MUTH

1303 Midterm
Name: Blaine Majors

Part I. First, select a key signature that falls within the indicated range of sharps or flats. Second,
spell the requested form of the scale in ascending whole notes using accidentals. (DO NOT
WRITE THE KEY SIGNATURE ON THE STAFF.)

   
   
0-2 sharps, harmonic minor

    
  
3-5 sharps, major

     
 
1-3 flats, natural minor

   
   
4-6 flats (or 6-8 sharps), melodic minor (ascending only)

Part II. First, identify the key of each melody, being sure to provide both the letter name and
mode (for example, G major). Second, select and label three of the notes in each melody using
solfege symbols. (Leave the other notes blank.)

   Mi  __  __
             

 
Do So __ __ __ __ __ __ __

Key: C Minor

            
        
So Mi __ __ Fa __ __ __ __ __ __ __ __ __ __ __ __ __ __

Key: F Major
Part III. First, select an element of the triad and a quality from the list below and spell the triad in
root position, treating the given note as the element of the triad that you selected. Second, replace
the 'element' and 'quality' annotations above each measure with the annotations you selected.
YOU MAY ONLY USE EACH ELEMENT AND QUALITY FROM THE LIST ONCE. DO
NOT ALTER THE GIVEN NOTE.

Root Third Fifth Third

Major Minor Augmented Diminished

       
    

Element : Root Element : Fith


Element : Third Element: Third
Quality: Augmented Quality: Diminished Quality: Major Quality: Minor

Part IV. First, provide a key signature that falls within the indicated range of sharps or flats.
Simply drag and drop a key signature from the palette on the left side-bar into the first measure in
each system. Second, spell the indicated triad or seventh chord in the specified inversion in whole
notes.

2-4 sharps, major

  
  
     



 
IV I⁶ vii⁷ V⁶₅

   
 
1 flat, 0 sharps or flats, or 1 sharp, minor


       
VI⁶ III iv⁴₃ V⁷

   

2-4 flats, major

I⁶₄ ii⁴₂ vii V

2
Part V. Select and identify the quality and size of the harmonic intervals listed below in the
provided passage. Each annotation should first indicate the pair of voices that form the interval
(for example, in SATB, 'TB' would indicate that the tenor and bass form the selected interval),
followed by the interval quality and size expressed as a simple interval (for example, annotate
M10 as M3). Examples are provided below.

Interval Types: P1, m2, m3, M3, A4, m6, M7


            
SA

   
TB TB SA SA SA
TB SA TB SA SA SA ST

   
TB SA P1
M3 P1 A4 P5 m6
M3 m6 m3 m3 M7 m3 m3 M3 P5

        
               
 