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Chew on This
Try on an opinion or two, start a debate, or play the devil’s advocate.
In The Canterbury Tales, the Host's reactions to the stories the pilgrims tell suggest that
he believes stories can have a strong effect upon the emotional and physical well-being
of the hearer.
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Chew on This
Try on an opinion or two, start a debate, or play the devil’s advocate.
In the General Prologue and frame story of The Canterbury Tales, the competition
among the pilgrims strengthens the fellowship, or feeling of community, among them.
In the General Prologue and frame story of The Canterbury Tales, the competition
among the pilgrims threatens to destroy the fellowship, or feeling of community, among
them.
In the General Prologue and frame story of The Canterbury Tales, the type of
competition in which a pilgrim engages reveals important information about his or her
character.
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Chew on This
Try on an opinion or two, start a debate, or play the devil’s advocate.
The conflict between pilgrims in The Canterbury Tales reflects the ongoing class
conflicts between new and emerging versus traditional classes in the late medieval
period.
The portraits of the lower-class pilgrims in The Canterbury Tales agree with the late
medieval stereotype that lower-class people are "all brawn, no brains."
The portraits of the lower-class pilgrims in The Canterbury Tales complicate the late
medieval stereotype that lower-class people are "all brawn, no brains."
Chew on This
Try on an opinion or two, start a debate, or play the devil’s advocate.
In The Canterbury Tales, facility with money-handling is an important way in which
lower-class pilgrims demonstrate and gain power over their masters.
In The Canterbury Tales, the choices a pilgrim makes about how to use his wealth
reveal important information about his character.
Despite his attempts to promote fellowship among the Canterbury pilgrims, the Host is
the character who most severely damages the fellow-feeling among them.
Chew on This
Try on an opinion or two, start a debate, or play the devil’s advocate.
The frame story of The Canterbury Tales marks the passing of time in order to make its
readers understand the urgency of reaching salvation, represented by Canterbury.
The language used to talk about time in The Canterbury Tales emphasizes the way in
which time is always escaping from us, despite our best efforts to prevent that from
happening.
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Many of the pilgrims in the General Prologue are trying to appear to be something
they're not. The Prioress wants to appear to be a courtly dilettante. The Merchant would
like people to think he's financially solvent. The narrator helps us see through these
deceptions, and they become part of what makes The Canterbury Tales funny. Other
pilgrims make their living through deception; like the Pardoner, who makes a pretty
penny on fake relics, or the Friar, who convinces people he's poor enough to deserve
charity. Still other characters portray powerless social groups, like women and the
elderly, as particularly likely to engage in deception. This accusation reveals the way
people in power can keep that power by calling into question the very words the
powerless speak. But perhaps the most important way in which lies and deceit make
their appearance in The Canterbury Tales is in their association with tale-telling. This
raises the question of what makes a story true, and of how the categories of truth and
falsehood apply to literature, if at all.
Chew on This
Try on an opinion or two, start a debate, or play the devil’s advocate.
In the General Prologue to The Canterbury Tales, it's impossible to separate
appearances from reality.
HE CANTERBURY TALES:
GENERAL PROLOGUE & FRAME
STORY THEME OF
SPIRITUALITY
Since there are many religious figures in The Canterbury Tales, we would expect
religion and its attendant subjects to be a common topic, and it is. The biggest question
about holiness in the Tales is whether outward shows of piety, like those practiced by
the Summoner and the Pardoner, are enough to constitute true holiness. This question
is not as cut-and-dried as it might appear, since the medieval church endorsed the
value of outward, physical shows of piety like the very pilgrimage upon which these
characters have embarked. But characters like the Parson and the Plowman suggest
that something more might be required for true holiness, and that the "something more"
might not be as fussy and complicated as pilgrims like the Prioress, Pardoner, or
Summoner would have us believe.
Chew on This
Try on an opinion or two, start a debate, or play the devil’s advocate.
In suggesting that something more than an outward physical demonstration is
necessary for true piety, The Canterbury Tales complicate our understanding of
pilgrimage.
The portrayal of the commoditization of spiritual goods like pardons and repentance
in The Canterbury Tales questions the extent to which the physical and material should
play a part in the spiritual life.
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