1

Hamilton in 7 Minutes
Original Music & Lyrics by Lin Manuel Miranda & Alex Lacamoire Original Composition by Ross Baum
Arranged by Joshua Egnatuk
= 70
Alexander Hamilton 2 3
Solo 1

How does a bas - tard, or - phan, son of a whore and a Scotts - man dropped in the mid - dle of a for - got - ten

Solo 2

Solo 3

3 (snap beats 2 and 4)

Soprano 1

Dm da da da dm dm dm la da da da

3
Soprano 2

Dm da da da dm dm dm la da da

3 (snap beats 2 and 4)

Alto 1

da da da dm dm dm la da da

3
Alto 2

da da da dm dm dm la da da

3 (snap beats 2 and 4)

Tenor 1

Dm da da da dm dm dm la da da

3
Tenor 2

Dm da da da dm dm dm la da da

3 (snap beats 2 and 4)

Bass

Dm da da da dm dm dm dm dm

Copyright, All rights reserved

2
(Optional 8va for male)
4
5 6
Solo 1

spot in the Car - ib - be - an by pov - i - dence, im - pov - er - ished, in squal - or, grow up to be a he - ro and a schol - ar? Al - ex - an - der Ham - il - ton. My name is

Solo 2

What's your name, man?

Solo 3
(end snaps)

Sop. 1

Sop. 2
(end snaps)

Alto 1

Alto 2
(end snaps)

Ten. 1

Oo

Ten. 2

Oo
(end snaps)

Bass

dm dm dm Oo

Copyright, All rights reserved

 3
accel. = 89
7 8 9 10
My Shot

Solo 1
Al-ex-and-er Ham-il-ton, and there's a mil-lion things I have-n't done, but just you wait, just you wait.

Solo 2

Just you wait.

Solo 3

Just you wait.

Sop. 1

La da dm dm dm la da dm ah woh woh woh

Sop. 2

La da dm dm dm la da dm ah woh woh woh

3
Alto 1

oo oo dm dm I am not throw-in' a-way my shot, I am

3
Alto 2

oo oo dm dm I am not throw-in' a-way my shot, I am

3
Ten. 1

oo oo dm dm I am not throw-in' a-way my shot, I am

3
Ten. 2

oo oo dm dm I am not throw-in' a-way my shot, I am

Bass

oo oo Dm Dm dm dm dm dm dm dm dm dm

Copyright, All rights reserved

4
11
12 13
Solo 1

Solo 2

Solo 3

3
Sop. 1

woh just like my count - ry, I'm young, scrap - py, and hun - gry, and I'm not throw - in' a - way my shot! Dm

Sop. 2

woh just like my count - ry, I'm young, scrap - py, and hun - gry, and I'm not throw - in' a - way my shot! Dm

3 3

Alto 1

not throw - in' a - way my shot. Hey, yo, I'm just like my count - ry, I'm young, scrap - py, and hun - gry, and I'm not throw - in' a - way my shot! Dm

3 3

Alto 2

not throw - in' a - way my shot. Hey, yo, I'm just like my count - ry, I'm young, scrap - py, and hun - gry, and I'm not throw - in' a - way my shot! Dm

3 3
Ten. 1

not throw - in' a - way my shot. Hey, yo, I'm just like my count - ry, I'm young, scrap - py, and hun - gry, and I'm not throw - in' a - way my shot! Dm

3 3
Ten. 2

not throw - in' a - way my shot. Hey, yo, I'm just like my count - ry, I'm young, scrap - py, and hun - gry, and I'm not throw - in' a - way my shot! Dm

3
Bass

dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm not throw - in' a - way y shot! Dm

Copyright, All rights reserved

 5
= 88 = 104
rit.
14 The Story of Tonight 15 17 The Schuyler Sisters
16 18
Solo 1

Raise a glass to the four of us, tom-or-row there'll be more of us, tell-ing the sto - ry of... An-gel-i-ca

Solo 2

tom-or-row there'll be more of us, tell-ing the sto - ry of... E - li - za!

