Bca Project HTML

Submitted to
principal
Mr.Pankaj sir
Mahesh shukhla
Mr.rohit tiwari
Summited
By
Ashish
khare
Reetesh
guru
This is to certify that the

project report entitled “M.P.
TEMPLE” software submitted
to the Institute of computer
Management for the
“BACHELOR OF COMPUTER
APPLICATION” project work
Carried out by Ashish khare
& Reetesh guru.
Place: Sagar
Head of Department
Date:
The object of a project assigned to

us which is about a systemnamed
“m.p. Temple” which has been
computerized.
This software is developed
embodies the function and
command of HTML programming
language . The advantage of this
software is to handle the “m.p.
Temple” in an easier and rapid
manner.
This work is original and

conducted at “B.C.A.” this project
has not Been submitted in part or
full to this or any other diploma,
degree or any Other certificate
NAME OF STUDENT
ASHISH KHARE REETESH GURU
We are extremely grateful Mr. pankaj sir
and all the staff member of our college for
their valuable guidance throughout the
tenure of this project.
We extend our sincere thanks to all
faculties in our college.
We extended our sincere thanks to
all staff of B.C.A.for giving Us an
opportunity to carry out the project work
in their esteemed Organization.
We express our deep sense of regards

of respected teachers,
Colleagues, friends and those who
helped us directly and indirectly who Has
contributed in numerous ways to the
development of our project.
We also acknowledge our thanks to

(Head of the Department) That gave us
moral support and a chance to be a part of
software world In the very beginning of
our careers.
 ABOUT SAGAR UNIVERSITY.
 ABOUT G.I.M..S. COLLEGE.
 PREFACE.
 HTML INTRODUCTION.
 HTML TAGE
 ABOUT PROJECT
 HARD WARE & SOFT WARE
REQUIRMENT
 CODING
 CONCLUSION
Dr. Sir harisingh gour
founded doctor harisingh gour
vishwavidhyala, sagar (M.P.), formerly
known as university of sagar, oldest
university in the state of Madhya Pradesh
by his generous donation.
The university located on
picturesque hill with town of sagar and
Sagar Lake down the valley. There are
more than 35 departments in the
university.
The university central library
is called Jawaharlal Nehru library is the
oldest and biggest it houses more then 3
lacks title and subscribe to a large number
of foreign and national general and
magazine’s. The university has 5 hostels
which include in girls hostel. There is also
residential campus for the staff member
of the university. Their also teacher hostel
separately.
The student activity includes
a day home and sports facility for the
hockey, cricket, football, Volleyball,
basketball, tennis, athletics and indoor
facilities for badminton and table tennis.
NCC and NSS facilities for boys and girls
are also available. There is fledged
department of youth welfare and
performing arts. The audio visual research
center (AVRC) and academic Staff College
are yet other important bodies of the
university.
The university is running
number of courses related with the latest
technology specially MCA, MIT, MBA,
M.Tech, geology, MPharma, MSc
(microbiology), BCA, BBA etc. Apart
from that this university has own name
the field of research and development.
G.I.M.S. college sagar (M.P.)

With the solemn desired
to promote quality education G.I.M.S.
college sagar (m.p.) was established
with the aspiration that for the coming
years the institute would benefit the
student community business world and
the society at the large.
That institute is engaged in the task of

creating the new management paradise
where the academic concepts are being
remodeled to meet the requirement of the
community specially the business world.
It is determine to make its

student excellent entrepreneurs and
performer with the utmost self confidence
and practical wisdom so as to be
successful in whatever field of activities
not only in sagar but also across the
length and width of our motherland.
G.I.M.S. college is a
premier technological institute that has
strong views regard excellence in the field
of computer science as well as other
vocational course like BCA, PGDCA,
B.COM, B.Sc etc focusing on
socioeconomic challenges and
endeavoring to produce leader in trade
and industry who can help India complete
with the international leader of the trade
and commerce.
The latest syllabus prescribed for the
Bachelor of Computer Application three
years degree courses entitle the student
prepare at leaser one project in each
semester. In fact this project will only we
consider for the practical examination.
Thus the project works in the most
important responsibility for the students.
The main aim of the project work

in each semester is mark the student
learns the proper way of developing a
project. The student gets acquainted with
working environment of the software
development companies.
It marks the student learn how to
gather information & ideas for different
sources.
This project though completed in

the partial fulfillment of Bachelor degree
of computer with all sort of hard work &
finding. Though this project may not be
the best it is one of our best efforts that
we could have put.
THE HTML INTRODUCTION
The latest version of this document is available at http://werbach.com/barebones/, where

