Академический Документы
Профессиональный Документы
Культура Документы
INTRODUCTION
§ Corresponding author.
181
October 7, 2009 15:2 WSPC/108-JEC 00040
Corporate Entrepreneurship
the main driving forces discussed in this article. The stream of research
focusing on corporate venturing activity essentially deals with questions
related to creating and growing a new business, therefore emphasizing issues
related to exploitation, planning, structuring and management of small busi-
nesses. The more holistic perspective on corporate entrepreneurship as firm
behavior focuses primarily on the innovative activity created through corpo-
rate entrepreneurship, thus emphasizing processes and practices supporting
exploration and innovation. We argue that this creates a duality of opposing
forces in the understanding of corporate entrepreneurship. Explorative forces
resemble Schumpeter’s (1934) thoughts on creative destruction, whereas
exploitative forces draw closer resemblance to Kirznerian (1982) views on
entrepreneurship.
A range of corporate entrepreneurial attributes, which also illustrate
this duality are identifiable in the field of research. Antoncic and Hisrich
(2003), based on the work of Lumpkin and Dess (1996), point to eight
attributes which rather well sum up the essences of much prior research;
(1) Product/service innovation; (2) Process innovation; (3) Self-renewal;
(4) Risk-taking; (5) Pro-activeness and; (6) Competitive aggressiveness;
(7) New ventures and; (8) New businesses. When considering the relation-
ship between these attributes, the presence of duality, between the forces
of creative destruction and controlled adaptation, becomes noticeable. On
the one hand, the forces of creative destruction refer to the need of firms
to explore new markets through rejuvenating activities that per se involve
pro-activity, increased risks, and an autonomous approach. The center of
attention is breaking with the existing patterns, and this process is often
rooted in bottom-up processes. On the other hand, the forces of controlled
adaptation refer to the fact that firms also need to embrace the ability to
exploit the innovative action efficiently in order to create competitive advan-
tages on the market. This is done through corporate venturing and strate-
gic entrance into new business areas. This requires a strategic approach to
the structural diversification and exploitation hereof. The centre of atten-
tion is finding and creating an appropriate space for the new venture, which
often requires extensive considerations on existing structures and a top-down
decision-making process.
Noticeably, Burgelman’s (1983) definition of corporate entrepreneurship
also includes considerations on opposing forces of controlled planning and
structuring, and diversity through experimentation-and-selection. This ter-
minology essentially parallels what in this article is referred to as creative
destruction versus management through controlled adaptation. Burgelman
(1983) considered it the task and challenge of strategic management to
184
October 7, 2009 15:2 WSPC/108-JEC 00040
Corporate Entrepreneurship
RESEARCH METHODOLOGY
185
October 7, 2009 15:2 WSPC/108-JEC 00040
Digital Corp.
186
October 7, 2009 15:2 WSPC/108-JEC 00040
Corporate Entrepreneurship
DIGITAL CORP.
An Exploration-Driven Firm
Digital Corp. was started in the midth-1970s as an entrepreneurial venture
by two brothers. It was based on their personal interest in how to develop
new technological advances for guitar pedal-effects. The firm was highly
innovative from the beginning, where there was focus on exploration of
new technological capabilities. Many tasks were initially placed on very
few persons; one brother was in charge of the financial, organizational, and
business related matters, while the other brother focused on technology and
product development. The brothers were driven by a high degree of personal
interest, and took pride in their goal, i.e. optimizing the quality of guitar
pedal effects. An idea of creating an entirely new technological approach to
doing so was the point of departure of the firm. Especially, the technological
flair of one of the brothers, and his abilities to create new ideas, lifted the
firm. Digital Corp. very soon became a well-known player in the market.
In the 1980s the firm, as one of the first in the world, changed from
analogue to digital signal processing. First-mover advantages increased the
turn-over of the firm up through the 1980s, and sales expanded to interna-
tional markets. Continued focus on development of new technological pos-
sibilities and implementation in products of high quality generated market
leadership in several markets. A respondent expressed the exploration-driven
focus in the following way: “We usually produced one fantastic product for
one market, and when we then discovered that the technology could be used
in another market, we just went ahead and produced another fantastic prod-
uct for this market”. Nonetheless, the firm was not able to generate a solid
profit, as the act of creation through exploration of the unknown in itself
was the focal core and consumed all the attention of the entrepreneurs. With
a turnover of app. 2, 8 million Euros in 1989 and a low liquidity, the firm
could not afford the sales- and marketing efforts needed to be able to sell the
high-priced technological products.
a love for technological possibilities and exploration. The new CEO and
management group decided that market focus should be narrowed down
to one segment, and the vision hereafter was to be world leaders within
digital signal and effect processing within the segment of professional sound
studios. By applying this niche strategy the firm specialized the marketing
and reached their specific customer segment better. A result of this strategic
thinking was for example that the firm took up a rather large bank loan in
order to develop one core product, which served as their basis for many years
to come. In 1996 this product was introduced to the market.