Solo 3

And

Sop. 1

dm dm ah Work work work work woh

Sop. 2

dm dm dm dm dm dm more of us Work work work work woh

Alto 1

dm dm to the four of us, more of us Work work work work woh

Alto 2

dm dm to the four of us, more of us Work work work work woh

Ten. 1

dm dm dm dm dm Work work work work woh

Ten. 2

dm dm dm dm dm Work work work work woh

Bass

dm dm dm dm dm Dm dm dm dm dm

Copyright, All rights reserved

6
21 22
19 20 23

Solo 1

The Schuy - ler sis-ters E-liz - - a, I'm look-ing for-a mind at work. Hey hey In the great -est cit-y, in the great -est cit-y in the

Solo 2
The Schuy - ler sis-ters Hey Hey Hey In the great -est cit-y, in the great -est cit-y in the

Solo 3
Peg-gy! The Schuy - ler sis-ters Hey Hey Hey In the great -est cit-y, in the great -est cit-y in the

Sop. 1
work work woh la da da da da da da da work work work work

Sop. 2
work work woh work work work work work work work work work work work work

Alto 1

work work woh work work work work work work work work work work work work

Alto 2

work work woh work work work work work work work work work work work work

Ten. 1
work work woh work work work work work work work work work work work work

Ten. 2
work work woh work work work work work work work work work work work work
open up slowly

Bass
dm dm dm dm dm dm wah dm dm dm dm dm dm dm dm dm dm dm dm dm dm in the

= 130 , =
You'll Be Back 26 27
24 25 28 29 30

Solo 1
world Oce-ans rise, emp - - ires fall We have seen each oth-er through it all. And when push comes to shove,

Solo 2
world

Solo 3

world

Sop. 1
in the world. ta ta ta ta ta ta ta ta ta ta through it all push comes to

Sop. 2
in the world. ta ta ta ta ta ta ta ta ta ta through it all push comes to

Alto 1
in the world. ta ta ta ta ta ta ta ta ta ta through it all push comes to

Alto 2
in the world. ta ta ta ta ta ta ta ta ta ta through it all push comes to

Ten. 1
in the world. ta ta ta ta ta ta ta ta ta ta through it all push comes to

Ten. 2
in the world. ta ta ta ta ta ta ta ta ta ta through it all push comes to

Bass
Dm dm dm dm dm dm dm dm dm through it all la da da dm dm dm

Copyright, All rights reserved

 7
= 82 , =
31 33 34 35 36 37
32 Right Hand Man

Solo 1
I will send a ful - ly armed bat - tal - ion to re mind you of my love. Da da da dat da dat da da da day ya da da da dat We are out

Solo 2

Solo 3

Sop. 1

shove ta ta bng la la dat da dat dat da da dat la da dum

Sop. 2

shove ta ta bng la la dat da dat dat da da dat la da dum

Alto 1
shove ta ta bng la da da da dat da dat da da da die ya da da da dat

Alto 2
shove ta ta bng la da da da dat da dat da da da die ya da da da dat

Ten. 1
shove ta ta bng la la dat da dat dat da da dat

Ten. 2
shove ta ta bng la la dat da dat dat da da dat

Bass
dm dm dm la mm mm

41
40
38 3 3
39 42 43
Solo 1
gunned! Out manned! Out - num - bered out - planned! We got ta make an all out stand, hey, yo, I'm

Solo 2

Solo 3

Sop. 1

da da dm dm dm dm dm dm dm eh got - ta make dm dm dm

Sop. 2

da da dm dm dm dm dm dm dm eh got - ta make dm dm dm

Alto 1

da da dm eh got - ta make hey hey hey

3 3
Alto 2

what? what? what? wuh wuh wuh wuh wuh hey hey hey

Ten. 1

da da dm eh got - ta make

3 3
Ten. 2

what? what? what? wuh wuh wuh wuh wuh

Bass

dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm

Copyright, All rights reserved

8
47
= 82
44 Helpless 3 48
45 46
Solo 1

gon - na need a right hand man! Ooh I do! I do! I do! I do! Boy, you got me help less

Solo 2

Solo 3
(16th note swing)

Sop. 1

dm dm da dm da dm doo doo doo doo doo doo doo doo doo doo doo doo doo doo way oo

Sop. 2

dm dm da dm da dm doo doo doo doo doo doo doo doo doo doo doo doo doo doo way help - less

Alto 1

hey hey hey hey hey hey hey hey hey hey hey way help - less got me so

Alto 2

hey hey hey hey hey hey hey hey hey hey hey way help - less got me so

Ten. 1

da dm da dm dm oo way oo got me so

Ten. 2

da dm da dm dm oo way oo got me so

Bass

dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm deh

(ad lib.)
49 50
51

Solo 1

/
Look in to your eyes and the sky's the lim - it I'm Drown - ing in love!