you will also find the text version, translations, and background materials.
The Bare Bones Guide to HTML lists all the tags that current browsers are likely to
recognize. I have included all the elements in the official HTML 4.0 recommendation
with common attributes, as well as Netscape and Microsoft extensions. This document is
a quick reference, not a complete specification; for official information about HTML and
its development, see the World Wide Web Consortium site at
http://www.w3.org/MarkUp/.
The Guide is designed to be as concise as possible, and therefore it doesn't go into any
detail about how to use the various tags. A few tags link to notes that address frequently-
asked questions. If you're looking for more detailed step-by-step information, see my
WWW Help Page.
Table of Contents
1. INTRODUCTORY MATERIAL
o What is unique about this guide
o Which HTML tags are included
o How this document is formatted (including a description of symbols and
abbreviations)
2. HTML TAGS
o basic elements (all HTML documents should have these)
o structural definition (appearance controlled by the browser's preferences)
o presentation formatting (author specifies text appearance)
o links, graphics, and sounds
o positioning
o dividers
o lists
o backgrounds and colors
o special characters
o forms
o tables
o frames
o scripts and java
o miscellaneous
Important: If you are not clear about the differences between the various
versions of HTML, I suggest that you read my discussion of the development of
HTML, or the World Wide Web Consortium HTML activity statement.
BASIC ELEMENTS
Document Type <HTML></HTML> (beginning and end of file)
Title <TITLE></TITLE> (must be in header)
Header <HEAD></HEAD> (descriptive info, such as title)
Body <BODY></BODY> (bulk of the page)
STRUCTURAL DEFINITION
(the spec. defines 6
Heading <H?></H?>
levels)
Align Heading <H? ALIGN=LEFT|CENTER|RIGHT></H?>
Division <DIV></DIV>
Align Division <DIV ALIGN=LEFT|RIGHT|CENTER|JUSTIFY></DIV>
4.0 Defined Content <SPAN></SPAN>
Block Quote <BLOCKQUOTE></BLOCKQUOTE> (usually indented)
4.0 Quote <Q></Q> (for short quotations)
4.0 Citation <Q CITE="URL"></Q>
(usually displayed as
Emphasis <EM></EM>
italic)
(usually displayed as
Strong Emphasis <STRONG></STRONG>
bold)
Citation <CITE></CITE> (usually italics)
(for source code
Code <CODE></CODE>
listings)
Sample Output <SAMP></SAMP>
Keyboard Input <KBD></KBD>
Variable <VAR></VAR>
(not widely
Definition <DFN></DFN>
implemented)
Author's Address <ADDRESS></ADDRESS>
Large Font Size <BIG></BIG>
Small Font Size <SMALL></SMALL>
(marks additions in a
4.0 Insert <INS></INS>
new version)
4.0 Time of Change <INS DATETIME=":::"></INS>
4.0 Comments <INS CITE="URL"></INS>
(marks deletions in a
4.0 Delete <DEL></DEL>
new version)
4.0 Time of Change <DEL DATETIME=":::"></DEL>
4.0 Comments <DEL CITE="URL"></DEL>
4.0 Acronym <ACRONYM></ACRONYM>
4.0 Abbreviation <ABBR></ABBR>
PRESENTATION FORMATTING
Bold <B></B>
Italic <I></I>
4.0* Underline <U></U> (not widely implemented)
Strikeout <STRIKE></STRIKE> (not widely implemented)
4.0* Strikeout <S></S> (not widely implemented)
Subscript <SUB></SUB>
Superscript <SUP></SUP>
(displays in a monospaced
Typewriter <TT></TT>
font)
Preformatted <PRE></PRE> (display text spacing as-is)
Width <PRE WIDTH=?></PRE> (in characters)
Center <CENTER></CENTER> (for both text and images)
N1 Blinking <BLINK></BLINK> (the most derided tag ever)
Font Size <FONT SIZE=?></FONT> (ranges from 1-7)
Change Font Size <FONT SIZE="+|-?"></FONT>
Font Color <FONT COLOR="#$$$$$$"></FONT>
4.0* Select Font <FONT FACE="***"></FONT>
N4 Point size <FONT POINT-SIZE=?></FONT>
N4 Weight <FONT WEIGHT=?></FONT>
4.0* Base Font Size <BASEFONT SIZE=?> (from 1-7; default is 3)
MS Marquee <MARQUEE></MARQUEE>
POSITIONING
N3 Multi-Column <MULTICOL COLS=?></MULTICOL>
N3 Column Gutter <MULTICOL GUTTER=?></MULTICOL>
N3 Column Width <MULTICOL WIDTH=?></MULTICOL>
N3 Spacer <SPACER>
N3 Spacer Type <SPACER TYPE=HORIZONTAL|VERTICAL|BLOCK>
N3 Size <SPACER SIZE=?>
N3 Dimensions <SPACER WIDTH=? HEIGHT=?>
N3 Alignment <SPACER ALIGN=LEFT|RIGHT|CENTER>
N4 Layer <LAYER></LAYER>
N4 Name <LAYER ID="***"></LAYER>
N4 Location <LAYER LEFT=? TOP=?></LAYER>
N4 Rel. Position <LAYER PAGEX=? PAGEY=?></LAYER>
N4 Source File <LAYER SRC="***"></LAYER>
N4 Stacking <LAYER Z-INDEX=?></LAYER>
N4 Stack Position <LAYER ABOVE="***" BELOW="***"></LAYER>
N4 Dimensions <LAYER HEIGHT=? WIDTH=?></LAYER>
N4 Clipping Path <LAYER CLIP=,,,></LAYER>
N4 Visible? <LAYER VISIBILITY=SHOW|HIDDEN|INHERIT></LAYER>
N4 Background <LAYER BACKGROUND="$$$$$$"></LAYER>
N4 Color <LAYER BGCOLOR="$$$$$$"></LAYER>
(takes same
N4 Inline Layer <ILAYER></ILAYER> attributes as
LAYER)
N4 Alt. Content <NOLAYER></NOLAYER>
��
LINKS, GRAPHICS, AND SOUNDS