Corporate Entrepreneurship
189
October 7, 2009 15:2 WSPC/108-JEC 00040
not effectively institutionalized in the organization, and over time the rift
between the opposing forces emerged once again. This increasing rift in
the organization and a segregated innovation focus, in combination with a
shrinking market of professional sound studios, gradually started causing
severe financial difficulties for Digital Corp.
Many questions were raised in the firm on how the former synergy
between frame breaking innovation and controlled adaptation could be
regained and sustained. One respondent says about the balance: “I’m not
sure we were ever really balanced…maybe it was just an effect of going
from one system to another…and in the transition we had the best of both
worlds…Or maybe we just forgot to pay attention to the balance. Now we
are just like other companies”.
The analysis of the case study both confirms the existence of opposing forces
and provides insight into several practices applied when balancing the two.
In this section a framework is developed, which illustrates the complexity
within the corporate entrepreneurial arena, and underlines the importance of
creating a balance between the two dimensions.
Corporate Entrepreneurship
192
October 7, 2009 15:2 WSPC/108-JEC 00040
Corporate Entrepreneurship
develop radically new products and services for emerging markets, where
experimentation, speed, and flexibility are critical.
194
October 7, 2009 15:2 WSPC/108-JEC 00040
Corporate Entrepreneurship
traditional business unit, whereas additional and informal project teams (sec-
ondary structures) open up for exploration (Raisch and Birkenshaw, 2008).
Within the case, the visible participation of both the CEO and CTO in the
projects can be seen as an example of parallel structuring, since they both
in this way engage in a structure that does not reflect their primary posi-
tions. As described, Digital Corp. continuously struggled with maintaining
the balance once it was created. One of the possible explanations could be
found in a failing focus on integrating the balance in structures, contexts,
processes and the culture. Instead the balance was achieved when manage-
ment paid explicit focus to dealing with it, and slipped when management
focus slipped.
Figure 1 illustrates the complex innovation arena, which the corporate
entrepreneurial phenomenon has to embrace. It is an arena in which streams
towards the future as well as the past; exploitation as well as exploration
unfold. A focus on either innovation through creative destruction or con-
trolled adaptation creates a high likelihood of failure, since the two dimen-
sions cannot exist without each other for a longer period of time. At the
same time punctuated pendulum swings and restructuring processes between
the forces are, as aforementioned, difficult and potentially “deadly” for
the firm. It is therefore argued that there is a continuous need for both
frame breaking innovation through creative destruction and management
through controlled adaptation — a balance — rather than an either/or in
approach, in order to form a continuous innovation cycle. In the framework,
the “stars” and “dots” refer to a portfolio of exploratory projects aimed at
Future
Creative
Destruction
Exploitation Exploration
Controlled
Adaptation
Present
195
October 7, 2009 15:2 WSPC/108-JEC 00040
CONCLUSION
This article has dealt with the dilemma many firms experience between frame
breaking innovation, based on creative destruction, and management through
controlled adaptation. Building on a literature review and a case study of a
Danish high-tech SME, the two opposing forces of creative destruction and
controlled adaptation were investigated, as well as the management practices
to support the creation of balance between them. The article furthermore
introduced a figure for discussing the arena of corporate entrepreneurship in
the light of the two forces and their consequences.
Overall, the research supports the idea that the success of corporate
entrepreneurship depends on the firm’s capability to continuously balance
exploration of the future through creative destruction and exploitation of
the present from controlled adaptation. Punctuated equilibrium views on
innovation are found to be problematic in a corporate entrepreneurship set-
ting, whereas structural and contextual ambidexterity supports the creation
of balance.
We suggest further research and integration of adjacent literature in corpo-
rate entrepreneurship to elaborate on the managerial skills needed to deal suc-
cessfully with the paradoxical streams of creative destruction and controlled
adaptation in organizations. Finally, this research studied the phenomenon
of creative destruction and controlled adaptation within the specific organi-
zational context of an SME. Future studies should research the phenomenon
in different organizational contexts, as this may open up for diverse expres-
sions of the forces of creative destruction and controlled adaptation as well
as the managerial implications and practices.
196
October 7, 2009 15:2 WSPC/108-JEC 00040
Corporate Entrepreneurship
REFERENCES
197
October 7, 2009 15:2 WSPC/108-JEC 00040
198
October 7, 2009 15:2 WSPC/108-JEC 00040
Corporate Entrepreneurship
199