Академический Документы
Профессиональный Документы
Культура Документы
M A N T J A L
Advanced Guitar EffectsProcessor
ZE E tz
=EE=
z J
.t-
-
Printed in fapan
9002-5000
Contents Major Features
Special effects 14
Mono input, stereooutput
PresetPrograms and User Programs 15
The9002accepts
normalmonauralinputfromvourguitar.Chorus,
delay,
Presetbanks 15 and reverbeffectsare output in stereo.
User banks 15
Large, easy viewing LCD display window
About the banks 15
T h i s c u s t o m i z e dL C D s h o w ss e l e c t e de f f e c t s p
, a r a m e t e r sa, n d o t h e ri n f o r -
Operation 16 m a t i o n i n a l a r g e( 6 0 x e O m m )w i n d o w d e s i g n e df o r h i g h r e a d a b i l i t v .
Basic operation 16
. Headphone
Editing 1.7 iacks and mix input
T o m o n i t o r v o u r p l a v i n g i n p r i r , a t e ,p l u g i n s t e r e oh e a d p h o n e s . Y o u c a n
Other Functions 2't also play along with a tape or other source connected to the MIX IN iack.
Tuning mode 21,
. User patch protection
Metronome mode 21.
Remote control 21, [ J s e rp a t c h p r o t e r ; t i o n d o e s n o t d e p e n d o n a s p e c i a l b a t t e r y , s o e x t r a m a i n -
t e n a n c ei s a v o i d e d .
Specifications 22
Software Precautions
Effects
T h e e f f e c t c h a i n h a s s i x s t a g e s :C o m p r e s s o r , D i s t o r t i o n , E q r , r a l i z e rM
, odu-
lation group, Delav, ReverbBroup. Special effects(SFX) can also be
Power supply
selected.
T o a v o i d t h e p o s s i b i l i t - vo f d a m a g e , d o n o t u s e a n Y A C a d a p t o r o t h e r t h a n
Easy operation the supplied AC adaptor.
B e s u r e t o u s e o n l v t h e s u p p l i e d r e c h a r g e a b l eb a t t e r y o r s p e c i f i e d e q u i v a -
S l i d i n g f a d e r s m a k e a d j u s t i n g p a r a m e t e r v a l u e s q u i c k a n d e a s \ r ,w i t h a
"analog" l e n t . T o r e c h a r g e ,p i u g t h e s u p p l i e d A C a d a p t o r i n t o t h e A C a d a p t o r j a c k .
famiiiar feel that is rare in digitai equipment.
O r u s e t h e s p e c i f i e d o p t i o n a l r e c h a r g e r . T h e u s e o f o t h e r r e c h a r g e r si s d a n -
g e r o u s b e c a u s et h e y m a v c a r - r s b e a t t e r y l e a k a g e o r o t h e r d a m a g e .T h e
Preset banks and user banks s r " r p p l i e db a t t e r y i s r a t e d a t 4 0 0 c h a r g e c v c l e s b e f o r e n e e d i n g r e p l a c e m e n t .
"preset" Three hours is the standard rechargingtime, giving about three hours of
There are five pre-programmed factorv memorv banks and five
"user" r . r s eI.t i s d a n g e r o u s t o r e c h a r g e c o n t i n u o u s l y f o r 2 4 o r m o t e h o u r s .
m e m o r v b a n k s . E a c h b a n k h o l d s f o u r p a t c h e s .T h e 2 0 p r e s e t
p a t c h e s c o v e r e f f e c t st h a t a r e u s e f u l f o r a g r e a t r r a r i e t vo f m u s i c s t v l e s . T h e L C D d i s p l a y r , r , ' i lbl l i n k t o i n d i c a t e t h a t v o u s h o u l d r e c h a r g e o r r e p i a c e
Your original patches and edited preset patches can be stored in the 20 the batterv right arvav or use the AC adaptor to avoid the unit shutting off
user patch memory locations. while plaving.
T h e 9 0 0 2 w i l l g e n e r a t ea r e f e r e n c e p i t c h o f 4 4 0 H 2 , 4 4 1 . H 2 o . r 442H2 to Like other digital devices, the 9002 mav causeinterference if used too
"A" close to radios, TVs, or some other electrical appliances. Avoid use in verv
which vou can tune vour s t r i n g .F o r r h v t h m t r a i n i n g o r t e m p o r e f e r -
ence, you can turn on the metronome function. h o t , c o l d , h u m i d , o r d u s t v e n v l r o n m e n t s l d a m a g em a t ' r e s u l t .
