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SJSIH^T, TPOST^G-E

EXCELLSHT VOCAIj METHODS. :\'cic 0:ator-:.c Vhor. ^noh. Coii'ainin;T ^^iG le^f^ing Choniaes of tho principal OratorlOB,
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IXarnioiiti. .Sncr^i. ACoUecUon of Antbein;-, Chorii.s<s. Trios. Diuts, Solos, and Chants,
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VATIO.f OF THE VOICK. By Carlo Bassiki. Kditiid hy K. Stours Willis.
want? of Convention, Choral Societies, and Social Practice. Boar("i?, ;jl.50.
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THE STANDAED SnT&IlTa SCHOOL, Choruses.
A COMPLETE METHOD FOR
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PANSEESON'S A B C 01? MUSK.
(Abridged.) JUST PUBLISHED.
PEOGEESSIVS lESSONS IN THE ETJMffiENTS OF mUSIC. EOSSmi'.'S MBSSS SOLEinTSLLS, ,^ ..
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Complete. '• ^^^''
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KOT ONE EOT IS OF S'JPERIOR CIIAUACTER. in America, and the only edition with both Latin and English v^-ords.
JSai(mhnr7}'s SfZi'red Quttrfptles. A Cbok'e Scleclion of Pieces from Uic "Works of tbc
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"WORKS PRIMERS, DICTIONARIES, AND THEORETICAL WORKS.

CALCOTT'S MUSICAIj GHAMMAR. In Four Parts. T, ITptation. IT. McIocIt. HI.

Hfinnony IV. Khythra. Containlug Tvithln a small compass the leading principles of ilusic
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By Dr. Oalcott. Price, $1.00.

WEBER'S THEOKT OF MUSICAL COMPOSITION.
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TVOODBITRT'S ELEMENTS OF MUSICAI, COMPOSITION.
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Treated -with a view to a Natu-
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FIVE THOUSAND MUSICAL TEKMS. A complete Dictionary of Latin, Greek. He-
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GOTDE TO MUSICAL COMPOSITION. Forthogewho

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LENHAKT'S ELEMENTS OF MUSIC. A clear and systematic arrangement of Rules
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MARX'S GENERAL MUSICAL INSTRUCTION. An aid to teachers and learners it

STANDARD WORKS every branch of musical knowledge.

This Is
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\

a translation of one of the most valuable theoretical works on the Bcience of musis
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ThoroL5gh Bass and Harmony. MATERIA MUSICA; or, MATERIALS FOR THE PIANIST. A Clnss-Book, con-
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.JOTTVSOV^ TT.\T;',Tr)VY. Practical Instructions inHarmony, upon the Pestalozzi.an or
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MOORE'S COMPLETE ENCYCLOPAEDIA OF MUSIC. Elementary, Technical, His-
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II I

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celebrities
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A yr.Vt' MrVJJIIAL OF THOROUGH BASS, AND TEXT-BOOK OF MUSICAL wish to arrive at eminence as vocalists or musicians; and he has given a description of, or
TnSOWY. By EnwARD B. Gmver, Principal of the Mendelssohn Musical Institute, Bos- directions how to use all the known musical inetrumqnts; with more than Uco, Jiniirfre'X
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short yet important essays upon various subjects connected with the art and science of music;
invaluable. Price, in cloth, C7 cenU; boards, 50 cents.
and almost every subject to which the attention of the musical student should be directeii
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FIRST STEPS IN THOROUGH BASS. In Twelve Familiar Lessons between a Teacher
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OfLIVER*S TEXT-BOOK. By E. B. Oliver. Cloth, 67 cents.
BURKOWES'S COMPANION TO THOROUGH BASS PRIMER. Being Fifty Pre-
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ELEMENTS OF THOROUGH BASS AND HARMONY. Designed for the use t)f
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THE TUNER*S GUIDE. Containing a Complete Treatise on Tuning the Piano-forte, Organ,
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 )

FIRST PART*
OF THE

5 ^
CONTAINING 18 SETTS OF COTILLIONS ARRANGED WITH FIGURES,
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SEVERAL OF WHICH ARE IN THREE PARTS — FIRST, SECOND, & BASS,
FOR THE

FLUTE, YIOLIN, CLAEIONETT, BASS-VIOL, &c.

iklso, Several If ew and Popular Pieces in 6 and 8 parts, for a Brass Band, vi&
El) Bugle, B\) Bugle, B\) Post Horn, B\) Cornopean, Tenor Trombone, Bass Trombone, First Orphecleide, Second Orphecleide, &c.

