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Fine Art Printing for Photographers: Exhibition Quality


Prints with Inkjet Printers
By: Jürgen Gulbins; Uwe Steinmüller
Publisher: Rocky Nook
Pub. Date: May 16, 2008
Print ISBN: 978-1-933952-31-4
Web ISBN: 1-933952-31-8
Pages in Print Edition: 314
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Table of Contents

Copyright

Preface

A brief history

Size matters

Fine Art Printing is a Sensuous Endeavor

Experiment ... and Discover!

Acknowledgements

Foreword by Mac Holbert (Nash Editions)

New in Our Second Edition

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Chapter 1. Printing Techniques 1 Token

Section 1.1. Basic Printing Techniques

Section 1.2. Offset Printing

Section 1.3. Laser Printers

Section 1.4. Dye-Sublimation Printers

Section 1.5. Lightjet Printing (Digital Photo Print)

Section 1.6. Inkjet Printing

Section 1.7. Other Printing Techniques

Section 1.8. How to Pick Your Fine Art Printer

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Chapter 2. Inks, Papers, and Print Permanence 1 Token

Section 2.1. Print Permanence

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Section 2.2. Inks

Section 2.3. Papers

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Chapter 3. Color Management for Printing 1 Token

Section 3.1. Understanding different color models

Section 3.2. Understanding Color Management

Section 3.3. Visualization of Color Spaces

Section 3.4. Color Space Mapping

Section 3.5. Creating Device Profiles

Section 3.6. Profiling Your Monitor

Section 3.7. Photoshop Color-Management Settings

Section 3.8. Profiles for Your Printer

Section 3.9. Installing and Uninstalling Profiles

Section 3.10. Finding a Printer's Back Point and White Point

Section 3.11. Sanity-Check

Section 3.12. Soft-Proofing and Gamut Warning

Section 3.13. Metamerism and Bronzing

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Chapter 4. Fine Art Printing Workflow 1 Token

Section 4.1. Basic Printing Workflow

Section 4.2. Tuning Tonality

Section 4.3. Tuning Colors

Section 4.4. "Ring Around" and Variations

Section 4.5. Local Contrast Enhancement

Section 4.6. Further Preparations for Printing

Section 4.7. Resizing

Section 4.8. Sharpening

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Chapter 5. Fine Art Printers in Practical Use 1 Token

Section 5.1. Printer installation

Section 5.2. Printer Adjustments

Section 5.3. General Driver Tasks and Settings

Section 5.4. Summarizing the Relevant Steps for the Actual Printing

Section 5.5. Printing from Client Software (Windows)

Section 5.6. Print Driver Dialog in Windows

Section 5.7. Printer Driver Settings in Mac OS X

Section 5.8. Printing from Lightroom

Section 5.9. Printing Using a Printer Plug-in

Section 5.10. Test Prints

Section 5.11. Print Quality Related Issues

Section 5.12. Some More Recommendations for Printing

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Chapter 6. Printing Packages and RIPs 1 Token

Section 6.1. What is a RIP?

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Section 6.2. Printing Using a Printing Package

Section 6.3. Printing Using a RIP

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Chapter 7. Black-and-White Prints 1 Token

Section 7.1. Workflow for Black-and-White Prints

Section 7.2. From Color to Black-and-White

Section 7.3. Printers with Black-and-White-Enabled Drivers

Section 7.4. Special Software (RIPs) for Black-and-White Printing

Section 7.5. Soft-Proofing for Black-and-White Prints

Section 7.6. Papers for Black-and-White Prints

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Chapter 8. Image Evaluation and Presenting Fine Art Prints 1 Token

Section 8.1. Critical Image Inspection

Section 8.2. Presentation Options

Section 8.3. Portfolio Binders

Section 8.4. Matting

Section 8.5. Framing a Print

Section 8.6. Coating a Print

Section 8.7. Displaying a Print in True Light

Section 8.8. Storing Prints

Appendix A. Some Fine Art Printers

Section A.1. General Points on Fine Art Printers

Section A.2. Epson Fine Art Printers

Section A.3. Canon's Fine Art Printers

Section A.4. HP's Fine Art Printers

Appendix B. Papers for Fine Art Printing

Section B.1. Digital Fine Art Papers

Section B.2. Some Examples of Fine Art Papers

Section B.3. A New Generation of Fibre-based and Baryt Papers

Section B.4. Specialty Papers and Canvas

Section B.5. Fine Art Papers Well Suited for Black-and-White Prints

Appendix C. Glossary and Acronyms

Resources

Recommended Books

Organisations and Institutes

Useful Resources in the Internet

Color Management Tools

RIPs, Test Software and Test Images

Paper, Ink, Coatings and Cutters

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