The compact 9002 is ideal for live performance. A remote control unit is U s e a s o f t , d r v c l o t h t o r , r ' i p eo f f t h e 9 0 0 2 r , r , h e nn e c e s s a r v .N e v e r u s e p a i n t
supplied to let you selectpatches with extra convenience. The 9002 rvill thinner, alcohol, or other solvents r,vhich may damage the surface or \\rarp
also function as a guitar amp simulator, so that you can inpr.rt a rich guitar the case.
sound directly to your recording equipment without needing an amp and
microohone. Handling
H a n d l e n i t h c a r e . D o n o t a p p l v e x c e s s i v ef o r c e t o t h e c o n t r o l s . D o n o t
o p e n t h e c a s eo r a t t e m p t r e p a i r s o r m o d i f i c a t i o n s v o u r s e l f ; t o d o s o w i l l
void the warrantv.
Connection/disconnection procedure
Service
C o n s u l tw i t h v o u r l o c a l Z o o m c l e a l eirf t h e 9 0 0 2 d o e sn o t o p e r a t ep r o p e r l v .
Controls and Display
(o) \
l \ \ \ i l l -l A \ \
V(E, ^ , , 26V
VI
{ 2 ) A C a d a p t o rj a c k ( B ) P H O N E Sj a c k s
T n ' o s e t so f s t e r e oh e a d p h o n e sc a n b e c o n n e c t e df o r p r i v a t el i s t e n i n go r
( 3 ) REMOTE iack j a m m i n gw i t h a f r i e n d .
F o r c o n n e c t i o no f s u p p l i e dr e m o t ec o n t r o l l e r ,
( s) VOLUME control
(4) INPUT jack (mono) A d j u s t st o t a l o u t p u t s i g n a lv o l r . r m e .
F o r g u i t a rc o r d .
( 1 1 )B A N K k e y s
F o r s e l e c t i o no f p r e s c 'at n d u s e t b a n k s .
(18)
( 1 2 )P A T C Hk e y s
(1s)
F o r s e l e c t i o no f p a t r ; h e s .
(211 ( 1 3 )P A T C HL E D s
STORE L i t L E D i n c l i c a t c s e l e r ; t e rpl a t r ; h .F l a s h i n gL E I ) i n d i c a t e sp a t c h s e l e c t c d
<VALUE>
f o r u s e rb a n k s t u r a g e .
r4)
( 1 4 ) C U R S O Rk e y s
F o r s e l e r ; t i n gi n c i i v i d t r a l e f f e t ; t s .n r e t r o n o n r e t e m p o , a n d t u n i n g r t . . f e r e n c e
t l e c l ue n c r , .
( 1 8 ) C A N C E Lk e y
C a n c e l sS T O R Ek c v o p c r a t i o nW
. h e nc d i t i n g ,t h i s s h i f t sv o u t o t h e n e x t
parameten r arlte.
(12)
[ 1 e ) M E T R Ok e y
T u r n so n n e t r o n o m ef u n c t i o n .U s eC U R S O Rk e v st o a d j r - r st ct m p o
b r . . t nr . ' r . ' r r ta0r . r c2l5 { ) b p m( b c a t sp c l m i n u t e ) .V o l u m e i s n o t a d j u s t a b l e .
(22)
i
(20) METRO LED
,'( 'l'he
L E D f l a s h e s i ' r , i t ht h e t e m p o .
. S F X - S p e c i a l e f f e r ; t sc a n b e c o m b i n e r l u ' i t h a n l o t h e r r : f f e c t se x r ; c p t f o r
modulation group effects.