Link Something <A HREF="URL"></A>
(if in another
Link to Location <A HREF="URL#***"></A>
document)
<A HREF="#***"></A>
(if in current
document)
4.0* Target Window <A HREF="URL" TARGET="***"></A>
4.0* Action on Click <A HREF="URL" ONCLICK="***"></A> (Javascript)
4.0* Mouseover Action <A HREF="URL" ONMOUSEOVER="***"></A> (Javascript)
4.0* Mouse out Action <A HREF="URL" ONMOUSEOUT="***"></A> (Javascript)
Link to Email <A HREF="mailto:@"></A>
(use a real
N, MS Specify Subject <A HREF="mailto:@?SUBJECT=***"></A> question
mark)
Define Location <A NAME="***"></A>
Display Image <IMG SRC="URL">
Alignment <IMG SRC="URL" ALIGN=TOP|BOTTOM|MIDDLE|LEFT|RIGHT>
<IMG SRC="URL" ALIGN=TEXTTOP|ABSMIDDLE|BASELINE|
N1 Alignment ABSBOTTOM>
(if image not
Alternate <IMG SRC="URL" ALT="***">
displayed)
Dimensions <IMG SRC="URL" WIDTH=? HEIGHT=?> (in pixels)
(as
<IMG SRC="URL" WIDTH=% HEIGHT=%>
percentage of
page
width/height)
Border <IMG SRC="URL" BORDER=?> (in pixels)
Runaround Space <IMG SRC="URL" HSPACE=? VSPACE=?> (in pixels)
N1 Low-Res Proxy <IMG SRC="URL" LOWSRC="URL">
(requires a
Imagemap <IMG SRC="URL" ISMAP>
script)
Imagemap <IMG SRC="URL" USEMAP="URL">
MS Movie Clip <IMG DYNSRC="***" START="***" LOOP=?>
Background
MS <BGSOUND SRC="***" LOOP=?|INFINITE>
Sound
(describes the
Client-Side Map <MAP NAME="***"></MAP>
map)
<AREA SHAPE="DEFAULT|RECT|CIRCLE|POLY"
Map Section COORDS=",,," HREF="URL"|NOHREF>
N1 Client Pull <META HTTP-EQUIV="Refresh" CONTENT="?; URL=URL">
(insert object
N2 Embed Object <EMBED SRC="URL">
into page)
N2 Object Size <EMBED SRC="URL" WIDTH=? HEIGHT=?>
4.0 Object <OBJECT></OBJECT>
4.0 Parameters <PARAM>
DIVIDERS
(closing tag often
Paragraph <P></P>
unnecessary)
Align Text <P ALIGN=LEFT|CENTER|RIGHT></P>
N Justify Text <P ALIGN=JUSTIFY></P>
Line Break <BR> (a single carriage return)
Clear Textwrap <BR CLEAR=LEFT|RIGHT|ALL>
Horizontal Rule <HR>
Alignment <HR ALIGN=LEFT|RIGHT|CENTER>
Thickness <HR SIZE=?> (in pixels)
Width <HR WIDTH=?> (in pixels)
(as a percentage of page
Width Percent <HR WIDTH="%">
width)
(without the 3D cutout
Solid Line <HR NOSHADE>
look)
N1 No Break <NOBR></NOBR> (prevents line breaks)
(where to break a line if
N1 Word Break <WBR>
needed)
LISTS
Unordered List <UL><LI></UL> (before each list item)
Compact <UL COMPACT></UL>
Bullet Type <UL TYPE=DISC|CIRCLE|SQUARE> (for the whole list)
Bullet Type <LI TYPE=DISC|CIRCLE|SQUARE> (this & subsequent)
Ordered List <OL><LI></OL> (before each list item)
Compact <OL COMPACT></OL>
Numbering Type <OL TYPE=A|a|I|i|1> (for the whole list)
Numbering Type <LI TYPE=A|a|I|i|1> (this & subsequent)
Starting Number <OL START=?> (for the whole list)
Starting Number <LI VALUE=?> (this & subsequent)
(<DT>=term,
Definition List <DL><DT><DD></DL>
<DD>=definition)
Compact <DL COMPACT></DL>
Menu List <MENU><LI></MENU> (before each list item)
Compact <MENU COMPACT></MENU>
Directory List <DIR><LI></DIR> (before each list item)
Compact <DIR COMPACT></DIR>
BACKGROUNDS AND COLORS

