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Women's Studies International Forum 43 (2014) 1–4

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Women's Studies International Forum


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Embodied engagements: Feminist ethnography at the crossing


of knowledge production and representation — An introduction

Introduction urgent today. While the publication in 1999 was directed at a


Dutch audience, the current special issue aims to address an
As the title suggests, this special issue focuses on feminist international one. The editors of this volume convened a panel
ethnography as a particular kind of knowledge production and on ‘responsible’ feminist ethnographic research at the 7th
mode of representation. The debate on these subjects within Feminist Research Conference in 2009.3 This provided an
feminist studies is not novel; indeed, the contrary is true. About opportunity to discuss, ‘10 years later’, possible new insights
two decades ago, both Judith Stacey (1988) and Abu-Lughod into the same dilemma with some of the authors who had
(1990) openly asked the question: ‘Can there be a feminist contributed to the ‘Dutch’ special issue. In addition, authors
ethnography?’ The two authors questioned the power dimen- from a newer generation allowed the panel to engage in debates
sion of the relationship between anthropologists and those on other recent developments in the field.
they engage in their research. This engagement concerns both Although the debates triggered by the question originally
the ‘fieldwork period’, when friendship, intimacy and trust posed by Stacey and Abu-Lughod are still relevant, most notably
often form the basis for exchanging experiences, insights and in relation to issues of activism, postcoloniality and transnation-
dreams, and the return ‘home’, when writing-up means alism,4 the contributors to this special issue have not particularly
exposing the result of that intersubjective process to the world. questioned the possibility of a feminist ethnography; instead,
Stacey and Abu-Lughod's articles were not the only publi- the notion of what constitutes a feminist ethnography was
cations on the possibility and premises of feminist knowledge expanded to include a diverse range of feminist representations
production. The role of the relationship between the 'self' and of knowledge production. The debates centered on the question
'other', 'Western researcher' and 'non-Western researched', of how to engage in ‘doing’ feminist ethnographies at different
was central in some widely read edited volumes that appeared stages of the ethnographic research process. This endeavor led
in the 1980s and 1990s. Notably, and without being exhaustive, all of the authors to produce creative conceptualizations that
these include: This bridge called my back: Writings by radial were moored by different key notions: dialogical self theory
women of color by Moraga and Anzaldua (1981), Women in the (Buitelaar), vulnerability (Davids), polyphony (Ghorashi),
Field by Golde (1986),1 Arab Women in the Field. Studying Your pimping (Guadeloupe & de Rooij), epistemological doubts
Own Society by Altorki and El-Sohl (1988), Life/Lines by Brodszki (Nencel), longitudinal research (van Santen), self-reflection
and Schenck (1988), Interpreting women's lives by the Personal (van Stapele), slow thinking (Straatman), and silences
Narratives Group (1989); Third world women and the politics of (Willemse). These issues are explored in the different contribu-
feminism by Mohanty, Russo, and Torres (1991) and Women's tions from feminist and critical anthropology perspectives, as
Words by Gluck and Patai (1991) (which featured a reprint of well as from those of other disciplines originating in postcolonial
Stacey's article). These were followed by some feminist, theory, philosophy, psychology/psychoanalysis and social sci-
anthropological works such as: Anthropology and Autobiography ences. Notwithstanding the diversity of the reflections, some
by Okely and Callaway (1992), Gendered Fields by Bell, Caplan issues proved to be important to all of the contributions. Here,
and Karim (1993), and Women Writing Culture by Behar and we briefly elaborate on the issues that we identified as shared
Gordon (1995). challenges: the process of embodied knowledge production, the
In the same period, and inspired by these discussions, the dynamics of agency and the politics of representation.
guest-editors of the current issue of WSIF, Tine Davids and Karin
Willemse, started a trajectory exploring the possibilities and Engaging in embodied knowledge production
impossibilities of feminist ethnography. This endeavor started
in 1999 with the editing of a special issue for ‘The Dutch Journal This special issue departs from the shared perspectives on
for Gender Studies’2, triggering a debate on epistemological, feminist academic knowledge production as being situated
methodological and conceptual issues that are still topical and and with its knowledge being partial and produced in an

