6, 8,10,12,16 CHANNEL

MIC/LINE MIXER
OWNERS MANUAL

OPTIONAL USES FOR INSERTS

CAUTION WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK. DO NOT SERIAL NUMBER MANUFACTURING DATE MONO PLUG STEREO
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. PLUG

RISK OF ELECTRIC SHOCK NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
POWER AC IN / FUSE
DO NOT OPEN
AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR INSERT ALL THE WAY IN TO
THE "SECOND CLICK"
TIP OUT TO EFFECTS DEVICE
RING RETURN FROM EFFECTS

CAUTION: DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE. ATTENTION:

REPLACE WITH THE SAME TYPE FUSE AND RATING. UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE. DIRECT OUT WITH SIGNAL
INTERRUPTION TO MASTER
FOR USE AS AN EFFECTS LOOP
(TIP=SEND, RING=RETURN)

CH1 CH2 CH3 CH4 AUX PHONE MAIN OUT

SEND RETURN

CH5/6 CH7/8
MIC MIC MIC MIC L/MONO L/MONO LEFT RIGHT

L L

LINE LINE LINE LINE TAPE ON

R R
R R
G1 G2

INSERT INSERT INSERT INSERT

TAPE IN REC GROUP OUT

1 2 3 4 56 78
-10 -10 -10 -10 -10 -10

+4 +4 +4 +4 +4 +4 POWER

TRIM TRIM TRIM TRIM TRIM TRIM +48V

0 HI 0 HI 0 HI 0 HI 0 HI 0 HI
12KHz 12KHz 12KHz 12KHz 12KHz 12KHz

PHANTOM

-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
0 MID 0 MID 0 MID 0 MID 0 MID 0 MID +
2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 10
7
4
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 2
0 LOW 0 LOW 0 LOW 0 LOW 0 LOW 0 LOW
80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 0
2
GRAPHIC EQUALIZER
4
63Hz 150Hz 400Hz 1KHz 2.5KHz 6.4KHz 15KHz
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 7
0 SEND/ 0 SEND/ 0 SEND/ 0 SEND/ 0 SEND/ 0 SEND/ +12 +12 10
EFF EFF EFF EFF EFF EFF
20
-
0dB 0dB
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 PHONE LEVEL
PAN PAN PAN PAN PAN PAN 0

-12 -12

L R L R L R L R L R L R +15

L-R/
L-R L-R L-R L-R L-R L-R
G1-2

G1-2/
G1-2 G1-2 G1-2 G1-2 G1-2 G1-2
L-R

dB dB dB dB dB dB dB dB dB dB
PEAK

PEAK

PEAK

PEAK

PEAK

PEAK

10 10 10 10 10 10 10 10 10 10

5 5 5 5 5 5 5 5 5 5

0 0 0 0 0 0 0 0 0 0

5 5 5 5 5 5 5 5 5 5

10 10 10 10 10 10 10 10 10 10

20 20 20 20 20 20 20 20 20 20

30 30 30 30 30 30 30 30 30 30

40 40 40 40 40 40 40 40 40 40
50 50 50 50 50 50 50 50 50 50
60 60 60 60 60 60 60 60 60 60
A. INPUT CHANNEL SECTION 2~3

B. STEREO CHANNEL SECTION 4~5

C. MASTER SECTION 6~7

D. MIXER OUTPUT SECTION 8

E. POWER SECTION 9

F. INSTALLATION 9

G. CONNECTIONS 10~11

H. APPENDIX 12

I. BLOCK DIAGRAM 13
Ultra low noise 6,8,10,12,16 - Channel Mic / Line Mixer

2, 4, 6, 8, 12 Mono Input Channels with gold plated XLRs and balanced Line Inputs

Ultra-low noise discrete Mic Preamps with +48 V Phantom Power

2 Stereo Input Channels with balanced TRS Jacks

Extremely high headroom - offering more dynamic range

Balanced Inputs for highest signal integrity

Ultra-musical 3-band EQ on all channels

Peak LEDs all Mono and Stereo Channels

1 Aux Send per channel for external effects and monitoring

Built in digital multi effect

2-Track Inputs assignable to Master Mix Output

Highly accurate 10 segment Bargraph Meters

Separate Master Mix Outputs

SAFETY INSTRUCTIONS

CAUTION: To reduce the risk of electrical shock, do not remove

the cover (or back). No user serviceable parts inside; CAUTION
RISK OF ELECTRIC SHOCK
refer servicing to qualified personnel. DO NOT OPEN
WARNING: To reduce the risk of fire or electrical shock, do not
expose this appliance to rain or moisture.