Tiled Bkground <BODY BACKGROUND="URL">
MS Watermark <BODY BGPROPERTIES="FIXED">
Bkground Color <BODY BGCOLOR="#$$$$$$"> (order is red/green/blue)
Text Color <BODY TEXT="#$$$$$$">
Link Color <BODY LINK="#$$$$$$">
Visited Link <BODY VLINK="#$$$$$$">
Active Link <BODY ALINK="#$$$$$$">
(More info at http://werbach.com/web/wwwhelp.html#color)
SPECIAL CHARACTERS
Special Character &#?; (where ? is the ISO 8859-1 code)
< <
> >
& &
" "
Registered TM ®
Registered TM ®
Copyright ©
Copyright ©
Non-Breaking Space
(Complete list at http://www.uni-passau.de/%7Eramsch/iso8859-1.html)
FORMS
<FORM ACTION="URL" METHOD=GET|
Define Form POST></FORM>
4.0* File Upload <FORM ENCTYPE="multipart/form-data"></FORM>
<INPUT TYPE="TEXT|PASSWORD|CHECKBOX|RADIO|
Input Field FILE|BUTTON|IMAGE|HIDDEN|SUBMIT|RESET">
Field Name <INPUT NAME="***">
Field Value <INPUT VALUE="***">
(checkboxes and
Checked? <INPUT CHECKED>
radio boxes)
Field Size <INPUT SIZE=?> (in characters)
Max Length <INPUT MAXLENGTH=?> (in characters)
4.0 Button <BUTTON></BUTTON>
4.0 Button Name <BUTTON NAME="***"></BUTTON>
4.0 Button Type <BUTTON TYPE="SUBMIT|RESET|BUTTON"></BUTTON>
4.0 Default Value <BUTTON VALUE="***"></BUTTON>
4.0 Label <LABEL></LABEL>
4.0 Item Labelled <LABEL FOR="***"></LABEL>
Selection List <SELECT></SELECT>
Name of List <SELECT NAME="***"></SELECT>
# of Options <SELECT SIZE=?></SELECT>
(can select more
Multiple Choice <SELECT MULTIPLE>
than one)
(items that can be
Option <OPTION>
selected)
Default Option <OPTION SELECTED>
Option Value <OPTION VALUE="***">
4.0 Option Group <OPTGROUP LABEL="***"></OPTGROUP>
Input Box Size <TEXTAREA ROWS=? COLS=?></TEXTAREA>
Name of Box <TEXTAREA NAME="***"></TEXTAREA>
N2 Wrap Text <TEXTAREA WRAP=OFF|HARD|SOFT></TEXTAREA>
4.0 Group elements <FIELDSET></FIELDSET>
(caption for
4.0 Legend <LEGEND></LEGEND>
fieldsets)
4.0 Alignment <LEGEND ALIGN="TOP|BOTTOM|LEFT|RIGHT"></LEGEND>
TABLES
Define Table <TABLE></TABLE>
4.0* Table Alignment <TABLE ALIGN=LEFT|RIGHT|CENTER>
(either on
Table Border <TABLE BORDER></TABLE>
or off)
(you can set
Table Border <TABLE BORDER=?></TABLE>
the value)
Cell Spacing <TABLE CELLSPACING=?>
Cell Padding <TABLE CELLPADDING=?>
Desired Width <TABLE WIDTH=?> (in pixels)
(percentage
Width Percent <TABLE WIDTH=%>
of page)
4.0* Table Color <TABLE BGCOLOR="$$$$$$"></TABLE>
<TABLE FRAME=VOID|ABOVE|BELOW|HSIDES|LHS|RHS|
4.0 Table Frame VSIDES|BOX|BORDER></TABLE>
4.0 Table Rules <TABLE RULES=NONE|GROUPS|ROWS|COLS|ALL></TABLE>
MS Border Color <TABLE BORDERCOLOR="$$$$$$"></TABLE>
MS Dark Border <TABLE BORDERCOLORDARK="$$$$$$"></TABLE>
MS Light Border <TABLE BORDERCOLORLIGHT="$$$$$$"></TABLE>
