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Summaries
incorporating the Clanroys’ Irish estate. This essay delineates how The
Orientalist refracts contemporary anxieties regarding accelerated British
imperial expansionism in the East through the particularised political
prism of post-Union Ireland. Identifying The Orientalist as the work of a
female novelist with a learned interest in ‘Hindu’ culture, it argues that
the tale offers a parodic exposition of both Romantic nationalism and
Romantic orientalism, whilst simultaneously disrupting the gender pre-
scriptions of both. In so doing, it not only demonstrates why this long
forgotten novel merits further scholarly attention, but uncovers the
subtle insights into the intricacies of regional attitudes to imperial
politics that its jocular irony affords.
Intellectual history as global history: Voltaire’s Fragments sur l’Inde and the
problem of enlightened commerce
Felicia Gottmann
Voltaire’s Fragments sur l’Inde show that the Enlightenment could espouse
a universalist vision that was truly global. The Fragments were published
in 1773-1774 after Voltaire had engaged in a decades-long defence of
commerce and luxury as the hallmarks of human civilisation. Yet without
304 Summaries
explanation, this text topples all of these arguments. India is the crucial
factor in this. Even seen in the context of contemporary debates about
Euro-Indian trade, of a renewed interest in Indian culture, and a nascent
anti-colonialist discourse, Voltaire’s stance was radical. He perceived
India as Europe’s equal. He found that luxury and commerce did not, in
their interaction, lead to increased material comfort, humanity and
civilisation as he had been wont to argue, but instead to its very opposite,
namely oppression, slavery and exploitation in India. Thus in this work,
he roundly rejected all of his previous pro-commerce discourse. The
global and universalist nature of his vision of Enlightenment ultimately
won over his European pro-commercial stance.
Displaying its wares: material culture, the East India Company and
British encounters with India in the long eighteenth century
John McAleer
This essay considers how the East India Company, its history and the
story of Britain’s diverse encounters with eighteenth-century India can
be understood through the production, collecting and display of objects
and artefacts. Material culture formed a crucial part of the Company’s
mercantile, corporate and political identities. Cultural artefacts – vari-
ously collected, commented upon and displayed by the Company and its
officials – had a significant impact on British understandings of India
and Indians. And, through its collecting activities and the establishment
of the India Museum, the Company also influenced the development of
museum collections and played a role in shaping museum narratives.
The study concludes by considering how changing historiographical
trends have influenced the interpretation of this material culture in
the recent past. In doing so, it suggests that the East India Company, its
history and its material culture can act as a springboard for introducing
both British encounters with India in the long eighteenth century and
broader themes in the history of the British Empire.