Flute Sonata in F Minor

 
                                          
G. P. Telemann

  
I Triste

     
                    
          
 3 3  3 3  

    
6

        
     
  
         
        

11

      
                                
       
16

                   

  
3 3 3 3

   
   
22

                    
 

                        

28

                            
   
34

                       
      
    
II Allegro

                      
 
       
5

                      
        
  
11
                    
     
    
15

                
     
     

19

          
             
        
  
23

     
                                   

27

 
    


      
                        
   
  
32

             
                       
 
37


                                  


 

     
40

                                          
 
45

        
   
              
    

48

        Fine                  
        
  
51

2
                        
    
  
     
57

                               
       
  
61


 
     
                   

   
 
66


           
                      


    
70

                     

  

74

                      
         
  

76

         
     
  
79 D.C. al Fine

                             
  
    
III Andante

                      
      
   
5

               
            
    
8

3
     
                                  
 
11

    
        

15

                
                       
     
IV Vivace


                                                    
   
7

                          
       
      
14

          


                  
   
20

                 

                  

27

                
        

              
    
33

 
       
     
                 
 
40

             
                

 
46