Table Row <TR></TR>
Alignment <TR ALIGN=LEFT|RIGHT|CENTER|MIDDLE|BOTTOM>
(must
appear
Table Cell <TD></TD>
within table
rows)
<TD ALIGN=LEFT|RIGHT|CENTER VALIGN=TOP|MIDDLE|
Alignment BOTTOM>
No linebreaks <TD NOWRAP>
Columns to Span <TD COLSPAN=?>
Rows to Span <TD ROWSPAN=?>
4.0* Desired Width <TD WIDTH=?> (in pixels)
(percentage
N3 Width Percent <TD WIDTH="%">
of table)
4.0* Cell Color <TD BGCOLOR="#$$$$$$">
(same as
data, except
Header Cell <TH></TH>
bold
centered)
Alignment <TH ALIGN=LEFT|RIGHT|CENTER|MIDDLE|BOTTOM>
No Linebreaks <TH NOWRAP>
Columns to Span <TH COLSPAN=?>
Rows to Span <TH ROWSPAN=?>
4.0* Desired Width <TH WIDTH=?> (in pixels)
(percentage
N3 Width Percent <TH WIDTH="%">
of table)
4.0* Cell Color <TH BGCOLOR="#$$$$$$">
4.0 Table Body <TBODY>
(must come
4.0 Table Footer <TFOOT></TFOOT> before
THEAD>
4.0 Table Header <THEAD></THEAD>
Table Caption <CAPTION></CAPTION>
Alignment <CAPTION ALIGN=TOP|BOTTOM|LEFT|RIGHT>
(groups
4.0 Column <COL></COL> column
attributes)
4.0 Columns Spanned <COL SPAN=?></COL>
4.0 Column Width <COL WIDTH=?></COL>
4.0 Width Percent <COL WIDTH="%"></COL>
(groups
4.0 Group columns <COLGROUP></COLGROUP> column
structure)
4.0 Columns Spanned <COLGROUP SPAN=?></COLGROUP>
4.0 Group Width <COLGROUP WIDTH=?></COLGROUP>
4.0 Width Percent <COLGROUP WIDTH="%"></COLGROUP>
FRAMES
(instead of
4.0* Frame Document <FRAMESET></FRAMESET>
<BODY>)
4.0* Row Heights <FRAMESET ROWS=,,,></FRAMESET> (pixels or %)
(* = relative
4.0* Row Heights <FRAMESET ROWS=*></FRAMESET>
size)
4.0* Column Widths <FRAMESET COLS=,,,></FRAMESET> (pixels or %)
(* = relative
4.0* Column Widths <FRAMESET COLS=*></FRAMESET>
size)
4.0* Borders <FRAMESET FRAMEBORDER="yes|no"></FRAMESET>
4.0* Border Width <FRAMESET BORDER=?></FRAMESET>
4.0* Border Color <FRAMESET BORDERCOLOR="#$$$$$$"></FRAMESET>
N3 Frame Spacing <FRAMESET FRAMESPACING=?></FRAMESET>
(contents of an
4.0* Define Frame <FRAME> individual
frame)
4.0* Display Document <FRAME SRC="URL">
4.0* Frame Name <FRAME NAME="***"|_blank|_self|_parent|_top>
(left and right
4.0* Margin Width <FRAME MARGINWIDTH=?>
margins)
(top and
4.0* Margin Height <FRAME MARGINHEIGHT=?> bottom
margins)
4.0* Scrollbar? <FRAME SCROLLING="YES|NO|AUTO">
4.0* Not Resizable <FRAME NORESIZE>
4.0* Borders <FRAME FRAMEBORDER="yes|no">
4.0* Border Color <FRAME BORDERCOLOR="#$$$$$$">
(for non-
4.0* Unframed Content <NOFRAMES></NOFRAMES> frames
browsers)
(takes same
4.0 Inline Frame <IFRAME></IFRAME> attributes as
FRAME)
4.0 Dimensions <IFRAME WIDTH=? HEIGHT=?></IFRAME>
4.0 Dimensions <IFRAME WIDTH="%" HEIGHT="%"></IFRAME>
SCRIPTS AND JAVA

