Академический Документы
Профессиональный Документы
Культура Документы
Four months after the martyrdom of GomBurZa and with Doña Teodora still in prison,
Jose, who had not yet celebrated his eleventh birthday, was sent to Manila. He studied in
the Ateneo Municipal, a college under the supervision of the Spanish Jesuits. This college
was a bitter rival of the Dominican-owned College of San Juan de Letran. It was formerly
the Escuela Pia (Charity School) a school for poor boys in Manila which was established
by the city government in 1817. When the Jesuits, who had been expelled from the
Philippines in 1768, returned to Manila in 1859, they were given the Management of
the Escuela Pia, whose name was changed to Ateneo Municipal, and later became the
Ateneo de Manila. They were splendid educators, so that Ateneo acquired prestige as an
excellent college for boys.
On June 10, 1872 Jose, accompanied by Paciano, went to Manila. He took the entrance
examinations on Christian Doctrine, arithmetic, and reading at the College of San Juan de
Letran, and passed them. He returned to Calamba and stayed a few days with his family
and to attend the town fiesta. His father, who first wished him to study at Letran, changed
his mind and decided to send him to Ateneo instead.
Thus, upon return to Manila, Jose, again accompanied by Paciano, matriculated at the
Ateneo Municipal. At first, Father Magin Ferrando, who was a college registrar, refused to
admit him for two reasons:
Rizal was then eleven years old. However, upon the intercession of Manuel Xerez Burgos,
nephew of Father Burgos, he was reluctantly admitted to Ateneo.
At the time Jose studied in Ateneo, this college was located in Intramuros, within the walls
of Manila. He first boarded in a house outside Intramuros, on Caraballo Street, 25 minutes'
walk away from the college. This boarding house was owned by a spinster named Titay
who owed the Rizal family the amount of P300. Jose boarded with her in order to collect
part of the debt.
The system of education given by the Jesuits in the Ateneo was more advanced than that of
other colleges in that period. It trained the character of the student by rigid discipline and
religious instruction. It promoted physical culture, humanities, and scientific studies. Aside
from academic courses leading to the degree of Bachelor of Arts, it offered vocational
courses in agriculture, commerce, mechanics, and surveying.
The students heard Mass in the morning before the begging of the daily class. Classes in
every subject were opened and closed with prayers.
Each of this empire had its ranks. The best student in each "empire" was the emperor; the
second best, the tribune; the third best, the decurion; the fourth best, the centurion; the fifth
best, the standard-bearer. Within the "empire", the students fought for positions. Any
student could challenge any officer in his "empire" to answer questions on the day's lesson.
His opponent could lose his position if he committed three mistakes. Any student might be
at the end of the line, but if he studied hard and was brilliant, he could depose the officers
one after another and become an emperor.
The two groups, "Roman Empire" and the "Carthaginian Empire," were in constant
competition for supremacy in the class. They had their distinctive banners: red for the
Romans and blue for the Carthaginians. At the beginning of the school term, both banners
were used equally in the classroom. "Upon the first defeat, the banner of the losing party
was transferred to the left side of the room. Upon the second, it was placed in an inferior
position on the right side. Upon the third, the inclined flag was placed on the left. Upon the
fourth, the flag was reversed and returned to the right. Upon the fifth, the reversed flag was
placed on the left. Upon the sixth, the banner was changed with a figure of a donkey."
The Ateneo students in Rizal's time wore a uniform which consisted of "hemp-
fabric trousers" and "striped cotton coat." The coat material was called rayadillo, which
later became famous for it was adopted as the uniform for Filipino troops during the days
of the First Philippine Republic.
June 1872, Jose's first day of class in Ateneo, he first heard the Mass at the college
chapel and prayed fervently to God for guidance and success.
His first professor was Fr. Jose Bech, a "tall, thin man, with a body slightly bent
forward, a harried walk, an ascetic face, severe and inspired, small deep-sunken
eyes, a sharp nose that was almost Greek, and thin lips forming an arc whose ends
fell towards the chin."