This symbol, wherever it appears, alerts
you to the presence of uninsulated
dangerous voltage inside the enclosure
- voltage that may be sufficient to con-
stitute a risk of shock.
This symbol, wherever it appears, alerts
you to important operating and mainte-
nance instructions in the accompanying
literature. Read the manual.

1
A. INPUT CHANNEL SECTION CH1
1. BALANCE INPUT (MIC)
Electronially Balanced inputs acceptable a standard XLR male 1
connector.
+ 48V Phantom Power available on each input Mic socket.
and this switch is on Rear Phantom Power. MIC

2. LINE INPUT 2
The unbalanced Mic input is provided for the use of an unbalance
LINE
mic and is designed to accept an unbalanced high impedance
input signal. 3
(This use for connection Deck, Turntable, Keyboard etc..)
INSERT
3. INSERT
The INSERT is a break point in the input channel signal path. It
allows the signal to be taken out from the mixer, through an 1
external equipment such as a compressor, and then back to the -10
mixer to continue the final mix output.
4 +4

4. TRIM TRIM
This has a function which adjusts the input sensitivity of each 0 HI
12KHz
channel in order to input the constant level of the signal.
5

5. HI EQ -15 +15
0 MID
This control gives you up to 15 dB of boost or cut at 12KHz and 2.5KHz
above, and it is also flat at the detent. Use it to add sizzle to
6
cymbals, and an overall sense of transparency or edge to key-
boards, vocals, guitar, and bacon frying. Turn it down a little to -15 +15
reduce sibilance, or to hide tape hiss.

6. MID EQ
Short for “midrange”, this knob provides 12 dB of boost or cut,
centered at 2.5KHz, also flat at the center detent. Midrange EQ is
often thought of as the most dynamic, because the frequencies
that define any particular sound are almost always found in this
range. You can create many interesting and useful EQ changes
by turning this knob down as well as up.

2
7. LOW EQ 0 LOW
80Hz
This control gives you up to 15 dB boost or cut at 80Hz and below.
This circuit is flat (no boost or cut) at the center detent position. 7
This frequency reptesents the punch in bass drums, bass guitar,
-15 +15
fat synth patches, and some really serious male singers. 0 SEND/
EFF
8
8. AUX /EFF
This is normally derived after the EQ and channel fader (POST -15 +15
FADE, POST EQ), and is therefore follow any changers in fader PAN
level. They are normally used to drive effects processing units
which are fed back into the mixer and which must fade out with the 9
input channel.
L R

9. PAN 10 L-R

The pan control sends continuously variable amounts of the post

fader signal to either the left or right and G1 or G2 main busses. In 11 G1-2

the center position equal amounts of signal are sent to the left and
right or G1 & G2 busses.
13
dB
10. STEREO (L / R)

PEAK
10

Push the switch, can use ST L-R fader.

5
During the stereo L-R switch pushed, you can't use ST L-R fader.
0

11. GROUP 1-2 5

Push the switch, can use GROUP 1-2 fader.
12 10
During the G1-2 switch pushed, you can't use stereo L-R fader.
20

12. CHANNEL FADER 30

This is function to adjust the volume of signal connection into each
40
channel and adjust the volume of output, together with master 50
60
fader. Normal operating position is at the “O” mark, providing 4dB
of gain adove that point, if required.

13. PEAK
A red LED indicates a signal level at the insert return point,
premaster fader, It illuminates at approximately 5dB below clipping.

3
B. STEREO CHANNEL SECTION
CH5/6
14. LEFT (MONO) / RIGHT
Line with connection 1/4 jack as line input of L, R stereo and input L/MONO

the signal of balance line level. If the signal input into the input
terminal of left side, output the mono output to left & right side. If
the signal input the input terminal of right side, output into the right 14
R
side only.
If each signal input the input terminal of left & right, output a stereo
of left & right.