Script <SCRIPT></SCRIPT>
Location <SCRIPT SRC="URL"></SCRIPT>
Type <SCRIPT TYPE="***"></SCRIPT>
Language <SCRIPT LANGUAGE="***"></SCRIPT>
(if scripts not
4.0* Other Content <NOSCRIPT></NOSCRIPT>
supported)
Applet <APPLET></APPLET>
File Name <APPLET CODE="***">
Parameters <APPLET PARAM NAME="***">
Location <APPLET CODEBASE="URL">
Identifier <APPLET NAME="***"> (for references)
(for non-Java
Alt Text <APPLET ALT="***">
browsers)
Alignment <APPLET ALIGN="LEFT|RIGHT|CENTER">
Size <APPLET WIDTH=? HEIGHT=?> (in pixels)
Spacing <APPLET HSPACE=? VSPACE=?> (in pixels)
N4 Server Script <SERVER></SERVER>
MISCELLANEOUS
(not displayed by
Comment 
the browser)
Prologue <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
(indicates a
Searchable <ISINDEX>
searchable index)
(text to prompt
Prompt <ISINDEX PROMPT="***">
input)
(use a real
Send Search <A HREF="URL?***"></a>
question mark)
(must be in
URL of This File <BASE HREF="URL">
header)
Base Window (must be in
4.0* <BASE TARGET="***">
Name header)
<LINK REV="***" REL="***"
Relationship HREF="URL"> (in header)
N4 Linked File <LINK TYPE="***" SRC="***"></LINK>
(must be in
Meta Information <META>
header)
(implementations
Style Sheets <STYLE></STYLE>
vary)
(for certain
4.0 Bidirect Off <BDO DIR=LTR|RTL></BDO>
character sets)
Our project is “M.P.
TEMPLE”. For this we have to Collect
some information about fee pay slip.
Student appeared in the fee counter firstly
he/she has to pay the fee .The counter
officer take the money and fill the pay slip
on the computer, and give the pay slip for
student. If the counter officer wants last
slip were he enter the password and
access the last slip.
• Processor- 486
• Hard disk- 20 GB
• Floppy drive- 1.44 MB
• RAM- 128 MB
• Keyboard- standard
• Mouse- stard
. OS-Window-98 or
.
<HTML>
<HEAD>
</HEAD>
<TITLE>www.templeinmp.com</TITLE>
<MARQUEE><FONT COLOR=RED><H2>WEL COME
TO TEMPLES IN MP</FONT></H2></MARQUEE>
<BODY BGCOLOR=SILVER>
<TABLE BORDER=1><TD><TR><IMG
SRC="./image/2.JPG"></TD></TR>
<BR>
<TABLE ALIGN="LEFT"><TR><TD><FONT
COLOR="BLUE"><H2><a
href="./index.html">HOME</a> </FONT></H2></TD>
<TABLE ><TR><TD WIDTH="20%"
HIGHT="19%"><pre><h2><font face="times new
roman"><font color=red>
<h1>CHINTAMAN GANESH</FONT></H1>
<table><tr><td><pre><h3><font face=times new
roman>The Ganesha idol enshrined in this temple is
supposed to be swayamabhu
born of itself). Also called Vighneshwara, the moderator of
grief,
Ganesha is always the first to be worshipped in the Hindu
pantheon,
lest he decide to sow obstacles in the devotees’ path. His
consorts,
Ridhhi and Siddhi, flank Chintaman, the assuager of all
worries.
Locally, Ganesha is also referred to as Chintaman.
</h3></pre></td><td><img
src="./image/20.jpg"></td></tr></table>
<table background="./image/12.gif" width="100%"
valign="top" bordercolor=black VALIGN="TOP"><tr><td
width="355" VALIGN="TOP">© copyright
2011</td>
<td width="380" align="right"><p align="right">Design
By ASHISH KHARE Reetesh guru</p></td></BODY>
</HTML>
<HTML>
<HEAD>
</HEAD>
<BR>
COLOR="BLUE"><H2><a
<h1>Hardole Samadhi</FONT></H1>
roman>The samadhi itself is a simple white marble
structure, rectangular
in shape and surrounded by lush green foliage. A small bed
is placed on the raised platform so that Hardol may sleep
in it peacefully. Miniature statues of a horse and a cow
stand atop the samadhi along with utensils for storing
water,
just in case the dead Hardol feels thirsty.
Hardol was the third and most able of Raja Vir Singh’s
sons.
Although no law of primogeniture existed in Orchha, on his
father’s death, the gallant Hardol made it clear that he
would not object if his elder brother, Jujhar Singh,
ascended
the throne.
Hardol remained content with the fief of Baragaon, but was