Solo 2

To your

Solo 3

Sop. 1
way oo down for the count and I'm wah

Sop. 2
look in - to your eyes and the sky's the lim - it I'm help - less down for the count and I'm wah

Alto 1

help - less help - less down for the count and I'm wah

Alto 2

help - less help - less down for the count and I'm wah

Ten. 1
help - less sky's the lim - it, I'm down for the count and I'm wah

Ten. 2
help - less sky's the lim - it, I'm down for the count and I'm wah

Bass
dm dm dm dm dm deh dm dm deh dm dm deh dm dm dah dm wah

Copyright, All rights reserved

 9
= 130
52 Satisfied 53 54 55 56 57

Solo 1

u - nion and the hope that you pro-vide. May you al - ways be sat

Solo 2

Solo 3
(Straight 16ths)

Sop. 1

da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da

Sop. 2

ooh wah To the re - vo - lu-tion! ah ah ah ah ah al-ways

Alto 1

ooh wah da da da da da you pro - vide, you pro-vide ah ah ah ah al-ways

Alto 2

ooh wah da da da da da you pro - vide, you pro-vide ah ah ah ah al-ways

Ten. 1

ah To your un - ion! To the re - vo - lu-tion! ah you pro - vide, you pro-vide ah ah ah ah al-ways

Ten. 2

ah To your un - ion! To the re - vo - lu-tion! ah you pro - vide, you pro-vide ah ah ah ah al-ways

3 3 3
Bass

dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm deh

= 188
58 accel. Wait for It 63 64
59 60 61 62

Solo 1

is fied Life does-n't dis-crim-i-nate be-tween the sin-ners and the saints; it takes, and it takes, and it takes.

Solo 2

Solo 3

Sop. 1
sat-is-fied, sat-is - fied. Life does-n't dis-crim-i-nate be-tween the sin-ners and the saints; it takes, and it takes, and it takes, but we keep liv-ing an-y-way.

Sop. 2
sat-is-fied, sat-is - fied. Life does-n't dis-crim-i-nate be-tween the sin-ners and the saints; it takes, and it takes, and it takes, but we keep liv-ing an-y-way.

Alto 1
sat-is-fied, sat-is - fied. Life does-n't dis-crim-i-nate be-tween the sin-ners and the saints; it takes, and it takes, and it takes, but we keep liv-ing an-y-way.

Alto 2
sat-is-fied, sat-is - fied. Life does-n't dis-crim-i-nate be-tween the sin-ners and the saints; it takes, and it takes, and it takes, but we keep liv-ing an-y-way.

Ten. 1
sat-is-fied, sat-is - fied. Life does-n't dis-crim-i-nate be-tween the sin-ners and the saints; it takes, and it takes, and it takes, but we keep liv-ing an-y-way.

Ten. 2
sat-is-fied, sat-is - fied. Life does-n't dis-crim-i-nate be-tween the sin-ners and the saints; it takes, and it takes, and it takes, but we keep liv-ing an-y-way.

Bass
dm dm dm dm dm dm dm

Copyright, All rights reserved

10
66 67
65 68 69 70 71

Solo 1
We rise and we fall and if there's a rea - son I'm still a live when so man-y have died then I'm will - in - na'

Solo 2

Rise and we fall

Solo 3

Sop. 1
We rise, and we fall, and we break, and we make our mis - takes and if there's a rea - son I'm still a-live when so man-y have died, then I'm will-in'-na'

Sop. 2
We rise, and we fall, and we break, and we make our mis - takes and if there's a rea - son I'm still a-live when so man-y have died then I'm will-in'-na'

Alto 1
We rise, and we fall, and we break, and we make our mis - takes and if there's a rea - son I'm still a-live when so man-y have died then I'm will-in'-na'

Alto 2
We rise, and we fall, and we break, and we make our mis - takes and if there's a rea - son I'm still a-live when so man-y have died then I'm will-in'-na'

Ten. 1
We rise, and we fall, and we break, and we make our mist-takes and if there's a rea - son I'm still a-live when so man-y have died then I'm will-in'-na'

Ten. 2
We rise, and we fall, and we break, and we make our mist-takes and if there's a rea - son I'm still a-live when so man-y have died then I'm will-in'-na'

Bass
dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm

Ten Duel Commandments

72 73 76 77 79
74 75 78
Solo 1

One, two, three, four, five, six, se-ven, eight, nine. One, two, three, four, five, six, se-ven, eight, nine. It's the ten duel com-mand-ments.

