Suite of 5 Pieces - I - Prelude


Moderato 1 2 4 Martin Grayson Op. 1 No. 1

   134 
  
q = 138
0  

  3   
   4 0  0 
0 2
2 2
  
 0

0

0
 0 
2 2 2
   
4 4
 
Guitar 4

3 
1

3 3 2 0 0
1 1 1 1
1 0
mp

 

6 1


 02  0  2 4  02 
4

0

1  1  3  
1

 1 3  4 
Gtr.
  3 1 
2
1 0

0  0
pizz. pizz.

 
       
10
 
1 I 1 I

 
4 1 4 1

 
    
Gtr.
3
f 1  1 2 4 f 1      1 2
 0
p
0

pizz. pizz.

 1   4  1   4  1 
 11  1 
14
3 3 3 3

4
    
 2 3 4 0 1 2 
1

   
1
    
Gtr.
       
  3 4 2 3 4 0 1 2 3 4 1
1
0
3 1 2 ff

     24 

17

   
2

0 0 0

3 
0 0

      
2 4

 
2 2
    3
 1  3  1  3
Gtr. 1 1 1 3
1
1

1
1
1
1
 
0 1
 3
 1
1 1
0 ff
 mf
mp 3 mp 3
pizz. pizz.
3


 1    
  
0
 20    
2

21
    
4 2 4 4

2 0 2 2

   1          
0 2 0 0 0 1
4 3 3
 1  1       
4 4

Gtr. 4

 1  0 
3 3 1 3 2

3 1 1
1 1
0 4 3 2
mp
3 3
f

1  4 1 3      

1  4 2   1 2  4  0
1

 1  1  2
26
  1    
3

4
      
0
 
2
  
Gtr. 1 1 1 3
1 2 1 2 4
f 


1
 II

   
31

   

  
4 2 0 0

  1 2 4  1   
0

2 2

1   
4

Gtr. 4 1


3

2 3 1
1 1 1 1
 p f
0
 II - Homage to Granados
2

   
q = 126
Allegretto4     
Martin Grayson Op. 1 No. 2
           
1/2V
  1   1
 
 
  
4

1 4 1 4
3 1 4 3 1 4
2 2
Guitar 3 3
2 2
       

 2 2  40 1   0 

3 0 1
0 
      12  2  
46
 1   1
1 3
 1 4 
1 3
  
4 1
1
1


0
3
2  3 
2 2 0 0
2
Gtr. 1 3 0 0
    
2 4

 
  3 14  3 1 3 1 1 4 2 1  12  4 2 1 4
  
4 0 0 0 3 0 2

 31   2     
53
  4
 1  2 
 
Gtr. 1

       

          
1/2VIII

      
2 4 2 0 3

0          

59
     
 3 
      
Gtr.
0

II

     

66
4 2 3

        
3
Gtr.            
              

 4
    
IV

   
72

      

 4 3 1 4 3 1 4 2 0 4 2 0 
              

  
Gtr.
      1 1
  
1

         

1 VII
1 3 4

        
80 
    
  

           
Gtr.

          
VII

          

 
1/2III

 
87
  
1

 00  
2
3

 
Gtr.
 0    

        

   
 
      
93

  
   
   
Gtr. 
      
 III - Sunset in New Mexico Martin Grayson Op. 1 No. 3
q = 721 2 4 3
1 2 4

                  
2 2 2 2 1 2
Adagio
 
      
1 2 0 2
2 1 0
Guitar  1 
0



          
3 4 3 1 3 3 4 3 1 3 4 1 3 4 0
 
105 4 2 0 4 2

          
3 0
0 2 3
Gtr.

  

       4  4 
4
 
          3
3 3 4 2 4 2 4 1 4 1 1 1 1 1
111

 1 4 
Gtr.      
 

1 1
 4  3 
1 1 1

3 
       
3 1 3 2 1 0 1 2 3 1 0 2 1 1 0 3 0 1 0 3 1 0 3 0

3
115
     
                     
4

Gtr.   
   