15. TRIM
This has a function which adjusts the input sensitivity of each
channel in order to input the constant level of the signal.
56
-10
16. HI EQ
This control gives you up to 15 dB of boost or cut at 12KHz and
15 +4
above, and it is also flat at the detent. Use it to add sizzle to
cymbals, and an overall sense of transparency or edge to key- TRIM
0 HI
boards, vocals, guitar, and bacon frying. Turn it down a little to 12KHz
reduce sibilance, or to hide tape hiss.
16

17. MID EQ -15 +15

0 MID
Short for “midrange”, this knob provides 12 dB of boost or cut, 2.5KHz
centered at 2.5KHz, also flat at the center detent. Midrange EQ is 17
often thought of as the most dynamic, because the frequencies
that define any particular sound are almost always found in this -15 +15
0 LOW
range. You can create many interesting and useful EQ changes 80Hz
by turning this knob down as well as up. 18

18. LOW EQ -15 +15

This control gives you up to 15 dB boost or cut at 80Hz and below.

This circuit is flat (no boost or cut) at the center detent position.
This frequency reptesents the punch in bass drums, bass guitar,
fat synth patches, and some really serious male singers.

4
19. AUX /EFF 0 SEND/
This is normally derived after the EQ and channel fader (POST EFF

FADER, POST EQ), and is therefore follow any changers in fader 19

level. They are normally used to drive effects processing units
-15 +15
which are fed back into the mixer and which must fade out with the PAN
input channel.
20
20. PAN
L R
The pan control sends continuously variable amounts of the post
fader signal to either the left or right and G1 or G2 main busses. In 21 L-R
the center position equal amounts of signal are sent to the left and
right or G1 & G2 busses. 22 G1-2

21. STEREO (L / R)
24
Push the switch, can use ST L-R fader.
dB
During the stereo L-R switch pushed, you can't use ST L-R fader.

PEAK
10

5
22. GROUP 1-2
Push the switch, can use GROUP 1-2 fader. 0

During the G1-2 switch pushed, you can't use stereo L-R fader. 5

23 10
23. CHANNEL FADER
This is function to adjust the volume of signal connection into each 20

channel and adjust the volume of output, together with master 30

fader. Normal operating position is at the “O” mark, providing 4dB
40
of gain adove that point, if required. 50
60

24. PEAK
A red LED indicates a signal level at the insert return point,
premaster fader, It illuminates at approximately 5dB below clipping.

5
C. MASTER SECTION
SEND/EFF
25. SEND / EFFECT 25
27
When this button is up, Post signal work as AUX SEND
send signal. 0

When this button is down, post signal work

as EFFECT singal. 28

+15
26. AUX SEND / RETURN 0
26
29
This is used for adjusting volume of AUX
sound, when sending and return AUX 30
singal to used jack. 31
+15
AUX RETURN
27. FND
GRAPHIC EQUALIZER
INDICATE 256 Digital multi Effects. 63Hz 150Hz 400Hz 1KHz 2.5KHz 6.4KHz 15KHz

+12 +12
28. Pre-set
Push more than 5 seconds, It
automatacally memorize the displayed 0dB 0dB
program number. Once Just Push M1.
M2. M3. M4, always display memorized
program. -12 -12

32
29. UP TAPE SWITCH
One push, one program up push with more
than 5 seconds hi-speed program up.

30. DOWN TAPE SWITCH

One push, one program down, push with
more than 5 seconds, hi-speed program dB dB dB
10 10 10
down.
5 5 5

31. MUTE 0 0 0
Effect ON/OFF.
5 5 5

32. STEREO GRAPHIC EQUALIZER 10 10 10

2X7-band equalizer is provided for tone 20 20 20

control over each frequency, and for 30 30 30
precise high quality sound by final tone
40 40 40
control. 50 50 50
60 60 60

33. EFFECT LEVEL

Using by this control, you can adjust signal
level of echo repeat & exteral effect.
33 34
34. OUTPUT MAIN FADER
(LEFT/RIGHT)
This is a master fader for adjustment for
volume of left/right output. Unity gain is
the top their travel.