IN
---------) E
@ E
Right channel
Guitar amp
Left channel
( 3 ) Effect marks 9 0 02 -,,:+^- ^--
uLrrLor orrrP
D o t s i n d l c a t e i n d i v i d u a l e f f e c t s i r . rr - r s cA. f l a s l . r i n gr l o t i n c l i c a t e st h e e l f e c l C ui t a r
bcingedited
(5) (6) * W h i t c e n d o f s u p p l i e c l c ; a b l eg o e s t o l e f t c h a n n e l , r e d t o r i g h t
I
( 4 ) Effect on/off
r-t---_l
t n n
mark
D E C A YI l l M F I P E A K Y o u c a n c o n n e c ta C D p l a v e r o r t a p e p l a v e r t o t h e M I X i n p u t j a c k a n d p l a v
Shor,vseffect DEDfH FREO
U u
I lBalax65 along r,r'hi1elistenir.rg on headphor.res.
on/off status.
I. 5i5tI::'TI
r7,- .?I"'ilt ,
BANK Tape
( 5 ) Parameter ( ^ ) -
r', oN otrF
EEEE-T
y L!-ot
///t r\\r
\ \ \ l j l / / IVEIRO
USER p 1at'er
ffi;rh.".*O
names I
T-l:-^+^^,-^-^
(s) PRESET OR r^l \"l "r 'Y I N
rrlull,d(vJ Pdr d-
(3)-a,o,a,o o o o CD plaverl( cj t
meters that mav o o o t\u
b e a d j u s t e di n (2) FLA DELl SFX IN \t-/ Headphones
selectedeffect. 9 0 02
(B)
Cuitar
( 6 ) Parameter value
R e a d o u t s h o r v s p r e c i s e p a r a m e t e r v a l u e . C h a n g e sa s l o u a d j u s t
The 9002 has a built-in amp simulator so you can connect directlv to vour
PARAMETER control.
r r , ro r r li n g e q r r i p m e n o
l r n r i x i n gr : o n s o l e .
( 7 1 Parameter bars
B a r s g i v e g e n e r a li n d i c a t i o n o f p a r a m e t e rv a l u e . C h a n g e sa s v o u a c l j u s t
PARAMETER control.
Multi-track recorder
( B ) Metronome mark OR
A p p e a r sw h e n m e l r r r n o m ei s o n . C a s s e t t er e c o r d e r
10
Effects and Parameters Modulation effects
MODULATION GROUP
(PITC,PHA,FLA, CHO)
O n e J ' r o n rt h i s g r o L t p r : o n b e u s e d a t o t i n t e ( b u t n o t n ' i t h S F X ) .
DIST Distortion
PHA Phaser and Midrange Boost
L l s eD E P T H( 0 - 1 2 )p a r a m e t etro a d j u s tt h e a m o u n to l d i s t o r t i o n .
L I s eP A T T E R N ( 1 o r 2 ) t o s e l e c tP h a s e ro r M i d r a n g e B o o s t .
T h i s p r o v i d e sa n a l o gd i s t o r t i o nt h a t i s r i c h i n h a r n o n i t ; sf o r a r ; r : u r a t c
s i m u l a t i o no f t u b e - a m ps o u n d .A t D E P T H0 . t h i s u , o r k sa s a t o n eb o o s t e r . PATTERN 1: Phoser
L l s eD E P T H ( 0 - 1 0 ) t o a d j u s t t h e a m o u n t o f m o d u l a t i o n a n d r r : s o n a n r ; e .
EQ Equalizer L I s eF R E Q ( 0 - 5 0 ) t o a d j u s t m o d u l a t i o n s p e e d .
T h i s c r e a t e sr o t a t i n g s p e a k e r s o u n d s a n d o t h e r p h a s c s h i f t r : d e f f t - ' r ; t s .
p a t t c r n s ,t h e n u s et h e D E I ' T Ha n d I i I N E p a r a -
F i r s t ,s e l e c to n e o f t h e t r , r , o
m e t e r st o a d j u s tt h e e f f e c t . PATTERN 2: Xlidrange Boost
L l s et h e P A T T E R N( f o r 2 ) p a r a m e t e tr o s c l e c tr v h i c hp a t t c r nl ' o L r v a n t . L l s eD E P T H ( 0 ^ - 10 ) t o a d j u s t l e v e l o f p e a k b o o s t .
L l s eF R E Q [ 0 - 5 0 ) t o a d j u s t m i d r a n g e f r e q u t - . n c v .
