.

Note
Íàçíà÷àåò íîòíîå ñîîáùåíèå.
fig.editor-note.eps

Çàäàéòå ñëåäóþùèå ïàðàìåòðû.


Ïàðàìåòðû îòñóòñòâóþò.
* Åñëè HOLD, EXPRESSION, BENDER, MODULATION Ïîëå Îïèñàíèå
èëè AFTERTOUCH óñòàíîâëåíû â NO ASSIGN, ñîîò-
MIDI Channel MIDI-êàíàë
âåòñòâóþùèé êîíòðîëëåð áóäåò óïðàâëÿòü ôóíê-
öèåé, ïðåäóñìîòðåííîé ïî óìîë÷àíèþ. Ïðè ýòîì Min Value Íèæíåå çíà÷åíèå ïîñëåêàñàíèÿ
Çàäàéòå ñëåäóþùèå ïàðàìåòðû.
â êà÷åñòâå ïåðåäàþùåãî èñïîëüçóåòñÿ òåêóùèé
Max Value Âåðõíåå çíà÷åíèå ïîñëåêàñàíèÿ
MIDI-êàíàë.
Ïîëå Îïèñàíèå

MIDI Channel MIDI-êàíàë

Note Number Íîìåð íîòû

Velocity Velocity

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Èñïîëüçîâàíèå A-PRO Editor

Channel Message

Polyphonic Key Pressure Control Change Program Change


Íàçíà÷àåò ïîëèôîíè÷åñêîå ïîñëåêàñàíèå. Íàçíà÷àåò ñîîáùåíèå Control Change. Íàçíà÷àåò ñîîáùåíèå Program Change (ñ ôèêñèðî-
âàííûì çíà÷åíèåì).
fig.editor-poly.eps fig.editor-cc.eps fig.editor-pc.eps

Çàäàéòå ñëåäóþùèå ïàðàìåòðû. Çàäàéòå ñëåäóþùèå ïàðàìåòðû. Çàäàéòå ñëåäóþùèå ïàðàìåòðû.

Ïîëå Îïèñàíèå Ïîëå Îïèñàíèå Ïîëå Îïèñàíèå

MIDI Channel MIDI-êàíàë MIDI Channel MIDI-êàíàë MIDI Channel MIDI-êàíàë

Note Number Íîìåð íîòû Control Number Íîìåð êîíòðîëëåðà PC Number Íîìåð ïðîãðàììû

Min Value Íèæíåå çíà÷åíèå ïîñëåêàñàíèÿ Íèæíèé ïðåäåë çíà÷åíèÿ êîíòðîë-


Min Value
ëåðà * Äèàïàçîí íîìåðîâ ïðîãðàìì: 1 – 128.
Max Value Âåðõíåå çíà÷åíèå ïîñëåêàñàíèÿ
Âåðõíèé ïðåäåë çíà÷åíèÿ êîíòðîë-
Max Value
ëåðà

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Èñïîëüçîâàíèå A-PRO Editor

Channel Message

Program Change (Min-Max) Bank Select + Program Change Program Change – Dec
Íàçíà÷àåò ñîîáùåíèå Program Change (ñ èçìåíÿå- Íàçíà÷àåò ñîîáùåíèÿ Bank Select è Program Change Íàçíà÷àåò ôóíêöèþ óìåíüøåíèÿ íîìåðà ïðîãðàì-
ìûì çíà÷åíèåì). (ñ ôèêñèðîâàííûìè çíà÷åíèÿìè). ìû íà åäèíèöó (PC DEC).
fig.editor-pcmm.eps fig.editor-bankpc.eps Ïåðåäàåòñÿ ñîîáùåíèå Program Change ñ íîìåðîì,
íà åäèíèöó ìåíüøèì, ÷åì â ïîñëåäíåì ïåðåäàííîì
â A-PRO ñîîáùåíèè Program Change.
fig.editor-pcdec.eps

Çàäàéòå ñëåäóþùèå ïàðàìåòðû. Çàäàéòå ñëåäóþùèå ïàðàìåòðû.

Ïîëå Îïèñàíèå Ïîëå Îïèñàíèå


Ïàðàìåòðû îòñóòñòâóþò.
MIDI Channel MIDI-êàíàë MIDI Channel MIDI-êàíàë

Min Number Íèæíèé ïðåäåë íîìåðîâ ïðîãðàìì. Bank MSB Íîìåð áàíêà MSB

Max Number Âåðõíèé ïðåäåë íîìåðîâ ïðîãðàìì. Bank LSB Íîìåð áàíêà LSB

PC Number Íîìåð ïðîãðàììû


* Äèàïàçîí íîìåðîâ ïðîãðàìì: 1 – 128.
* Äèàïàçîí íîìåðîâ ïðîãðàìì: 1 – 128.

35
Èñïîëüçîâàíèå A-PRO Editor

Channel Message

Program Change – Inc RPN NRPN


Íàçíà÷àåò ôóíêöèþ óâåëè÷åíèÿ íîìåðà ïðîãðàììû Íàçíà÷àåò íîìåð çàðåãèñòðèðîâàííîãî ïàðàìåòðà. Íàçíà÷àåò íîìåð íåçàðåãèñòðèðîâàííîãî ïàðàìåò-
íà åäèíèöó (PC INC). fig.editor-rpn.eps ðà.
Ïåðåäàåòñÿ ñîîáùåíèå Program Change ñ íîìåðîì, fig.editor-nrpn.eps

íà åäèíèöó áîëüøèì, ÷åì â ïîñëåäíåì ïåðåäàííîì


â A-PRO ñîîáùåíèè Program Change.
fig.editor-pcinc.eps

Çàäàéòå ñëåäóþùèå ïàðàìåòðû.


Çàäàéòå ñëåäóþùèå ïàðàìåòðû.
Ïîëå Îïèñàíèå
Ïîëå Îïèñàíèå
MIDI Channel MIDI-êàíàë
Ïàðàìåòðû îòñóòñòâóþò.
MIDI Channel MIDI-êàíàë
RPN MSB MSB íîìåðà ïàðàìåòðà RPN
NRPN MSB MSB íîìåðà ïàðàìåòðà NRPN
RPN LSB LSB íîìåðà ïàðàìåòðà RPN
NRPN LSB LSB íîìåðà ïàðàìåòðà NRPN
MSB Min Value Íèæíèé ïðåäåë MSB äàííûõ
MSB Min Value Íèæíèé ïðåäåë MSB äàííûõ
MSB Max Value Âåðõíèé ïðåäåë MSB äàííûõ
MSB Max Value Âåðõíèé ïðåäåë MSB äàííûõ
* Äèàïàçîí äîñòóïíûõ çíà÷åíèé LSB îãðàíè÷åí
äèàïàçîíîì 0 – 127 è íå ìîæåò èçìåíÿòüñÿ. * Äèàïàçîí äîñòóïíûõ çíà÷åíèé LSB îãðàíè÷åí
äèàïàçîíîì 0 – 127 è íå ìîæåò èçìåíÿòüñÿ.

36
Èñïîëüçîâàíèå A-PRO Editor

Channel Message System Realtime/F6

Encoder Simulate
Íàçíà÷àåò ôóíêöèþ, èìèòèðóþùóþ âðàùàþùèéñÿ Íàçíà÷àåò ñîîáùåíèå System Realtime èëè F6 (Tune
ýíêîäåð. Request).
fig.editor-encsim.eps fig.editor-realtime.eps

Çàäàéòå ñëåäóþùèå ïàðàìåòðû. Äëÿ System Realtime/F6 â ïîëå Status âûáåðèòå íà-
çíà÷àåìîå ñîîáùåíèå.
Ïîëå Îïèñàíèå
Ïîëå Îïèñàíèå
MIDI Channel MIDI-êàíàë
F6 Tune request
Control Number Íîìåð êîíòðîëëåðà
F8 Timing clock
* Ïðè íàçíà÷åíèè íà êíîïêó äàííîå ñîîáùåíèå íå FA Start
ïðîèçâîäèò íèêàêîãî ýôôåêòà.
FB Continue

FC Stop

FF System reset

37
Èñïîëüçîâàíèå A-PRO Editor

System Ex. Òàáëèöà 1: Ñïåöèàëüíûå ñèìâîëû, èñïîëüçóåìûå â ïîëå ñîîá-


Íàçíà÷àåò ñèñòåìíîå ýêñêëþçèâíîå ñîîáùåíèå (System Ex.). ùåíèÿ
Äîñòóïåí ââîä äî 24 áàéòîâ. Ñèìâîë Îïèñàíèå Äåòàëè
fig.editor-sysex.eps
DT Ïîçèöèÿ ââîäà äàííûõ Âñòàâêà äàííûõ, çàäàííûõ ïîñðåäñòâîì Data Type.
Åñëè ôóíêöèÿ àâòîìàòè÷åñêîãî âû÷èñëåíèÿ êîíòðîëü-
Íà÷àëî âû÷èñëåíèÿ
SS íîé ñóììû âêëþ÷åíà, îïðåäåëÿåò ïîçèöèþ íà÷àëà âû-
êîíòðîëüíîé ñóììû
÷èñëåíèÿ êîíòðîëüíîé ñóììû.
Ïðè àâòîìàòè÷åñêîì âû÷èñëåíèè êîíòðîëüíîé ñóììû
îïðåäåëÿåò ïîçèöèþ ââîäà è òèï êîíòðîëüíîé ñóììû.
Ïîçèöèÿ ââîäà è òèï
S1/S2 S1: Ñòàíäàðòíûé òèï, èñïîëüçóåìûé Roland è äðóãèìè
êîíòðîëüíîé ñóììû
ïðîèçâîäèòåëÿìè.
S2: Âûáåðèòå, åñëè èñïîëüçóåòñÿ îòëè÷íûé îò S1 òèï.
Ïðè ââîäå â ýêñêëþçèâíîå ñîîáùåíèå íîìåðà êàíàëà,
Êàíàë (? – ëþáîå çíà- çàäàåò åãî ïîçèöèþ è ñòàðøèå 4 áèòà (ñ ôèêñèðîâàííûì
?n
÷åíèå ìåæäó 0 è 7) çíà÷åíèåì 0 – 7).  ñåêöèþ êàíàëà ââîäèòñÿ òåêóùèé êà-
íàë A-PRO.
Ïðè ââîäå â ýêñêëþçèâíîå ñîîáùåíèå íîìåðà áëîêà GS,
Íîìåð áëîêà (? – ëþ-
çàäàåò åãî ïîçèöèþ è ñòàðøèå 4 áèòà (ñ ôèêñèðîâàííûì
?x áîå çíà÷åíèå ìåæäó 0
çíà÷åíèåì 0 – 7). Áóäåò ââåäåí òåêóùèé êàíàë A-PRO,
è 7)
ïðåîáðàçîâàííûé â íîìåð áëîêà.

Çàäàéòå ñëåäóþùèå ïàðàìåòðû.


Òàáëèöà 2: Òèïû äàííûõ â ïîëå Data Type
Ïîëå Îïèñàíèå Òèï äàííûõ Äëèíà äàííûõ Äèàïàçîí çíà÷åíèé Min Value / Max Value

Ñëóæèò äëÿ ââîäà ñèñòåìíîãî ýêñêëþçèâíîãî ñîîáùåíèÿ äëèíîé äî DT0: 7 áèò 1 áàéò Äèàïàçîí îò 0 äî 127 (0 – 127)
24 áàéòîâ. Ââîäèòå êàæäûé áàéò â âèäå øåñòíàäöàòèðè÷íîãî çíà÷å-
íèÿ, ðàçäåëÿÿ èõ îäíîáàéòíûìè ïðîáåëàìè. Äèàïàçîí äëÿ ïåðâîãî áàéòà (0 – 15)
DT1: 4 áèò/4 áèò 2 áàéòà
* Âòîðîé áàéò èìååò ôèêñèðîâàííîå çíà÷åíèå 0 – 15
Èìåþòñÿ ñëåäóþùèå îãðàíè÷åíèÿ.
* Ñîîáùåíèå äîëæíî íà÷èíàòüñÿ ñ “F0” è çàêàí÷èâàòüñÿ “F7”. DT2: 7 áèò/7 áèò Äèàïàçîí äëÿ MSB (0 – 127)
Ïîëå ñîîáùåíèÿ 2 áàéòà
* Îäíîâðåìåííî ââîäèòñÿ òîëüêî îäíî ýêñêëþçèâíîå ñîîáùåíèå. (MSB/LSB) * LSB èìååò ôèêñèðîâàííîå çíà÷åíèå 0 – 127
* Äîñòóïåí ââîä òîëüêî ýêñêëþçèâíûõ ñîîáùåíèé.
DT3: 7 áèò/7 áèò Äèàïàçîí äëÿ MSB (0 – 127)
2 áàéòà
Âîçìîæíî èñïîëüçîâàíèå ñïåöñèìâîëîâ, ñì. “Òàáëèöà 1: Ñïåöèàëü- (LSB/MSB) * LSB èìååò ôèêñèðîâàííîå çíà÷åíèå 0 – 127
íûå ñèìâîëû, èñïîëüçóåìûå â ïîëå ñîîáùåíèÿ” (ñòð. 38). Åñëè èñ-
DT4: 4 áèò/4 Äèàïàçîí èçìåíåíèé (0 – 255) ìåæäó îòðèöàòåëüíûì íàïðàâ-
ïîëüçóåòñÿ ñïåöñèìâîë “DT”, â ïîëå Data Type çàäàéòå òèï äàííûõ. 4 áàéòà
áèò/4 áèò/4 áèò ëåíèåì (Min) è ïîëîæèòåëüíûì (Max) ñ öåíòðîì â 8000h.
Åñëè â ïîëå ñîîáùåíèÿ èñïîëüçóåòñÿ ñïåöñèìâîë “DT”, çäåñü çàäàåò-
Data Type ñÿ òèï äàííûõ, ââîäèìûõ â çàäàííóþ ïîçèöèþ. Ñì. “Òàáëèöà 2: Òèïû
äàííûõ â ïîëå Data Type” (ñòð. 38).
Ïðèìåð ââîäà
1. Â ïîëå ñîîáùåíèÿ ââåäèòå ñëåäóþùåå: Номер блока 1 байт
Min Value Íèæíèé ïðåäåë çíà÷åíèé äàííûõ
F0 41 10 42 12 SS 40 1X 32 DT S1 F7 F0 41 10 42 12 SS 40 1x 32 DATA SUM F7
Max Value Âåðõíèé ïðåäåë çíà÷åíèé äàííûõ Адрес Данные
2. Â ïîëå Data Type âûáåðèòå “DT0”. Çàäàéòå
Вычисление контр. суммы Контр. сумма
Min Value = “0” è Max Value = “127”.

38
Èñïîëüçîâàíèå A-PRO Editor

Free Message Tempo


Íàçíà÷àåò MIDI-ñîîáùåíèå. Íàçíà÷àåò ñîîáùåíèÿ MIDI CLOCK, óïðàâëÿþùèå òåìïîì.
Äîñòóïåí ââîä äî 24 áàéòîâ. Ìîæíî íàçíà÷èòü îäíîâðåìåííî íåñêîëüêî MIDI-ñî- fig.editor-tempo.eps

îáùåíèé.
fig.editor-freemsg.eps

Ïàðàìåòðû îòñóòñòâóþò.
* Äàííîå ñîîáùåíèå íà êíîïêó íàçíà÷èòü íåâîçìîæíî.
Çàäàéòå ñëåäóþùèå ïàðàìåòðû.

Ïîëå Îïèñàíèå

Ñëóæèò äëÿ ââîäà MIDI-ñîîáùåíèÿ äëèíîé äî 24 áàéòîâ. Ââîäèòå


êàæäûé áàéò â âèäå øåñòíàäöàòèðè÷íîãî çíà÷åíèÿ, ðàçäåëÿÿ èõ
îäíîáàéòíûìè ïðîáåëàìè.

Èìåþòñÿ ñëåäóþùèå îãðàíè÷åíèÿ.


* Êîíòðîëüíàÿ ñóììà íå èñïîëüçóåòñÿ.
Ïîëå ñîîáùåíèÿ
* Äëÿ ïåðâîãî áàéòà íåâîçìîæíî èñïîëüçîâàòü ñïåöñèìâîëû.

Âîçìîæíî èñïîëüçîâàíèå ñïåöñèìâîëîâ, ñì. “Òàáëèöà 1: Ñïåöè-


àëüíûå ñèìâîëû, èñïîëüçóåìûå â ïîëå ñîîáùåíèÿ” (ñòð. 38). Åñ-
ëè èñïîëüçóåòñÿ ñïåöñèìâîë “DT”, â ïîëå Data Type çàäàéòå òèï
äàííûõ.

Åñëè â ïîëå ñîîáùåíèÿ èñïîëüçóåòñÿ ñïåöñèìâîë “DT”, çäåñü çà-


Data Type äàåòñÿ òèï äàííûõ, ââîäèìûõ â çàäàííóþ ïîçèöèþ. Ñì. “Òàáëèöà
2: Òèïû äàííûõ â ïîëå Data Type” (ñòð. 38).

Min Value Íèæíèé ïðåäåë çíà÷åíèé äàííûõ

Max Value Âåðõíèé ïðåäåë çíà÷åíèé äàííûõ

39
Èñïîëüçîâàíèå A-PRO Editor

Èñïîëüçîâàíèå íàáîðà óñòàíîâîê êëàâèàòóðû


Çàãðóçêà íàáîðà óñòàíîâîê êëàâèàòóðû Ïåðåäà÷à íàáîðà óñòàíîâîê êëàâèàòóðû
×òîáû îòðåäàêòèðîâàòü íàáîð óñòàíîâîê êëàâèàòóðû çàãðóçèòå åãî, èñïîëüçóÿ ×òîáû èñïîëüçîâàòü â A-PRO íàáîð óñòàíîâîê êëàâèàòóðû, ñîçäàííûé â A-PRO
ñëåäóþùóþ ïðîöåäóðó çàãðóçêè. Editor, âûïîëíèòå ñëåäóþùóþ ïðîöåäóðó.
fig.keyboardset1.eps fig.keyboardset1.eps

1 Êíîïêàìè [SPLIT]/[DUAL]/[LOWER] 1 Êíîïêàìè [SPLIT]/[DUAL]/[LOWER]


âûáåðèòå íàáîð óñòàíîâîê êëàâè- âûáåðèòå íóæíûé íàáîð óñòàíî-
àòóðû, êîòîðûé íåîáõîäèìî îòðå- âîê êëàâèàòóðû.
äàêòèðîâàòü.

fig.keyboardsetrecv.eps fig.keyboardsettrans.eps

2 Íàæìèòå [Receive]. 2 Íàæìèòå [Transmit].

3 Â îòîáðàçèâøåìñÿ îêíå íàæìèòå [Continue]. 3 Â îòîáðàçèâøåìñÿ îêíå íàæìèòå [Continue].


4 Îòîáðàçèòñÿ îêíî çàãðóçêè. 4 Îòîáðàçèòñÿ îêíî ïåðåäà÷è.
Ïîñëå çàâåðøåíèÿ îïåðàöèè îêíî çàêðîåòñÿ. Ïîñëå çàâåðøåíèÿ îïåðàöèè îêíî çàêðîåòñÿ.

