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The Science and Art of Tuning

Dr. Milton Mermikides

December 2010
All Material ©2010 Milton Mermikides

Sunday, 23 January 2011


What is in Tune?
How Long is a Piece of String?

Sunday, 23 January 2011


How Do We Decide?

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Concepts

• Wavelength & Frequency


• Hz. The Frequency of Human Hearing
• The Law of Octave Equivalence
• Harmonic Series

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5
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Assumptions

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Acoustic Purity

• The Pythagorean concept of


Acoustic Purity: Intervals from
simple ratios
• Selecting notes and
constructing scales from the
Harmonic Series

Sunday, 23 January 2011


The Pure 5th

1/1 3/2 2/1 3/1


Struck

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The 3-Limit Scale

1/1 9/8 81/64 4/3 3/2 27/16 2/1


C D E F G A C’
Root Maj 2nd Maj 3rd 4th 5th Maj 6th 8ve

Just intonation
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The Pure 3rd
From the 5th Harmonic (5-limit)

5/1: 2 octaves and a major 3rd


5/4: Major 3rd
81/64 8/5
E Ab
Maj 3rd Min 6th

1/1 5/4 25/16 2/1


C E G# C’
Root Maj 3rd Aug. 5th 8ve

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Shrutis of Hindustani
Classical Music

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Raga Bhairav

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Monophonic vs.
Polyphonic

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Enough Physics, let’s
make 12 Notes.

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The Cycle Spiral of 5ths

(3/2)12=129.746

2 =128
7

Pythagorean
Comma
129.746/128

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Temper, temper

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Equal Temperament

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Equal Temperament
Makes Cents
Cents = 1200 * log(ratio)
log(2)

(Cents/1200)
Ratio = 2
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The Third Issue

(5/4)3=
125/64

≠128/64

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The Third Issue

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C Major Prelude
Equal Temperament

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C Major Prelude
Well Tempered

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Another Solution

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Mozart’s Semitones

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Another Solution
1/9=11.1cents

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Clockwise from left:
Campagnoli’s fingerboard diagram (1797)
Woldermar’s Violin Method (1803) and
Split key harpsichord 1715
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Where Did It Go?

• Complexity of Instrument Design


• Challenges of pedagogy and wider interest in
performing music, owning a piano
• The drive through romantic harmony into 12-
tone serialism
• Filtered out of the system

Sunday, 23 January 2011


Leading Tones?

Consideration of the vertical and the horizontal.


A time for harmonic sonority,
and a time for expressive intonation.

Sunday, 23 January 2011


Microtones & the Blues
The Neutral 3rd
The Neutral 7th
4-b5
b5-5

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Blues Inflection

• Thelonius Monk
• Guitarists (Bends, Slide Guitar)
• Vocalists (Bessie Smith)

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Tuning Systems
Harry Partch (1901-1974)
American microtonal composer
and instrument maker
11-limit 43 tone system

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11-limit (43 tone)

• 11th harmonic chosen as the boundary of our


tolerance - falling between 2 equal tempered
pitches (F#- 49cents).
• 43 divisions of the scale are constructed within
this boundary.

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Microtonal adjustment of
pre-existing instruments

Tolgahan Cogalu
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Technology and
Microtones

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Sunday, 23 January 2011
• Busoni (1866-1924) In response to Cahillʼs Telharmonium
"Let us take thought," he exulted, "how music may be
restored to its primitive, natural essence; [...] let it follow the
line of the rainbow and vie with the clouds in breaking
sunbeams.”

Sunday, 23 January 2011


Autotune
• Correction, quantisation and effect

Sunday, 23 January 2011


Autotune (Ab)use

Dixie Chicks – The Long Way Around – Noticeable on “parents” and “but I.”

T-Pain – I’m Sprung – Especially obvious on “homies” and “lady.”

Avril Lavigne – Complicated – Listen to “way,” “when,” “driving,” “you’re.”

Uncle Kracker – Follow Me


The whole vocal sounds strained, but especially the word “goodbye.”

Maroon 5 – She Will Be Loved – Listen for “rain” and “smile.”

Natasha Bedingfield – Love Like This – “Apart” and “life.”

Sean Kingston – Beautiful girls – “OoooOver” doesn’t sound human.

JoJo – Too Little Too Late – Appropriately, “problem” stands out.

Rascal Flatts – Life is a Highway


Every vocal, foreground and background, is treated, but “drive” in particular.

New Found Glory – Hit or Miss – “Thriller”, and every time Jordan sings “I.”

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Autotune Aware

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Autotune Aware

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Hiding vs. Hearing

• Corrective technology (Pristine vs. sterile)


• Expressive technology
• Non equal-tempered auto-tuning?

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Practical
Democratic tuning

Sunday, 23 January 2011


Milton Mermikides
miltonmermikides.com
miltonline@me.com

All Material ©2010 Milton Mermikides

Sunday, 23 January 2011

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