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1. __VISUAL_
On a withered branch 4. _AUDITORY__ as the boom of a palm on a
A crow has settled – Then I hear a wailing piano kettle drum;
Autumn nightfall. Solo speaking of complex ways -Kate Clanchy, Poem for a Man with No
-Basho In tear-furrowed concerto; Sense of Smell
Of far-away lands and new horizons
2. _GUSTATORY_ With coaxing diminuendo, 7. _TACTILE_
When you came, you were like counterpoint, And my blood ripples turns torrent,
red wine and honey, Crescendo. Topples the years and at once I’m
And the taste of you burnt my -Piano and Drums, Gabriel Okara In my mother’s lap a suckling;
mouth with its sweetness. (Nigeria) Fashioned with the naked warmth
Now you are like morning bread, Of hurrying feet
Smooth and pleasant. 5. _VISUAL_ -Piano and Drums, Gabriel Okara
I hardly taste you at all for I know your “But Madam you should see the rest of (Nigeria)
savour, me.
But I am completely nourished. Palm of my hand, soles of my feet 8. VISUAL__
-Amy Lowell, A Decade Are a peroxide blonde. Friction, caused Africa I have kept you memory
– Africa you are inside
3. _AUDITORY_ Foolishly Madam – by sitting down, Like a splinter in the wound!
Pedestrians…they hurry by whistle, has turned -Jacques Roumain, Africa
Else cowed by the power of relentless My bottom raven black – one moment
wheels… Madam! 9. _GUSTATORY_
The World is lost in the Babel or urban Madam,” I pleaded, “wouldn’t you Cast down your eyes, lift up your souls
sounds, voices. rather see for yourself?” Dig spoons into the great sauce bowls.
-Plaza Miranda 1960, Federico Espino, Jr. -Wole Soyinka, Telephone Conversation East roast and fried and boiled and
(Philippines) (Africa) grilled,
Eat jams and jellies, warm and chilled,
Some literary experts say 6. _OLFACTORY__ Eat quails and cooked golden to the
that POEMS are poems That beneath the spray of minute,
my expensive scent Eat nut-fed lamb with raisins in it.
because of imagery. Without
my armpits sound a bass note strong -The Arabian Nights
it, we only get mere
VERSES. Do you agree?
PART 3: RHYME SCHEME. Identify the rhyme scheme used in this poem. On the blanks after each line,
write the letter corresponding to the scheme suggested.
The Last Poem of Rizal (An Excerpt)
PAT 4: SYMBOLISM.
Like a Molave (An Excerpt) Read and understand the given poem. Identify the symbols
Rafael Zulueta da Costa in the poem and write their meanings.
“Not yet, Rizal, not yet. Sleep not in peace: there __a thousand waters to be spanned; There are thousand
mountains to be crossed; Our shoulders are not strong; our
are a thousand waters to be spanned; there are
sinews are grown flaccid with dependence, smug with ease
a thousand mountains to be crossed; there are a under another’s wing. Means that __means there are lot of
thousand crosses to be borne. cannot rest yet because we are still very dependent on others
Our shoulders are not strong; our sinews are and we need to become independent. And he will have a lot
grown flaccid with dependence, smug with battles to win.
ease under another’s wing.”
Rest not in peace;