40
Èñïîëíåíèå (ðåæèì Play)
Ðåæèì Play ïîçâîëÿåò èãðàòü íà êëàâèàòóðå A-PRO èëè èñïîëüçîâàòü åãî êîíòðîë-
ëåðû äëÿ óïðàâëåíèÿ ïðîãðàììàìè èëè çâóêîâûìè ìîäóëÿìè. Óäîáíûå ôóíêöèè èñïîëíåíèÿ
 îáùèõ ÷åðòàõ, A-PRO èìååò äâà ðåæèìà.
Íèæå ïðèâåäåí ñïèñîê ôóíêöèé, êîòîðûå óäîáíî èñïîëüçîâàòü ïðè èñïîëíåíèè.
Ðåæèì Îïèñàíèå Âûáîð
Ôóíêöèÿ Îïèñàíèå
Ðåæèì äëÿ èãðû íà êëàâèàòóðå è ìàíèïóëè-
1. Âêëþ÷èòå ïèòàíèå. Ïðè ïåðåìåùåíèè äæîéñòèêà âëåâî-âïðàâî ãåíåðèðóþòñÿ ñîîáùå-
Play ðîâàíèÿ êîíòðîëëåðàìè. MIDI-ñîîáùåíèÿ ïå- Èçìåíåíèå âûñîòû
2. Âûéäèòå èç ðåæèìà EDIT. íèÿ pitch bend, ïëàâíî èçìåíÿþùèå âûñîòó òîíà.
ðåäàþòñÿ âñåìè êîíòðîëëåðàìè. çâó÷àùåé íîòû
* Äèàïàçîí èçìåíåíèÿ âûñîòû (“bend range”) çàâèñèò îò óñòàíîâîê
(Pitch Bend)
Edit Ðåæèì äëÿ íàçíà÷åíèÿ MIDI-ñîîáùåíèé íà 1.  ðåæèìå PLAY îäíîâðå- çâóêîâîãî ìîäóëÿ.
(ñòð. 48, êîíòðîëëåðû èëè îñóùåñòâëåíèÿ ñèñòåìíûõ ìåííî íàæìèòå êíîïêè
ñòð. 57) óñòàíîâîê. [ACT] è [ ]. Ìîäóëÿöèÿ âîñïðî- Ïðè ïåðåìåùåíèè äæîéñòèêà îò ñåáÿ ãåíåðèðóþòñÿ ñîîáùåíèÿ ìîäó-
èçâîäÿùåéñÿ íîòû ëÿöèè (CC#01), óïðàâëÿþùèå ýôôåêòîì âèáðàòî.
(Modulation) * Ðàáîòà ýôôåêòà ìîäóëÿöèè çàâèñèò îò óñòàíîâîê çâóêîâîãî ìîäóëÿ.
Ïðè âêëþ÷åíèè ïèòàíèÿ A-PRO ïåðåõîäèò â ðåæèì Play.
Äëÿ ïåðåõîäà èç ðåæèìà Edit â ðåæèì Play îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è Êíîïêàìè OCTAVE [–] [+] ìîæíî ïîâûøàòü èëè ïîíèæàòü âûñîòó êëà-
âèàòóðû ñ øàãîì â îäíó îêòàâó (Octave Shift). Ýòî óäîáíî äëÿ òðàíñïî-
[ ] èëè, óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå êíîïêó [SPLIT] (êíîïêó [BS]). Â ýòîì íèðîâàíèÿ êëàâèàòóðû ââåðõ èëè âíèç.
ñëó÷àå âñå òåêóùèå óñòàíîâêè áóäóò ñáðîøåíû. Ïåðåêëþ÷åíèå îê-
Îäíîêðàòíîå íàæàòèå êíîïêè OCTAVE [–] ïîíèæàåò âûñîòó íà îäíó îê-
òàâó. Ïîâòîðíîå åå íàæàòèå ïîíèæàåò âûñîòó åùå íà îäíó îêòàâó. Äî-
Ïðè èãðå íà êëàâèàòóðå â ðåæèìå Play ïåðåäàþòñÿ íîòíûå ñîîáùåíèÿ íà âíåøíèé òàâ (Octave Shift)
ñòóïåí äèàïàçîí îò -4 äî 5 îêòàâ. Â çàâèñèìîñòè îò òåêóùåé óñòàíîâêè,
çâóêîâîé ìîäóëü. êíîïêà OCTAVE [–] èëè OCTAVE [+] ñâåòèòñÿ. Åñëè íàæàòü êíîïêè
OCTAVE [–] è OCTAVE [+] îäíîâðåìåííî, òðàíñïîíèðîâàíèå áóäåò
ñáðîøåíî â 0, è âîññòàíîâèòñÿ îðèãèíàëüíàÿ âûñîòà êëàâèàòóðû.

Èãðà íà êëàâèàòóðå Òðàíñïîíèðîâàíèå


Åñëè âêëþ÷èòü êíîïêó [TRANSPOSE], âûñîòà áóäåò òðàíñïîíèðîâàíà
íà êîëè÷åñòâî ïîëóòîíîâ, çàäàííûõ óñòàíîâêîé TRANSPOSE ðåæèìà
(Transpose)
EDIT (ñòð. 62).
1 Çàäàéòå òåêóùèé êàíàë A-PRO (ïåðåäàþùèé MIDI-êàíàë).
Ïåðåìåùåíèå äæîéñòèêà ïðè èãðå âëåâî ïîíèæàåò âûñîòó, ïåðå-
Óñòàíîâèòå îäèíàêîâûå íîìåðà ïåðåäàþùåãî MIDI-êàíàëà â A-PRO è ïðèåì-
íîãî MIDI-êàíàëà â çâóêîâîì ìîäóëå. ìåùåíèå âïðàâî – ïîâûøàåò. Ýòîò ýôôåêò íàçûâàåòñÿ “pitch bend”.
Ñì. “Îïðåäåëåíèå òåêóùåãî êàíàëà (ïåðåäàþùåãî MIDI-êàíàëà)” (ñòð. 42). Ïåðåìåùåíèå äæîéñòèêà îò ñåáÿ âêëþ÷àåò âèáðàòî. Ýòîò ýôôåêò
íàçûâàåòñÿ “ìîäóëÿöèåé”.
2 Ñ ïîìîùüþ A-PRO âûáåðèòå òåìáð â çâóêîâîì ìîäóëå.
Ïðè ïåðåìåùåíèè äæîéñòèêà â äâóõ íàïðàâëåíèÿõ îäíîâðåìåííî
Ñì. “Âûáîð òåìáðîâ (PROGRAM CHANGE/BANK)” (ñòð. 43).
áóäóò ðàáîòàòü îáà ýôôåêòà.
3 Èãðàéòå íà êëàâèàòóðå A-PRO. fig.PitchBend-e.eps

Ïî îêîí÷àíèè îïðåäåëåíèÿ óñòàíîâîê èãðàéòå íà êëàâèàòóðå â ðåæèìå Play, * Äèàïàçîí èçìåíåíèé âûñîòû (bend
ïðè ýòîì íà âíåøíåå îáîðóäîâàíèå áóäóò ïåðåäàâàòüñÿ MIDI-ñîîáùåíèÿ. range) çàâèñèò îò óñòàíîâîê çâóêîâî-
* Ïîñêîëüêó óñòðîéñòâî A-PRO íå ñîäåðæèò çâóêîâîãî ãåíåðàòîðà, îíî ñàìîñòî- ãî ìîäóëÿ.
ÿòåëüíî íå âîñïðîèçâîäèò òåìáðîâ. * Åñëè íà äæîéñòèê íàçíà÷èòü MIDI-ñî-
Изменение высоты тона Эффект модуляции îáùåíèå, ýôôåêòû pitch bend è ìîäó-
ëÿöèè áóäóò îòêëþ÷åíû.

41
Èñïîëíåíèå (ðåæèì Play)

Îïðåäåëåíèå òåêóùåãî êàíàëà (ïåðåäàþùåãî MIDI-êàíàëà)


Íèæå îïèñàíî îïðåäåëåíèå òåêóùåãî êàíàëà, ïî êîòîðîìó áóäóò ïåðåäàâàòüñÿ äàííûå èñïîëíåíèÿ íà êëàâèàòóðå.

Ïîíÿòèå òåêóùåãî êàíàëà Ïîíÿòèå OMNI


Ýòî – ïåðåäàþùèé MIDI-êàíàë äëÿ êëàâèàòóðû è äæîéñòèêà. Ïðè âêëþ÷åíèè OMNI âñå êîíòðîëëåðû áóäóò ïåðåäàâàòü ïî òåêóùåìó êàíàëó, íå-
* Êàæäûé êîíòðîëëåð ìîæåò ïåðåäàâàòüë ñîîáùåíèÿ ïî ñâîåìó êàíàëó. Îäíàêî, çàâèñèìî îò óñòàíîâîê èõ ïåðåäàþùèõ MIDI-êàíàëîâ. Äëÿ âêëþ÷åíèå/îòêëþ÷åíèÿ
åñëè “OMNI” óñòàíîâëåíî â ON, ñîîáùåíèÿ áóäóò ïåðåäàâàòüñÿ ïî êàíàëó OMNI. ðåæèìà OMNI èñïîëüçóéòå ñëåäóþùóþ ïðîöåäóðó.
1. Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ] äëÿ âõîäà â ðåæèì
Edit.
Äèñïëåé îòîáðàçèò “LCD CONTRAST”.
MIDI-êàíàë
2. Âðàùàéòå êîëåñî [VALUE], ïîêà íà äèñïëåå íå ïîÿâèòñÿ “SYSTEM
Ìîæíî èçìåíèòü òåêóùèé êàíàë (ïåðåäàþùèé MIDI-êàíàë). SETTING”.
Íàæìèòå êíîïêó [ENTER].
1 Êíîïêàìè [ ] èëè [ ] ïåðåìåñòèòå êóðñîð íà “MIDI CH”. 3. Âðàùàéòå êîëåñî [VALUE], ïîêà íà äèñïëåå íå ïîÿâèòñÿ “OMNI”.
Äèñïëåé îòîáðàçèò òåêóùèé êàíàë. Íàæìèòå êíîïêó [ENTER].
fig.lcd-omnisw.eps
2 Êîëåñîì [VALUE] âûáåðèòå íîìåð êàíàëà. 4. Äèñïëåé îòîáðàçèò òåêóùóþ óñòàíîâêó.
Âûáðàííûé êàíàë ñòàíåò òåêóùèì.
Óñòàíîâêà Îïèñàíèå

Äëÿ óñòàíîâêè òåêóùåãî êàíàëà ìîæíî èñïîëüçîâàòü ñëåäóþùèé ñïîñîá. Ñîîáùåíèÿ ïåðåäàþòñÿ ïî êàíàëó è ÷åðåç ïîðò, çàäàííûå äëÿ êîíòðîëëå-
OMNI OFF
ðà.

1. Óäåðæèâàÿ êíîïêó [SHIFT], ââåäèòå ÷èñëîâîå çíà÷åíèå ñëåäóþùèìè Ñîîáùåíèÿ ïåðåäàþòñÿ ïî òåêóùåìó êàíàëó è ÷åðåç ïîðò KEYBOARD
OMNI ON
PORT, âíå çàâèñèìîñòè îò óñòàíîâîê êîíòðîëëåðà.
êíîïêàìè.
fig.numberbutton_play.eps
Êîíòðîëëåðû [B1] – [B4], êíîïêè [SPLIT]/ 5. Êîëåñîì [VALUE] âûáåðèòå “ON” èëè “OFF”.
[DUAL]/[LOWER]/[UPPER], OCTAVE [–] [+]
6. Íàæìèòå êíîïêó [ENTER].
2. Íàæìèòå êíîïêó [ENTER]. Ïðèáîð âåðíåòñÿ â ðåæèì Play.
Ââåäåííîå ÷èñëîâîå çíà÷åíèå áóäåò
ïðèíÿòî.

42
Èñïîëíåíèå (ðåæèì Play)

Âûáîð òåìáðîâ (PROGRAM CHANGE/BANK) PROGRAM CHANGE


Ñ ïîìîùüþ ñîîáùåíèé Program Change, ãåíåðèðóåìûõ A-PRO, ìîæíî âûáèðàòü Íèæå îïèñàíî, êàê ïåðåäàâàòü ñîîáùåíèÿ Program Change ïî òåêóùåìó êàíàëó
òåìáðû â çâóêîâîì ìîäóëå. ×òîáû âûáðàòü òåìáð èç äðóãîãî áàíêà, ñíà÷àëà â ðå- (ñòð. 42).
æèìå Bank ïåðåäàéòå ñîîáùåíèå Bank Select, ÷òîáû âûáðàòü íóæíûé áàíê. Çàòåì
ïåðåäàéòå ñîîáùåíèå Program Change. Ñîîáùåíèå Bank Select äîëæíî ïðåäøåñò- 1 Êíîïêàìè [ ][ ] ïåðåìåñòèòå êóðñîð íà “PGM CHANGE”.
âîâàòü ñîîáùåíèþ Program Change. Äèñïëåé îòîáðàçèò íîìåð Program Change, ïåðåäàííûé ïîñëåäíèì.
2 Êîëåñîì [VALUE] âûáåðèòå íîìåð Program Change.
Ñîîáùåíèå Program Change áóäåò ïåðåäàíî.
Program Change è Bank Select
Ïðè ñîâìåñòíîì èñïîëüçîâàíèè ñîîáùåíèé Program Change è Bank Select ïðîòî-
êîë MIDI ïîçâîëÿåò îñóùåñòâëÿòü âûáîð áîëåå, ÷åì èç 128 òåìáðîâ.
Bank Select (BANK)
×òîáû âûáðàòü òåìáð èç òîãî æå áàíêà, ïðîñòî ïåðåäàéòå ñîîáùåíèå Program
Change. ×òîáû êîëåñîì [VALUE] ïåðåêëþ÷àòü íîìåðà áàíêîâ, óñòàíîâèòå ñèñòåìíûé ïàðà-
ìåòð “FUNCTION” â “BANK LSB” èëè “BANK MSB”.
×òîáû âûáðàòü òåìáð èç äðóãîãî áàíêà, íåîáõîäèìî ïåðåäàòü íîìåð áàíêà è íî- * Ñì. “Óñòàíîâêè êîëåñà [VALUE]” (ñòð. 68).
ìåð ïðîãðàììû. Íîìåð áàíêà ïåðåäàåòñÿ äâóìÿ MIDI-ñîîáùåíèÿìè: Control
Íèæå îïèñàíî, êàê ïåðåäàâàòü ñîîáùåíèÿ Bank Select (MSB, LSB).
Change 0 (MSB) è Control Change 32 (LSB). Äëÿ ïåðåêëþ÷åíèÿ òåìáðà ïåðåäàéòå íî-
ìåð áàíêà (MSB), íîìåð áàíêà (LSB) è çàòåì íîìåð ïðîãðàììû, îáÿçàòåëüíî â íà-
1 Êíîïêàìè [ ][ ] ïåðåìåñòèòå êóðñîð íà “USER ASSIGN”.
çâàííîì ïîðÿäêå.
Äèñïëåé îòîáðàçèò íîìåð Bank Select, ïåðåäàííûé ïîñëåäíèì.
2 Êîëåñîì [VALUE] âûáåðèòå íîìåð Bank Select.
Ñîîáùåíèÿ Bank Select (MSB, LSB) áóäóò ïåðåäàíû.

43
Èñïîëíåíèå (ðåæèì Play)

Âûáîð òåìáðîâ UPPER è LOWER


Êëàâèàòóðà A-PRO ïðåäóñìàòðèâàåò ðàáîòó ñ äâóìÿ ïàðòèÿìè, UPPER è LOWER, íà êàæäóþ èç êîòîðûõ ìîæíî íàçíà÷èòü ñâîé òåìáð.

Âûáîð òåìáðà UPPER Âûáîð òåìáðà LOWER


Òåìáð UPPER áóäåò âîñïðîèçâîäèòüñÿ íà âñåì äèàïàçîíå êëàâèàòóðû. Òåìáð LOWER áóäåò âîñïðîèçâîäèòüñÿ íà âñåì äèàïàçîíå êëàâèàòóðû.
fig.Upper-e.eps fig.Lower-e.eps

UPPER LOWER

1 Íàæìèòå êíîïêó [UPPER], îíà çàãîðèòñÿ. 1 Íàæìèòå êíîïêó [LOWER], îíà çàãîðèòñÿ.
2 Êíîïêàìè [ ][ ] ïåðåìåñòèòå êóðñîð íà “PGM CHANGE”. 2 Êíîïêàìè [ ][ ] ïåðåìåñòèòå êóðñîð íà “PGM CHANGE”.
3 Âðàùàéòå êîëåñî [VALUE]. 3 Âðàùàéòå êîëåñî [VALUE].
Òåìáð UPPER áóäåò ìåíÿòüñÿ. Ïðè èãðå íà êëàâèàòóðå áóäåò âîñïîðîèçâîäèòü- Òåìáð LOWER áóäåò ìåíÿòüñÿ. Ïðè èãðå íà êëàâèàòóðå áóäåò âîñïîðîèçâî-
ñÿ òåìáð, âûáðàííûé äëÿ UPPER. äèòüñÿ òåìáð, âûáðàííûé äëÿ LOWER.
* Ïðè âêëþ÷åíèè ïèòàíèÿ êíîïêà [UPPER] çàãîðàåòñÿ. * Íàçíà÷åíèå êíîïêè [LOWER] ìîæíî ìåíÿòü â îêíå óñòàíîâîê êëàâèàòóðû A-
PRO Editor (ñòð. 26).

44
Èñïîëíåíèå (ðåæèì Play)

Íàëîæåíèå äâóõ òåìáðîâ (DUAL) Ðàçäåëåíèå êëàâèàòóðû (SPLIT)


Êíîïêà DUAL ïîçâîëÿåò îäíîâðåìåííî âîñïðîèçâîäèòü òåìáðû LOWER è UPPER Êíîïêà SPLIT ïîçâîëÿåò âîñïðîèçâîäèòü òåìáð UPPER â äèàïàçîíå îò C4 è âûøå, à
ñî âñåé êëàâèàòóðû. òåìáð LOWER – â äèàïàçîíå îò B3 è íèæå.
fig.Dual-e.eps fig.Split.eps

UPPER
LOWER

1 Íàæìèòå êíîïêó [DUAL], îíà çàãîðèòñÿ.


* Åñëè êóðñîð óñòàíîâëåí íà “PGM CHANGE”, êîëåñîì [VALUE] ìîæíî èçìåíÿòü
òåìáð UPPER.
* ×òîáû èçìåíèòü òåìáð LOWER, óñòàíîâèòå ACTIVE PART (ñòð. 62) â LOWER. Çà- B3 C4
òåì ïåðåìåñòèòå êóðñîð íà “PGM CHANGE” è âðàùàéòå êîëåñî [VALUE]. LOWER UPPER
* Íàçíà÷åíèå êíîïêè [DUAL] ìîæíî ìåíÿòü â îêíå óñòàíîâîê êëàâèàòóðû A-PRO
Editor (ñòð. 26). 1 Íàæìèòå êíîïêó [SPLIT], îíà çàãîðèòñÿ.
* Åñëè êóðñîð óñòàíîâëåí íà “PGM CHANGE”, êîëåñîì [VALUE] ìîæíî èçìåíÿòü
òåìáð UPPER.
* ×òîáû èçìåíèòü òåìáð LOWER, óñòàíîâèòå ACTIVE PART (ñòð. 62) â LOWER. Çà-
òåì ïåðåìåñòèòå êóðñîð íà “PGM CHANGE” è âðàùàéòå êîëåñî [VALUE].
* Íàçíà÷åíèå êíîïêè [SPLIT] ìîæíî ìåíÿòü â îêíå óñòàíîâîê êëàâèàòóðû A-PRO
Editor (ñòð. 26).

45
Èñïîëíåíèå (ðåæèì Play)

Íàñòðîéêà äèíàìèêè èñïîëíåíèÿ (VELOCITY)


Îáû÷íî íîòíûå ñîîáùåíèÿ ïåðåäàþòñÿ ñî çíà÷åíèåì velocity, ñîîòâåòñòâóþùèì ñêîðîñòè íàæàòèÿ íà êëàâèøè.
Òàêæå A-PRO ìîæåò ïåðåäàâàòü íîòíûå ñîîáùåíèÿ ñ ôèêñèðîâàííûì çíà÷åíèåì velocity, âíå çàâèñèìîñòè îò äèíàìèêè èñïîëíåíèÿ.

Ýòî óäîáíî ïðè çàïèñè íîò â ïðîãðàììó DAW ñ ôèêñèðîâàííûì çíà÷åíèåì velocity.
Òàêæå ìîæíî íàñòðîèòü ÷óâñòâèòåëüíîñòü êëàâèàòóðû è âûáðàòü êðèâóþ velocity
(çàâèñèìîñòü velocity îò äèíàìèêè èñïîëíåíèÿ).

Óñòàíîâêà ôèêñèðîâàííîé Velocity (KEY VELOCITY) Âûáîð ÷óâñòâèòåëüíîñòè êëàâèàòóðû (VELOCITY CURVE)
Äëÿ ýòîãî ñëóæèò ñèñòåìíàÿ óñòàíîâêà “KEY VELOCITY”. Ñì. “KEYBOARD VELOCITY CURVE” (ñòð. 60).
* Ìîæíî èñïîëüçîâàòü îïèñàííûé íèæå ñïîñîá èëè ñâåäåíèÿ ðàçäåëà “Óñòàíîâ-
êè êîëåñà [VALUE]” (ñòð. 68).
Åñëè ôóíêöèÿ “KEY VELOCITY” íàçíà÷åíà íà êîëåñî [VALUE], ìîæíî èñïîëüçîâàòü
ñëåäóþùóþ ïðîöåäóðó.