6
35. POWER LED
The POWER LED will be turned on when strt working.
35
36. PHANTOM LED POWER

The LED will be turned on when strt working. 36

+48V
37. PHANTOM POWER SWITCH
37
Depressing this switch applies 48V DC across all microphone
PHANTOM
input channels connectors for remote powering of condenser
microphones.
+
38. OUTPUTS LEVEL INDICATOR 10

This is level meter which shows output levels of left & right 7

channel condition on the way of operation, therefore, you 4

2
can see output condition thru this master level indication.
0
39. HEADPHONE LEVEL 38
2
This is a single volume control sends the level to be the 4
headphones and main monitors. 7
10
40. HEADPHONE SWITCH
20
When L-R/G1-2 switch up, could monitor stereo (L-R) output -
signal when L-R/G1-2 switch down, could monitor group
PHONE LEVEL
(G1-2) output signal. 0

41. L-R/G1-2 SWITCH

39
This switch routes the G1-2 mix output to the STEREO bus,
allowing G1-2 bus to be used two mono subgroups mixed +15
down to a single output when stereo is not required. L-R/
40 G1-2
42. OUTPUT GROUPS 1-2 FADERS
G1-2/
Using by this control, you can adjust G1-2 output level. 41 L-R

MULTI EFFECTS PROGRAM CHART

EFFECTS PROGRAM
dB
VOCAL1 001-016 10
VOCAL2 017-032
LARGE HALL 033-048 5
SMALL HALL 049-064
0
LARGE ROOM 065-080
REVERB
SMALL ROOM 081-096 5
PLATE 097-112
TAPE REVERB 113-128 42 10

SPRINGREVERB 129-144
20
MONO 145-160
DELAY 30
STEREO 161-176
FLANGER 177-192 40
CHORUS 193-208 50
REVERB + DELAY 209-224 60

REVERB + FLANGER 225-240

REVERB + CHORUS 241-256

7
D. MIXER OUTPUT SECTION

43 44 48

AUX PHONE MAIN OUT

SEND RETURN

LEFT RIGHT

L L
TAPE ON

R R
G1 G2

TAPE IN REC GROUP OUT

45 46 47 49

43. AUX SEND/RETURN JACK

This can be used to connect all kinds of effect form outside.

44. HEADPHONE JACK

You can monitor working condition by sound thru the headphone.

45. TAPE ON SWITCH

This is the TAPE IN switch when switch down, and can make the TAPE IN signal input the
STEREO bus.

46. TAPE INPUT JACK

This jack is to be connected with cassette deck when playing back.

47. RECORD PIN JACK

This jack is to be connected with cassette deck when recording the mixed output.

48 MAIN OUTPUT JACK (LEFT / RIGHT)

In this product, the final confirmed sound can be send to main amplifier through XLR & 1/4 jack.

49. GROUP 1-2 OUTPUT JACK

There are to be output with the volume control against inputting signal into GRPS 1-2 board.

8
E. POWER SECTION
50. POWER SWITCH
Push marked (1), when you want to operate. The LED (SEE NO, 33) will be turned on when
working

51. POWER JACK

This is out of connect the power supply (2 X AC 120V or 230V) jack.

OPTIONAL USES FOR INSERTS

CAUTION WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK. DO NOT SERIAL NUMBER MANUFACTURING DATE MONO PLUG STEREO
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. PLUG

RISK OF ELECTRIC SHOCK NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
POWER AC IN / FUSE
DO NOT OPEN
AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR INSERT ALL THE WAY IN TO
THE "SECOND CLICK"
TIP OUT TO EFFECTS DEVICE
RING RETURN FROM EFFECTS

CAUTION: REPLACE WITH THE SAME TYPE FUSE AND RATING.

DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE. ATTENTION: UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE. DIRECT OUT WITH SIGNAL
INTERRUPTION TO MASTER
FOR USE AS AN EFFECTS LOOP
(TIP=SEND, RING=RETURN)

50 51

50 52

POWER SPEAKER OUTPUTS

RIGHT LEFT

A A

B B

51
AC INPUT / FUSE

52. SPEAKER JACK

This is same functions as below but the using jack is different.

F. INSTALLATION
Experience tells us that the cables in a studio environment get tangled very quickly (inviting
mistakes).
+6 SURROUND
+3 01 09 17 25
02 10 18 26
MODEL-DVP-3000 +1
03 11 19 27
AMPLIFIER 0 04 12 20 28
DIGITAL
-1 05 13 21 29
06 14 22 30
-3
07 15 23 31
-6 08 16 24 32
L dB R
POWER

CH3 CH4 AUX PHONE MAIN OUT

SEND RETURN

CH5/6 CH7/8
MIC MIC L/MONO L/MONO LEFT RIGHT

L L

LINE LINE TAPE ON

R R
R R TAPE
G1 G2

INSERT INSERT
TAPE IN REC GROUP OUT OUTPUT INPUT
L&R L&R

9
G. CONNECTIONS

You will need a lot of cables for different purposes - see the following figures to make sure you have got the
right ones. Unbalanced equipment may be connected to balanced inputs/outputs. Either use mono 1/4" jacks
or connect ring and sleeve of TRS jacks.