P A T T E R N1 : H i g h B o o s t L , o n ' C u tE Q M i d r a n g e b o o s t g i v e s c l i f f e r e n t a m p l i f i e r c h a r a c t e r i s t i c s .I t a l l o r , v st h e
D E P T H( 0 - 1 0 ) c o n t r o l sl o r , r ' r a n gbeo o s to r a t t e n r , r a t i oann d F I N E ( 0 - 1 0 ) g n i t a r l s t t o c r c a t e a ' r t i d e r a n g e o f p e r s o n a lt o n a l s t v l c s .
c o n t r o l sh i g h r a n g cb o o s to r a t t e n u a t i o n . L l srev i t h p l e r . r t vo f d i s t o r t i o nt o
p r o d n r ; ea h e a r - ,m f e t a l s o u n d .A l s o a d j u s t a t r l e
f o r a l e s t r a i n e ds o u n d .T f r i s
FLA Flanger
i s a h i g h - l o r ' rs,h e l v i n ge f f c c t .
L . l s eD E P T H [ 0 - 1 0 ) t o a d j u s t a m o u n t o f m o d r - r l a t i o n .
PI\TTERN2: Exciter
L J s eF R E Q ( 0 - 5 0 ) t o a d j u s t m o d u l a t i o n s p e e d .
D E P T H( 0 - 1 0 )a n d F I N E( 0 - 10 ) . A b r i g h tt u b ea m p t o n eu s i n ga n e x c i t e r
L l s e P E A K ( 0 - 1 0 ) t o a c l j u s ts t r e n g t h o f t h c r e s o n a n r ; ep e a k .
e f f e c tw h e r e D E P T Hr ; o n t r o l se n h a n c el e v e l a n d F I N E c o n t r o l sf r c q u c n c t r ' .
F l a n g i n g p r o d r i c e sp e a k s t h a t a r e h a r m o n i c a l l v r e l a t e d ,u n l i k e s i m p l e
p h a s i n g . A t h i g h p c a k l e v e l s i t p r o d u c e s a l m o s t n - r e t a l l i rr;i n g i n g s o u n d s .
CHO Chorus
L I s eD E P T H ( 0 - 1 0 ) t o a d j u s t t h e a r n o u n t o f m o d u l a t i o n .
L I s eFr R E Q ( 0 " 1 0 ) t o a d j u s t m o d u l a t i o n s p e c r l .
L l s cP A T T E R N [ 1 o r 2 ) t o s e l e c tm o n o o r s t e r e o .
L i k e f l a n g i n g , c h o r u s r i c p c n c l so n t h r : i n t e r a r ; t i o n b e t n ' e e n d e l a v c . da n d
n o n - r l e l a r , e csl i g n a l r ; o m p o n e n t s . L i k e p t r a s i n g . i t r ; a n I - r e l pc r e a t e a f u l l -
bodicd sourtcl.
't2
1 1
Delay effects Special effects
DEL1 Delay 1 SFX
t J s eD E C A Y ( 0 - 1 0 ) t o a r l j u s tt i r e u u m b e r o f e c h o e s( 0 i s s i n g l e ) . U s r :Pl A T T E R N ( 1 , 2 , 3 )t o s e l e r ; tS T E I ) ,( l R Y . o r M E T A l , l . l C e f f c c t s .
t l s e T I M E ( 1 - 1 0 0 ) t o a d j r - r st th e d e l a v t i m c f r o m l / 1 0 0 o f a s e r r ; o n trol 1
PATTENN 1:STEP
second in ten milliset;ond increments.
L I s eD E P T H ( 0 - 1 0 ) t o a c l j u s ta m o u n t o f r n o c l u l a t i o n .
L I s eB A L A N C E ( 0 * 1 0 ) t o a d j u s t b a l a n c eb e t ' " r ' e ecnl i r e r ; (t 0 ) a n c ld c l a v ( 1 0 ) .
t l s e F R E Q ( 0 - 5 0 ) t o a d j u s t m o r l r r l a t i o ns p c c d .
T h i s i s r - r s c df o r e c h o e f f e r ; t s .
T h i s g i v t : sr a n d o r n ,s t e p p c d s a n r p l c & h o l df o r s c q u e n c e ra n c la r p e g g i ot v p e
efler;ts.
REVERB GROUP
(DEL2.REV1,REV2) PATTERN 2: CRY
Onc from tltis ororro t ttn lte ttsedttl tt litne L l s eD E P T H ( 0 - 1 0 ) t o a d j u s t a m o u n t o f r l o d u l a t i o n .