1 Êíîïêàìè [ ][ ] ïåðåìåñòèòå êóðñîð íà “USER ASSIGN”.


Äèñïëåé îòîáðàçèò çíà÷åíèå velocity, ïåðåäàííîå ïîñëåäíèì.
2 Êîëåñîì [VALUE] âûáåðèòå çíà÷åíèå velocity (TOUCH, 1–127).
fig.lcd-keyvelocity.eps
Åñëè äèñïëåé îòîáðàæàåò “TOUCH”, ïåðå-
äàâàåìîå çíà÷åíèå velocity áóäåò ñîîò-
âåòñòâîâàòü ñêîðîñòè íàæàòèÿ íà
êëàâèøè.
Íàçíà÷åíèå êîëåñà [VALUE]
Íèæå îïèñàíî, êàê âûáðàòü “KEY VELOCITY” â êà÷åñòâå “FUNCTION”.
1. Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ] äëÿ âõîäà â ðåæèì
Edit.
2. Âðàùàéòå êîëåñî [VALUE], ïîêà íà äèñïëåå íå ïîÿâèòñÿ “FUNCTION”.
Íàæìèòå êíîïêó [ENTER].
fig.lcd-keyvelocity.eps
3. Êîëåñîì [VALUE] âûáåðèòå “KEY
VELOCITY” è çàòåì íàæìèòå êíîïêó
[ENTER].
Óñòàíîâêè áóäóò ïðèíÿòû, è ïðèáîð âåðíåòñÿ â ðåæèì Play.
Òàêæå ñì. “FUNCTION” (ñòð. 68).

46
Èñïîëíåíèå (ðåæèì Play)

Ìüþòèðîâàíèå çíà÷åíèé êîíòðîëëåðîâ (PRM


MUTE)
Ìîæíî çàìüþòèðîâàòü âñå êîíòðîëëåðû, òîãäà ïðè ìàíèïóëÿöèÿõ ñ êîíòðîë-
ëåðàìè MIDI-ñîîáùåíèÿ ïåðåäàâàòüñÿ íå áóäóò.

Ýòî óäîáíî â ñèòóàöèÿõ, êîãäà çíà÷åíèå ïàðàìåòðà íàõîäèòñÿ


äàëåêî îò òåêóùåãî ïîëîæåíèÿ êîíòðîëëåðà; çàìüþòèðóéòå
êîíòðîëëåð êíîïêîé [PRM MUTE] è çàòåì óñòàíîâèòå êîíòðîë-
ëåð âáëèçè çíà÷åíèÿ ïàðàìåòðà.

PRM MUTE
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ ][ ].
Íà äèñïëåå íà÷íåò ñâåòèòüñÿ êóðñîð “PRM MUTE”.
2 Îïåðèðóéòå êîíòðîëëåðîì.
MIDI-ñîîáùåíèÿ ïðè ìàíèïóëÿöèÿõ ñ êîíòðîëëåðîì ïåðåäàâàòüñÿ íå áóäóò.
3 Îäíîâðåìåííî íàæìèòå êíîïêè [ ][ ] åùå ðàç.
Êóðñîð “PRM MUTE” íà äèñïëåå ïîãàñíåò.
Ïåðåäà÷à MIDI-ñîîáùåíèé ñ ïîìîùüþ êîíòðîëëåðîâ áóäåò âîçîáíîâëåíà.

47
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)
A-PRO ïîçâîëÿåò íàçíà÷àòü MIDI-ñîîáùåíèÿ íà ëþáîé èç 44 êîíòðîëëåðîâ: [B1] – [B4], [R1] – [R9], [L1] – [L9], [S1] – [S9], [A1] – [A8], HOLD (P1), EXPRESSION (P2), BENDER, MODULATION è
AFTERTOUCH. Ýòè íàçíà÷åíèÿ îñóùåñòâëÿþòñÿ â ðåæèìå Edit.  äàííîé ãëàâå îïèñûâàåòñÿ íàçíà÷åíèå MIDI-ñîîáùåíèé ñ èñïîëüçîâàíèåì òîëüêî êëàâèàòóðû A-PRO.
Äëÿ îñóùåñòâëåíèÿ íàçíà÷åíèé òàêæå ìîæíî âîñïîëüçîâàòüñÿ ïðîãðàììîé A-PRO Editor. Ñì. “Èñïîëüçîâàíèå A-PRO Editor” (ñòð. 22).

Íàçíà÷åíèå MIDI-ñîîáùåíèÿ ñ ïîìîùüþ êëàâèàòóðû A-PRO


Íà êîíòðîëëåð ìîæíî íàçíà÷èòü îäíó èç ñëåäóþùèõ ôóíêöèé. • ×òîáû íàçíà÷èòü MIDI-ñîîáùåíèå íà AFTERTOUCH, îäíîâðåìåííî óäåðæèâàÿ
êíîïêè [ACT] è [ ], ñèëüíî íàæìèòå íà êëàâèàòóðó.
Ôóíêöèÿ Ñòðàíèöà • Ïðè ðåäàêöèè íàçíà÷åíèÿ êîíòðîëëåðà, äàííàÿ óñòàíîâêà ñîõðàíÿåòñÿ àâòî-
ìàòè÷åñêè.
NOTE ñòð. 49 • Ìîæíî ñêîïèðîâàòü íàçíà÷åííîå ñîîáùåíèå íà äðóãîé êîíòðîëëåð èëè îòìå-
AFTERTOUCH ñòð. 50 íèòü åãî.
Ñì. “Êîïèðîâàíèå íàçíà÷åíèÿ” (ñòð. 56) èëè “Ñáðîñ íàçíà÷åíèÿ (NO ASSIGN)”
CONTROL CHANGE ñòð. 51 (ñòð. 56).
PROGRAM CHANGE ñòð. 52 * ×òîáû íàçíà÷èòü ñèñòåìíîå ýêñêëþçèâíîå ñîîáùåíèå, 1-áàéòíîå ñèñòåìíîå ñî-
îáùåíèå (system realtime, tune request) èëè ëþáîå äðóãîå äëèíîé äî 24 áàéò, íå-
RPN ñòð. 53
îáõîäèìî èñïîëüçîâàòü A-PRO Editor.
NRPN ñòð. 53

TEMPO ñòð. 54

NO ASSIGN ñòð. 56

48
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)

Íàçíà÷åíèå íà êîíòðîëëåð íîò (Note)


Íà êîíòðîëëåð ìîæíî íàçíà÷èòü íîòíûå ñîîáùåíèÿ. Íîòû ìîãóò èñïîëüçîâàòüñÿ íå òîëüêî äëÿ èñïîëíåíèÿ, íî è äëÿ óïðàâëåíèÿ ïðîãðàììàìè DAW.

Ïåðåäàþùèé MIDI-êàíàë Íîìåð íîòû Velocity Ïîðò Button mode Aftertouch

1 – 16 0 – 127 (00 – 7FH) 100 (64H) (ôèêñèðîâàíî) PORT1 (ôèêñèðîâàíî) UNLATCH, LATCH OFF (ôèêñèðîâàíî)

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ]. * Åñëè íàçíà÷èòü íîòíîå ñîîáùåíèå íà [R1] – [R9], [S1] – [S9] èëè EXPRESSION (P2),
ïðè óñòàíîâêå êîíòðîëëåðà â ìàêñèìàëüíîå ïîëîæåíèå áóäåò ïåðåäàâàòü íîò-
2 Ïåðåìåñòèòå êîíòðîëëåð, íà êîòîðûé íåîáõîäèìî íàçíà÷èòü íîå ñîîáùåíèå ñ çàäàííûì çíà÷åíèåì velocity. Âî âñåõ îñòàëüíûõ ïîëîæåíèÿõ
ñîîáùåíèå. êîíòðîëëåðà áóäåò ïåðåäàâàòüñÿ íîòíîå ñîîáùåíèå ñ íóëåâûì çíà÷åíèåì
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå. velocity.
Íà äèñïëåå çàìèãàåò íîìåð âûáðàííîãî êîíòðîëëåðà.
* Åñëè íàçíà÷èòü íîòíîå ñîîáùåíèå íà [B1] – [B4], [L1] – [L9] èëè HOLD (P1), ïðè
3 Óáåäèòåñü, ÷òî îòîáðàæàåòñÿ íóæíûé íîìåð è íàæìèòå êíîïêó âêëþ÷åíèè êîíòðîëëåðà (On) áóäåò ïåðåäàâàòüñÿ íîòíîå ñîîáùåíèå ñ çàäàí-
[ENTER]. íûì çíà÷åíèåì velocity. Ïðè âûêëþ÷åíèè êîíòðîëëåðà (Off) áóäåò ïåðåäàâàòüñÿ
fig.lcd-note.eps
íîòíîå ñîîáùåíèå ñ íóëåâûì çíà÷åíèåì velocity.
4 Êîëåñîì [VALUE] âûáåðèòå íà äèñ- * Åñëè íàçíà÷èòü íîòíîå ñîîáùåíèå íà [A1] – [A8], velocity áóäåò èçìåíÿòüñÿ ñî-
ïëåå “NOTE”. ãëàñíî ñêîðîñòè íàæàòèÿ íà êëàâèøè.
fig.lcd-midichannel

5 Íàæìèòå êíîïêó [ENTER].


Äèñïëåé îòîáðàçèò òåêóùèé MIDI-êàíàë Äëÿ èçìåíåíèÿ íîìåðà íîòû ìîæíî èñïîëüçîâàòü ñëåäóþùèé ñïîñîá.
ïåðåäà÷è äàííûõ. fig.numberbutton_edit.eps
 ðåæèìå Edit ââåäèòå ÷èñëîâîå çíà÷å-
6 Êîëåñîì [VALUE] âûáåðèòå ïåðåäàþùèé MIDI-êàíàë.
fig.lcd-notenumber.eps
íèå ñëåäóþùèìè êíîïêàìè.
Êîíòðîëëåðû [B1] – [B4], êíîïêè [SPLIT]/
7 Íàæìèòå êíîïêó [ENTER].
[DUAL]/[LOWER]/[UPPER], OCTAVE [–] [+].
Äèñïëåé îòîáðàçèò òåêóùèé íîìåð íîòû.
8 Êîëåñîì [VALUE] âûáåðèòå íîìåð íîòû.
9 Íàæìèòå êíîïêó [ENTER].
10 Äëÿ êîíòðîëëåðîâ [B1] – [B4], [L1] – [L9], [A1] – [A8] èëè HOLD (P1),
âûïîëíèòå îïåðàöèþ “Óñòàíîâêà Button mode” (ñòð. 55).

49
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)

Íàçíà÷åíèå íà êîíòðîëëåð ïîñëåêàñàíèÿ (Aftertouch)


Íà êîíòðîëëåð ìîæíî íàçíà÷èòü ñîîáùåíèå ïîñëåêàñàíèÿ.
A-PRO Editor ïîçâîëÿåò íàçíà÷àòü ñîîáùåíèÿ ïîñëåêàñàíèÿ íà êàæäóþ íîòó îòäåëüíî (Polyphonic Key Pressure) èëè íà âåñü êàíàë (Channel Pressure) (ñòð. 34).

Ïåðåäàþùèé MIDI-êàíàë Äèàïàçîí çíà÷åíèé Ïîðò Button mode

1 – 16 0 – 127 (00 – 7FH) PORT1 (ôèêñèðîâàíî) UNLATCH, LATCH, INCREASE

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Ïåðåìåñòèòå êîíòðîëëåð, íà êîòîðûé íàçíà÷àåòñÿ ñîîáùåíèå.
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå.
Íà äèñïëåå çàìèãàåò íîìåð âûáðàííîãî êîíòðîëëåðà.
3 Óáåäèòåñü, ÷òî îòîáðàæàåòñÿ íóæíûé íîìåð è íàæìèòå êíîïêó
[ENTER].
fig.lcd-aftertouch.eps

4 Êîëåñîì [VALUE] âûáåðèòå íà äèñ-


ïëåå “AFTERTOUCH”.
fig.lcd-midichannel.eps

5 Íàæìèòå êíîïêó [ENTER].


Äèñïëåé îòîáðàçèò òåêóùèé MIDI-êàíàë
ïåðåäà÷è äàííûõ.
6 Êîëåñîì [VALUE] âûáåðèòå ïåðåäàþùèé MIDI-êàíàë.
7 Íàæìèòå êíîïêó [ENTER].
8 Âûïîëíèòå îïåðàöèþ “Óñòàíîâêà Button mode” (ñòð. 55), ÷òîáû
âûáðàòü íóæíûé òèï êîíòðîëëåðà.

50
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)

Íàçíà÷åíèå íà êîíòðîëëåð ñîîáùåíèé Control Change


Íà êîíòðîëëåð ìîæíî íàçíà÷èòü ñîîáùåíèå Control Change.

Ïåðåäàþùèé MIDI-êàíàë Íîìåð Control Change Ïîðò Button mode

1 – 16 0 – 127 (00 – 7FH) PORT1 (ôèêñèðîâàíî) UNLATCH, LATCH, INCREASE

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Ïåðåìåñòèòå êîíòðîëëåð, íà êîòîðûé íàçíà÷àåòñÿ ñîîáùåíèå.
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå.
Íà äèñïëåå çàìèãàåò íîìåð âûáðàííîãî êîíòðîëëåðà.
3 Óáåäèòåñü, ÷òî îòîáðàæàåòñÿ íóæíûé íîìåð è íàæìèòå êíîïêó
[ENTER].
fig.lcd-controlchange.eps

4 Êîëåñîì [VALUE] âûáåðèòå íà äèñ-


ïëåå “CONTROL CHANGE”.
fig.lcd-midichannel.eps

5 Íàæìèòå êíîïêó [ENTER].


Äèñïëåé îòîáðàçèò òåêóùèé MIDI-êàíàë
ïåðåäà÷è äàííûõ.
6 Êîëåñîì [VALUE] âûáåðèòå ïåðåäàþùèé MIDI-êàíàë.
fig.lcd-ccnumber.eps

7 Íàæìèòå êíîïêó [ENTER].


Äèñïëåé îòîáðàçèò òåêóùèé íîìåð
Control Change.
8 Êîëåñîì [VALUE] âûáåðèòå íîìåð Control Change.
9 Íàæìèòå êíîïêó [ENTER].
Äèñïëåé îòîáðàçèò âûáðàííûé íîìåð Control Change.
10 Â çàâèñèìîñòè îò òèïà êîíòðîëëåðà, âûïîëíèòå îïåðàöèþ “Óñòà-
íîâêà Button mode” (ñòð. 55) èëè “Óñòàíîâêà Virtual Center Click”
(ñòð. 55).

51
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)

Íàçíà÷åíèå íà êîíòðîëëåð ñîîáùåíèé Program Change


Íà êîíòðîëëåð ìîæíî íàçíà÷èòü ñîîáùåíèå Program Change.

Ïåðåäàþùèé MIDI-êàíàë BANK MSB BANK LSB Íîìåð Program Change Ïîðò

1 – 16 X X 0 – 127 (00 – 7FH) PORT1 (ôèêñèðîâàíî)

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Ïåðåìåñòèòå êîíòðîëëåð, íà êîòîðûé íàçíà÷àåòñÿ ñîîáùåíèå.
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå.
Íà äèñïëåå çàìèãàåò íîìåð âûáðàííîãî êîíòðîëëåðà.
3 Óáåäèòåñü, ÷òî îòîáðàæàåòñÿ íóæíûé íîìåð è íàæìèòå êíîïêó
[ENTER].
fig.lcd-programchange.eps

4 Êîëåñîì [VALUE] âûáåðèòå íà äèñ-


ïëåå “PROGRAM CHANGE”.
fig.lcd-midichannel.eps

5 Íàæìèòå êíîïêó [ENTER].


Äèñïëåé îòîáðàçèò òåêóùèé MIDI-êàíàë
ïåðåäà÷è äàííûõ.
6 Êîëåñîì [VALUE] âûáåðèòå ïåðåäàþùèé MIDI-êàíàë.
fig.lcd-pcnumber.eps

7 Íàæìèòå êíîïêó [ENTER].


Äèñïëåé îòîáðàçèò òåêóùèé íîìåð
Program Change.
8 Êîëåñîì [VALUE] âûáåðèòå íîìåð Program Change.
9 Íàæìèòå êíîïêó [ENTER].
Åñëè äàííîå ñîîáùåíèå íàçíà÷åíî íà [R1] – [R9], [S1] – [S9] èëè EXPRESSION
(P2), çàäàííîå ñîîáùåíèå Program Change áóäåò ïåðåäàâàòüñÿ ïðè óñòàíîâêå
êîíòðîëëåðà â ìàêñèìàëüíîå ïîëîæåíèå.

52
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)

Íàçíà÷åíèå RPN/NRPN
Íà êîíòðîëëåð ìîæíî íàçíà÷èòü ñîîáùåíèå RPN èëè NRPN.

Äèàïàçîí Data entry MSB (CC#6) Äèàïàçîí Data entry LSB (CC#38) Ïîðò

0 – 127 (00 – 7FH) íå ïåðåäàåòñÿ PORT1

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Ïåðåìåñòèòå êîíòðîëëåð, íà êîòîðûé íàçíà÷àåòñÿ ñîîáùåíèå.
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå.
Íà äèñïëåå çàìèãàåò íîìåð âûáðàííîãî êîíòðîëëåðà.
3 Óáåäèòåñü, ÷òî îòîáðàæàåòñÿ íóæíûé íîìåð è íàæìèòå êíîïêó
[ENTER].
fig.lcd-rpn.eps

4 Êîëåñîì [VALUE] âûáåðèòå íà äèñ-


ïëåå “RPN”.
* ×òîáû íàçíà÷èòü ñîîáùåíèå NRPN, âûáåðèòå íà äèñïëåå “NRPN”. Îñòàëüíàÿ
ïðîöåäóðà àíàëîãè÷íà íàçíà÷åíèþ RPN.
fig.lcd-midichannel.eps

5 Íàæìèòå êíîïêó [ENTER].


Äèñïëåé îòîáðàçèò òåêóùèé MIDI-êàíàë
ïåðåäà÷è äàííûõ.
6 Êîëåñîì [VALUE] âûáåðèòå ïåðåäàþùèé MIDI-êàíàë.
7 Íàæìèòå êíîïêó [ENTER].
fig.lcd-rpnmsb.eps

8 Êîëåñîì [VALUE] âûáåðèòå RPN


MSB (CC#101) èëè NRPN MSB
(CC#99).
9 Íàæìèòå êíîïêó [ENTER].
10 Êîëåñîì [VALUE] âûáåðèòå RPN LSB (CC#100) èëè NRPN LSB
(CC#98).
11 Íàæìèòå êíîïêó [ENTER].
12 Â çàâèñèìîñòè îò òèïà êîíòðîëëåðà, âûïîëíèòå îïåðàöèþ “Óñ-
òàíîâêà Button mode” (ñòð. 55) èëè “Óñòàíîâêà Virtual Center
Click” (ñòð. 55).

53
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)

Íàçíà÷åíèå íà êîíòðîëëåð ñîîáùåíèé òåìïà (Tempo)


Íà êîíòðîëëåð ìîæíî íàçíà÷èòü ñîîáùåíèÿ, òàêèå êàê MIDI CLOCK (20 – 250).
Äëÿ ïåðåäà÷è MIDI CLOCK ïàðàìåòð MIDI CLOCK äîëæåí áûòü óñòàíîâëåí â “ON”.
Ñì. “MIDI CLOCK ON/OFF” (ñòð. 64)

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Ïåðåìåñòèòå êîíòðîëëåð, íà êîòîðûé íàçíà÷àåòñÿ ñîîáùåíèå.
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå.
Íà äèñïëåå çàìèãàåò íîìåð âûáðàííîãî êîíòðîëëåðà.
3 Óáåäèòåñü, ÷òî îòîáðàæàåòñÿ íóæíûé íîìåð è íàæìèòå êíîïêó
[ENTER].
fig.lcd-tempo.eps

4 Êîëåñîì [VALUE] âûáåðèòå íà äèñ-


ïëåå “TEMPO”.
5 Íàæìèòå êíîïêó [ENTER].
* Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, ïðè åå âêëþ÷åíèè òåìï áóäåò ìàêñèìàëü-
íûì (250), à ïðè îòêëþ÷åíèè – ìèíèìàëüíûì (20).