Solo 2

Solo 3

Sop. 1

Ooh yeah, yeah Ooh Wait for it. ten duel com-mand-ments.

Sop. 2

Wait for it. Wait for it. It's the ten duel com-mand-ments.

Alto 1

Wait for it. Wait for it. It's the ten duel com-mand-ments.

Alto 2

Wait for it. Wait for it. It's the ten duel com-mand-ments.

Ten. 1

Wait for it. Wait for it. It's the ten duel com-mand-ments.

Ten. 2

Wait for it. Wait for it. It's the ten duel com-mand-ments.

Bass
It's the ten duel com-mand-ments.

Copyright, All rights reserved

 11
= 80
80 That Would Be Enough 81 82

Solo 1

Oh let me be a part of the nar-i-tive in the stor-y they will wright some - day. Let this mo - - ment be the first

Solo 2

Solo 3

Sop. 1

doh doh doh doh doh doh doh doh ah

Sop. 2

doh doh doh doh doh doh doh doh doh doh doh doh

Alto 1

deh deh deh deh deh stor-y they will wright some day

Alto 2

deh deh deh deh deh deh deh deh deh deh

Ten. 1

doh doh doh doh doh doh doh doh doh doh doh doh

Ten. 2

doh doh doh doh doh doh doh doh deh deh deh

Bass

jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom

83 85
84
Solo 1

chap - ter where you dec - ide to stay, and that would be en - ough.

Solo 2

Solo 3

Sop. 1

de - cide to stay, just stay just stay.

Sop. 2

ah de - cide to stay just stay just stay.

Alto 1

ah stay just stay, just stay, just stay.

Alto 2

deh deh deh deh stay just stay, just stay, just stay.

Ten. 1

doh doh doh doh da da

Ten. 2

deh deh deh deh da da

Bass

jshoom jshoom jshoom jshoom jshoom jshoom jshoom jshoom da da da da da da

Copyright, All rights reserved

12
= 70
86
Guns and Ships

Solo 1

I'm tak - ing this horse by the reigns mak - ing red - coats red - er with blood stains.

Solo 2

Solo 3

Sop. 1

La - fay - ette, La - fay - ette ey ey

Sop. 2

La - fay - ette, La - fay - ette ey ey

Alto 1

La - fay - ette, La - fay - ette ey ey

Alto 2

La - fay - ette, La - fay - ette ey ey

Ten. 1

La - fay - ette, La - fay - ette ey ey

Ten. 2

La - fay - ette, La - fay - ette ey ey

Bass

dm dm dm dm dm dm dm dm

Copyright, All rights reserved

 13
87
88
Solo 1

And I'm nev-er gon-na stop un-til I make 'em drop and burn them up and scat-ter their re-mains. I'm Watch me en-gag - in' em, es-cap - in' em, en-rag - in' em, out!

Solo 2

Solo 3

Sop. 1

La - fay- ette, La - fay - ette la la la La - fay- ette, La - fay- ette

Sop. 2

La - fay- ette, La - fay - ette la la la La - fay- ette, La - fay- ette

Alto 1

La - fay- ette, La - fay - ette la la la La - fay- ette, La - fay- ette

Alto 2

La - fay- ette, La - fay - ette la la la La - fay- ette, La - fay- ette

Ten. 1

La - fay- ette, La - fay - ette la la la La - fay- ette, La - fay- ette

Ten. 2

La - fay- ette, La - fay - ette la la la La - fay- ette, La - fay- ette

Bass

dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm

Copyright, All rights reserved

14
89
90 91
Solo 1

/
I go to France for more fund, I come back with more guns and ships.