Being a newcomer and knowing little Spanish, Rizal was placed at the bottom of
the class.
He was an externo, hence he was assigned to the Carthaginians, occupying the end
of the line.
After the first week, he progressed rapidly.
After a month he became "emperor."
He won his first prize for being the brightest pupil in class. His first prize at the
Ateneo was a religious picture.
He took private lessons in Santa Isabel College during noon recesses to improve
his Spanish. He paid three pesos for those extra Spanish lessons.
In the second half of his first year, he did not try hard enough to maintain his
supremacy because he resented some remarks of his professor. He placed second at
the end of the year, although his grades were still marked "excellent."
Rizal lost no time visiting his mother in the provincial jail. He cheered up his mother's
heart with the news of his scholastic triumphs in Ateneo and with funny tales about his
professors and fellow students. The mother was very happy to know that her favorite
child was making such splendid progress in college.
In the course of their conversation, Doña Teodora told her son of her dream the previous
night. Rizal, interpreting the dream, told her that she would be released from prison in
three months’ time. She smiled, thinking that her son's prophecy was a mere boyish
attempt to console her.
But Rizal's prophecy became true. Barely three months passed, and suddenly Doña
Teodora was set free. By that time, Rizal was already in Manila attending his classes in
Ateneo.
Doña Teodora, happily back in Calamba, was even more proud of her son Jose whom she
likened to the youthful Joseph in the Bible in his ability to interpret dreams.
In June 1874, Rizal returned to the Ateneo for his Junior year. Shortly after the opening
of classes, his mother arrived and joyously told him that she was released from prison,
just as he had predicted during his last visit to her prison cell in Santa Cruz, Laguna. He
was happy of course, to see his mother once more a free woman.
However, despite the family happiness, he did not make an excellent showing on his
studies as in the previous year. His grades remained excellent, but he received only one
gold medal
- in Latin. He failed to win the medal in Spanish because he was beaten by a Spaniard
who can naturally speak Spanish with the right accentuation and fluency.
At the end of the school year March 1875, he returned to Calamba for summer vacation.
After the summer vacation, Rizal returned to Manila in June 1876 for his last year in the
Ateneo. His studies continued to fare well. As a matter of fact, he excelled in all his
subjects. the most brilliant Atenean of his time, he was truly "the pride of Jesuits".
Rizal finished his last year at the Ateneo in a blaze of glory. He obtained the highest
grades in all subjects - philosophy, physics, biology, chemistry, languages, mineralogy,
etc.
K. Graduation with Highest Honors
On Commencement Day, March 23, 1877, Rizal, who was 16 years old, received from his
Alma Mater, Ateneo Municipal, the degree of Bachelor of Arts, with highest honors. It was
a proud day for his family. But to Rizal, like all graduates, Commencement Day was a
time of bitter sweetness, a joy mellowed with poignancy. The night before graduation, his
last night at the college dormitory, he could not sleep. Early the following morning, the
day of graduation, he prayed fervently at the college chapel:
"Commended my life, to the Virgin so that when I should step into that world, which
inspired me with so much terror, she would protect me."
Rizal, unsurpassed in academic triumphs, was not a mere bookworm. He was active in
extra- curricular activities. An "emperor" inside the classroom, he was a campus leader
outside. He was an active member, later secretary, of the religious society, the Marian
Congregation. He was accepted as member of this sodality not only because of his
academic brilliance but also because of his devotion to Our Lady the Immaculate
Conception, the college patroness. Rizal was also a member of the Academy of Spanish
Literature and the Academy of Natural Sciences. These "academies" were exclusive
societies in the Ateneo, to which only Ateneans who were gifted in literature and sciences
could qualify for membership.
In his leisure hours, Rizal cultivated his literary talent under the guidance of Father
Sanchez. Another professor, Father Jose Villaclara, advised him to stop communing with
the Muses and pay more attention to more practical studies, such as philosophy and natural
sciences. Rizal did not heed his advice. He continued to solicit Father Sanchez's help in
improving his poetry.