still
treated with suspicion by his two elder siblings. Not very
surprising,
as he was the most witty, talented and courageous of all of
Vir Singh’s
children.
</h3></pre></td><td valign="top"><img
src="./image/17.jpg"><br><br><img
2011</td>
</HTML>
<HTML>
<HEAD>
</HEAD>
<BR>
COLOR="BLUE"><H2><a
<h1>Hanumann Temple</FONT></H1>
roman>The monarchs of Orchha were great devotees of
Lord Rama, the
fabled god-king who ruled over Ayodhya according
to the ancient epic, the Ramayana.
Orchha’s rulers built monuments in memory of virtually

all the important characters in the epic, and the Hanuman
Temple is one such sanctuary.
The Ramayana tells us that Kishkandhapuri was the place

where
Rama first met the monkey, Hanuman, who belonged to the
vanara
race, or the race that lived in a vana (forests). Hanuman
became
one of the greatest devotees of Rama, and in time, was
recognised
as a god himself.
The Hanuman Temple was built in 1717 by the then

Orchha ruler, Raja
Sujan Singh. Apparently, the king was so impressed by a
presentation
of Tulsidas’ epic poem, Rama Charitra Manas, that he
decided to erect
all the prominent places mentioned in the epic, in Orchha.
Accordingly, the Hanuman Temple was built here, and
idols of
both Rama and Hanuman were installed in it. The temple
architecture is
similar to the architecture prevalent in many of the temples
of South
India.
2011</td>
By ASHISH KHARE REETESH</p></td></BODY>
</HTML>
<html>
<head><title>www.templeinmp.com</title>
</head>
<body bgcolor=pink>
<marquee><font color=black><h2><b>Welcome to
Temple in Madhya Pradhesh</b></h2></marquee>
<table border=1 bordercolor=black><tr><td><img
src="./image/he.jpg"></td></tr></table>
<table ><tr><td width="20%"
hight="10%"><pre><h2><font face="times new roman">
<font color=red> Temple of Madhya

Pradesh</font></h2>
<pre><h3><font color=blue><font face=times new roman>
The temple art and architecture at Madhya Pradesh
portrait the outstanding work of human creativity in form
of Khajuraho temples - 'A World Heritage Site'.
The extent to which a human intelligence can affirms that
workmanship knows no limits, visitors wonder at such an
exquisite beauty and sublimity in form of erotic scriptures.
The temples in Madhya Pradesh are must a visit site for
any visitor visiting India. With continuously dedicated
efforts of Archeological Survey of India, towards the
preservation of these 'magma opus'- Khajuraho temples,
are among the best-protected monuments of the world.
</h3></pre></td><td valign="top"></td><td><br><img
<h1><FONT COLOR=#2F9B3E>TEMPLES IN
MADHYA PRADHESH</FONT></H1>
<TABLE ><Td width="35%"><ul><PRE><H2><li><a
href="./cg.html">Chintaman Ganesh Temple</a></li>
<li><a href="./kh.html">Khajuraho Temples</a></li>
<li><a href="./mt.html">Mahakaleshwar Temple</a></li>
<li><a href="./tt.html">Teli Ka Mandir</a></li>
<li><a href="./st.html">Satianusuya Temple</a></li>
<li><a href="./lt.html">Bhopal Laxminarayana
Temple</a></li>
<li><a href="./ht.html">Hanuman Temple</a></li>
<li><a href="./har.html">Hardolsingh
samadhi</a></li></td></H2></PRE></TD><td border=1
width="55%"> <IMG
SRC="./image/19.jpg"></td></tr></table>
2011</td>
By ASHISH KHARE Reetesh guru</p></td>
</body>
</html>
<HTML>
<HEAD>
</HEAD>
<BR>
COLOR="BLUE"><H2><a
<h1>Khajuraho Temple</FONT></H1>
roman>To some, Khajuraho Temples are the most graphic,
erotic and sensuous sculptures of India, the world has ever
known. But Khajuraho has not received the attention it
deserves for its significant contribution to the religious
art of India – there are literally hundreds of exquisite
images
on the interior and exterior walls of the shrines.
Architecturally these temples are unique. While each
temple
in Khajuraho has a distinct plan and design, several features
are common to all. They are all built on high platforms,
several metres off the ground, either in granite or a
combination
of light sandstone and granite. Each of these temples has an
entrance hall or mandapa, and a sanctum sanctorum or
garbha
griha. The roofs of these various sections have a distinct
form.
The porch and hall have pyramidal roofs made of several
horizontal
layers. The inner sanctum's roof is a conical tower - a
colossal pile
of stone (often 30m high) made of an arrangement of
miniature
towers called shikharas.
Right through the Mughal invasion and the early British

forays into
India, Khajuraho temples in India remained unknown.
Rediscovered
in this century, they are fine reminders of India's glorious
past.
2011</td>
By ASHISH KHARE REETESH
</HTML>
</HTML>
<HEAD>
</HEAD>
<BR>
COLOR="BLUE"><H2><a
<h1>Laxmi narayan Temple</FONT></H1>

roman>The Lakshmi Narayana Temple on the Arera Hills
commands a panoramic view of Bhopal, and is also known
as
the Birla Temple because the Birlas, one of leading
industrial
families of India, have built it. The temple is built in
honour of
Lakshmi, the Hindu Goddess of Wealth, and her divine
consort,
Vishnu, the Preserver of the Universe, who is also known
as Narayana.
Apart from idols of Goddess Lakshmi and Narayana, the
temple also has
a resplendent idol of a reclining Shiva with his wife,
Parvati. Attached to
the temple is the Birla Museum that houses a collection of
sculptures from
the Mandsaur, Shahdol, Sehore and Raisen districts of
Madhya Pradesh.
The collection dates back to the 12th century era of the