L I s eF R E Q ( 1 o r 2 ) t o s e l e c t 1 : V o i c e 1 1 , p ce f f e c t :o r 2 : F a s t a t t a r ; ka n d s \ \ r r ) o p
DEL2Delay 2 rlotvn.
T h i s g i v c s d v n a m i c p i c k n , a h a n c lt a l k i n g b o x t v p c c f f e c t s .
U s eD E C A Y( 0 - 1 0 )t o a d j u s t h e n u m b e ro f r e p e a t s(.F o rm o n o o r - r t p utth. e
r e p e a t sr , r ' i l bl e h a l f t h e t e r n p oo f t h e s t e r e or e p e a t s . ) PdT?ERN :]: METALLIC
L I s eT I M E ( 1 - s 0 ) t o a d j r . r sdte l a v t i m e f r o m 1 / 1 0 0o f a s e c o n ctlo 9 / - l0 o f a L i s eD E I T T F(I 0 - 1 0 ) t o a c l j u s ta n t o u n t o f m o d u l a t i o n .
s e c o n di n t e n m i l l i s e c o n di n c r e m e n t s . L l s cF R E Q [ 0 - 5 0 ) t o a d i u s t n o r l u l a t i o n s p e e c l .
U s e B A L A N C E( 0 - 1 0 ) t o a d j u s tt h e l e v e l o f t h e c l e l a r , esdo l r n c l . T h i s g i v c s r i n g m o d L r l a t o rt v p e e f f c r ; l s .
D e l a v 2 i s a s t e r e op i n g - p o n gd e l a v r v h e r et h e s o u n de c ; h o r -f .r so m t h o l e f t t o
i h e r i g h t c h a n n e l( i f r e p r o d u c e di n s t e r c o ) .
13 't4
PresetProgramsand User Programs Operation
"patr;hes".
T h e 9 0 0 2 h a s m e m o r v l o c ; a t i r i n sf o r 4 0 e f f e c t s p r o g r a m s o r Of Basic operltion
t h e s e , 2 0 a r e p e r m a n e n t p r e - p r o g r a m m e d f a c ; t o r vp r e s e t e f f e c t s ( i n R O M ) .
T h e r e m a i n i n s 2 0 n t e m o r Y l o c t a t i o n sa r e a v a i l a b l e f o r V o t t t o s t o r c V O t r ro \ \ ' n
. Turn on POWER switch.
p a t c h e s ( i n R A M ) . E a c h p r o g r a m o r p a t r ; h r r s u a l l v r ; o m b i n e ss e v e r a l i n d i -
vidual effects. The BANK part of the displav will shon' USER 0, and the PATCH LED 1
r , r , i l l i g h t . T h e P a r a m e t e r V a l u e d i s p l a y a r e a w i l l s h o n , t h e o u t p r - r t1 e v e l
This means that the r;urrentlv selectedpatch is the first (of four) patches in
Presetbanks user bank 0.
T h e c o n t e n t so f t h e p a t c h e si n t h e l i v e ( 0 t h r o u g h 4 ) u s e r b a n k s r ; a nb e
c h a n g e d . Y o u c a n u s e t h e m t o s t o r c \ ' o L l ro \ v n o r i g i n a l p a t r ; h c so r \ r o l l c a n
c o p l p a t r ; h e sf r o m t h e p r e s e t b a r - r k sT. o s t a r t n , i t h , t h e u s e r l l a n k s r ; o r t t a i n DSP
Aduancggjle!91!119!!91:9!9!!g'
c o p i e s o f 2 0 s e l e c t e dp r e s e tp a t c h e s .
: ,=t t-
About the banks I i.,.,,u - t n
I
" p a t c h e s . "I i a c h PRESET
l
E a c h f a c t o r v p r e s e tb a r r ko f f e r s a c h o i c e o l f o u r P a t i ; hi s a o o o a o o
c h a i n o I c f f c c t ss p t c i a l l v p r c p u r c t l o r : r e d l ea s P c c i f i cs o t l t t , ol t r [ [ r ' tI J o t ffi
live performance or recording.