Aside from writing poetry, he devoted his spare time to fine arts. He studied painting under
famous Spanish painter, Agustin Saez, and sculpture under Romualdo de Jesus, noted
Filipino Sculptor. Both art masters honored him with their affection, for he was a talented
pupil.
Furthermore, Rizal, to develop his weak body, engaged in gymnastics and fencing. He
thereby continued the physical training he began under his sports minded Tio Manuel.
Rizal impressed his Jesuit professors in the Ateneo with his artistic skill. One day he
carved an image of The Virgin Mary in a piece of batikuling (Philippine Hardwood) with
his pocket-knife. The Jesuit fathers were amazed at the beauty and grace of the image.
Father Lleonart, impressed by Rizal's sculptural talent, requested him to carve for him an
image of the Sacred Heart of Jesus. Young Rizal complied, and within a few days he
presented it to Father Lleonart. The old Jesuit was highly pleased and profusely thanked
the
teenage sculptor. He intended to take the image with him to Spain, but being an absent-
minded professor, he forgot to do so. The Ateneo boarding students placed it in the door of
their dormitory, and there it remained for many years, reminding all Ateneans of Dr. Rizal,
the greatest alumnus of their Alma Mater. This image played a significant part in Rizal's
last hours at Fort Santiago.
One of Rizal's contemporaries in the Ateneo was Felix M. Roxas. He related the incident of
Rizal's schooldays in the Ateneo which reveals the hero's resignation to pain and
forgiveness. One day many Ateneans, including Rizal, were studying their lessons at the
study hall. Two Ateneans, Manzano and Lesaca, quarreled and violently hurled books at
each other. Rizal, who was busy at his desk poring over his lessons, was hit in the face by
one of the thrown books. He did not raise a cry of protest, although his wounded face was
bleeding. His classmates brought him to the infrimary where he had to undergo medical
treatment for severeal days. After the incident he continued to attend his classes, feeling
neither bitterness nor rancor towards the guilty party.
Another anecdote on Rizal the Atenean was related by Manuel Xerez Burgos, in whose
house Rizal boarded shortly before he became and interno in the Ateneo. This anecdote
illustrates Rizal's predilection to help the helpless at the risk of his own life. One Thursday
afternoon, being vaccation day, the boys flew their kites from the azotea. Young Rizal then
was busy reading a Spanish book of fables at the window. After a while he heard Julio
Meliza from Iloilo, one of the smallest boarders, crying - because his kite was caught by
the vines growing on the belfry of the Manila cathedral which was near the boarding-
house. The bigger boys were laughing, making fun of Julio's misfortune. Rizal closed the
book he was reading and told Julio not to cry, for he wouold try to retrieve the kite. True to
his promise he courageously climed the high cathedral tower and successfully recovereed
the kite.
The first poem Rizal probably wrote during his days in Ateneo was Mi Primera
Inspiración (My First Inspiration) which he dedicated to his mother on her birthday. It is
said that he wrote it before he was 14 years old, that is, in the year 1874. Before this year
he did not write poetry because there was a gloom in his heart owing to his mother's
imprisonment. Upon the release of his mother in 1874, his poetic heart began to sing with
ecstacy and joy.
1. Felicitación (Felicitation)
2. El Embarque: Himno a la Flota de Magallanes (The Departure: Hymn to
Magellan's Fleet)
3. Y Es Español: Elcano, el Primero en dar la Vuelta al Mundo (And He is
Spanish: Elcano, the First to Circumnavigate the World)
4. El Combate: Urbiztondo, Terror de Jolo (The Battle: Urbiztondo, Terror of
Jolo)
In 1876, Rizal wrote poems on various topics - religion, education, childhood memories,
and war. They were as follows:
In his last year in 1877, among that poems that year were:
While Rizal was still a student at the Ateneo, his favorite teacher, Father Sanchez,
requested him to write a drama based on the prose story of St. Eustace the Martyr. During
the summer vacation of 1876, he wrote the requested religious drama in poetic verses at
his home in Calamba and finished it on June 2, 1876.