Solo 2

Al-ex-and-er Ham-il-ton. I have sol-diers in the field for you. If we

Solo 3

Sop. 1

La-fay-ette, La-fay-ette. Al-ex-and-er Ham-il-ton

Sop. 2

La-fay-ette, La-fay-ette. oo

Alto 1

La-fay-ette, La-fay-ette. Al-ex-and-er Ham-il-ton

Alto 2

La-fay-ette, La-fay-ette. Al-ex-and-er Ham-il-ton

Ten. 1

La-fay-ette, La-fay-ette. oo

Ten. 2

La-fay-ette, La-fay-ette. oo

Bass

La-fay-ette, dm dm dm La-fay-ette, dm dm dm la da da da oo

Copyright, All rights reserved

 15
accel.
92 93 94 95

Solo 1

man-age to get this right, they'll sur-rend - er by ear - ly light. The world will nev - er be the same.

Solo 2

Solo 3

Sop. 1

deh deh man-age to get this right. The world will nev - er be the same. The

Sop. 2

doo man-age to get this righ - oh ah oh ah oh ah oh ah The world will nev - er be the same. The

Alto 1

doo oh ah oh ah oh ah oh ah The world will, will nev - er be the same.

Alto 2

doo oh ah oh ah oh ah oh ah da da da da will nev - er da da da da da doh

Ten. 1

deh deh deh deh oh ah oh ah oh ah oh ah da da da da da da da da da da da da da da da da da da da da da da da da doh

Ten. 2

deh deh deh deh oh ah oh ah oh ah oh ah da da da da da da da da da da da da da da da da da da da da da da da da doh

Bass

dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm

Copyright, All rights reserved

16
= 192
Yorktown (The World Turned Upside Down)Non-Stop
96 98 99 101 103
97 100 102
Solo 1

Look a-round; is-n't this en-ough? What would be en-ough to be sat - is - fied?

Solo 2

He will nev-er be sat - is - fied. He will nev-er be sat - is - fied,

Solo 3

Sop. 1

world turned up - side down dah dah dah dah dah dah no dah

Sop. 2

world turned up - side down dah dah dah dah dah dah dah dah dah dm dm dm dm

Alto 1

dah dah dah dah dah dah dah dah dah dm dm dm dm

Alto 2

dah dah dah dah dah dah dah dah dah dm dm dm dm

Ten. 1

dah dah dah dah dah dah dah dah dah dm dm dm dm

Ten. 2

dah dah dah dah dah dah dah dah dah dm dm dm dm

Bass

dm dm dm dm dm dm dm dm dm dm dah dm dm dah dm dm dm dm dm dm dm dm

Copyright, All rights reserved

 17
104 106 107 108 109
105

Solo 1

Sat - is - fied, sat - is - fied. Look a - round, Look a - round.

Solo 2

sat - is - fied, sat - is - fied.

Solo 3

His - to - ry has its eyes on you.

Sop. 1

doh doh doh doh da da da da da da da da da da da Non -

Sop. 2

doh doh doh doh da da da da da da da da da da da Non -

Alto 1

doh doh doh doh da da da da da da da da da da da Non -

Alto 2

doh doh doh doh da da da da da da da da da da da Non -

Ten. 1

doh doh doh doh Why do you as - sume you're the smart - est in the room? Why do you as - sume you're the smart - est in the room?

Ten. 2

doh doh doh doh Why do you as - sume you're the smart - est in the room? Why do you as - sume you're the smart - est in the room?

Bass

dm dm dm dm wah dm dm da dm dm da dm dm da dm dm dm dm

110 112 113

111 114 115
Solo 1
Is - n't this en-ough? What would be en-ough

Solo 2
He will nev - er be sat - is - fied, sat - is - fied, sat - is - fied.

Solo 3
His - to-ry has its eyes on you.

Sop. 1
- Stop da da da da da da da da da da Non - stop da da da da da

Sop. 2
- Stop da da da da da da da da da da Non - Stop da da da da da

Alto 1
- Stop da da da da da da da da da da Non - Stop da da da da da

Alto 2
- Stop da da da da da da da da da da Non - Stop da da da da da

Ten. 1
Why do you as-sume you're the smart-est in the room? Soon that at - ti - tude will be your doom. Why do you fight like you're run-ning out of time?

Ten. 2
Why do you as-sume you're the smart-est in the room? Soon that at - ti - tude will be your doom. Why do you fight like you're run-ning out of time?

Bass
dm dm da dm dm da dm dm da dm dm dm dm dm dm da dm dm da

Copyright, All rights reserved

18
= 190 = 94
What'd I miss? Cabinet Battle #1
116 120 121
117 118 119 122
Solo 1

What - 'd I miss? Thom - as, that was a real nice dec - lar - at - ion.