54
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)

Óñòàíîâêà Button mode Óñòàíîâêà Virtual Center Click


 ðåæèìå Edit ïðè íàçíà÷åíèè ñîîáùåíèÿ íà êíîïêó, êàê îïèñàíî â ðàçäåëå “Íà-  ðåæèìå Edit ïðè íàçíà÷åíèè ñîîáùåíèé íà ðåãóëÿòîðû [R1] – [R9] èëè ñëàéäåðû
çíà÷åíèå MIDI-ñîîáùåíèÿ ñ ïîìîùüþ êëàâèàòóðû A-PRO” (ñòð. 48), ìîæíî âûáðàòü [S1] – [S9], êàê îïèñàíî â ðàçäåëå “Íàçíà÷åíèå MIDI-ñîîáùåíèÿ ñ ïîìîùüþ êëàâè-
ðåæèì ðàáîòû êíîïêè (“Button mode”). àòóðû A-PRO” (ñòð. 48), ìîæíî âêëþ÷èòü/îòêëþ÷èòü óñòàíîâêó Virtual Center Click.
Åñëè êíîïêà èñïîëüçóåòñÿ êàê êîíòðîëëåð, ïðè åå âêëþ÷åíèè ïåðåäàåòñÿ ñîîáùå-
1 Êîëåñîì [VALUE] âûáåðèòå On èëè Off.
íèå ñ ìàêñèìàëüíûì çíà÷åíèåì, à ïðè îòêëþ÷åíèè – ñ ìèíèìàëüíûì.

1 Êîëåñîì [VALUE] âûáåðèòå UNLATCH, LATCH èëè INCREASE. Ðåæèì Îïèñàíèå

Âåëè÷èíà èçìåíÿåòñÿ ïëàâíî ìåæäó ìèíèìàëüíûì è


Ðåæèì Îïèñàíèå Off
ìàêñèìàëüíûì çíà÷åíèåì.

Ïðè íàæàòèè êíîïêè ôóíêöèÿ âêëþ÷àåòñÿ, ïðè îòïóñêàíèè – Âåëè÷èíà ïðèíèìàåò öåíòðàëüíîå çíà÷åíèå (64), êîãäà
UNLATCH On
îòêëþ÷àåòñÿ. Åñëè êíîïêà óäåðæèâàåòñÿ íàæàòîé, îíà ãîðèò. êîíòðîëëåð íàõîäèòñÿ â öåòðàëüíîé çîíå.

Ïðè êàæäîì íàæàòèè êíîïêè ôóíêöèÿ ïîïåðåìåííî âêëþ÷àåòñÿ/ fig.VirtualCenterClick-e.eps


LATCH îòêëþ÷àåòñÿ. Ïðè ïåðåäà÷å ñîîáùåíèÿ On êíîïêà çàãîðàåòñÿ, ïðè
63
64 65 Ðåãóëÿòîðû è ñëàéäåðû A-PRO íå èìåþò öåíòðàëüíîãî
ïåðåäà÷å ñîîáùåíèÿ Off – ãàñíåò.
ôèêñèðîâàííîãî ïîëîæåíèÿ. Îäíàêî, ïðè âêëþ÷åíèè
Ïðè êàæäîì íàæàòèè êíîïêè çíà÷åíèå óâåëè÷èâàåòñÿ íà åäèíèöó ôóíêöèè Virtual Center Click ïðè íàõîæäåíèè êîíòðîëëåðà
(èëè óìåíüøàåòñÿ íà åäèíèöó, åñëè ìèíèìàëüíîå çíà÷åíèå íèæå âáëèçè öåíòðàëüíîé çîíû îí ãåíåðèðóåò ñðåäíåå çíà÷åíèå
INCREASE ìàêñèìàëüíîãî). Êîãäà çíà÷åíèå äîñòèãíåò ìàêñèìóìà 0 127
(ìèíèìóìà), îíî âåðíåòñÿ ê ìèíèìàëüíîìó (ìàêñèìàëüíîìó) èç åãî äèàïàçîíà (64).
çíà÷åíèþ. Êíîïêà ãîðèò òîëüêî ïðè åå óäåðæàíèè.
2 Íàæìèòå êíîïêó [ENTER].
2 Íàæìèòå êíîïêó [ENTER].

55
Íàçíà÷åíèå MIDI-ñîîáùåíèé (ðåæèì EDIT)

Äîïîëíèòåëüíûå ôóíêöèè
Êîïèðîâàíèå íàçíà÷åíèÿ Ñáðîñ íàçíà÷åíèÿ (NO ASSIGN)
Ñ ïîìîùüþ ýòîé ôóíêöèè ñîîáùåíèå, íàçíà÷åííîå íà êîíòðîëëåð, ìîæíî ñêîïè- Íèæå îïèñàíà ïðîöåäóðà îòìåíû íàçíà÷åíèÿ MIDI-ñîîáùåíèÿ íà êîíòðîëëåð. Åñ-
ðîâàòü íà äðóãîé êîíòðîëëåð. ëè íà êîíòðîëëåð ñîîáùåíèÿ íå íàçíà÷åíû, ïðè ìàíèïóëèðîâàíèè èì íèêàêèõ
Íàïðèìåð, ÷òîáû íàçíà÷èòü îäíî è òî æå ñîîáùåíèå íà íåñêîëüêî êîíòðîëëåðîâ, MIDI-ñîîáùåíèé ïåðåäàâàòüñÿ íå áóäåò.
íàçíà÷üòå åãî íà îäèí êîíòðîëëåð, à çàòåì ñêîïèðóéòå ýòî íàçíà÷åíèå íà äðóãèå
Åñëè îòìåíèòü íàçíà÷åíèå äëÿ äæîéñòèêà âûñîòû òîíà, ìîäóëÿ-
êîíòðîëëåðû.
öèè, ïîñëåêàñàíèÿ (AFTERTOUCH), HOLD (P1) èëè EXPRESSION (P2),
* Ïðè êîïèðîâàíèè íàçíà÷åíèÿ ìåæäó êîíòðîëëåðàìè ðàçíûõ òèïîâ (íàïðèìåð,
ñîîòâåòñòâóþùèé êîíòðîëëåð áóäåò óïðàâëÿòü ôóíêöèåé, èñïîëü-
ìåæäó êíîïêîé è ðåãóëÿòîðîì) ðåçóëüòàò ìîæåò îêàçàòüñÿ íåïðåäñêàçóåìûì.
çóþùåéñÿ ïî óìîë÷àíèþ. Ïðè ýòîì MIDI-ñîîáùåíèÿ ïåðåäàþòñÿ
Íàïðèìåð, êîïèðîâàíèå íà ðåãóëÿòîð íîòíîãî ñîîáùåíèÿ, íàçíà÷åííîãî íà
ïýä, ïðèâåäåò ê íåïðåäñêàçóåìûì ïîñëåäñòâèÿì. ïî òåêóùåìó MIDI-êàíàëó.
Åñëè ýìóëÿòîð âðàùàþùåãîñÿ ýíêîäåðà, íàçíà÷åííûé íà ðåãóëÿòîð, êîïèðóåò-
ñÿ íà êíîïêó, îí íå áóäåò ôóíêöèîíèðîâàòü. 1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
Ïðè êîïèðîâàíèè íàçíà÷åííîãî ñîîáùåíèÿ âíèìàòåëüíî îòíîñèòåñü ê òèïàì 2 Ïåðåìåñòèòå êîíòðîëëåð, íàçíà÷àåòñÿ êîòîðîãî ñáðàñûâàåòñÿ.
êîíòðîëëåðîâ è ñàìèì ñîîáùåíèÿì.
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå.
Íà äèñïëåå çàìèãàåò íîìåð âûáðàííîãî êîíòðîëëåðà.
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
3 Óáåäèòåñü, ÷òî îòîáðàæàåòñÿ íóæíûé íîìåð è íàæìèòå êíîïêó
2 Ïåðåìåñòèòå êîíòðîëëåð, íà êîòîðûé êîïèðóåòñÿ ñîîáùåíèå. [ENTER].
Åñëè êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå. fig.lcd-noassign.eps
Íà äèñïëåå çàìèãàåò íîìåð âûáðàííîãî êîíòðîëëåðà.
4 Êîëåñîì [VALUE] âûáåðèòå íà äèñ-
3 Óáåäèòåñü, ÷òî îòîáðàæàåòñÿ íóæíûé íîìåð è íàæìèòå êíîïêó ïëåå “NO ASSIGN” è íàæìèòå êíîï-
[ENTER]. êó [ENTER].
fig.lcd-copyfromto.eps fig.lcd-yes.eps

4 Ïåðåìåñòèòå êîíòðîëëåð, óñòà- 5 Äèñïëåé îòîáðàçèò ìèãàþùåå ñî-


íîâêè íàçíà÷åíèÿ êîòîðîãî íåîá- îáùåíèå “YES”; ïîâòîðíî íàæìè-
õîäèìî ñêîïèðîâàòü. Åñëè òå êíîïêó [ENTER].
êîíòðîëëåð ÿâëÿåòñÿ êíîïêîé, íàæìèòå åå.
Äèñïëåé îòîáðàçèò íîìåðà îáîèõ âûáðàííûõ êîíòðîëëåðîâ.
5 Óáåäèòåñü, ÷òî îòîáðàæàþòñÿ íóæíûå íîìåðà è íàæìèòå êíîï-
êó [ENTER].

56
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)
 äàííîé ãëàâå îïèñàíû ñèñòåìíûå óñòàíîâêè A-PRO.
Îíè ñâåäåíû â ïðèâåäåííóþ íèæå òàáëèöó.

Ãðóïïà Ïàðàìåòð Îïèñàíèå Ïî óìîë÷àíèþ Ñòðàíèöà

LCD LCD CONTRAST Êîíòðàñòíîñòü äèñïëåÿ. 5 ñòð. 59

KEYBOARD VELOCITY CURVE Îïðåäåëÿåò çàâèñèìîñòü èçìåíåíèÿ velocity îò äèíàìèêè èñïîëíåíèÿ (êðèâàÿ velocity). 1-MEDIUM ñòð. 60

KEYBOARD AFTERTOUCH CURVE Îïðåäåëÿåò âîçäåéñòâèå êëàâèàòóðíîãî ïîñëåêàñàíèÿ. 1 ñòð. 61

KEYBOARD PORT SET Îïðåäåëÿåò ïîðò, ÷åðåç êîòîðûé ïåðåäàþòñÿ äàííûå èñïîëíåíèÿ ñ êëàâèàòóðû è äæîéñòèêà. PORT 1 ñòð. 61

Keyboard Îïðåäåëÿåò ïàðòèþ (ïàðòèè), íà êîòîðóþ âîçäåéñòâóåò êîëåñî [VALUE], êîíòðîëëåðû BENDER,
KEYBOARD ACTIVE PART UPPER ñòð. 62
MODULATION, AFTERTOUCH, HOLD è EXPRESSION.

TRANSPOSE Îïðåäåëÿåò èíòåðâàë òðàíñïîíèðîâàíèÿ êëàâèàòóðû ïðè íàæàòèè êíîïêè [TRANSPOSE]. 2 ñòð. 62

Îïðåäåëÿåò ðåæèì ðàáîòû êíîïêè [SHIFT]: Unlatched (âêëþ÷åíèå ïðè íàæàòèè, îòêëþ÷åíèå ïðè îò-
SHIFT KEY LATCH UNLATCH ñòð. 62
ïóñêàíèè) èëè Latched (ïîïåðåìåííîå âêëþ÷åíèå/îòêëþ÷åíèå ïðè êàæäîì íàæàòèè).

Îïðåäåëÿåò çàâèñèìîñòü çíà÷åíèé velocity îò ñèëû óäàðà ïî êîíòðîëëåðó ïýäà [A1] – [A8] (êðèâàÿ
PAD VELOCITY CURVE 1 ñòð. 63
velocity).
Pads
PAD AFTERTOUCH CURVE Îïðåäåëÿåò âîçäåéñòâèå ïîñëåêàñàíèÿ äëÿ êîíòðîëëåðîâ ïýäîâ [A1] – [A8]. 1 ñòð. 63

MIDI CLOCK ON/OFF Âêëþ÷àåò/îòêëþ÷àåò ïåðåäà÷ó ñîîáùåíèé MIDI CLOCK. OFF ñòð. 64

Îïðåäåëÿåò íà÷àëüíîå çíà÷åíèå MIDI CLOCK ïðè âêëþ÷åíèè “MIDI CLOCK ON/OFF”. Ïîñëå âêëþ÷åíèÿ
MIDI CLOCK DEFAULT TEMPO ïèòàíèÿ áóäåò ïåðåäàâàòüñÿ èìåííî ýòîò òåìï äî ìîìåíòà åãî èçìåíåíèÿ êîëåñîì [VALUE], íà êîòî- 120 ñòð. 64
Clock
ðîå íàçíà÷åíû ñîîáùåíèÿ TEMPO.

Ïðè âêëþ÷åíèè “MIDI CLOCK ON/OFF” îïðåäåëÿåò ïîðò, ÷åðåç êîòîðûé ïåðåäàþòñÿ ñîîáùåíèÿ MIDI
MIDI CLOCK OUTPUT PORT PORT 1 ñòð. 64
CLOCK.

USB ADVANCED DRIVER MODE Îïðåäåëÿåò ðåæèì äðàéâåðà. ON ñòð. 65

MIDI I/F SWITCH Îïðåäåëÿåò ðàçúåìû MIDI, èñïîëüçóþùèåñÿ â êà÷åñòâå MIDI-èíòåðôåéñà. ON ñòð. 66
MIDI
MIDI MERGE DESTINATION Îïðåäåëÿåò ïîðò äëÿ ñëèÿíèÿ MIDI-äàííûõ ïðè âêëþ÷åíèè ñåëåêòîðà [MIDI MERGE]. PORT 1 ñòð. 67

Control map STARTUP MEMORY Îïðåäåëÿåò íîìåð êàðòû íàçíà÷åíèé êîíòðîëëåðîâ, çàãðóæàåìîé ïðè âêëþ÷åíèè ïèòàíèÿ. CTL MAP 0 ñòð. 68

Controller FUNCTION Îïðåäåëÿåò ôóíêöèþ, óïðàâëÿåìóþ êîëåñîì [VALUE]. Текст KEY VELOCITY ñòð. 68

57
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Ãðóïïà Ïàðàìåòð Îïèñàíèå Ïî óìîë÷àíèþ Ñòðàíèöà

Âêëþ÷àåòñÿ ïðè èñïîëüçîâàíèè îïðåäåëåííûõ ïðîãðàìì (íàïðèìåð, Pro Tools LE). Åñëè ôóíêöèÿ
H-ACTIVITY ON/OFF âêëþ÷åíà (On), ÷åðåç “A-PRO 2” áóäåò ïåðåäàâàòüñÿ ñîîáùåíèå “90 00 7F” ñ èíòåðâàëàìè ïðèáëèçè- OFF ñòð. 69
òåëüíî 500 ìñ.

Ïðî÷èå L9 FUNCTION Îïðåäåëÿåò ôóíêöèþ êíîïêè [HOLD]. HOLD ñòð. 69

Ïðè âêëþ÷åíèè OMNI ïåðåäà÷à ñîîáùåíèé âñåõ êîíòðîëëåðîâ îñóùåñòâëÿåòñÿ ïî òåêóùåìó êàíàëó
OMNI OFF ñòð. 42
âíå çàâèñèìîñòè îò èõ èíäèâèäóàëüíûõ íàñòðîåê.

FACTORY RESET Âîññòàíàâëèâàåò çàâîäñêèå íàñòðîéêè A-PRO. – ñòð. 70

58
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Óñòàíîâêà êîíòðàñòíîñòè äèñïëåÿ


LCD CONTRAST
Åñëè òåêñò íà äèñïëåå òðóäíîðàçëè÷èì, îòðåãóëèðóéòå åãî êîíòðàñòíîñòü. Íà ÿð-
êîñòü ýêðàíà ìîãóò îêàçûâàòü âëèÿíèå âíåøíèå óñëîâèÿ, òàêèå êàê òåìïåðàòóðà.

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Êîëåñîì [VALUE] âûáåðèòå “LCD CONTRAST” è íàæìèòå êíîïêó
[ENTER].
3 Êîëåñîì [VALUE] îòðåãóëèðóéòå êîíòðàñòíîñòü.
Äèàïàçîí óñòàíîâêè: 1 – 10. ×åì âûøå çíà÷åíèå, òåì ÿð÷å ýêðàí.
4 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

Ìîæíî èçìåíèòü êîíòðàñòíîñòü äèñïëåÿ ñëåäóþùèì ñïîñîáîì.


fig.numberbutton_edit.eps
 ðåæèìå Edit ââåñòè ÷èñëîâîå çíà÷åíèå
ìîæíî ñëåäóþùèìè êíîïêàìè.

Êîíòðîëëåðû [B1] – [B4], êíîïêè [SPLIT]/


[DUAL]/[LOWER]/[UPPER], OCTAVE [–] [+]

59
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Óñòàíîâêè êëàâèàòóðû
KEYBOARD VELOCITY CURVE
Âûáèðàåò êðèâóþ velocity, îïðåäåëÿþùóþ âçàèìîñâÿçü ìåæäó ïåðåäàâàåìûì çíà-
÷åíèåì velocity è äèíàìèêîé èãðû íà êëàâèàòóðå. Íîìåð Óñòàíîâêà Òèï êðèâîé ×óâñòâèòåëüíîñòü êëàâèàòóðû

Áîëüøèå çíà÷åíèÿ velocity


1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ]. 1 1-LIGHT (ãðîìêîñòü) äîñòèãàþòñÿ äàæå
ïðè ñëàáîì çâóêîèçâëå÷åíèè.
2 Êîëåñîì [VALUE] âûáåðèòå “KEYBOARD/PAD” è íàæìèòå êíîïêó
[ENTER]. 2 1-MEDIUM 1 Òèïîâàÿ ÷óâñòâèòåëüíîñòü.
fig.lcd-KBDVELOCURVE.eps Ýòî – òèïîâàÿ óñòàíîâêà. Äè-
íàìèêà èñïîëíåíèÿ ñîçäàåò Áîëüøèå çíà÷åíèÿ velocity
3 Êîëåñîì [VALUE] âûáåðèòå “KBD 3 1-HEAVY íàèáîëåå åñòåñòâåííûå èç- (ãðîìêîñòü) äîñòèãàþòñÿ òîëüêî
VELO CURVE” è íàæìèòå êíîïêó ìåíåíèÿ ãðîìêîñòè. ïðè ñèëüíîì çâóêîèçâëå÷åíèè.
[ENTER]. Áîëüøèå çíà÷åíèÿ velocity
4 Êîëåñîì [VALUE] âûáåðèòå KEYBOARD VELOCITY CURVE. 4 2-LIGHT (ãðîìêîñòü) äîñòèãàþòñÿ äàæå
ïðè ñëàáîì çâóêîèçâëå÷åíèè.
Äèñïëåé îòîáðàçèò íàçâàíèå âûáðàííîé óñòàíîâêè.
5 2-MEDIUM 2 Òèïîâàÿ ÷óâñòâèòåëüíîñòü.
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play. Ïî ñðàâíåíèþ ñ êðèâîé 1,
ýòè êðèâûå îáåñïå÷èâàþò Áîëüøèå çíà÷åíèÿ velocity
6 2-HEAVY áîëüøèå èçìåíåíèÿ ãðîì- (ãðîìêîñòü) äîñòèãàþòñÿ òîëüêî
êîñòè ïðè ñëàáîì çâóêîèç- ïðè ñèëüíîì çâóêîèçâëå÷åíèè.
âëå÷åíèè.

Áîëüøèå çíà÷åíèÿ velocity


7 3-LIGHT (ãðîìêîñòü) äîñòèãàþòñÿ äàæå
ïðè ñëàáîì çâóêîèçâëå÷åíèè.

8 3-MEDIUM 3 Òèïîâàÿ ÷óâñòâèòåëüíîñòü.


Ýòè êðèâûå îáåñïå÷èâàþò
ïîñòîÿííóþ ãðîìêîñòü ñ ìè- Áîëüøèå çíà÷åíèÿ velocity
9 3-HEAVY íèìàëüíîé çàâèñèìîñòüþ îò (ãðîìêîñòü) äîñòèãàþòñÿ òîëüêî
äèíàìèêè èñïîëíåíèÿ. ïðè ñèëüíîì çâóêîèçâëå÷åíèè.

Áîëüøèå çíà÷åíèÿ velocity


10 4-LIGHT (ãðîìêîñòü) äîñòèãàþòñÿ äàæå
ïðè ñëàáîì çâóêîèçâëå÷åíèè.

11 4-MEDIUM 4 Òèïîâàÿ ÷óâñòâèòåëüíîñòü.