Upon the opening of class at the Ateneo in June 1876 - his last academic year at the Jesuit
college - he submitted to Father Sanchez the finished manuscript of the drama entitled
San Eustacio, Martir (St. Eustace, the Martyr). The good priest teacher read it and
felicitated the young Atenean for work well done.
When he was sixteen years old, Rizal experienced his first romance. The girl was Segunda
Katigbak, a pretty fourteen-year old Batangueña from Lipa.
"She was rather short, with eyes that were eloquent and ardent at times and languid at
others, rosy cheeked, with an enchanting and provocative smile that revealed very
beautiful teeth, and the air of a sylph; her entire self-diffused a mysterious charm."
One Sunday, Rizal visited his maternal grandmother who lived in Trozo, Manila. He was
accompanied by his friend, Mariano Katigbak. His old grandmother was a friend of the
Katigbak family of Lipa. When he reached his granmother's house, he saw other guests.
One
of whom was an attractive girl, who mysteriuosly caused his heart to palpitate with
strange ecstacy. She was the sister of his friend Mariano, and her name was Segunda.
His grandmother's guests, who were mostly college students, knew of his skill in
painting, so that they urged him to draw Segunda's portrait. He complied reluctantly and
made a pencil sketch of her. "From time to time, she looked at me, and I blushed." he
reminisced.
Rizal came to know Segunda more intimately during his weekly visits to La Concordia
College, where his sister Olimpia was a boarding student. Olimpia was a close friend of
Segunda. It was apparent that Rizal and Segunda loved each other. Theirs was indeed "a
love at first sight". But it was hopeless since the very beginning because Segunda was
already engaged to be married to his townmate, Manuel Luz. Rizal for all his artistic
and intellectual prowess, was a shy and timid lover. Segunda had manifested, by
insinuation and deeds, her affection for him, but he timidly failed to propose.
The last time they talked to each other was one Thursday in December 1877, when the
Christmas vacation was about to begin. He visited Segunda at La Concordia College to
say goodbye because he was going home to Calamba the following day. She, on her
part, told him she was also going home one day later. She kept quiet after her brief
reply, waiting for him to say something which her heart was clamoring to hear.
But Rizal failed to come up to her expectation. He could only mumble: "Well, good-
bye. Anyway - I'll see you when you pass Calamba on your way to Lipa."
The next day Rizal arrived by steamer in his hometown. His mother did not recognize
him at first, due to her failing eyesight. He was saddened to find out about his mother's
growing blindness. His sisters gaily welcomed him, teasing him about Segunda, for they
knew of his romance through Olimpia.
That night he demonstrated his skill in fencing to his family. He had a friendly fencing
with the best fencer in Calamba and bested him.
The following day (Saturday) he learned that the steamer carrying Segunda and her
family would not anchor at Calamba because of the strong winds; it would stop in
Biñan. He saddled his white horse and waited at the road. A cavalcade of carromatas
from Biñan passed by. In one of whom was Segunda smiling and waving her
handkerchief at him. He doffed his hat and was tongue-tied to say anything. Her
carriage rolled on and vanished in the distance like a swift shadow. He returned home,
dazed and desolate, with his first romance ruined by his own shyness and reserve. The
first girl, whom he loved with ardent fervor, was lost to him forever. She returned to
Lipa and later married Manuel Luz. He remained in Calamba, a frustrated lover,
cherishing nostalgic memories of a lost love.
Three years later, Rizal, recording his first and tragic romance, said:
"Ended at an early hour, my first love! My virgin heart will always mourn the reckless
step it took on the flower-decked abyss. My illusions will return, yes, but indifferent,
uncertain, ready for the first betrayal on the path of love."