Solo 2

Solo 3

Sop. 1
Why do you fight like his - to - ry has its eyes on you? ah

Sop. 2
da da like his - to - ry has its eyes on you. ah

Alto 1
da da like his - to - ry has its eyes on you. ah

Alto 2
da da like his - to - ry has its eyes on you. ah

Ten. 1
Why do you fight like his - to - ry its eyes on you? ah ooh

Ten. 2
Why do you fight like his - to - ry its eyes on you? ah ooh

Bass
dm dm like his - to - ry has its eyes on you. ah

123
124 125
Solo 1
Wel - come to the pres - ent, we're run - ning a real nat - ion. Would you like to join us, or stay mel - low do - in' what - ev - er the hell it is you do in Mon - ti - cel - lo?

Solo 2

Solo 3

Sop. 1

Take a

Sop. 2

Take a

Alto 1

Alto 2

Ten. 1

Ten. 2

Bass

Copyright, All rights reserved

 19
= 96
126
Take A Break 127 128 129
Solo 1

Solo 2

Solo 3

Sop. 1
break and get a - way. Let's go up - state where we can stay oh

Sop. 2
break. Run a - way with us for the sum - mer. Let's go up - state. We can all go stay with our fa - ther if you

Alto 1

sim.
da da da da da da da da

Alto 2

dm bah da da da dm bah da let's go up - state bah da da da dm da da if you

Ten. 1
da da da da da da da da da da da da da da da da da da da da da da da da

Ten. 2
da da da da da da da da da da da da da da da da da da da da da da da da

Bass

dm bah da dm dm bah da dm dm bah da dm dm dm dm bah da dm dm dm

130 133
131 132
Solo 1

Woah

Solo 2

Lord,

Solo 3

Sop. 1

look a-round, look a-round at how luck-y we are to be al-ive right now. We can go when the night gets dark. Don't say no

Sop. 2

take your time. You will make your mark. Close your eyes and dream when the night gets dark. Don't say no

Alto 1

da da da da da close your eyes and dream when the night gets dark no

Alto 2

take bah da da da dm bah da close your eyes and dream when the night gets dark no

Ten. 1

da da da da da da da da da da da da da da da night gets don't say no

Ten. 2

da da da da da da da da da da da da da da da night gets don't say no

Bass

dm bah da dm dm dm bah da dm dm dm dm bah da dm dm dm dm dm dm dm dm

Copyright, All rights reserved

20
= 90
134 Say No to This
135 136 137
Solo 1

How can I say no to this? Help - less No

3
Solo 2
show me how to say no to this. How can I say no to this? There is no - where I can go. When her bod-y's on mine, I do not say no.

Solo 3

Sop. 1
don't, say no to this. How, don't, say no to this. Oh, don't, say no to this. Oh don't, say don't hey

Sop. 2
don't, say no to this. How, don't, say no to this. Oh, don't, say no to this. Oh don't, say don't say no

Alto 1

don't, say no to this. How, don't, say no to this. Oh, don't, say no to this. Oh don't, say don't say no

Alto 2

don't, say no to this. How, don't, say no to this. Oh, don't, say no to this. Oh don't, say don't say no

Ten. 1
don't, say no to this. How, don't, say no to this. Oh, don't, say no to this. Oh don't, say don't say no

Ten. 2
don't, say no to this. How, don't, say no to this. Oh, don't, say no to this. Oh don't, say don't say no

Bass

dm doh dm dm dm dm dm doh dm dm dm dm dm doh dm dm dm dm dm doh dm dm dm dm

= 96
138 The Room Where It Happens 139
140

Solo 1

one else was in the room where it hap - pened, the room where it hap - pened, the room where it hap - pened. My God, in God we trust, but we

Solo 2

Solo 3
(16th note swing)

Sop. 1
ba da da dat da ba dop bop da ba da dat da in God we trust, but we

Sop. 2

one else was in the room where it hap - pened, the room where it hap - pened, the room where it hap - pened. in God we trust, but we

Alto 1

one else was in the room where it hap - pened, the room where it hap - pened, the room where it hap - pened. oh oh oh oh oh

Alto 2

one else was in the room where it hap - pened, the room where it hap - pened, the room where it hap - pened. oh oh oh oh oh

Ten. 1

In the room oh oh oh oh oh oh oh

Ten. 2

In the room oh oh oh oh oh oh oh

Bass
dm dm dm dm dm dm dm dm dm dm dm dm dm dm

Copyright, All rights reserved

 21
141 142 143 144

Solo 1
nev-er real-ly know what got dis-cussed. Click boom then it hap-pened. But no one else was in the room where it hap-pened. It must be nice.