Ïî ñðàâíåíèþ ñ êðèâîé 1,
ýòè êðèâûå îáåñïå÷èâàþò Áîëüøèå çíà÷åíèÿ velocity
12 4-HEAVY áîëüøèå èçìåíåíèÿ ãðîì- (ãðîìêîñòü) äîñòèãàþòñÿ òîëüêî
êîñòè ïðè ñèëüíîì çâóêîèç- ïðè ñèëüíîì çâóêîèçâëå÷åíèè.
âëå÷åíèè.

60
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

KEYBOARD AFTERTOUCH CURVE KEYBOARD PORT SET


Îïðåäåëÿåò ñïîñîá âîçäåéñòâèÿ êëàâèàòóðíîãî ïîñëåêàñàíèÿ. Îïðåäåëÿåò ïîðò, ÷åðåç êîòîðûé ïåðåäàþòñÿ äàííûå èñïîëíåíèÿ ñ êëàâèàòóðû è
äæîéñòèêà.
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
2 Êîëåñîì [VALUE] âûáåðèòå “KEYBOARD/PAD” è íàæìèòå êíîïêó 1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
[ENTER]. 2 Êîëåñîì [VALUE] âûáåðèòå “KEYBOARD/PAD” è íàæìèòå êíîïêó
fig.lcd-KBDAFTCHCURVE.eps [ENTER].
3 Êîëåñîì [VALUE] âûáåðèòå “KBD fig.lcd-KBDPORTSET.eps

AFTCH CURVE” è íàæìèòå êíîïêó 3 Êîëåñîì [VALUE] âûáåðèòå “KBD


[ENTER]. PORT SET” è íàæìèòå êíîïêó
4 Êîëåñîì [VALUE] âûáåðèòå KEYBOARD AFTERTOUCH CURVE. [ENTER].
Äèñïëåé îòîáðàçèò íîìåð âûáðàííîé óñòàíîâêè. 4 Êîëåñîì [VALUE] âûáåðèòå KEYBOARD PORT.
Äèñïëåé îòîáðàçèò íîìåð âûáðàííîé óñòàíîâêè.
Íîìåð Òèï êðèâîé Îïèñàíèå
Íîìåð Óñòàíîâêà Îïèñàíèå

Ýòî – òèïîâàÿ óñòàíîâêà. Ñèëà íàæàòèÿ íà êëàâèøè ñî- 1 PORT 1 Ñîîáùåíèÿ ïåðåäàþòñÿ ÷åðåç “A-PRO 1”.
1
çäàåò íàèáîëåå åñòåñòâåííûé ýôôåêò ïîñëåêàñàíèÿ.
1 2 PORT 2 Ñîîáùåíèÿ ïåðåäàþòñÿ ÷åðåç “A-PRO 2”.

3 PORT 1+2 Ñîîáùåíèÿ ïåðåäàþòñÿ ÷åðåç “A-PRO 1” è “A-PRO 2”.


Ïî ñðàâíåíèþ ñ êðèâîé 1, áóäóò ïåðåäàâàòüñÿ âûñîêèå
2 çíà÷åíèÿ ïîñëåêàñàíèÿ äàæå ïðè ñëàáîì íàæàòèè íà
êëàâèøè. 5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.
2

Îáåñïå÷èâàåò íåáîëüøîå âîçäåéñòâèå íà çíà÷åíèÿ


3 ïîñëåêàñàíèÿ ïðè íàæàòèè íà êëàâèøè, îáëåã÷àÿ èñ-
ïîëíåíèå.
3

Ïî ñðàâíåíèþ ñ êðèâîé 1, áóäóò ïåðåäàâàòüñÿ âûñîêèå


4 çíà÷åíèÿ ïîñëåêàñàíèÿ òîëüêî ïðè ñèëüíîì íàæàòèè
íà êëàâèøè.
4

5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

61
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

KEYBOARD ACTIVE PART SHIFT KEY LATCH


Îïðåäåëÿåò ïàðòèþ, íà êîòîðóþ âîçäåéñòâóåò êîëåñî [VALUE], êîíòðîëëåðû Îïðåäåëÿåò ðåæèì ðàáîòû êíîïêè [SHIFT]: Unlatched (âêëþ÷åíèå ïðè íàæàòèè, îò-
BENDER, MODULATION, AFTERTOUCH, HOLD è EXPRESSION. êëþ÷åíèå ïðè îòïóñêàíèè) èëè Latched (ïîïåðåìåííîå âêëþ÷åíèå/îòêëþ÷åíèå
ïðè êàæäîì íàæàòèè).
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
2 Êîëåñîì [VALUE] âûáåðèòå “KEYBOARD/PAD” è íàæìèòå êíîïêó 1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
[ENTER]. 2 Êîëåñîì [VALUE] âûáåðèòå “KEYBOARD/PAD” è íàæìèòå êíîïêó
fig.lcd-KBDACTIVEPART.eps [ENTER].
3 Êîëåñîì [VALUE] âûáåðèòå “KBD fig.lcd-SHIFTKEYLATCH.eps

ACTIVE PART” è íàæìèòå êíîïêó 3 Êîëåñîì [VALUE] âûáåðèòå “SHIFT


[ENTER]. KEY LATCH” è íàæìèòå êíîïêó
fig.lcd-KBDACTIVEPART1.eps [ENTER].
4 Êîëåñîì [VALUE] âûáåðèòå fig.lcd-SHIFTKEYLATCH1.eps

“UPPER” èëè “LOWER”. 4 Êîëåñîì [VALUE] âûáåðèòå “OFF”


5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play. èëè “ON”.
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

TRANSPOSE
Îïðåäåëÿåò èíòåðâàë òðàíñïîíèðîâàíèÿ êëàâèàòóðû ïðè âêëþ÷åíèè êíîïêè
[TRANSPOSE].

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Êîëåñîì [VALUE] âûáåðèòå “KEYBOARD/PAD” è íàæìèòå êíîïêó
[ENTER].
fig.lcd-TRANSPOSE.eps

3 Êîëåñîì [VALUE] âûáåðèòå


“TRANSPOSE” è íàæìèòå êíîïêó
[ENTER].
fig.lcd-TRANSPOSE1.eps

4 Êîëåñîì [VALUE] âûáåðèòå çíà÷å-


íèå òðàíñïîíèðîâàíèÿ.
Äîñòóïåí äèàïàçîí îò -6 äî 5 (ïîëóòîíîâ).
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

62
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Óñòàíîâêè ïýäîâ
PAD VELOCITY CURVE PAD AFTERTOUCH CURVE
Îïðåäåëÿåò çàâèñèìîñòü ïåðåäàâàåìîãî çíà÷åíèÿ velocity îò ñèëû óäàðà ïî êîíò- Îïðåäåëÿåò âîçäåéñòâèå ïîñëåêàñàíèÿ äëÿ ïýäîâ.
ðîëëåðó ïýäà [A1] – [A8].
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ]. 2 Êîëåñîì [VALUE] âûáåðèòå “KEYBOARD/PAD” è íàæìèòå êíîïêó
2 Êîëåñîì [VALUE] âûáåðèòå “KEYBOARD/PAD” è íàæìèòå êíîïêó [ENTER].
[ENTER]. fig.lcd-PADAFTCHCURVE.eps

fig.lcd-PADVELOCURVE.eps
3 Êîëåñîì [VALUE] âûáåðèòå “PAD
3 Êîëåñîì [VALUE] âûáåðèòå “PAD AFTCH CURVE” è íàæìèòå êíîïêó
VELO CURVE” è íàæìèòå êíîïêó [ENTER].
[ENTER]. fig.lcd-PADAFTCHCURVE1.eps

fig.lcd-PADVELOCURVE1.eps
4 Êîëåñîì [VALUE] âûáåðèòå PAD
4 Êîëåñîì [VALUE] âûáåðèòå PAD AFTERTOUCH CURVE.
VELOCITY CURVE. Äèñïëåé îòîáðàçèò íîìåð âûáðàííîé óñ-
Äèñïëåé îòîáðàçèò íîìåð âûáðàííîé óñ- òàíîâêè.
òàíîâêè.
Íîìåð Òèï êðèâîé Îïèñàíèå
Íîìåð Òèï êðèâîé Îïèñàíèå

Ýòî – òèïîâàÿ óñòàíîâêà. Ñèëà äàâëåíèÿ íà ïýä ñîçäà-


1
Ýòî – òèïîâàÿ óñòàíîâêà. Äèíàìèêà èñïîëíåíèÿ ñî- åò íàèáîëåå åñòåñòâåííûé ýôôåêò ïîñëåêàñàíèÿ.
1 1
çäàåò íàèáîëåå åñòåñòâåííûå èçìåíåíèÿ ãðîìêîñòè.
1
Ïî ñðàâíåíèþ ñ êðèâîé 1, äàæå ñëàáîå äàâëåíèå íà
2
Ïî ñðàâíåíèþ ñ êðèâîé 1, äàæå ñëàáûå óäàðû ïî ïýäó ïýä áóäåò âûçûâàòü çàìåòíûé ýôôåêò ïîñëåêàñàíèÿ.
2 2
áóäóò âûçûâàòü áîëüøèå èçìåíåíèÿ ãðîìêîñòè.
2
Ñèëà äàâëåíèÿ íà ïýä èìååò íåáîëüøîå âîçäåéñòâèå
Ýòà óñòàíîâêà îáåñïå÷èâàåò ïîñòîÿííóþ ãðîìêîñòü ñ 3 íà çíà÷åíèÿ ïîñëåêàñàíèÿ, îáåñïå÷èâàÿ ïîñòîÿíñòâî
3 ìèíèìàëüíîé çàâèñèìîñòüþ îò äèíàìèêè èñïîëíå- ýôôåêòà ïîñëåêàñàíèÿ.
3
íèÿ.
3
Ïî ñðàâíåíèþ ñ êðèâîé 1, òîëüêî ñèëüíîå äàâëåíèå
4 íà ïýä áóäåò âûçûâàòü îùóòèìûé ýôôåêò ïîñëåêàñà-
Ïî ñðàâíåíèþ ñ êðèâîé 1, òîëüêî ñèëüíûå óäàðû ïî íèÿ.
4 4
ïýäó áóäóò âûçûâàòü áîëüøèå èçìåíåíèÿ ãðîìêîñòè.
4
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

63
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Óñòàíîâêè òåìïà
MIDI CLOCK ON/OFF MIDI CLOCK OUTPUT PORT
Âêëþ÷àåò/îòêëþ÷àåò ïåðåäà÷ó ñîîáùåíèé MIDI CLOCK. Ïðè âêëþ÷åíèè “MIDI CLOCK ON/OFF” îïðåäåëÿåò ïîðò, ÷åðåç êîòîðûé ïåðåäàþò-
ñÿ ñîîáùåíèÿ MIDI CLOCK.
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
2 Êîëåñîì [VALUE] âûáåðèòå “MIDI CLOCK” è íàæìèòå êíîïêó 1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
[ENTER]. 2 Êîëåñîì [VALUE] âûáåðèòå “MIDI CLOCK” è íàæìèòå êíîïêó
3 Êîëåñîì [VALUE] âûáåðèòå “MIDI CLK ON/OFF” è íàæìèòå êíîïêó [ENTER].
[ENTER]. fig.lcd-CLKOUTPUTPORT.eps

4 Êîëåñîì [VALUE] âûáåðèòå “ON” èëè “OFF”. 3 Êîëåñîì [VALUE] âûáåðèòå “CLK
OUTPUT PORT” è íàæìèòå êíîïêó
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play. [ENTER].
fig.lcd-CLKOUTPUTPORT1.eps

4 Êîëåñîì [VALUE] âûáåðèòå MIDI


MIDI CLOCK DEFAULT TEMPO CLOCK OUTPUT PORT.
Äèñïëåé îòîáðàçèò âûáðàííûé ïîðò.
Îïðåäåëÿåò íà÷àëüíîå çíà÷åíèå MIDI CLOCK ïðè âêëþ÷åíèè “MIDI CLOCK ON/ 5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.
OFF”. Ïîñëå âêëþ÷åíèÿ ïèòàíèÿ áóäåò èñïîëüçîâàòüñÿ èìåííî ýòîò òåìï äî ìî-
ìåíòà åãî èçìåíåíèÿ êîëåñîì [VALUE], íà êîòîðîå íàçíà÷åíû ñîîáùåíèÿ TEMPO. Íîìåð Óñòàíîâêà Îïèñàíèå

1 PORT 1 MIDI CLOCK ïåðåäàåòñÿ ÷åðåç “A-PRO 1”.


1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
2 PORT 2 MIDI CLOCK ïåðåäàåòñÿ ÷åðåç “A-PRO 2”.
2 Êîëåñîì [VALUE] âûáåðèòå “MIDI CLOCK” è íàæìèòå êíîïêó
[ENTER]. 3 1AND2 MIDI CLOCK ïåðåäàåòñÿ ÷åðåç “A-PRO 1” è “A-PRO 2”.
3 Êîëåñîì [VALUE] âûáåðèòå “DEFAULT TEMPO” è íàæìèòå êíîïêó
[ENTER].
4 Êîëåñîì [VALUE] âûáåðèòå çíà÷åíèå MIDI CLOCK DEFAULT
TEMPO â äèàïàçîíå 20 – 250.
Äèñïëåé îòîáðàçèò âûáðàííîå çíà÷åíèå.
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

64
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Óñòàíîâêè USB
ADVANCED DRIVER MODE
Âêëþ÷àåò/îòêëþ÷àåò óñòàíîâêó ADVANCED DRIVER MODE.
Ðåêîìåíäóåòñÿ èñïîëüçîâàòü óñòàíîâêó On (âêëþ÷åíî).
×òîáû èçìåíåíèÿ âñòóïèëè â ñèëó, ïîñëå ñìåíû óñòàíîâêè òðåáóåòñÿ îòêëþ÷èòü è
âíîâü âêëþ÷èòü ïèòàíèå.

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Êîëåñîì [VALUE] âûáåðèòå “USB SETTING” è íàæìèòå êíîïêó
[ENTER].
3 Êîëåñîì [VALUE] âûáåðèòå “USB ADV DRIVER” è íàæìèòå êíîïêó
[ENTER].
4 Êîëåñîì [VALUE] âûáåðèòå òèï äðàéâåðà USB MIDI.

Óñòàíîâêà Îïèñàíèå

Âûáèðàåòñÿ ïðè èñïîëüçîâàíèè ñòàíäàðòíîãî äðàéâåðà MIDI, âõîäÿ-


OFF ùåãî â ñîñòàâ îïåðàöèîííîé ñèñòåìû êîìïüþòåðà (ñòð. 73). (Ðåæèì
ñòàíäàðòíîãî äðàéâåðà)

Äàííàÿ óñòàíîâêà èñïîëüçóåò òåõíîëîãèþ FPT äëÿ îðãàíèçàöèè âû-


ON ñîêîñêîðîñòíîãî îáìåíà MIDI-äàííûìè. Âûáèðàåòñÿ ïðè èñïîëüçî-
âàíèè ñïåöèàëüíîãî äðàéâåðà; ñì. ñòð. 12 è äàëåå.

* FPT = Fast Processing Technology of MIDI Transmission


Ýòà òåõíîëîãèÿ ïîçâîëÿåò èñïîëüçîâàòü ïîòåíöèàë ïðîòîêîëà USB ïî ìàêñè-
ìóìó, îïòèìèçèðóÿ îáìåí MIDI-äàííûìè, â çàâèñèìîñòè îò èõ îáúåìà.
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

65
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Óñòàíîâêè MIDI
MIDI I/F SWITCH
Îïðåäåëÿåò ðàçúåìû MIDI, èñïîëüçóþùèåñÿ â êà÷åñòâå MIDI-èíòåðôåéñà. 3 Êîëåñîì [VALUE] âûáåðèòå “MIDI I/F SWITCH” è íàæìèòå êíîïêó
[ENTER].
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ]. 4 Êîëåñîì [VALUE] âûáåðèòå óñòàíîâêó MIDI I/F.
2 Êîëåñîì [VALUE] âûáåðèòå “MIDI SETTING” è íàæìèòå êíîïêó Äèñïëåé îòîáðàçèò âûáðàííîå çíà÷åíèå.
[ENTER]. 5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

Óñòàíîâêà Îïèñàíèå

MIDI I/F MODE OFF

Устройство MIDI OUT


MIDI-ñîîáùåíèÿ, ïðèíèìàåìûå A-PRO, íà A-PRO MIDI OUT X MIDI OUT
åãî âûõîä íå ïåðåäàþòñÿ. Áóäåò ïðîèñõî- A-PRO BULK (прием)
OFF äèòü îáìåí MIDI-ñîîáùåíèÿìè ìåæäó A- Устройство MIDI IN USB
PRO è êîìïüþòåðîì, à òàêæå ìåæäó A-PRO
è âíåøíèì MIDI-óñòðîéñòâîì.
A-PRO MIDI IN X MIDI IN
A-PRO 1 PORT 1
A-PRO 2 PORT 2/
BULK (передача)
MIDI-сообщения

MIDI I/F MODE ON

Ðàçúåìû MIDI êëàâèàòóðû A-PRO áóäóò Устройство MIDI OUT


äåéñòâîâàòü â êà÷åñòâå MIDI-èíòåðôåéñà. A-PRO MIDI OUT MIDI OUT
MIDI-ñîîáùåíèÿ èç êîìïüþòåðà, ïîäêëþ-
A-PRO BULK (прием)
÷åííîãî ïî USB ê A-PRO, áóäóò ïåðåäàâàòü-
ON ñÿ íà çâóêîâîé ìîäóëü, ïîäêëþ÷åííûé ê Устройство MIDI IN USB
ðàçúåìó MIDI OUT â A-PRO. MIDI-ñîîáùå- A-PRO MIDI IN MIDI IN
íèÿ ñ MIDI-óñòðîéñòâà, ïîäêëþ÷åííîãî ê A-PRO 1 PORT 1
ðàçúåìó MIDI IN â A-PRO, áóäóò ïîñòóïàòü â PORT 2/
A-PRO 2
êîìïüþòåð. BULK (передача)
MIDI-сообщения

66
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

MIDI MERGE DESTINATION


A-PRO èìååò ñåëåêòîð [MIDI MERGE] (ñòð. 11). Ìîæíî çàäàòü ïîðò, ðàáîòàþùèé â êà÷åñòâå MIDI MERGE DESTINATION äëÿ ñëèÿíèÿ MIDI-äàííûõ ïðè âêëþ÷åíèè ñåëåêòîðà [MIDI MERGE].
Ôóíêöèÿ MIDI MERGE óäîáíà, åñëè ê ðàçúåìó MIDI IN â A-PRO ïîäêëþ÷åí äðóãîé âíåøíèé MIDI-êîíòðîëëåð.
Íàïðèìåð, ìîæíî ïîäêëþ÷èòü âòîðîå óñòðîéñòâî A-PRO, ÷òîáû ñ ïîìîùüþ îäíîãî A-PRO óïðàâëÿòü ïðîãðàììíûì ñèíòåçàòîðîì, à ñ ïîìîùüþ äðóãîãî A-PRO – ïðîãðàììîé DAW.

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


Íîìåð Óñòàíîâêà Îïèñàíèå
2 Êîëåñîì [VALUE] âûáåðèòå “MIDI SETTING” è íàæìèòå êíîïêó
[ENTER]. 1 PORT1 Ïðèíÿòûå ñ MIDI IN ñîîáùåíèÿ ïîñòóïàþò íà PORT 1 â A-PRO.

3 Êîëåñîì [VALUE] âûáåðèòå “MIDI MERGE DEST” è íàæìèòå êíîï- 2 PORT2 Ïðèíÿòûå ñ MIDI IN ñîîáùåíèÿ ïîñòóïàþò íà PORT 2 â A-PRO.
êó [ENTER].
3 MIDI OUT Ïðèíÿòûå ñ MIDI IN ñîîáùåíèÿ ïîñòóïàþò íà MIDI OUT â A-PRO.
4 Êîëåñîì [VALUE] âûáåðèòå ïîðò äëÿ MIDI-ñëèÿíèÿ.
Äèñïëåé îòîáðàçèò âûáðàííîå çíà÷åíèå.
5 Íàæìèòå êíîïêó [ENTER] äëÿ ïåðåõîäà â ðåæèì Play.