1 4 2 1
     4   
3 2 1 3 4 3 4

                 34      
3 1 4 3 1 4 3 1 4 1

118

     

Gtr.     
 


2 4  4  
       
2 4 2 2 2
  2         
121

  1 
   
 
Gtr.

   3
3

  
                         
124
 
Gtr.     
   
rit.

           2 1 2 4 2
3 3
126   

   
1  
0 1  0
Gtr.
    
f   
p mf
 IV - In the Phrygian Mode
4 Moderato
Martin Grayson Op.1 No 4

  1 2 4 1  1    1 2  
 32 12  2  23             3  4  

 
3 4
  3 
2 3

    
  
Guitar

mf pp

  1  1 4    4   1 24  1       
VIII VII

 2  1
2 3  3 2         
134 2

3

 3  
4 4


3
 0  2 
Gtr.
1 1
mf pp
 4 4 
        41  11 2 0  3 4 4    1  1
3 3 4   2 
 13 31 23 
II

 1  1 00 

139

  0  0   1   3 
3 1 3
Gtr.
  0  
4
 
3
 f p
mf

145
      3 4  3 4 1 24    4   4 2142        

    
3

 
1 2

 
Gtr.
mf p

 
 4  3  4  1  2          4  4  4 
   3  3 

149 3
2

 
3
4 1 1
Gtr. 2

f p f


  1   0  1       

2 4   
153 1

0
1
 1 2
1

3 
Gtr.
 
mp 
 V - Improvisation Martin Grayson Op. 1 No. 5
1/2 IV 5

  1  2  
3 3 3

          
4/6 III 1
  
Moderato
2 
5

    1 
4 4

1
 
 43   00    
  
Guitar

 3 f  mf 
mf

   1 2   1 2     3   3   3  3 3 3 3 3
         
3

 3  3      

161

 4  4      
     
Gtr.

mp
f   
rit.

1/2IV

 
3 3 3 1/2VII 1/2IX 1/2V 1/2IV
       
Allegro
 
167
  
        
      
Gtr.

  p


 
1/2II 1/2IV 1/2VII 1/2IX 1/2V
  
174

   3  
  
2  a   
4

   p    
Gtr.
m
p i

mf
  
 rit.
    

3 

       
181
2       
 1 
     
Gtr.

     
f
 3
4
3 3
  11           1           
187Andante 3 3 3 3 3 3

   32  1 
          
3 1
 
0
  0
 
Gtr.

0
p     mf 


             2 3 11            

3 3 3 3 3 3
          
3 3 3
190 4

    
 
Gtr. 2

  f 
1
  

 
3
3 2 1 3  32
3
 
3 IV 3 IV 3
 
VII 3
193  
Allegro I 3
   
3 3
   
3
    
3
   
1

Gtr.    
mf 1  1
    0     

3 3

       3  11       1

VI 3 II 3 3 3 3 3 3 3
 1    1
196 3 3 3 3 3

4

      3
 0
0  
3

 
 
Gtr.
3
0
  
2
f 0
6
3 3 3 3
4             3   3    3
3 3

 3        
3
 
3

200
1   
3
  


1 4

 2 3  
  
Gtr.

  mf 
2
ff

 
3

3

   
3 3
 
3 3
 
3 3
  
203 3 3
   
3
   
3

      

Gtr.
     

3 3
  4      
X 3

VII 3
         
VI 3 3 3 3

               13      11      

IV 3 3
206 3 3

      
  
Gtr. 2

   ff


3 3
      3
3
3    4   1
3
3 3 3 3 3
            2       1
3 3
                      
209
3  2 
        
 0 
0    
Gtr. 4 3

3 3
 4  
3 3

           3   
3 3
      
3 3 3 3
     
3 3

        1  

212
1 
1

     
1


2

       
Gtr. 1 3

3

3

                   
3 3 3 12har3 3 3 3
  
3
 1 2 3

3
  
3
   
215 3
     
1
2 2
 
3

4
Gtr.
     4   
p subito


1/2IV

       3            

3 3 3 rit.
2
218 5 4

       
  
Gtr.
3 3 3 3 3 3

mf