0277-5395/$ – see front matter © 2014 Elsevier Ltd. All rights reserved.
http://dx.doi.org/10.1016/j.wsif.2014.02.001
2 Embodied engagements: Feminist ethnography at the crossing of knowledge production and representation — An introduction

encounter with others (see also Stanley and Wise, 2000). This relationship and the knowledge produced in this intersubjec-
means that all authors focus on issues related to the tive knowledge process. Knowledge is therefore not just ‘out
dynamics, conceptualization and representation of knowl- there’, but the result of a particular engagement in a particular
edge as an intersubjective process. The title of this special context as a continuous way of ‘becoming’.
issue, ‘embodied engagements’, refers to this exploration of
the situated, partial and embodied nature of the different The dynamics of understanding mutual agency
research encounters that feminist researchers engage in,
whether physical, in the case of ethnographic research in Running through all of the contributions to this special
Cameroon, the Caribbean, Kenya, Mexico, the Netherlands, issue is a concern about agency, both in the way we
Peru, and Sudan, or virtual, with respect to the life of Theresa understand, conceptualize and represent the agency of
of Avilla in 16th century Spain. The exploration of the those we engage in our research, as well as in the way our
implications of these encounters means that the authors are own agency, as researchers, is implied in the relationship
committed to probing the limits of producing feminist and between the self and the other. The understanding of these
responsible knowledge. Central in these encounters is the instances of agency involves epistemological, methodologi-
question of how we relate to ‘others’5 and how this cal, conceptual and representational issues.
relationship colors our understanding and knowledge Agency has recently become a much-debated concept, often
production. evoking notions like free will and resistance to the norm,
Our understanding is ever more influenced by processes of consequently reproducing an oppositional conceptualization of
globalization given the increasing interconnectedness of our the relationships between actor and structure. Framing agency
societies. This not only brings this central question to our within a dichotomy between actor and structure leads to it being
doorstep and into our living room; the shifting relationships confined to the dichotomy of compliance versus resistance
between the so-called ‘West’ and ‘the rest’ position scholars (McNay, 2000). In this special issue, we propose an understand-
differently in the process of knowledge production, giving rise ing of agency that overcomes this dichotomy. As Mahmood
to different research relationships with corresponding di- (2005) so eloquently demonstrated, agency is not only invested
lemmas, questions and insights. In disciplines like anthropology, in subverting the norm, but also in upholding it. If we resist
which is historically geared to ‘give a voice’ to others, the focus considering people as either cultural dupes, who only act in
was primarily on ‘the cultural other’ while being rooted in, accordance with dominant discourses, or as the opposite, namely
as Behar puts it: “an ‘I’ – understood as having a complex as revolutionary characters who constantly and completely resist
psychology and history – observing a ‘we’ that, until recently, these discourses, we can start to recognize the effort people put
was viewed as plural, a-historical, and non-individuated.” in to fitting into these discourses as part of their agency. The
(Behar, 1996, p.26). Critical studies, such as feminist, postmod- conceptualization of agency thus needs to capture both compli-
ernist, postcolonialist, and sub-altern research, required an- ance and subversion as part of the processes of negotiating
thropology, as well as other social and human sciences, to look dominant discourses.7 We think it is interesting for feminist
for ways to accommodate complex ‘selves’ and ‘others’ both scholars to study this space for maneuvering and search for the
here and there. different styles that individuals in diverse contexts employ to
In these neoliberal times, the inheritance of the enlight- integrate and perform different subjectivities within and beyond
enment is revitalized, staging men as the center of the existing power hierarchies.
universe, which it is supposed to know and control. This Agency is thus what lies at the interface of the, however
postulates an almighty, but under-exposed, knower, while temporal, connection and interaction between the self and
the known is objectified, labeled, categorized and scrutinized. other. Agency is not just articulated in the intersection of
Neoliberalism thus increasingly determines research in terms diverse identifications like gender, class and ethnicity, but also
of efficiency and ‘usefulness’, corresponding with an empha- in the relationship between ‘ego’ and ‘alter’, and between the
sis on large-scale research projects, (neo-positivist) quanti- ‘home of the other’ and the ‘home of the self’. The contributions
tative research methods and thinking in hierarchical binary to this special issue all deal with this dialogical and dynamic
oppositions. The search for alternative voices and alternative process of knowledge production, trying to take into account
modes of representation that can accommodate complex the fluidity and flexibility of the shifting positions and po-
selves and others, both here and there, tends to be pushed to sitionings of the self and other. The ways in which we, as
the margins. Therefore, a counterbalance to these dominant academics, author our texts on these engagements are crucial
trends is not only timely, but also very much needed. to how agency as part of intersubjective knowledge production
Feminist ethnography, then, aspires to be a venture into is articulated. By doing this, we enter the arena of the politics of
new ways of conducting science differently.6 Apart from the contextualization and representation.
feminist project to both deconstruct hierarchical dichoto-
mous thinking and engage in (self-) reflexive processes of Politics of representation: (auto-) biographies and
knowledge production, the authors in this special issue aspire (self-) reflexivity
to explore alternative ways to conduct feminist ethnography.
The main question we ask ourselves is: ‘What kind of As agency is the starting point of representation, it is not just
knowledge do we want to produce and be part of?’ If we live, knowledge in and of itself that should be represented. Instead,
work, love, dream, fight and survive in a world that is the focus should be on the shifting and changing positions of
increasingly interconnected, then the understanding of that subjects who are engaged in a dynamic, multifaceted process of:
world lies in researching the ways in which these connections becoming and becoming known; of belonging; and of inclusion
are made and maintained. These dynamics shape both the and exclusion. In coming to grips with these intersecting axes of
Embodied engagements: Feminist ethnography at the crossing of knowledge production and representation — An introduction 3

