First Stupies Me. Auess: “TONE CLONING—In these inital exercises (1-8), there ate several points and goal to keepin mind: Breathe naturally + Glne each notes al the note ate the sie se and tone ua. + Avoid exceiveembouchise movement 1+ Blow ehough lhe notes and, in gene, play wit longer spe nd a fie tack + Tike bre ta every double ba Dr. Bownan Mor sens do ar begin playing wih the Arba ook a hii tent. These ir sais cn ‘ewe to improve tone qual, inontion and peal arcu cone and cary ean ee of perfomance. The sgn fa real fn performers te omieny of ecrtbig done elias means that each note has the same clear, clean beginning articulation and tone quality. ‘One ofthe bs uses of his section iw blpdereop city of arelaton Ug aio 0 check embouchure ably is ofen tery wef. Mos onaation ait poles are not ong- ing problems, bua lack of cornaon ofthe tongue, beth ad embotchure. Be suze o work for complete independence of the tongue fom the erbouchure and the jt Pl owed would be ing in he arr pay the ec Keping the tmboachur frm and not chewing or Ksng exch noe with cxceie embouchue ad jew ton Begin cach song wth he enbotchurein place euher an length anicalton frm the embow- cure, Arte sme cme avo geting «ig orf enboucure da no exible, Listening to Your sound ithe bet i for improving al specs of performance Indicions of onguingfaalssion problems include a scooping ofthe binning ofeach sound, a delay nthe lee ofthe sr and a. Fizy beginning to the ound. FUNDAMENTALS Arbon +13,