F o r e x a m p l e , o n c o f t h e p r e s e t b a n k p a t c h e s c r c - a t t . -asn i n s t a n t l r , r t ' r ; o g t t i z -
'50s
a b l e h e a v v m e t a l s o u n d . A n o t h e r s o u n r l sj u s t l i g h t f o r g o o c lo l d ror;k
and roll.
" c ; h a i n "l i k o
A p a t c h m a v c o n t a i n u p t o s i x c l f c c r t si,n a this:
* D i s p l a v i l l u s t r a t i o n s s h o n ' n h e r e d o n o t n e r ; e s s a r i l vr n a t c h t h o s e d u r i n g a c t u a l u s e .
'l'hev
a r e p r o v i d e d f o r g e n e r a l r e f e r e n c ; eo n l r , .
l ) 16
(t ) Prt-.se s i t h e r o f t h e B A N K k e v s s e v c r a l t i m e s a u d n o t i c e h o r , vt h e B A N K L e t ' s t r y e d i t i n g t h e D E L r e f f e c t i n o u r p r e v i o u s l v s e l r : r ; t e dp a t r ; h ( p r e s e t 1 ,
p a r t o f t h e d i s p l a v i n d i c a t e se a c h o f t h e I I S E R ( 0 - 4 ) a n d P R E S E T( 0 - 4 ) patch 1).
banks. Trv settlng it to PRESET1. The bank nurnber rvill flash. (1) lJsethe CURSOR kevs to move the flashing effect mark to DEL1.
( 2 ) N e x t , s e l e c t v c i u r d e s i r e d p a t c h n u m l l t : r t r r rp r e s s i n g o n e o f t h e f o u r P a r a m e t e r n a m e s D E C A Y , T I M E , a n d B A L A N C E r , r ' i l 1a p p e a r o n t h e
P A T C H k e v s ( l o c a t e c lb e l o r v t h e B A N K k e v s ) . P r e s st h e P A T C H 2 k e v s o displav.
that its LED lights.Thc bank number rvill stop flashing. (2) Of the thrce names, DECAY is flashing. However, iet's adjust the TIME
Y o u h a v e n o r v s e l e c t e dp r c s e t b a n k 1 , p a t c h 2 . parameterfirst. Graduailv raise or lon er the position of the control or,er
the TIME indication until TIME startsflashing. (Or prcss the CANCEL kev
t o m o v € rt o t h e n e x t a d j u s t a b l e p a r a m e t e r . )
Editing
I l ] ) A f t e r ' I I M E s t a r t s f l a s h i n g , m o r r e m e n to f t h e c o n t r o l w i l l a f f e c t t h e
E a c h p a t c h i s a c h a i n o f i n d i v i d u a l e f f e c t s . Y o u c a n s e l e t ; tw h i t ; h i n d i r , i d - v a l u e o f t h e T I M E p a r a m e t e r , a s s h o r , v nb 1 ,t h e p a r a m e t e r b a r s a n d t h e
u a l e f f e c t s t o u s e i n a p a t c h . A n d v o r , rc a n a d j u s t t h e p a r a m e t e r s o f e a c h p a r a m e t e r v a l u e r e a d o u t . S l i d e i t a l l t h e r v a 1 ,d o r v n t o m i n i m i z e t h e d e l a ' n '
e f f e c t . Y o r . rc a n a l s o a d j u s t t h e s i g n a l o u t p u t l e v e l o f t h e t o t a l p a t c h . t i m e . S l i d e i t a l l t h e w a y u p t o s e t d e l a v t i n . r et o t h e m a x i m u l n l e n g t h o f o n e
A p a r a m e t e r i s s i m p l v o n e o f t h e a d j u s t a b l e c h a r a c t e r i s t i c so f t h e e f f e r : t second.
( s u c h a s " t i m e " i n a d e l a v e f f e c t ) .E a c h e f f e c t h a s d i f f e r e n t a d j u s t a b l e
"Effects
p a r a m e t e r s .R e f e r t o t h e a n d P a r a m e t e r s "s e c t i o n o f t h i s n a n u a l .
Edited patches can be stored in user banks for later use.