Ñåëåêòîð MIDI MERGE è MIDI MERGE DESTINATION


fig.MIDI-MERGE.eps

MIDI I/F MODE ON

Устройство MIDI OUT


A-PRO MIDI OUT MIDI OUT
A-PRO BULK (прием)
Устройство MIDI IN USB
MIDI OUT OFF
A-PRO MIDI IN
MIDI IN
A-PRO 1 PORT 1 PORT 1 ON

A-PRO 2 PORT 2/ PORT 2


BULK (передача)
MIDI-сообщения

Селектор [MIDI MERGE]


MIDI MERGE DESTINATION
Íà ðèñóíêå ñåëåêòîð [MIDI MERGE] âêëþ÷åí, è ïàðàìåòð MIDI MERGE DESTINATION íàñòðîåí íà Port 2, ïîýòîìó ïðèíÿòûå ñ MIDI IN ñîîáùåíèÿ îáúåäèíÿþòñÿ ñ ñîîáùåíèÿìè, ïîñòó-
ïèâøèìè íà Port 2, è ïîäàþòñÿ â êîìïüþòåð.
* Åñëè ñåëåêòîð [MIDI MERGE] âûêëþ÷åí, ñîîáùåíèÿ ïîñòóïàòü íå áóäóò äàæå ïðè âûáîðå A-PRO MIDI IN â êà÷åñòâå óñòðîéñòâà MIDI IN â êîìïüþòåðå.

67
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Óñòàíîâêè Control Map Óñòàíîâêè êîëåñà [VALUE]


STARTUP MEMORY FUNCTION
Îïðåäåëÿåò íîìåð êàðòû íàçíà÷åíèé êîíòðîëëåðîâ, çàãðóæàåìîé ïðè âêëþ÷åíèè Îïðåäåëÿåò ôóíêöèþ, óïðàâëÿåìóþ êîëåñîì [VALUE], êîãäà êóðñîð óñòàíîâëåí íà
ïèòàíèÿ A-PRO. USER ASSIGN.

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ]. 1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Êîëåñîì [VALUE] âûáåðèòå “SYSTEM SETTING” è íàæìèòå êíîïêó 2 Êîëåñîì [VALUE] âûáåðèòå “FUNCTION” è íàæìèòå êíîïêó
[ENTER]. [ENTER].
fig.lcd-STARTUPMEMORY.eps fig.lcd-FUNCKEYVELO.eps

3 Êîëåñîì [VALUE] âûáåðèòå 3 Êîëåñîì [VALUE] âûáåðèòå ïàðà-


“STARTUP MEMORY” è íàæìèòå ìåòð, íàçíà÷àåìûé íà êîëåñî
êíîïêó [ENTER]. [VALUE].
fig.lcd-STARTUPMEMORY1.eps
4 Íàæìèòå êíîïêó [ENTER].
4 Êîëåñîì [VALUE] âûáåðèòå “CTL
5 Åñëè óñòàíîâëåí ïàðàìåòð “CONTROL CHANGE”, êîëåñîì [VALUE]
MAP 0” èëè “LAST ACC MAP”.
âûáèðàåòñÿ íîìåð Control Change.

Óñòàíîâêà Îïèñàíèå
6 Íàæìèòå êíîïêó [ENTER].

CTL MAP 0 Êàðòà êîíòðîëëåðîâ ïîä íîìåðîì 0.


Çíà÷åíèå Óñòàíîâêà Îïèñàíèå Äèàïàçîí
LAST ACC MAP Êàðòà êîíòðîëëåðîâ, âûáðàííàÿ è ñîõðàíåííàÿ ïîñëåäíåé.
Çàäàåò çíà÷åíèå velocity.
A-PRO ðàñïîçíàåò ñêîðîñòü TOUCH, 1 – 127
5 Íàæìèòå êíîïêó [ENTER]. íàæàòèÿ êëàâèø è ïðåîáðà- * Ïðè âûáîðå
çóåò åå â çíà÷åíèå velocity; TOUCH ïåðå-
îäíàêî, ýòà óñòàíîâêà ïîçâî- äàâàåìîå
1 KEY VELOCITY ëÿåò ïåðåäàâàòü ôèêñèðî- çíà÷åíèå
âàííîå çíà÷åíèå velocity, íå velocity çàâè-
çàâèñÿùåå îò äèíàìèêè èñ- ñèò îò äèíà-
ïîíåíèÿ. Ýòî èñïîëüçóåòñÿ, ìèêè
÷òîáû èñêëþ÷èòü âîçäåéñ- èñïîëíåíèÿ.
òâèå äèíàìèêè èñïîëíåíèÿ.

Îïðåäåëÿåò Bank Select LSB


2 BANK LSB 0 – 127
(CC#32).

Îïðåäåëÿåò Bank Select MSB


3 BANK MSB 0 – 127
(CC#00).

4 CONTROL CHANGE Îïðåäåëÿåò Ñontrol Ñhange. 0 – 127

Îïðåäåëÿåò òåìï MIDI


5 TEMPO 20 – 250
CLOCK.

68
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

Ïðî÷èå óñòàíîâêè
H-ACTIVITY ON/OFF L9 FUNCTION
Âêëþ÷èòå ïðè èñïîëüçîâàíèè îïðåäåëåííûõ ïðîãðàìì (íàïðèìåð, Pro Tools LE). Îïðåäåëÿåò ôóíêöèþ êíîïêè [HOLD].
Åñëè ôóíêöèÿ âêëþ÷åíà (On), ÷åðåç “A-PRO 2” áóäåò ïåðåäàâàòüñÿ ñîîáùåíèå “90
00 7F” ñ èíòåðâàëàìè ïðèáëèçèòåëüíî 500 ìñ. 1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].
2 Êîëåñîì [VALUE] âûáåðèòå “SYSTEM SETTING” è íàæìèòå êíîïêó
1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ]. [ENTER].
2 Êîëåñîì [VALUE] âûáåðèòå “SYSTEM SETTING” è íàæìèòå êíîïêó fig.lcd-L9FUNC.eps

[ENTER]. 3 Êîëåñîì [VALUE] âûáåðèòå “L9


fig.lcd-HACTVTY.eps FUNCTION” è íàæìèòå êíîïêó
3 Êîëåñîì [VALUE] âûáåðèòå [ENTER].
“H-ACTVTY ON/OFF” è íàæìèòå fig.lcd-L9FUNC1.eps

êíîïêó [ENTER]. 4 Êîëåñîì [VALUE] âûáåðèòå ôóíê-


fig.lcd-HACTVTY1.eps öèþ êíîïêè [HOLD].
4 Êîëåñîì [VALUE] âûáåðèòå “ON”
èëè “OFF”. Çíà÷åíèå Óñòàíîâêà Îïèñàíèå
5 Íàæìèòå êíîïêó [ENTER]. 1 L9 Íà êíîïêó ìîæíî íàçíà÷èòü ëþáîå MIDI-ñîîáùåíèå.

Âûïîëíÿåò ôóíêöèþ ñóñòåéíà, òî åñòü ïðîäëåâàåò çâóê


2 HOLD
äàæå ïîñëå ñíÿòèÿ ðóê ñ êëàâèàòóðû.

3 VLINK Âêëþ÷àåò/îòêëþ÷àåò ôóíêöèþ V-LINK.

5 Íàæìèòå êíîïêó [ENTER].

69
Ñèñòåìíûå óñòàíîâêè (ðåæèì EDIT)

OMNI
Ñì. “Ïîíÿòèå OMNI” (ñòð. 42).

FACTORY RESET
Îïåðàöèÿ ñáðàñûâàåò âñå óñòàíîâêè A-PRO â çíà÷åíèÿ ïðèíÿòûå ïî óìîë÷àíèþ.

1 Îäíîâðåìåííî íàæìèòå êíîïêè [ACT] è [ ].


2 Êîëåñîì [VALUE] âûáåðèòå “FACTORY RESET” è íàæìèòå êíîïêó
[ENTER].
Íà äèñïëåå îòîáðàçèòñÿ ìèãàþùàÿ íàäïèñü “SURE?”.
fig.lcd-RESETSURE.eps

3 ×òîáû âûïîëíèòü îïåðàöèþ, íà-


æìèòå êíîïêó [ENTER].
Íà äèñïëåå îòîáðàçèòñÿ ìèãàþùàÿ íàä-
ïèñü “FACTORY RESET”, è íà÷íåòñÿ âûïîëíåíèå îïåðàöèè.
Ïî îêîí÷àíèè îïåðàöèè äèñïëåé îòîáðàçèò “COMPLETE!”. Ïðèáîð âåðíåòñÿ â
ðåæèì Play.

70
Ïðèëîæåíèå
]

Äâà ïîðòà MIDI


Ïðè êîììóòàöèè A-PRO ñ êîìïüþòåðîì ïî USB ïîÿâëÿåòñÿ âîçìîæíîñòü èñïîëüçîâàíèÿ äâóõ âûõîäíûõ ïîðòîâ MIDI (PORT 1 è PORT 2). Âñå êîíòðîëëåðû A-PRO ìîãóò ïåðåäàâàòü MIDI-
ñîîáùåíèÿ ÷åðåç ëþáîé èç ýòèõ ïîðòîâ.
Ñì. “Èñïîëüçîâàíèå êàðò íàçíà÷åíèÿ êîíòðîëëåðîâ” (ñòð. 29) èëè “Íàçíà÷åíèå MIDI-ñîîáùåíèÿ ñ ïîìîùüþ êëàâèàòóðû A-PRO” (ñòð. 48).

fig.MIDI-port1-e.eps

Программа DAW Åñëè èñïîëüçóåòñÿ ïðîãðàììà DAW è íåîáõîäèìî ïðîñòî óïðàâëÿòü òîí-ãåíåðàòîðîì çâó-
Трек Звуковой MIDI-модуль êîâîãî ìîäóëÿ, êîíòðîëëåðû A-PRO ìîãóò èñïîëüçîâàòü òîò æå âûõîäíîé ïîðò MIDI, ÷òî è
THRU
PORT1 A-PRO 1 MIDI OUT êëàâèàòóðà. Êîãäà A-PRO íàõîäèòñÿ â ñîñòîÿíèè ïî óìîë÷àíèþ, äàííûå ñ êëàâèàòóðû A-PRO
A-PRO :

Запись Программный ïåðåäàþòñÿ ÷åðåç PORT 1, ïîýòîìó íà PORT 1 òàêæå ìîæíî íàçíà÷àòü è êîíòðîëëåðû.
на трек синтезатор

PORT2 A-PRO 2

fig.MIDI-port2-e.eps

Программа DAW Íåêîòîðûå ïðîãðàììû DAW èìåþò âõîäíîé ïîðò, èñïîëüçóåìûé äëÿ óïðàâëåíèÿ ñâîåé
Трек ñåêöèåé ìèêøåðà. Ïîñêîëüêó A-PRO èìååò äâà âûõîäíûõ ïîðòà MIDI, ìîæíî ïîñðåäñòâîì
THRU
PORT1 A-PRO 1 MIDI OUT îäíîãî ïîðòà óïðàâëÿòü çâóêîâûì ìîäóëåì, à ñ ïîìîùüþ äðóãîãî óïðàâëÿòü ïðîãðàììîé
A-PRO :

Запись Программный DAW.


на трек синтезатор

PORT2 A-PRO 2

fig.MIDI-port3-e.eps

Программа DAW
Íàïðèìåð, ÷òîáû ñ ïîìîùüþ êíîïîê [A1] – [A8] â A-PRO ïåðåêëþ÷àòü òåìáðû â çâóêîâîì ìî-
Трек Звуковой MIDI-модуль äóëå, à ïîñðåäñòâîì ñëàéäåðîâ [S1] – [S9] óïðàâëÿòü ôåéäåðàìè ìèêøåðà â ïðîãðàììå
THRU
PORT1 A-PRO 1 MIDI OUT DAW, ìîæíî íàçíà÷èòü êîíòðîëëåðû íà âûõîäíûå ïîðòû MIDI ñëåäóþùèì îáðàçîì.
A-PRO :

Запись Программный
на трек синтезатор Êíîïêè [A1] – [A8]: PORT 1
Ñëàéäåðû [S1] – [S9]: PORT 2
PORT2 A-PRO 2
* Îòíîñèòåëüíî óïðàâëåíèÿ ïðîãðàììîé DAW ñì. ïðèëàãàåìóþ ê íåé äîêóìåíòàöèþ.

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Ïðèëîæåíèå

Ïîäêëþ÷åíèå A-PRO ê çâóêîâîìó ìîäóëþ


Ìîæíî íåïîñðåäñòâåííî ïîäêëþ÷èòü A-PRO ê çâóêîâîìó MIDI-ìîäóëþ, ÷òîáû âîñïðîèçâîäèòü çâóêè ïîñëåäíåãî è óïðàâëÿòü èì.

Åñëè A-PRO íå ïîäêëþ÷åí ê êîìïüþòåðó ïî USB, íåîáõîäèìî èñïîëüçîâàòü îïöèîíàëüíûé ñåòåâîé àäàïòåð.
Îáðàòèòåñü ê ìåñòíîìó äèëåðó.
fig.MIDI-External-e.eps

921
* Ïåðåä êîììóòàöèåé îáîðóäîâàíèÿ óñòàíîâèòå â ìè-
íèìóì ãðîìêîñòü âñåõ ïðèáîðîâ è îòêëþ÷èòå èõ ïè-
òàíèå, äàáû íå ïîâðåäèòü äèíàìèêè è/èëè äðóãèå
óñòðîéñòâà.
* Ðàçìåñòèòå ñåòåâîé àäàïòåð òàê, ÷òîáû åãî ñòîðîíà
ñ èíäèêàòîðîì (ñì. ðèñ.) áûëà îáðàùåíà ââåðõ, à
ñòîðîíà ñ òåêñòîâîé èíôîðìàöèåé — âíèç. Ïðè
âêëþ÷åíèè ñåòåâîãî àäàïòåðà â ðîçåòêó èíäèêàòîð
çàãîðàåòñÿ.

1 MIDI-êàáåëåì ïîäêëþ÷èòå ðàçúåì MIDI OUT â A-PRO ê ðàçúåìó MIDI IN çâóêîâîãî MIDI-ìîäóëÿ.
2 Ïîäêëþ÷èòå ñåòåâîé àäàïòåð ê ðàçúåìó DC IN â A-PRO.
3 Óñòàíîâèòå ñåëåêòîð [POWER] â A-PRO â ïîëîæåíèå “DC”, ÷òîáû âêëþ÷èòü ïèòàíèå.
Òàêæå âêëþ÷èòå ïèòàíèå çâóêîâîãî MIDI-ìîäóëÿ.
4 Óñòàíîâèòå òåêóùèé êàíàë A-PRO â ñîîòâåòñòâèå ñ ïðèåìíûì MIDI-êàíàëîì çâóêîâîãî MIDI-ìîäóëÿ.
5 Ïðè èãðå íà êëàâèàòóðå MIDI-ìîäóëü áóäåò ïðîèçâîäèòü çâóê.

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Ïðèëîæåíèå

Ðåæèì ñòàíäàðòíîãî äðàéâåðà


 ýòîì ðåæèìå èñïîëüçóåòñÿ äðàéâåð, âõîäÿùèé â ñîñòàâ îïåðàöèîííîé ñèñòåìû êîìïüþòåðà.

Óñòàíîâêà ñòàíäàðòíîãî äðàéâåðà Óñòàíîâêè âõîäíûõ/âûõîäíûõ óñòðîéñòâ


1 Îòêëþ÷èòå “ADVANCED DRIVER MODE” (ñòð. 65). ×òîáû èñïîëüçîâàòü A-PRO ñîâìåñòíî ñ ïðîãðàììíûì îáåñïå÷åíèåì, íåîáõîäè-
ìî âûáðàòü A-PRO â êà÷åñòâå âõîäíîãî/âûõîäíîãî MIDI-óñòðîéñòâà.
2 Çàêðîéòå âñå ïðîãðàììû. Ñì. äîêóìåíòàöèþ íà ïðîãðàììíîå îáåñïå÷åíèå.
3 Îòêëþ÷èòå è ñíîâà âêëþ÷èòå ïèòàíèå A-PRO.
Äðàéâåð óñòàíîâèòñÿ àâòîìàòè÷åñêè. Windows 7/Windows Vista

A-PRO
Âûõîäíîå MIDI-óñòðîéñòâî
MIDIOUT2 (A-PRO)

A-PRO
Âõîäíîå MIDI-óñòðîéñòâî MIDIIN2 (A-PRO)
MIDIIN3 (A-PRO)

* Âõîäíîå/âûõîäíîå MIDI-óñòðîéñòâî A-PRO äëÿ ïðîãðàììû Media Player, âõîäÿ-


ùåé â ñîñòàâ Windows 7/Vista, íåäîñòóïíî.

Windows XP

Àóäèîóñòðîéñòâî USB
Âûõîäíîå MIDI-óñòðîéñòâî
Àóäèîóñòðîéñòâî USB [2]

Àóäèîóñòðîéñòâî USB
Âõîäíîå MIDI-óñòðîéñòâî Àóäèîóñòðîéñòâî USB [2]
Àóäèîóñòðîéñòâî USB [3]

Mac OS X
Ïðîèçâåäèòå óñòàíîâêè Audio MIDI, îïèñàííûå íà øàãå 13 ðàçäåëà “Mac OS X”
(ñòð. 17).

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Íåèñïðàâíîñòè
Ïðè âîçíèêíîâåíèè íåèñïðàâíîñòåé ñíà÷àëà îçíàêîìüòåñü ñ èíôîðìàöèåé, ïðèâåäåííîé â ýòîé ãëàâå. Ýòî ìîæåò ïîìî÷ü ðåøèòü âîçíèêøóþ ïðîáëåìó.

* Îòíîñèòåëüíî ðàáîòû ñ Windows èëè Mac OS X ñì. ñîîòâåòñòâóþùóþ äîêóìåíòàöèþ.

Ïðîáëåìû ñ óñòàíîâêîé äðàéâåðà


Ïðèñóòñòâóþò ëè â Device Manager óñòðîéñòâà, ïîìå÷åííûå êàê
Íå çàïóñêàåòñÿ óñòàíîâêà “Other”, “Unknown” èëè “?/!/X”?
Åñëè äðàéâåð óñòàíîâëåí íåêîððåêòíî, ñîîòâåòñòâóþùåå åìó óñòðîéñòâî áóäåò
Êîððåêòíî ëè óñòàíîâëåí CD-ROM â ïðèâîä CD-ROM? èìåòü “íåçàâåðøåííûé” ñòàòóñ.
Ïðîâåðüòå ïðàâèëüíîñòü óñòàíîâêè CD-ROM â ïðèâîä CD-ROM. Ïåðåóñòàíîâèòå äðàéâåð A-PRO; ñì. “Ïåðåóñòàíîâêà äðàéâåðà” (ñòð. 80).

Âîçìîæíî çàãðÿçíåíû äèñê CD-ROM èëè ëèíçà ïðèâîäà CD-ROM?


Íåâîçìîæíî óñòàíîâèòü äðàéâåð
Ïðîèçâåäèòå î÷èñòêó äèñêà èëè ëèíçû ïðèâîäà CD-ROM ñïåöèàëüíûìè ÷èñòÿùè-
ìè ñðåäñòâàìè.
Äîñòàòî÷åí ëè óðîâåíü ïîëüçîâàòåëüñêîãî äîñòóïà â Windows?
Âîçìîæíî óñòàíîâêà ïðîèçâîäèòñÿ ñ ñåòåâîãî ïðèâîäà CD-ROM? Íåîáõîäèìî àâòîðèçèðîâàòüñÿ â Windows ïîä îäíîé èç ñëåäóþùèõ ó÷åòíûõ çàïè-
ñåé.
Óñòàíîâêà äðàéâåðà ñ ñåòåâîãî ïðèâîäà CD-ROM íåâîçìîæíà.
• Ïîëüçîâàòåëü ãðóïïû Àäìèíèñòðàòîð, íàïðèìåð, Administrator
• Ïîëüçîâàòåëü ñ ïðàâîì äîñòóïà Computer Administrator
 ïðîöåññå óñòàíîâêè îòîáðàæàåòñÿ ñîîáùåíèå îá * Ñì. äîêóìåíòàöèþ íà êîìïüþòåð.