agency of both the ‘self’ and ‘other’, several of the authors in this We subscribe to Braidotti's view that self-scrutiny is related
special issue privilege (auto-) biography8 and/or (self-) reflex- to a critical self-narrative. In many disciplines, critical debates
ivity as a means of analysis and mode of representation. on the ways in which scholars claim authority by writing in
The biography constitutes one of those styles in which the last few decades have led to experiments with the style,
diverse subjectivities are expressed and agency gets performed polyfocality/polyvocality and co-authoring of ethnographic
and can consequently be studied. Narrating one's life can thus texts by both mainstream9 and feminist scholars. However,
be seen as ‘a speech act’ (Butler, 1997). Narratives of the self the mode of representation and the way we inscribe ourselves
allow us to understand how discourses confine and restrict in these responsible ‘embodied accounts’ as academics are not
narrators, but also make their actions and choices possible, prescribed.10 This self-reflexive stance can be traced in the
rendering agency crucial in facilitating their ‘being in the contributions in diverse ways. Indeed, the contributions in this
world’. As such, storytelling can be considered as: “a coping special issue testify to the diversity of addressing this issue. In
strategy that involves making words stand for the world, and our view, self-reflexivity broadly means taking a critical stance
then, by manipulating them, changing one's experience of the that includes ourselves in the analytical plane by which we
world.” (Jackson, 2006, p.18, emphasis original). may be able to take a step towards fulfilling the feminist desire
Both during the research process and as a form of to create more egalitarian research relationships.
representation, the biographic narrative is deemed to facilitate
a shift in the ‘I/eye’ (Trinh, 1989) from the researcher to the Acknowledgments
narrator. This change of focus is not, however, as uncomplicat-
ed or transparent as it may seem. The question is, to what We would like to thank the contributors to this special
extent is there an actual shift in the power dimension? Is it issue. Their work, creativity and belief in our joint project made
indeed the narrator who names, defines and directs the course it possible and the path towards realizing it, a joyful experience.
of research as well as the meanings of the narratives created We are grateful to Rosemarie Buikema of the Netherlands
in the encounter between the researcher and the narrator? Research School of Women's Studies at the University of
(Personal Narratives Group, 1989, p.13). In addition, since the Utrecht, for supporting and endorsing this project and the
ethnographer is the one who testifies to this encounter and the publication of this special issue. Particular thanks also go to
resulting narrated knowledge, he/she has a responsibility to Dána-Ain Davis who, in her enthusiasm for this project, was
‘represent well’ this interactive process that includes multiple willing to write an epilogue for this special issue.
relationships between the self and ‘other’. There are different
ways in which the researcher can display the diversity of
opinions of those who are involved in this process, but it at Endnotes
least requires him/her to take into account or his/her influence 1
This was an extended and updated version of the 1970 publication by
on the intersubjective knowledge process. As Gelya Frank has Golde.
highlighted, the biography of the narrator inherently includes 2
Tijdschrift voor Genderstudies (1999). Special Issue 'In het Lichaam
the ‘shadow’ biography of the interviewer (Frank quoted in Gegrift: Feministische Antropologen op de Grens van Kennisoverdracht en