Headphones

Tip =
Left signal

Ring =
Right signal

Sleeve =
Ground / Shield

Tip
Ring
Sleeve
Strain relief clamp

Headphone connection

Output Cable Input

Pin 1 Ground
2 1 Shield 1 2
Pin 2 = (+) Signal (+) Signal + Hum Positive (+)Hum + Signal
(-) Signal + Hum
3 3
Pin 3 = (-) Signal Negative (-)Hum + Signal

2 x Signal

= Signal + 6 dB
RFI and Hum

Compensation of interference with balanced connections

10
Unbalanced use of Balanced use of
mono 1/4" jack plugs stereo 1/4" jack plugs

Tip = Tip =
Signal hot (+ve)

Ring =
cold (-ve)

Sleeve =
Ground / Shield Sleeve =
Ground / Shield

Tip Tip
Ring
Sleeve Sleeve
Strain relief clamp Strain relief clamp

For connection of balanced and

unbalanced plugs, ring and sleeve have
to be bridged at the stereo plug.

Balanced use with XLR connectors

2 1 1 = Ground / Shield 1 2
2 = hot (+ve)
3 = cold (-ve)
3 3
Input Output

For unbalanced use pin 1 and pin 3 have to be bridged

Different plug types

11
H. APPENDIX

Specifications

Mono Inputs
Mic Input electronically balanced, discrete input configuration
Bandwidth 10 Hz to 60 kHz ± 3 dB
Distortion (THD & N) 0.01% at +4 dBu, 1 kHz, Bandwidth 80 kHz
Mic E.I.N (22 Hz - 22 kHz) -129.5 dBu, 150 Ohm source
-117.3 dBqp, 150 Ohm source
-132.0 dBu, input shorted
-122.0 dBqp, input shorted
TRIM range +10dB to +60dB
Line Input electronically balanced
Bandwidth 10 Hz to 60 kHz ± 3 dB
Distortion (THD&N) 0.01% at +4 dBu, 1 kHz, Bandwidth 80 kHz
Line level range +10 dBu to -40 dBu
Equalization
Hi Shelving 12 kHz +/-15 dB
Mid Range 2.5 kHz +/-15 dB
Lo Shelving 80 Hz +/-15 dB

Steroe inputs
Line Input unbalanced
Bandwidth 10 Hz to 55 kHz ±3 dB
Distortion (THD & N) 0.01% at +4 dBu, 1 kHz, bandwidth 80 kHz
Equalization
Hi Shelving 12 kHz +/-15 dB
Mid bell 100Hz -8KHz +/- 15dB, Q fixed at 1 oct
Lo Shelving 80 Hz +/-15 dB, Q fixed 2 oct
Lo Cut (High Pass) filter -3dB at 75Hz, 18dB / oct

Master Mix section

Max Output +22 dBu balanced
Aux Send Max Out +22 dBu unbalanced
Control Room Out +22 dBu unbalanced
Signal-To-Noise Ratio 112 dB, all channels at Unity Gain

Power supply
Mains Voltages USA/Canada ~ 120 V AC, 60 Hz,
U.K./Australia ~ 240 V AC, 50 Hz,
China ~ 220 V AC, 50 Hz

Power 6CH 8CH 10CH 12CH 16CH

2X150W(4Ω) 2X200W(4Ω) 2X250W(4Ω) 2X300W(4Ω) 2X300W(4Ω)

12
 MONO INPUT CHANNELS

+48V
PH L
TRIM PAN

FADER
G1 SEND
MIC 3-EQ DSP
G2
R
SEND RETURN
LINE HI MID LO
L
I. BLOCK DIAGRAM

TAPE IN
INSERTS AUX R

L
PEAK
STEREO INPUT G1
FADER LEFT
7 EQ
L 3-EQ

REC MAIN MIX

MIAN
BAL

FADER
7 EQ
R EQ RIGHT
R
H MID LO
G2
G1 OUT

AUX
STEREO AUX RETURN G2 OUT
AUX RETURN
L PHONE
L
G1
RETURN
PHONES

G2
L
R
1
G
2
G
X
AU

13