îøèáêå (Windows) Èíîãäà óñòàíîâêà "Driver Signing Option" ìîæåò ïðåïÿòñòâîâàòü óñ-
òàíîâêå äðàéâåðà.
Íå áûë ëè ïîäêëþ÷åí A-PRO ê êîìïüþòåðó äî óñòàíîâêè äðàéâåðà?
Ñì. “Óñòàíîâêà öèôðîâîé ïîäïèñè äðàéâåðà (Windows XP)” (ñòð. 80).
Åñëè ïîäêëþ÷èòü A-PRO ê êîìïüþòåðó äî óñòàíîâêè äðàéâåðà, ïðè çàïóñêå óñòà-
íîâêè îòîáðàçèòñÿ ñîîáùåíèå îá îøèáêå. Âîçìîæíî âûïîëíÿþòñÿ ôîíîâûå çàäà÷è (íàïðèìåð, àíòèâèðóñíîå
Ïåðåóñòàíîâèòå äðàéâåð A-PRO; ñì. “Ïåðåóñòàíîâêà äðàéâåðà” (ñòð. 80).
ÏÎ)?
 òàêîì ñëó÷àå óñòàíîâêà ìîæåò ïðîèçîéòè íåêîððåêòíî.
Ïåðåä íà÷àëîì óñòàíîâêè çàêðîéòå âñå ôîíîâûå ïðèëîæåíèÿ.

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Ïðîâåðüòå óñòàíîâêè ïèòàíèÿ êîìïüþòåðà.


Óñòàíîâêà ïðåðûâàåòñÿ ïðè ïîäêëþ÷åíèè A-PRO
Óñòàíîâêè ïèòàíèÿ êîìïüþòåðà ìîãóò îãðàíè÷èâàòü ìîùíîñòü, âûäåëÿåìóþ äëÿ
Íå óñòàíîâëåí ëè ïàðàìåòð ADVANCED DRIVER â OFF? øèíû USB.
Ñì. “Óñòàíîâêè ïèòàíèÿ” (ñòð. 81)
Îáðàòèòåñü ê ðàçäåëó “ADVANCED DRIVER MODE” (ñòð. 65) è óñòàíîâèòå ADVANCED
DRIVER MODE â ON. Çàòåì ïîâòîðíî óñòàíîâèòå äðàéâåð. Ñîîòâåòñòâóåò ëè êîìïüþòåð òðåáîâàíèÿì ñïåöèôèêàöèè USB?
Ïîñëå ïîäêëþ÷åíèÿ A-PRO äî åãî ðàñïîçíàâàíèÿ êîìïüþòåðîì ïðî- Åñëè êîìïüþòåð íå ñîîòâåòñòâóåò òðåáîâàíèÿì ñïåöèôèêàöèè USB, âñÿ ñèñòåìà
ìîæåò ðàáîòàòü íåñòàáèëüíî.
õîäèò îïðåäåëåííîå âðåìÿ.  òàêîì ñëó÷àå ìîæåò óäàñòñÿ ðåøèòü ïðîáëåìó, èñïîëüçóÿ õàá USB ñ àòîíîìíûì
Ýòî — øòàòíàÿ ñèòóàöèÿ. ïèòàíèåì (âñòðîåííûì èëè îò ñåòåâîãî àäàïòåða).
Äîæäèòåñü îòîáðàæåíèÿ ñîîáùåíèÿ “Found New Hardware Wizard”.

Ïîäêëþ÷åí ëè A-PRO? Ñîîáùåíèå “Found New Hardware Wizard” îòîáðàæàåòñÿ


Ïðîâåðüòå êîììóòàöèþ A-PRO ñ êîìïüþòåðîì. äàæå ïîñëå óñòàíîâêè äðàéâåðà (Windows XP)
Íå ðàáîòàåò ëè êîìïüþòåð îò áàòàðåè? Ïðè ïîäêëþ÷åíèè A-PRO ê äðóãîìó ïîðòó USB êîìïüþòåð çàïðàøè-
Ïðè ïèòàíèè êîìïüþòåðà îò áàòàðåè åãî ðàáîòà ìîæåò áûòü íåóñòîé÷èâîé. âàåò ôàéë äðàéâåðà.
Ïåðåâåäèòå êîìïüþòåð íà ñåòåâîå ïèòàíèå. Åñëè êîìïüþòåð èëè õàá USB èìååò íåñêîëüêî ïîðòîâ USB, ïðè ïîäêëþ÷åíèè A-
PRO ê äðóãîìó ïîðòó USB êîìïüþòåð ìîæåò çàïðîñèòü äðàéâåð, äàæå åñëè îí óæå
Íå èñïîëüçóåòñÿ ëè õàá USB ñ øèííûì ïèòàíèåì (íå òðåáóþùèé îò- óñòàíîâëåí.
äåëüíîãî èñòî÷íèêà ïèòàíèÿ)? Ýòî — øòàòíàÿ ñèòóàöèÿ, íåèñïðàâíîñòüþ íå ÿâëÿþùàÿñÿ. Óñòàíîâèòå äðàéâåð ñî-
A-PRO ìîæíî èñïîëüçîâàòü òîëüêî ñ õàáîì USB, èìåþùèì íåçàâèñèìûé èñòî÷íèê ãëàñíî ïðîöåäóðå “Óñòàíîâêà äðàéâåðà” (ñòð. 12).
ïèòàíèÿ (âñòðîåííûé èëè ñåòåâîé àäàïòåð).

Íå ïîäêëþ÷åíû ëè äðóãèå óñòðîéñòâà USB (êðîìå êëàâèàòóðû è ìû-


Ïåðåä èìåíåì óñòðîéñòâà îòîáðàæàåòñÿ “2-” (Windows)
øè)?
Íå ïîäêëþ÷åí ëè A-PRO ê äðóãîìó ïîðòó USB?
Îòêëþ÷èòå âñå óñòðîéñòâà USB (êðîìå êëàâèàòóðû è ìûøè, ïðè èõ íàëè÷èè) îò
Ïðè ïîäêëþ÷åíèè A-PRO ê äðóãîìó ïîðòó USB íåêîòîðûå ÎÑ ïåðåä èìåíåì óñò-
êîìïüþòåðà ïåðåä íà÷àëîì óñòàíîâêè.
ðîéñòâà àâòîìàòè÷åñêè äîáàâëÿþò íîìåð, íî ýòî íå ÿâëÿåòñÿ íåèñïðàâíîñòüþ.
×òîáû èçáåæàòü òàêîãî ðîäà ñèòóàöèé, ïîäêëþ÷àéòå A-PRO ê îäíîìó è òîìó æå
ïîðòó USB èëè óäàëèòå äðàéâåð A-PRO è âíîâü óñòàíîâèòå åãî.
Ñì. “Ïåðåóñòàíîâêà äðàéâåðà” (ñòð. 80)

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Ïðîáëåìû ñ óñòàíîâêàìè

A-PRO íåäîñòóïåí èç ïðîãðàììû èëè â ñèñòåìíûõ


óñòàíîâêàõ

Íå èñïîëüçóåòñÿ ëè A-PRO äðóãèìè ïðîãðàììàìè? Íå èñïîëüçóåòñÿ ëè Media Player, âõîäÿùèé â ñîñòàâ Windows?
Çàêðîéòå âñå ïðîãðàììû. Îòêëþ÷èòå è âíîâü âêëþ÷èòå ïèòàíèå A-PRO. Óñòðîéñòâî A-PRO íåäîñòóïíî â MIDI-óñòàíîâêàõ ïðîãðàììû Media Player, âõîäÿ-
Åñëè ïðîáëåìà îñòàëàñü, ïåðåóñòàíîâèòå äðàéâåð. ùåé â ñîñòàâ Windows 7 èëè Windows Vista.
Ñì. “Ïåðåóñòàíîâêà äðàéâåðà” (ñòð. 80)
Ïðîâåðüòå óñòàíîâêè “Audio MIDI Settings” (Mac OS X)
Êîððåêòíî ëè óñòàíîâëåí äðàéâåð? Ñì. “Mac OS X” (ñòð. 17).

Åñëè äðàéâåð A-PRO óñòàíîâëåí íåêîððåêòíî, ïåðåóñòàíîâèòå åãî.


Ñì. “Ïåðåóñòàíîâêà äðàéâåðà” (ñòð. 80)

Îòîáðàæàåòñÿ ëè èìÿ óñòðîéñòâà A-PRO?


Åñëè èìÿ óñòðîéñòâà íå îòîáðàæàåòñÿ, âîçìîæíî äðàéâåð óñòàíîâëåí íåêîððåêò-
íî. Ïåðåóñòàíîâèòå äðàéâåð.
Ñì. “Ïåðåóñòàíîâêà äðàéâåðà” (ñòð. 80)

Íå íàõîäèòñÿ ëè êîìïüþòåð â ðåæèìå îæèäàíèÿ ("ñïÿùåì ðåæè-


ìå")?
Çàêðîéòå âñå ïðèëîæåíèÿ, îòêëþ÷èòå è âíîâü âêëþ÷èòå ïèòàíèå A-PRO.
Åñëè ïðîáëåìà îñòàëàñü, ïåðåçàãðóçèòå êîìïüþòåð.

Íå îòêëþ÷àëñÿ ëè êàáåëü USB â ïðîöåññå ðàáîòû ñ A-PRO?


Åñëè ýòî ïðîèçîøëî, çàêðîéòå âñå ïðèëîæåíèÿ, îòêëþ÷èòå è âíîâü âêëþ÷èòå ïè-
òàíèå A-PRO. Åñëè ïðîáëåìà îñòàëàñü, ïåðåçàãðóçèòå êîìïüþòåð.

Íå ïîäêëþ÷àëñÿ ëè A-PRO äî çàãðóçêè êîìïüþòåðà?


 íåêîòîðûõ êîìïüþòåðàõ äðàéâåð çàãðóæàåòñÿ íåêîððåêòíî, åñëè A-PRO áûë
ïîäêëþ÷åí äî çàãðóçêè ñèñòåìû.
 òàêîì ñëó÷àå ïîäêëþ÷àéòå A-PRO ïîñëå çàãðóçêè êîìïüþòåðà.

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Ïðîáëåìû ñ âîñïðîèçâåäåíèåì

Âîñïðîèçâåäåíèå èñêàæåíî

Ïðîâåðüòå óñòàíîâêè ïèòàíèÿ Â îêíå óñòàíîâîê äðàéâåðà óñòàíîâèòå ôëàæîê “Light Load”
Âîçìîæíî ïðîáëåìó ìîæíî ðåøèòü, èçìåíèâ óñòàíîâêè ïèòàíèÿ. Ñì. “Èçìåíåíèå è ïðîñìîòð óñòàíîâîê äðàéâåðà (Windows)” (ñòð. 80).
Ñì. “Óñòàíîâêè ïèòàíèÿ” (ñòð. 81) ×òîáû èçìåíåíèå ýòîé óñòàíîâêè âñòóïèëî â ñèëó, îòêëþ÷èòå è âíîâü âêëþ÷èòå
ïèòàíèå A-PRO. Åñëè ïðîáëåìû îòñóòñòâóþò, íå óñòàíàâëèâàéòå äàííûé ôëàæîê
Îáíîâèòå âèäåîäðàéâåð (Windows) (óñòàíîâêà ïî óìîë÷àíèþ).

Âîçìîæíî ïðîáëåìó ìîæíî ðåøèòü, îáíîâèâ äðàéâåð ãðàôè÷åñêîé êàðòû êîì-


ïüþòåðà.
Îòêëþ÷èòå ñåòü LAN
 Device Manager êîìïüþòåðà îòêëþ÷èòå óñòðîéñòâî LAN (ïðîâîäíîå/áåñïðîâîä-
Èçìåíèòå óñòàíîâêè “Performance” (Windows) íîå).
Åñëè ýòî ðåøèò ïðîáëåìó, îáíîâèòå äðàéâåð LAN èëè BIOS.
Âîçìîæíî ïðîáëåìó ìîæíî ðåøèòü, èçìåíèâ óñòàíîâêè “Performance”.
Ñì. “Óñòàíîâêè “Performance” ñèñòåìû (Windows)” (ñòð. 82)
Íå ïîäêëþ÷åí ëè A-PRO ê õàáó USB?
Âîçìîæíî ðàáîòàþò äðóãèå ïðèëîæåíèÿ? Ïîäêëþ÷èòå A-PRO íåïîñðåäñòâåííî ê ïîðòó USB êîìïüþòåðà.

Çàêðîéòå âñå íåíóæíûå ïðîãðàììû.


Åñëè ïðîãðàììà ñâåðíóòà, íî îòîáðàæàåòñÿ â ïàíåëè çàäà÷, åå òàêæå íåîáõîäèìî
Èñïîëüçóåòñÿ ëè ïðèëàãàåìûé êàáåëü USB?
çàêðûòü. Ïðè ðàáîòå ñ A-PRO íåîáõîäèìî èñïîëüçîâàòü ïðèëàãàåìûé êàáåëü USB. Íå âñå èç
äîñòóïíûõ â ïðîäàæå êàáåëåé USB ñîîòâåòñòâóþò òðåáîâàíèÿì ñòàíäàðòà USB, ÷òî
Âîçìîæíî òðåáóåòñÿ îáíîâëåíèå Windows Update èëè Microsoft ìîæåò íåãàòèâíî ñêàçûâàòüñÿ íà ðàáîòå A-PRO.
Update? (Windows)
Íå ïðîèçâîäèëîñü ëè îáíîâëåíèå Mac OS X ïðè ïîäêëþ÷åííîì
Îáíîâèòå ÎÑ ñ óçëà Microsoft Corporation Windows Update èëè Microsoft Update.
A-PRO?
Åñëè îáíîâëåíèå Mac OS X ïðîèçâîäèëîñü ïðè ïîäêëþ÷åííîì A-PRO, âîçìîæíû
èñêàæåíèÿ çâóêà.  òàêîì ñëó÷àå ïåðåóñòàíîâèòå äðàéâåð.

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Âîñïðîèçâåäåíèå îòñóòñòâóåò Çàäåðæêà ìåæäó íàæàòèåì íà êëàâèøè è çâóêîì


Êîððåêòíî ëè óñòàíîâëåí äðàéâåð?
ïðîãðàììíîãî ñèíòåçàòîðà
Åñëè ïî êàêèì-ëèáî ïðè÷èíàì äðàéâåð A-PRO óñòàíîâëåí íåêîððåêòíî, ïåðåóñòà- Ïðîãðàììíûå ñèíòåçàòîðû ïðîèçâîäÿò çâóê ÷åðåç çâóêîâóþ êàðòó êîìïüþòåðà.
íîâèòå åãî. Ñóùåñòâóåò çàäåðæêà (“ëàòåíòíîñòü”) ìåæäó ãåíåðàöèåé çâóêà â ïðîãðàììíîì
Ñì. “Ïåðåóñòàíîâêà äðàéâåðà” (ñòð. 80) ñèíòåçàòîðå è åãî âûâîäîì ÷åðåç çâóêîâóþ êàðòó.
Âíå çàâèñèìîñòè îò êîìáèíàöèè èñïîëüçóåìûõ ïðîãðàììíûõ ñèíòåçàòîðîâ è çâó-
Êîððåêòíû ëè óñòàíîâêè âõîäà/âûõîäà â ïðîãðàììå? êîâûõ êàðò, òàêàÿ çàäåðæêà ïðèñóòñòâóåò âñåãäà, íî îïðåäåëåííûì ïîäáîðîì óñ-
òàíîâîê åå ìîæíî ñâåñòè ê âåëè÷èíå, íå ñîçäàþùåé ïðîáëåì â ðàáîòå.
Âûáåðèòå A-PRO â êà÷åñòâå âõîäíîãî/âûõîäíîãî óñòðîéñòâà ïðîãðàììû. Ñì. äîêó- Äëÿ óìåíüøåíèÿ çàäåðæêè èñïîëüçóþòñÿ ñëåäóþùèå ñïîñîáû.
ìåíòàöèþ íà ïðîãðàììó è ñëåäóþùèå ðàçäåëû. • Óìåíüøåíèå ðàçìåðà àóäèîáóôåðà â ïðîãðàììå
• Windows: Ñì. “Ïðîâåðêà â SONAR (Windows)” (ñòð. 19) • Óìåíüøåíèå ðàçìåðà áóôåðà â äðàéâåðå çâóêîâîé êàðòû
• Mac OSX: Ñì. “Ïðîâåðêà â GarageBand (Mac OS X)” (ñòð. 20) Ñì. äîêóìåíòàöèþ íà ïðîãðàììó è çâóêîâóþ êàðòó.

Íå èñïîëüçóåòñÿ ëè A-PRO äðóãèìè ïðîãðàììàìè?


Ïðè ðàáîòå A-PRO ñ ïðîãðàììîé DAW íåâîçìîæíî
Çàêðîéòå âñå ïðîãðàììû. Îòêëþ÷èòå è âíîâü âêëþ÷èòå ïèòàíèå A-PRO.
Åñëè ïðîáëåìà îñòàëàñü, ïåðåóñòàíîâèòå äðàéâåð.
ïåðåäàâàòü ñèñòåìíûå ýêñêëþçèâíûå ñîîáùåíèÿ íà
Ñì. “Ïåðåóñòàíîâêà äðàéâåðà” (ñòð. 80) âíåøíèé çâóêîâîé ìîäóëü
Íå íàõîäèòñÿ ëè êîìïüþòåð â ðåæèìå îæèäàíèÿ ("ñïÿùåì ðåæè- Â ïðîãðàììå DAW ñíèìèòå çàïðåò íà ïðîõîæäåíèå ñèñòåìíûõ ýêñêëþçèâíûõ ñî-
îáùåíèé íà âíåøíåå óñòðîéñòâî. Ñì. äîêóìåíòàöèþ íà ïðîãðàììó.
ìå")?
Çàêðîéòå âñå ïðèëîæåíèÿ, îòêëþ÷èòå è âíîâü âêëþ÷èòå ïèòàíèå A-PRO.
Äæîéñòèê íå óïðàâëÿåò âûñîòîé òîíà èëè ìîäóëÿöèåé
Åñëè ïðîáëåìà îñòàëàñü, ïåðåçàãðóçèòå êîìïüþòåð.
A-PRO ïîçâîëÿåò íàçíà÷àòü MIDI-ñîîáùåíèÿ íà äæîéñòèê. Åñëè òàêèå íàçíà÷åíèÿ
Íå îòêëþ÷àëñÿ ëè êàáåëü USB â ïðîöåññå ðàáîòû ñ A-PRO? ïðîèçâåäåíû, èçíà÷àëüíûå ôóíêöèè äæîéñòèêà ñòàíîâÿòñÿ íåäîñòóïíûìè. ×òîáû
Åñëè ýòî ïðîèçîøëî, çàêðîéòå âñå ïðèëîæåíèÿ, îòêëþ÷èòå è âíîâü âêëþ÷èòå ïè- âîññòàíîâèòü óïðàâëåíèå âûñîòîé òîíà è ìîäóëÿöèåé, óñòàíîâèòå ñîîòâåòñòâóþ-
òàíèå A-PRO. Åñëè ïðîáëåìà îñòàëàñü, ïåðåçàãðóçèòå êîìïüþòåð. ùèå êîíòðîëëåðû â NO ASSIGN; ñì. “Ñáðîñ íàçíà÷åíèÿ (NO ASSIGN)” (ñòð. 56).

Íå ïîäêëþ÷àëñÿ ëè A-PRO äî çàãðóçêè êîìïüþòåðà? Îòñóòñòâóåò ýôôåêò ïîñëåêàñàíèÿ


 íåêîòîðûõ êîìïüþòåðàõ äðàéâåð çàãðóæàåòñÿ íåêîððåêòíî, åñëè A-PRO ïîä- A-PRO ïîçâîëÿåò íàçíà÷àòü MIDI-ñîîáùåíèÿ íà êîíòðîëëåð Aftertouch. Åñëè òàêîå
êëþ÷åí äî çàãðóçêè ñèñòåìû íàçíà÷åíèå ïðîèçâåäåíî, ïîñëåêàñàíèå íå ôóíêöèîíèðóåò.
 òàêîì ñëó÷àå ïîäêëþ÷àéòå A-PRO ïîñëå çàãðóçêè êîìïüþòåðà. Óñòàíîâèòå Aftertouch â NO ASSIGN; ñì. “Ñáðîñ íàçíà÷åíèÿ (NO ASSIGN)” (ñòð. 56).

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Äîïîëíèòåëüíûå äåéñòâèÿ

Óäàëåíèå äðàéâåðà
Åñëè äðàéâåð óñòàíîâëåí íåêîððåêòíî, êîìïüþòåð ìîæåò íå ðàñïîçíàâàòü A-PRO. 6 Ýêðàí îòîáðàçèò “Uninstallation was completed”. Íàæìèòå [OK]
 òàêîì ñëó÷àå íåîáõîäèìî óäàëèòü äðàéâåð, êàê îïèñàíî íèæå, è ïîâòîðíî óñòà- äëÿ ïåðåçàãðóçêè Windows.
íîâèòü åãî, ñì. “Óñòàíîâêà äðàéâåðà” (ñòð. 12).