Behar, 1993: 320). As a consequence, the representation of Representatie', 2(1), 3–15.
3
Organized by the Netherlands Research School of Women's Studies at
‘just’ a biography is considered here to fall short of representing the University of Utrecht. In 2012 Karin Willemse and Lorraine Nencel
the actual process of interaction and intersubjectivity during organized a panel with a similar theme at the AAA in San Francisco, where
the engagements of the narrator and the interviewer in the Dána-Ain Davis acted as a discussant. We are very grateful to her for
evolving of this (auto-) biography. agreeing to write an Epilogue to this special issue.
4
For example, Enslin (1994), Phoenix (1994), Visweswaran (1994),
The contextualization of the narratives and the process of
John (1996). Among more recent publications on this issue see for instance
narration are therefore not just optional, but a precondition Davis (2013).
when it comes to considering the (auto-) biographic narrative as 5
The notion of ‘other’ is based upon how Edward Said has coined the
a representation of the feminist intersubjective process of term, referring to the existential difference between what is thought in the
knowledge production. As we, as listeners, interlocutors and West to be between the Western Self and the non-Western (Oriental) Other.
Since we use it here in a slightly different way, as a reference to a subject
interpreters are part of these contexts, we cannot but include our
that may be different from the researcher but whom we want to engage in
own situatedness in our analyses of these texts-in-context. interaction and inter-subjectivity in the research process, we use quotation
Acknowledging and taking responsibility for this situatedness marks to indicate this notion of ‘other’.
6
ask for a turnaround of the 'research gaze' (Schrijvers, 1991, See, for example, Craven and Davis, who suggest including activism in
feminist scholarly projects in order to counter neo-liberalism (2013).
1993, p.144; Wasserfall, 1993), or, as Braidotti (2009, p.243) 7
This notion comes from Butler (1990), who refers to Derrida. See also:
phrased it: Alsop et al. (2003).
8
In the context of this introduction we understand by autobiography
“Politics of locations are cartographies of power, which the story of the researcher that is sometimes explicitly told when he/she
rest on a form of self-scrutiny, a critical and genealogical chooses to write him or herself into the academic text or in the way the
researcher portrays ‘the other’.
self-narrative. They are relational and outside directed. 9
In fact, many feminist works on experimental texts engaged, to a
This means that ‘embodied’ accounts illuminate and greater or lesser extent, in a debate with some of the edited volumes by
transform our knowledge of ourselves and of the world.” ‘postmodern’ anthropologists, who were referred to as the ‘ethnography-as-
text-school’. These caused the literary turn in anthropology, and the work
received ample attention from mainstream anthropology. Notably, this work
Feminist scholars not only attempt to create more balanced
includes from 1986: Writing Culture. The poetics and politics of ethnography
power relationships between the researcher and the researched by Clifford and Marcus (1986), and Anthropology as a Cultural Critique. An
in the ‘field’, but also aspire to inscribe these into their academic experimental moment in the human sciences, by Marcus and Fischer (1986).
texts. See, among others, for an in-depth analysis of this debate and the troubled
4 Embodied engagements: Feminist ethnography at the crossing of knowledge production and representation — An introduction

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10
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