Solo 2

Solo 3

Sop. 1
nev-er real-ly know what got dis-cussed. Click boom then it hap-pened. bop bop ba ba da ba dow

Sop. 2
nev-er real-ly know what got dis-cussed. Click boom then it hap-pened. bop bop ba ba da ba dow

Alto 1
oh oh oh oh oh oh oh oh bah ba ba da

Alto 2
oh oh oh oh oh oh oh oh bah ba ba da

Ten. 1
oh oh oh oh oh oh oh oh bah ba ba da bop bop ba ba da ba dow

Ten. 2
oh oh oh oh oh oh oh oh bah ba ba da bop bop ba ba da ba dow

Bass
dm dm dm dm dm dm dm dm dm dm ba dm dm dm dm

Washington On Your Side One Last Time

147 148
145 146

Solo 1

ad lib.
It must be nice to have Wash-ing-ton on you side. You and I

Solo 2

Solo 3
(straight 16ths)

Sop. 1

dah dah dah dah

Sop. 2

To have Wash-ing-ton on, to have Wash-ing-ton on your side. da da da

Alto 1

To have Was-ing - ton on your side, to have Wash-ing-ton on your side George Wash-ing-ton's go-ing

Alto 2

To have Was-ing - ton on your side, to have Wash-ing-ton on your side George Wash-ing-ton's go-ing

Ten. 1

To have wash-ing - ton on your, Wash-ing-ton on, to have Wash-ing-ton on your side. ba da da da

Ten. 2

To have wash-ing - ton on your, Wash-ing-ton on, to have Wash-ing-ton on your side. ba da da da

Bass

dm dm dm dm dm dm dm wah dm dm dm dm

Copyright, All rights reserved

22
149 150 151
152 We Know
Solo 1

His - to - ry has its eyes on you la da da dat da

Solo 2

We both know what we know.

Solo 3

I'll write my way

Sop. 1
dah dah dah dah dah dah dah dah dah dah dah dah

Sop. 2
home ooh woah da da da go - ing home.

Alto 1

home. George Wash-ing-ton's go-ing ba da da da home go - ing home

Alto 2

home. George Wash-ing-ton's go-ing ba da da da home go - ing home

Ten. 1
home ooh woah George Wash-ing-ton's go-ing home go - ing home

Ten. 2
home ooh woah George Wash-ing-ton's go-ing home go - ing home

Bass
home ooh woah dm dm dm dm home home

= 74 = 73
153 The Reynolds Pamphlet 155 Burn
154
Solo 1

Al - ex - and - er Ham - il - ton had a tor - rid af - fair, and he wrote it down right there. I know my sis - ter like I know my own life. You will

Solo 2

Al - ex - and - er Ham - il - ton had a tor - rid af - fair, and he wrote it down right there.

Solo 3

out. High - lights!

Sop. 1

ah da da da da da da da da

Sop. 2

ah da da da da da da da da

Alto 1

Alto 2

Ten. 1

Ten. 2

Bass

dm dm dm dm dm dm dm dm dm dm dm dm

Copyright, All rights reserved

 23
156 157 158

Solo 1

nev-er find an - y - one as trust-ing or as kind. I know my sis-ter more than an-y-one in this life. I will choose her hap-pi-ness o - ver mine ev-'ry-time.

3 3 3 3 3 3 3 3 3
Solo 2

I'm e - ras-ing my - self from the nar-ra-tive. Let fut - ure his - to - ri-ans won-der how E - li - za re -

Solo 3

Sop. 1

da da da da da da da da da da da da da da da da da da da da da da da da da da da da

Sop. 2

da da da da da da da da da da da da da da da da da da da da

Alto 1

da da da da da da da da da da da da

Alto 2

da da da da da da da da da da da da

Ten. 1

da da da da da da da da da da da da

Ten. 2

da da da da da da da da da da da da

Bass

Doh doh

Copyright, All rights reserved

24
= 180
159 160 161
Blow Us All Away 162
Solo 1
Put what we had as-ide. I'm stand-ing by her side. You could nev-er be sat-is-fied. God, I hope you're sat - is-fied.

