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Longing, a Documentary: Shot List

Author(s): Anne Carson


Source: The Threepenny Review, No. 80 (Winter, 2000), p. 22
Published by: Threepenny Review
Stable URL: http://www.jstor.org/stable/4384904 .
Accessed: 17/05/2011 17:55

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The Bread Loaf Writers' Conference of Middlebury College
Announces the Fifth Annual

Bakeless Literary Publication Prizes


in Poetry,Fiction, and CreativeNonfiction
The Bakeless Prizes, named for Middlebury College supporter Longing, A Documentary
Katharine Bakeless Nason, promote emergingwriters by
Shot List
sponsoringpublication of their first books through Middlebury
College/University Press of New England. Winnersalso receive
fellowships to attend the Bread Loaf Writers'Conference.

2000 Poetry Judge 1. Night.


River.
CAROL FROST
SUBTITLE:It was for such a night she had waited.
2000 Fiction Judge
DAVID BRADLEY 2. Trunk of her car is open and lit by a funnel of light from the
porch.
2000 Creative Nonfiction Judge
THOMAS MALLON 3. She loads the trunk: 4x6 trays, photographic papers, strobe
light. Strobe doesn't fit, she angles it into the backseat.

4. She is driving, concentrating,empty highway.

SUBTITLE: She was not a person who aimed at eventual


reconciliation with the views of common sense.

5. She is at the river in deep reeds, watching.


2000 Bakeless Prize submissions accepted from January1 to March 1, 2000.
Guidelines available from Ian Pounds, Bakeless Prizes, 6. She wades along the edge of the river, watching.
c/o BreadLoafWriters'Conference, MiddleburyCollege, Middlebury,VT 05753.
(http://www.middlebury.edu/-blwc * bakeless@middlebury.edu) 7. Night plucks her, she stumbles, stops.

8. She is bending beside the car, unpacking trays.

9. She drags the trays through deep reeds toward the river.
Moon unclouds itself and plunges by.

SUBTITLE:Night is not a fact.


For individualscall
, M IAM I *JM;I a Pathway Book Service
345-6665
10. She walks into the river.
UNIVERSI
UNIVERSITY TY
(800)
Fortrade
call
OXFORD, 'N I t I - SUBTITLE:Facts lack something, she thought.
~ ~ OHIO 80Ingram
BookCompany
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.B LJ?re s sL Vwww.muohio.edu/mupress/ orBaker Taylor 11. She positions the big trays on the riverbottom near the bank,
just under the water, spreads photographic papers in them,
adjusts it, moves back. Watches.

DARK SUMMER 70 pp.


$19.95 cloth (1-881163-29-6)
12. She stands by the strobe in deep reeds.
T^f 111
n T?
Molly Bendall $11.95 paper(1-881163-30-X) 13. Flash of strobe surprisesthe riverbank.

Bendall lets loose unidentifiable viruses in the aesthetic world of posed appearances: 14. She sits awhile in the reeds, arms on knees.
poetry, ballet, sculpture, painting, and dressing well She weights what standsforth
with what is withheld.... Such ontological queasiness is, of course, up to date; it's
Djuna Barnes, it's Colette,made current. -Poetry SUBTITLE: "Overtakelessness"(what facts lack).
There is such a sweet eroticism to Dark Summer that only with a start does a reader
realize that some of these lines are so sharp they have already drawn blood. 15. Moonlight sways down through black water onto the
-Bin Ramke photographic papers.

16. She is driving, windows blowing, empty highway.


KINGDOM COME 77pp
S19.95 cloth (1-881163-26-1)
SUBTITLE:As usual she enjoyed the sense of
work, of having
Jim Simmerman $11.95 paper (1-881163-27-X)
worked. Other fears would soon return.
Jim Simmerman'sfinest poems.. .are astonishing moments of empathy and
generosity to others. Simmerman sounds like a young American Philip Larkin in some
of these poems. -Denver Quarterly
If forced to compare [Simmerman]to another contemporarypoet, I'd have to posit a
composite:Bill Knott (for playful inventiveness) plus Marilyn Hacker (forformal
competence)plus Philip Levine (for his good heart). If that seems like an unlikely
aesthetic mix to dwell in one poet, such are the surprises in these poems. -Anne Carson
-Sonora Review

AFTER A SPELL 80pp.


$19.95 cloth (1-881163-24-5)
Nance Van WMinckel $11.95 paper(1-881163-25-3)

Like all successful spell casters, Nance Van Winckelknows just what to offer,just what
to withhold. And through these assured, finely crafted poems, wefollow her brilliant
summons into all the worlds of "after-ing":desire, pursuit, the shaping of time....
-Linda Bierds

22 THE THREEPENNY REVIEW

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