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BRITISH JOURNAL OF EDUCATIONAL STUDIES
VOL. XXXVIII, No. 2 MAY 1990
0007-1005 $2.00
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SPORT: THE AESTHETIC AND ART
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SPORT: THE AESTHETIC AND ART
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SPORT: THE AESTHETIC AND ART
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SPORT: THE AESTHETIC AND ART
Bearing in mind what has so far been said about the aesthetic and its
relationship to art, it is proposed now to look at sport in relation to
each. In doing so I am going to suggest that physical activities in
general can be divided up into three logically distinct categories:
i) those that are non-aesthetic, ii) those that are partially aesthetic;
and iii) those that can be considered art. It will be argued that those
activities commonly called sport fall most readily into the first two
categories and judgement will be reserved as to whether any fall into
the third one.
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SPORT: THE AESTHETIC AND ART
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SPORT: THE AESTHETIC AND ART
Interesting though these two quotes are the point they help bring
is that with an 'aesthetic sport' its purpose can only be specifie
terms of the aesthetic manner of achieving it. Put the other way ro
the aesthetic sport is one in which the purpose cannot be specified without refe
to the aesthetic manner of achieving it.
The dancer must remain one with the dance to preserve the unit
and continuity of aesthetic image. The technical competence of the
dancer includes not only the physical skills required to perform the
dance, but the ability to exist within the dynamic illusion of th
dance. 17
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SPORT: THE AESTHETIC AND ART
It has been argued so far that although all sports can be seen from
aesthetic point of view, only some sports are inherently concer
with the aesthetic as a part of their purpose. It has been left open a
whether or not some, it not all, of the latter group can be regarded
art. In the light of what has been said it will be appreciated that
somewhat blanket question: Is sport art? is perhaps better replaced b
the question: Can some sports be considered art? Before coming b
to this question, however, it will be instructive to examine why som
writers who have looked for a positive relationship between sport an
art have not been successful.
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SPORT: THE AESTHETIC AND ART
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SPORT: THE AESTHETIC AND ART
It was suggested earlier that sport can be divided into those activities
which are not inherently concerned with the aesthetic as a part of
their purpose (non aesthetic) and those that are partially aesthetic.
It was implied, though not actually said that no sporting activity,
unlike the activities of dance and mime, qualified as an artistic
activity on account of there always being a logical gap between the
aesthetic element and the overall purpose to be fulfilled. Thus, in ski-
jumping, for example, the aesthetic form of the jump is a separate
consideration from the distance achieved. In most partially aesthetic
sports, the opportunity to create a significant aesthetic object
unencumbered by other considerations is not present. There is,
however, within certain sports, figure skating and synchronised
swimming, for example, the freedom within certain sections of them to
imaginatively create in an artistic way aesthetic objects of interest that
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SPORT: THE AESTHETIC AND ART
(a) that there is abundant evidence to show that sport can be and
often is a subject of art;
(b) that in discussing the relation of sport to art the concept of the
aesthetic should not be confused with that of art;
(c) that a number of attempts have been made to show that sport is
or could be considered art, and conversely that sport is not art.
None of these has been entirely successful;
(d) that, from what has been argued sports can be categorised into
three main groups: those that are non aesthetic; those that are
partially aesthetic; and those that can be considered as art.
REFERENCES
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SPORT: THE AESTHETIC AND ART
52. It is of interest that Arnheim writes of these same qualities as being app
the way in which art objects are or should be perceived, if they ar
appreciated for what they are. See: R. Arnheim: Art and Visual Percepti
Angeles, CAL: University of California Press, 1974).
53. J. Dewey: Art as Experience, (New York: G. P. Pitman, 1980).
Dr Peter J. Arnold
6 Cammo Place
Barnton
Edinburgh
EH4 8EN
179
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