3 3 3 3 3 3 3
Solo 2
- act-ed when you broke her heart. You have torn it all a-part, I am watch-ing it.

Solo 3

3
Sop. 1

da ba ba ba ba ba Count to ten! Se-ven.

3
Sop. 2

ba ba ba ba ba ba ba ba ba Count to ten! Se-ven.

3
Alto 1

ba ba ba ba ba ba ba ba ba ba Count to ten! Five, six, se - ven.

3
Alto 2

ba ba ba ba ba ba ba ba ba ba Count to ten! Five, six, se - ven.

3
Ten. 1

ba ba ba ba ba ba count to ten! Three, four, five, six, se - ven.

3
Ten. 2

ba ba ba ba ba ba count to ten! Three, four, five, six, se - ven.

3
Bass

dm dm dm dm dm dm dm dm dm dm dm One, two, three, four, five, six, se - ven.

Copyright, All rights reserved

 25
= 68
It's Quiet Uptown 168
163 164 165 166 167

Solo 1

It's qui-et up - town. For-give-ness. Can you Im-age - ine for - give-ness? Can you Im-age - ine? If you see him in the street

Solo 2

For-give-ness. Can you Im-age - ine For-give-ness? Can you Im-age - ine? If you see him in the street

Solo 3

For-give-ness. Can you Im-age - ine For-give-ness? Can you Im-age - ine? If you see him in the street

Sop. 1

dm la dm la dm la da dm ba ba ba ba ba ba ba ba ba ba ba ba da da

Sop. 2

dm la dm la dm la da dm ah da da da da

Alto 1

dm la dm la dm dm ah ba da ba da ba da ba da

Alto 2

dm la dm la dm dm ah ba da ba da ba da ba da

Ten. 1

dm la dm la dm dm ah ba da ba da ba da ba da

Ten. 2

dm dm dm dm ah ba da ba da ba da ba da

Bass

dm dm dm dm da da dm ba dm

Copyright, All rights reserved

26
169
170 171
Solo 1
walk - ing by her side, talk - ing by her side, have pi - ty. They are go - ing through the un - im - ag -

Solo 2
walk - ing by her side, talk - ing by her side, have pi - ty. They are go - ing through the un - im - ag -

Solo 3
walk - ing by her side, talk - ing by her side, have pi - ty. They are go - ing through the un - im - ag. -

Sop. 1

ba ba ba ba ba ba ba ba ba ba ba ba da da ba ba ba ba ba ba ba ba ba ba ba ba da da da ooh

Sop. 2

da da da da da da da la da da

Alto 1

ba da ba da ba da ba da ba ba da ba da ba da dm

Alto 2

ba da ba da ba da ba da ba ba da ba da ba da dm

Ten. 1

ba da ba da ba da ba da ba da ba da ba da da da dm

Ten. 2

ba da ba da ba da ba da ba da ba da ba da da da dm

Bass

dm ba dm dm ba dm da da dm

Copyright, All rights reserved

 27
= 80
172 Who Lives, Who Dies, Who Tells Your Story 174
173 175
Solo 1

i-na-ble. One, two, three, four, five, six, sev-en, eight, nine.

Solo 2

i-na-ble. I im-ag-ine death so much it feels more like a mem-or-y. This is where it gets me.

Solo 3
Now I'm the vil-lain in your his - to-ry. I was too young and blind to see.

Sop. 1

Time time

Sop. 2

Time time

Alto 1

Time time

Alto 2

Time time

Ten. 1

Time time

Ten. 2

Time time

Bass

Time time

Copyright, All rights reserved

28
rit. 180
176
177 178 179
Solo 1
I should - have known.

Solo 2
I'll sure - ly see you on the o - ther side.

Solo 3
I got - ta throw a - way my shot.

Sop. 1

time will they tell your sto - ry? Who lives, who dies, who tells your sto - ry?

Sop. 2

time time who tells your sto - ry?

Alto 1

time time who tells your sto - ry?

Alto 2

time time who tells your sto - ry?

Ten. 1

time will they tell your sto - ry? Who lives, who dies, who tells your sto - ry?

Ten. 2

time will they tell your sto - ry? Who lives, who dies, who tells your sto - ry?

Bass

time time who tells your sto - ry?

Copyright, All rights reserved