T o e d i t a n d s t o r ea p a t c h , v o u f o l l o r v t h e s es t e p s :
n,
( 1 ) S e l e c t b a n k a n d p a t c h t o s t a r t f r o m ( P r e s e t2 , p a t r ; h 3 . f o r e x a m p l e )
o
R-|ml
CANCEL
(2) Select individual effect (FLA, for example)
(3lAdiust effect parameters(DEPTH and PEAK, for example)
il1|i\l
tnl TUNE i
( a ) A d j u s t o u t p u t l e v e l ( T o c o m p e n s a t e f o r i n c r e a s e d o r d e c r e a s e dt o t a l
volume resulting from change in effectsused and/or their readiusted pa- ln- v
Uu-un
STORE I
_VALUE
\ > i
rameter values)
(s)Store (Store in user bank 4, patch 1, for exan.rple)
EFFECT
^17 18
(4) Next, move the control above the BALANIIE paraneter name. Slide it
all the way down to get the direct sound onlv. At the top position you get o u t p u t l e v e l o f t h e s e l e c t e d p a t c h . T h i s m a v b e n e c e s s a r yt o c o m p e n s a t e
just the delay sound. f o r c h a n g e si n t o t a l o u t p u t l e v e l r e s u l t i n g f r o m v o u r p a r a m e t e r s e t t i n g s .
T h i s g i v e s y o u c o n t r o l o v e r c h a n g e si n o u t p u t l e v e l t h a t m a y o c c u r r t ' h e n
(5) Finaliy, adjust the control above the DECAY parametername. This sets
vou sr,r'itch p a t c h e sw h i l e p c r f o r m i n g .
t h e a m o u n t o f f e e d b a c k ( n u m b e r o f r e p e a t s o r e c h o e s ) .A t t h e b o t t o m
position you hear a single repeat. At the top position you get the maxrmttnt (1)Use the CURSOR kevs to move the effect mark all the wav to the right of
number of repeats. SFX or to the left of COMP. The bars under the PEAK/BALANCE/PAT-
T E R N d i s p l a v s e c t i o n w i l l s h o r ' vo u t p u t 1 e v e l ,a s r , r , i l lt h e r e a d o u t . O r y o u
( 6 ) N o w , u s e t h e C U R S O R k e v s t o s e l e c t o t h e r e f f e c t s ,a n d a d l u s t t h e m i n
can go directlv to the output level adiustment mode by pressingthe
the same way.
c u r r e n t l y s e l e c t e d P A T C H k e 1 ,6 t u i t .
mt-n
o
CANCEL ( 3 J A t t h i s p o i n t r , ' o uc a n s t i l l p r e s s t h e C A N C E L k e l t o c a n c e l t h e s t o r a g e
oMErRo I mode and return to the statethat existed before vou pressedthe STORE
rQ TUNE
k e v . I f v o r , rd o n o t r , ' , ' i s h
to cancel, go on to step 4, belorv.
ffi,U
I ]
( 4 ) P r e s st h e S T O R E k e v a g a i n a n d t h e B A N K n u m b e r a n d p a t c h L E D r ' r ' i l l
@ tt \-#
-
_VALUF I
stop flashlng and remain lit. This confirms storage.
[ i l
EFFECT cunGG
'="^5
1...., E I
I
o,o,o, a,o, o ,
ffi
! q
20
Other Functions Specifications
Effect Programs: C o m p r e s s o r ,D i s t o r t i o n , E Q , P i t c h
l Unlng mooe
Shifter, Phaser, Fianger, Chorus,
Delayl, Delay2, Reverbl, Reverb2,SFX
P r e s st h e T U N E k e v o n c e a n d t h e t u n i n g f o r k m a r k w i l l a p p e a r o n t h e
(6 effects can be used at once)
d i s p i a i r . T h e 9 0 0 2 w i l l e m i t a p i t c h o f 4 + O H z .T u n e v o u r A s t r i n g t o t h i s
pitch. If vou want a slightlv higher referencepitch, use the CURSOR kevs Memory: 20 PresetPatches/20User's Patches
t o c h a n g e I o 4 4 1 , H 2o r 4 4 2 H 2 . I n t h e t u n i n g m o d e a l l e f f e c t s t u r n o f f a n d A/D D/A Converter: 16-bit linear
parameter names and indications are not displaved. To return to normal
use, press the TUNE kev again. Inputs: G u i t a r x 1 ( 1l o ", - 1 0 l - 2 O d B m , 4 7 0 k O )
Mixxl(Mini,Stereo)
21