Windows Mac OS X
Ñîäåðæèìîå ýêðàíà çàâèñèò îò âåðñèè ÎÑ. Âèä ýêðàíà çàâèñèò îò èñïîëüçóåìîé ÎÑ.

1 Çàãðóçèòå Windows, îòêëþ÷èâ A-PRO. 1 Îòêëþ÷èâ âñå êàáåëè USB, çàãðóçèòå êîìïüþòåð.
Îòêëþ÷èòå âñå êàáåëè USB, çà èñêëþ÷åíèåì êëàâèàòóðû è ìûøè.
Îòêëþ÷èòå âñå êàáåëè USB, çà èñêëþ÷åíèåì êëàâèàòóðû è ìûøè (ïðè èõ íàëè-
÷èè). 2 Âëîæèòå ïðèëàãàåìûé CD-ROM â ïðèâîä CD-ROM êîìïüþòåðà.
Âîéäèòå â ñèñòåìó ñ ïðàâàìè àäìèíèñòðàòîðà (íàïðèìåð, Administrator).
3 Äâàæäû íàæìèòå íà ñîîòâåòñòâóþùóþ èêîíêó íà CD-ROM.
2 Âëîæèòå ïðèëàãàåìûé CD-ROM â ïðèâîä CD-ROM êîìïüþòåðà.
3 Íà CD-ROM ïåðåéäèòå â ñîîòâåòñòóþùóþ ïàïêó è äâàæäû íà- ÎÑ Èíñòàëëÿòîð
æìèòå [Uninstal].
Mac OS X 10.6 èëè
[APRO_Uninstaller] (/Driver/10.6)
âûøå
ÎÑ Èíñòàëëÿòîð
Mac OS X 10.5 èëè
[APRO_Uninstaller] (/Driver/10.4_10.5)
Windows 7 Ïåðåéäèòå â ïàïêó [Driver] è çàòåì â ïàïêó [Win7] íèæå

Windows Vista Ïåðåéäèòå â ïàïêó [Driver] è çàòåì â ïàïêó [Vista]


4 Ýêðàí îòîáðàçèò “This uninstalls A-PRO driver from this Macin-
Windows 7 64-áèòíàÿ âåðñèÿ Ïåðåéäèòå â ïàïêó [x64Driver] è çàòåì â ïàïêó [Win7] tosh”. Íàæìèòå [Uninstall].
Windows Vista 64-áèòíàÿ Ïðè îòîáðàæåíèè ëþáîãî äðóãîãî ñîîáùåíèÿ ñëåäóéòå åãî ðåêîìåíäàöèÿì.
Ïåðåéäèòå â ïàïêó [x64Driver] è çàòåì â ïàïêó [Vista]
âåðñèÿ
5 Ýêðàí îòîáðàçèò “Are you sure to uninstall the driver?”
Windows XP Ïåðåéäèòå â ïàïêó [Driver] è çàòåì â ïàïêó [XP] Íàæìèòå [OK].
4 Â Windows 7 èëè Windows Vista îòîáðàçèòñÿ äèàëîãîâîå îêíî ñ 6 Îòîáðàçèòñÿ äèàëîãîâîå îêíî Authenticate èëè äèàëîãîâîå îê-
çàïðîñîì íà ïðîäîëæåíèå. Íàæìèòå [Yes] äëÿ Windows 7, èëè íî ñ çàïðîñîì ïàðîëÿ. Ââåäèòå ïàðîëü è íàæìèòå [OK].
íàæìèòå [Continue] äëÿ Windows Vista. 7 Ýêðàí îòîáðàçèò “Uninstallation is completed”. Íàæìèòå [Restart]
5 Ýêðàí îòîáðàçèò “The installed A-PRO Driver will be uninstalled”. äëÿ ïåðåçàãðóçêè êîìïüþòåðà.
Íàæìèòå [OK]. Ïåðåçàãðóçêà ìîæåò çàíÿòü íåêîòîðîå âðåìÿ.
Ïðè îòîáðàæåíèè ëþáîãî äðóãîãî ñîîáùåíèÿ ñëåäóéòå åãî ðåêîìåíäàöèÿì.

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Ïåðåóñòàíîâêà äðàéâåðà Óñòàíîâêà öèôðîâîé ïîäïèñè äðàéâåðà (Windows XP)


Åñëè ïðè óñòàíîâêå äðàéâåðà âîçíèêëè ïðîáëåìû, ïåðåóñòàíîâèòå äðàéâåð. Èíîãäà óñòàíîâêà "Driver Signing Option" ìîæåò ïðåïÿòñòâîâàòü óñòàíîâêå äðàéâå-
ðà. Èçìåíèòå óñòàíîâêè.
1 Óäàëèòå äðàéâåð A-PRO; ñì. “Óäàëåíèå äðàéâåðà” (ñòð. 79).
2 Ïîâòîðíî óñòàíîâèòå äðàéâåð; ñì. “Óñòàíîâêà äðàéâåðà” 1 Îòêðîéòå “Control Panel”, íàæìèòå [Performance and
(ñòð. 12). Maintenance] è çàòåì íàæìèòå èêîíêó [System].
Ïðè ðàáîòå â ðåæèìå “Classic view” äâàæäû íàæìèòå [System].
2 Íàæìèòå ÿðëûê [Hardware] è çàòåì íàæìèòå [Driver Signing].
Èçìåíåíèå è ïðîñìîòð óñòàíîâîê äðàéâåðà (Windows) Îòîáðàçèòñÿ äèàëîãîâîå îêíî “Driver Signing Options”.

Ñïåöèàëüíûé äðàéâåð A-PRO ïîçâîëÿåò ïðîèçâîäèòü ïðîñìîòð è èçìåíåíèå óñòà- 3 Â äèàëîãîâîì îêíå “Driver Signing Options” âûáåðèòå [Warn] èëè
íîâîê.
[Ignore] è íàæìèòå [OK].
4 Íàæìèòå [OK] äëÿ çàêðûòèÿ äèàëîãîâîãî îêíà “System Proper-
Ñòàíäàðòíûé äðàéâåð MIDI, âõîäÿùèé â ñîñòàâ îïåðàöèîííîé ñèñòåìû (ñòð. 73), ties”.
íå ïîçâîëÿåò ïðîèçâîäèòü èçìåíåíèå óñòàíîâîê.
5 Óñòàíîâèòå äðàéâåð, êàê îïèñàíî â ïðîöåäóðå äëÿ “Windows
XP” (ñòð. 15).
1 Îòêðîéòå “Control Panel” è äâàæäû íàæìèòå èêîíêó [A-PRO]. Ïî îêîí÷àíèè óñòàíîâêè âåðíèòå óñòàíîâêè öèôðîâîé ïîäïèñè äðàéâåðà â
Ïðè ðàáîòå â ñðåäå Windows 7 ïåðåêëþ÷èòå “View by:” íà îòîáðàæåíèå èêîíîê èñõîäíîå ñîñòîÿíèå.
([Large icons] èëè [Small icons]).

Åñëè â Windows Vista/XP èêîíêà [A-PRO] íå îòîáðàæàåòñÿ, ïåðåêëþ÷èòåñü â ðå-


æèì [Classic view].
2 Îòîáðàçèòñÿ äèàëîãîâîå îêíî “A-PRO Driver Settings”. Åñëè óñòà-
íîâêè íåîáõîäèìî èçìåíèòü, îòêîððåêòèðóéòå èõ è íàæìèòå
[OK]. Åñëè èõ íàäî áûëî ïðîñòî ïðîñìîòðåòü, íàæìèòå [Cancel].

Ýëåìåíòû äèàëîãîâîãî îêíà óñòàíîâîê äðàéâåðà


Ôëàæîê [Light Load]
Îáû÷íî ýòîò ôëàæîê íå óñòàíîâëåí.

Åñëè óñòàíîâêà ôëàæêà ìåíÿåòñÿ, ÷òîáû îíà âñòóïèëà â ñèëó íåîáõîäèìî îòêëþ-
÷èòü è âíîâü âêëþ÷èòü ïèòàíèå A-PRO.

Êíîïêà [Show README]


Âûâîäèò íà ýêðàí ñïðàâî÷íóþ èíôîðìàöèþ î äðàéâåðå.

Information
Îòîáðàæàåò âåðñèþ óñòàíîâëåííîãî äðàéâåðà.

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Óñòàíîâêè ïèòàíèÿ
Óñòàíîâêè óïðàâëåíèÿ ïèòàíèåì ïàíåëè óïðàâëåíèÿ ìîãóò ïðèâîäèòü ê ïðåðûâà- 6 Íàæìèòå [Setting (Minutes)] è íàæìèòå ñòðåëêó, ÷òîáû èçìåíèòü
íèþ âîñïðîèçâåäåíèÿ çâóêà. óñòàíîâêó íà [Never].
7 Íàæìèòå [OK] äëÿ çàêðûòèÿ îêíà “Power Options”.
Windows 7
8 Çàêðîéòå ýêðàí “Edit Plan Settings”.
1 Îòêðîéòå “Control Panel”, íàæìèòå [System and Security] è çàòåì
íàæìèòå [Power Options]. Windows XP
Ïðè èñïîëüçîâàíèè èêîíîê äâàæäû íàæìèòå èêîíêó [Power Options].
2 Â “Select a power plan” âûáåðèòå [High performance]. 1 Îòêðîéòå “Control Panel”, íàæìèòå [Performance and Mainte-
Åñëè [High performance] íå îòîáðàæàåòñÿ, íàæìèòå [Show additional plans]. nance] è íàæìèòå [Power Options].
Ïðè èñïîëüçîâàíèè “Classic view” äâàæäû íàæìèòå èêîíêó [Power Options].
3 Â îáëàñòè “High performance” íàæìèòå [Change plan settings].
2 Íàæìèòå ÿðëûê [Power Schemes] è â ïîëå “Power Schemes” âûáå-
4 Íàæìèòå [Change advanced power settings].
ðèòå [Always On].
5 Â “Power Options” [Advanced Settings] íàæìèòå ñèìâîë [+] äëÿ
“Hard Disk” è íàæìèòå ñèìâîë [+] äëÿ “Turn off hard disk after”,
3 Íàæìèòå [OK] äëÿ çàêðûòèÿ “Power Options Properties”.
÷òîáû îòêðûòü ñïèñîê îïöèé.
6 Íàæìèòå [Setting (Minutes)] è íàæìèòå ñòðåëêó, ÷òîáû èçìåíèòü Mac OS X
óñòàíîâêó íà [Never].
7 Íàæìèòå [OK] äëÿ çàêðûòèÿ îêíà “Power Options”. 1 Â “System Preferences”, íàæìèòå [Energy Saver].
8 Çàêðîéòå ýêðàí “Edit Plan Settings”. 2 Íàæìèòå [Options].
3 Â ïîëå “Processor Performance” âûáåðèòå [Highest].
* Â íåêîòîðûõ âåðñèÿõ Mac OS X óñòàíîâêà “Processor Performance” íåäîñòóïíà.
Windows Vista

1 Îòêðîéòå “Control Panel”, íàæìèòå [System and Maintenance] è


çàòåì íàæìèòå [Power Options].
Ïðè èñïîëüçîâàíèè “Classic view” äâàæäû íàæìèòå èêîíêó [Power Options].
2 Â “Select a power plan” âûáåðèòå [High performance].
3 Â îáëàñòè “High performance” íàæìèòå [Change plan settings].
4 Íàæìèòå [Change advanced power settings].
5 Â “Power Options” [Advanced Settings] íàæìèòå ñèìâîë [+] äëÿ
“Hard Disk” è íàæìèòå ñèìâîë [+] äëÿ “Turn off hard disk after”,
÷òîáû îòêðûòü ñïèñîê îïöèé.

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Óñòàíîâêè “Performance” ñèñòåìû (Windows)


Âîçìîæíî ïðîáëåìó ìîæíî ðåøèòü, èçìåíèâ óñòàíîâêè “Performance”, êàê îïèñà- Windows XP
íî íèæå.
1 Îòêðîéòå “Control Panel”, íàæìèòå [Performance and Mainte-
Windows 7 nance] è äâàæäû íàæìèòå [System].
* Ïðè èñïîëüçîâàíèè “Classic view” äâàæäû íàæìèòå èêîíêó [System].
1 Îòêðîéòå “Control Panel”, íàæìèòå [System and Security] è íà- 2 Íàæìèòå ÿðëûê [Advanced] è íàæìèòå “Performance” [Settings].
æìèòå [System]. 3 Íàæìèòå ÿðëûê [Advanced].
Ïðè èñïîëüçîâàíèè èêîíîê äâàæäû íàæìèòå èêîíêó [System].
4 Âûáåðèòå [Background services] è íàæìèòå [OK].
2 Â ñïèñêå çàäà÷ ñëåâà íàæìèòå [Advanced system settings]. 5 Íàæìèòå [OK] äëÿ çàêðûòèÿ “System Properties”.
3 Îòîáðàçèòñÿ äèàëîãîâîå îêíî User Account Control; íàæìèòå
[Yes].
Åñëè îòîáðàçèòñÿ çàïðîñ íà ââîä ïàðîëÿ àäìèíèñòðàòîðà, âîéäèòå â Windows
ñ äîñòóïîì àäìèíèñòðàòîðà è ïîâòîðèòå ïðîöåäóðó.
4 Íàæìèòå “Performance” [Settings] è íàæìèòå ÿðëûê [Advanced].
5 Âûáåðèòå [Background services] è íàæìèòå [OK].
6 Íàæìèòå [OK] äëÿ çàêðûòèÿ “System Properties”.

Windows Vista

1 Îòêðîéòå “Control Panel”, íàæìèòå [System and Maintenance] è


íàæìèòå [System].
Ïðè èñïîëüçîâàíèè “Classic view” äâàæäû íàæìèòå èêîíêó [System].
2 Â ñïèñêå çàäà÷ ñëåâà íàæìèòå [Advanced System Settings].
3 Îòîáðàçèòñÿ äèàëîãîâîå îêíî User Account Control; íàæìèòå
[Continue].
Åñëè îòîáðàçèòñÿ çàïðîñ íà ââîä ïàðîëÿ àäìèíèñòðàòîðà, âîéäèòå â Windows
ñ äîñòóïîì àäìèíèñòðàòîðà è ïîâòîðèòå ïðîöåäóðó.
4 Íàæìèòå “Performance” [Settings] è íàæìèòå ÿðëûê [Advanced].
5 Âûáåðèòå [Background services] è íàæìèòå [OK].
6 Íàæìèòå [OK] äëÿ çàêðûòèÿ System Properties.

82
Òàáëèöà MIDI-ôóíêöèé

Модель: A-300PRO/500PRO/800PRO Дата: 16/01/2010 Версия: 1.00

Функция... Передача Прием Дополнительно

Basic Default 1 X
Channel Changed 1 – 16 X

Default Mode 3 X
Mode Messages OMNI ON/OFF, MONO, POLY X
Altered ************** X
Note 0 – 127 X
Number : True Voice ************** X
Note ON O (9n v = 1 – 127) X
Velocity
Note OFF O (8n v = 1 – 127), (9n v = 0) X

Key’s O X
Aftertouch
Ch’s O X

Pitch Bend O X

Control Change O X

Program O (0 – 127) X
Change : True # ************** X

System Exclusive O O

: Song Pos O X
System
: Song Sel O (0 – 127) X
Common
: Tune O X
System : Clock O X
Real Time : Command O X
: All Sound Off O *1 (120) X
: Reset All Controller O *1 (121) X
Aux Message : Local control O X
: All Notes Off O *1 (123) X
: Active Sense O X
: Reset O X

Примечания *1 Передается при выполнении функции Panic.

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O: Да


Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X: Нет

83
Òåõíè÷åñêèå õàðàêòåðèñòèêè

A-300PRO/500PRO/800PRO: Êëàâèàòóðíûé MIDI-êîíòðîëëåð


● Êëàâèàòóðà ● Ïèòàíèå
A-300PRO: 32 êëàâèøè (ñ äèíàìèêîé è êàíàëüíûì ïîñëåêàñàíèåì) 9 Â ïîñòîÿííîãî òîêà (ñåòåâîé àäàïòåð) èëè øèííîå ïèòàíèå ïî USB
A-500PRO: 49 êëàâèø (ñ äèíàìèêîé è êàíàëüíûì ïîñëåêàñàíèåì)
A-800PRO: 61 êëàâèøà (ñ äèíàìèêîé è êàíàëüíûì ïîñëåêàñàíèåì)
● Ïîòðåáëÿåìûé òîê
300 ìÀ (ñåòåâîé àäàïòåð)
● Êîíòðîëëåðû 300 ìÀ (øèííîå ïèòàíèå ïî USB)
Ïýäû: [A1] – [A8]
Êíîïêè: [B1] – [B4], [L1] – [L9]
● Ãàáàðèòû
Ðåãóëÿòîðû: [R1] – [R9] A-300PRO: 605.9 (Ø) x 250.8 (Ã) x 91.4 (Â) ìì
Ñëàéäåðû: [S1] – [S9] A-500PRO: 838.9 (Ø) x 250.8 (Ã) x 91.4 (Â) ìì
Íîæíûå ïåäàëè: HOLD (P1), EXPRESSION (P2) A-800PRO: 1001.9 (Ø) x 250.8 (Ã) x 91.4 (Â) ìì
Äæîéñòèê: BENDER, MODULATION ● Âåñ
Êëàâèàòóðíîå ïîñëåêàñàíèå: AFTERTOUCH
A-300PRO: 2.9 êã
Ðåãóëÿòîð [VALUE]
A-500PRO: 3.8 êã
● Êíîïêè A-800PRO: 4.5 êã

[ACT], [ ], [ ], [DUAL], [SPLIT], ● Êîìïëåêòàöèÿ


[UPPER], [LOWER], [SHIFT], [TRANSPOSE], OCTAVE [–]/[+] A-PRO CD-ROM
Cakewalk Production Plus Pack DVD-ROM
● Äèñïëåé
Êàáåëü USB
16 ñèìâîëîâ, 2 ñòðîêè, ÆÊ (ñ ïîäñâåòêîé)
Ðóêîâîäñòâî ïîëüçîâàòåëÿ
● Áîêîâàÿ ïàíåëü Ðóêîâîäñòâî ïî óñòàíîâêå Cakewalk Production Plus Pack
Ñåëåêòîð [POWER] (USB/OFF/DC IN) Ëèöåíçèîííîå ñîãëàøåíèå
Ñåëåêòîð [MIDI MERGE] (ON/OFF) ● Îïöèè
● Ðàçúåìû Ïåäàëüíûé ïåðåêëþ÷àòåëü: DP-2/DP-10
Äëÿ ïåäàëè HOLD (P1): 1/4” äæåê Ïåäàëü ýêñïðåññèè: EV-5/EV-7
Äëÿ ïåäàëè EXPRESSION (P2): 1/4” äæåê TRS Ñåòåâîé àäàïòåð (ïðîêîíñóëüòèðóéòåñü ñ ïðîäàâöîì èíñòðóìåíòà èëè ñåðâèñíûì
MIDI (IN, OUT) öåíòðîì Roland.)
USB
* Â èíòåðåñàõ ìîäåðíèçàöèè ïðîäóêòà ñïåöèôèêàöèè è âíåøíèé âèä èíñòðóìåí-
Ïèòàíèå DC IN
òà ìîãóò áûòü èçìåíåíû áåç îòäåëüíîãî óâåäîìëåíèÿ.

84
Èíôîðìàöèÿ
Ïðè íåîáõîäèìîñòè ðåìîíòà îáðàùàéòåñü â áëèæàéøèé
òåõöåíòð Roland ïî àäðåñó:

Roland Music
Äîðîæíàÿ óë., ä. 3, êîðï.6
117 545 Ìîñêâà, Ðîññèÿ
Òåë: (495) 981-4967
Äëÿ ñòðàí Åâðîïû

Äàííîå èçäåëèå ñîîòâåòñòâóåò òðåáîâàíèÿì äèðåêòèâû EMC îò 2004/108/EC.


Äàííûé ñèìâîë îçíà÷àåò, ÷òî îòìå÷åííîå èì èçäåëèå
äîëæíî óòèëèçèðîâàòüñÿ îòäåëüíî îò äîìàøíèõ îòõîäîâ,
ñîãëàñíî ïðèíÿòîìó â êîíêðåòíîé ñòðàíå çàêîíîäàòåëüñòâó.