Paramaras when art
and culture flourished in the state.The sandy-yellowish
temple has an old-worldly
charm about it, with a huge turret on one side of the
building. You enter the temple
through a magnificent archway, and the sprawling lawns
that surround the complex
lend it a picturesque appeal.
2011</td>
By ASHISH KHARE REETESH </p></td></BODY>
</HTML>
<HTML>
<HEAD>
</HEAD>
<BR>
COLOR="BLUE"><H2><a
<h1>Mahakaleswar Temple</FONT></H1>
roman>The original temple was destroyed during Muslim
invasions,
and the temple was rebuilt recently by the Sindhias in the
traditional Central Indian style.It is a five-storeyed structure
at the south end of the city. The curved superstructure is
adorned with motifs on all sides, rising above the
colonnaded
porches.Along the walls of the corridors in the temple rest
old
statues and sculptures, while in the courtyard lie ruined
ancient shrines.
The storeys are ornamented with pierced balustrades, and

the balconies
have richly decorated roofs reminiscent of the Rajput style
of architecture.
Screens and pavilions are combined with marble
colonnades leading to the
linga within the sanctuary, making Mughal architecture
come alive right in the
heart of this Hindu temple. The Mahakaleshwar Temple is
indeed a cherished
site and a sculptural delight as well.
2011</td>
</HTML>
<HTML>
<HEAD>
</HEAD>
<BR>
COLOR="BLUE"><H2><a
<h1>Sati Anusuya Temple</FONT></H1>

roman>This Hindu temple is dedicated to a woman called
Anusuya,
who lived during Lord Rama’s time. In more recent times,
sati
was a rite whereby a widow immolated herself on the pyre
of her
dead husband. This practice was legally abolished by Lord
William
Bentick in 1829, and is now a criminal offense.
Literally speaking, sati is an exemplary
woman. Sati
Anusuya was completely loyal, faithful and dedicated to
her husband,
the great sage, Atri. Nonetheless, Brahma, Vishnu and
Shiva, (Creator,
Preserver and Destroyer of the Universe) themselves were
greatly attracted
by her divine charms. This enraged Anusuya to such an
extent that she
transformed them into infants.
This explains why the Hindu Holy Trinity of Brahma,

Vishnu and Shiva,
appeared in the form of infants, in Chitrakoot.In the temple
are also enshrined
idols of the sages Durvasa and Atri, along with those of
Anusuya’s son, Dattatreya,
and, Chandrama, or the moon-god.
2011</td>
</HTML>
<HTML>
<HEAD>
</HEAD>
<BR>
COLOR="BLUE"><H2><a
<h1>Teli ka mandir</FONT></H1>
roman>Teli Ka Mandir - An Architecture Splendor
This Rajput Temple is an amalgam of the northern and
southern architectural styles
of India, although many opine that it is closer in design to
the temples of Orissa than
the South.The tallest and most impressive temple within the
precincts of the Gwalior
Fort, there are several theories as to how the shrine
acquired its name.
According to one surmise Rashtrakuta Govinda III

occupied the Fort in 794, and
appointed the Telang Brahmins (check Religion for details
on Brahmins) to supervise
all religious ceremonies. The temple got its name from
them. According to another
version, the monument is called the Teli Temple, because
men of the Teli caste or
oil merchants handled its construction. A third conjecture is
that the name suggests
a link with the Telangana region in modern Andhra
Pradesh, suggesting the fusion of
Dravidian and North Indian architectural styles.
2011</td>
By ASHISH KHARE REETESH
GURU</p></td></BODY>
</HTML>
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Hardol remained content with the fief of Baragaon, but was

Orchha’s rulers built monuments in memory of virtually

The Ramayana tells us that Kishkandhapuri was the place

The Hanuman Temple was built in 1717 by the then

<font color=red> Temple of Madhya

Right through the Mughal invasion and the early British

<h1>Laxmi narayan Temple</FONT></H1>

The collection dates back to the 12th century era of the

The storeys are ornamented with pierced balustrades, and

<h1>Sati Anusuya Temple</FONT></H1>

This explains why the Hindu Holy Trinity of Brahma,

According to one surmise Rashtrakuta Govinda III

We have made our best

Though we have made quite

In the fast changing world no

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