CONTAINING IN ALL OVER 300 PIECES OF MUSIC, MORE THAN 100 OF WHICH ARE ORIGINAL,
COMPILED BY ELIASf HOWE, Jr., AND PRICE $1.00, tutt
ARRANGED DY MESSRS. A. P. KNIGHT AND • U. SEH'P, OF TIIE n08T0N BRIGADE BAND.

BOSTODN":
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NEW YORK: C. H. DITSON & CO.
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40 SAVIN HILL HORNPIPE.

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NEW SPEED THE PLOUGH. 41

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42 BOTTOM OF THE PUNCH BOWL.

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THE DEVIL'S DREAM. 43
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WHITE'S HORNPIPE 45
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48 KINLOCK.
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COLLEGE HORNPIPE. 49
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50 FISHER'S HORNPIPE.
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LA BOSSE'S HORNPIPE.
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52 EMELIA'S FAVORITE.
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THE VEXED EDITOR

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EMELIA'S FAVORITE. (Continued.) 53
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54 FOREST OF BONDl.

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58 CONSTITUTION HORNPIPE.
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RICKETT'S HORNPIPE. 59
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DEVINE'S HORNPIPE. BY T. D. PAINE.

To play the " FRENCH MUSE " with good effect (upon the violin,) tune the D string a fourth below the A, and the G a flnh below the D .

FRENCH MUSE.
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 — ^

CHARLEY OVER THE WATER. 67

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FLORA'S BIRTHDAY.
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GALLOPADE No. 1.

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RUSTIC REEL.

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 —
m COTILLION No. 1.

:?» -em m»m-

ippl^=e^^l^=^iiSiiliii^lii
— —
First 4 right —
and left, balance and turn partners ladies chain promenade 4 side couples the same.
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BEE ^g^l^i-^^if^^^^li
s»?=T=l??»=S?«f»

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First 2 forward and back, cross over, chassa de chassa ilance and turn partners — the other couples the
— cross back, balance tl aaiiie.

^
bft

First 2 forward and back —back to back, balance and turn partners, ladies chain, promenade 4, others the same.
 g — I — ^ .

COTILLION No. 1. (Continued.) 69

^— L'-i1 —
4W^^-fr-^-^^^« -

— —— —
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First 4 lead to right, cliassa out and form lines across the hall, all forward and back, swing partners to place, grand chain, promenade 8 —sides the same.

— — ) --I— ^ —
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All chassa across partners, turn corners, chassa back, grand chain, all balance to corners, turn partners

_/ _.-— _ _

First 4 chassa across partners, and back, forward and back four, balance and turn partners, side couples the same.
 T

to COTILLION No. 2.

r-# #1*1-

Firsl 4 chassa across and back, forward and back 4, turn partners, ladies chain, promenade 4, side couples the same.

%
First 2 forward
^•^ -9
and back, cross over, chassa de chassa, cross back, ladies chain, promenade 4, other couples the
i^^^i^?
same.

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All chassa across partners and back, all balance to partners, grand chain, promenade
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 COTILLION No. 2. (Continued.)

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All
--ff^i^t-
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alamand corners, partners the same, all
-^ B*^
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balance to corners, turn partners, ladies chain, promenade 4

^ PP

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First 4 lead to the right, chassa out, form lines across the hall, ladies forward and back, swing to place with partners, first 2 forward and back, back to back.

balance 4, and turn partners, same 4 repeat, then the side.

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StEfE EEE^: ^ii: ffi= S=^^^fe^
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 / — —
72 COTILLION No. 3.
^. p. r-»—1-»»#® —^ 1 \-3-\ 1 i?=^»^^
•! 5-F*P-T-#-| •—rr—
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First 4 right and left, balance and turn partners, ladies chain, promenade 4, side couples the same.

jJ-»- -Bm -0- -3- -I

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First 2 forward
ii:
and back, cross over, chassa de chassa, cross back, balance and turn partners, others the same.
ii£
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First 4 lead to the right, chassa out, form lines across the hall, ladies forward and back, gentlemen the same, ladies chain across the hall, all forward and back,

ff_ _ »C-
5^ ^"V^-T » —» — .•-

swing to place with partners.cside couples the same.

 COTILLION No. 3. (Continued.) 73
/
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nade 8.
Ladies forward and back, gentlemen the same, grand chain, promenade

=p: tr;=tr#: -^9 S

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First couple forward and back, first
,
lady cross over on the left hand side of the second couple,
eS
forward and back3,
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EB 2 ladies cross over, forward 3 again, swing
74 COTILLION No. 4

1-if-9 3 r3 r^ — —iB-^- — ^-"—

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First 4 right and left, balance and turn partners, ladies chain, promenade 4, side couples the same.
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First 2 forward and back, cross over, chassa de chassa, cross back, ladies chain, promenade 4,
^ ^^§^^1
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next 2, &c,
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First 2 forward
w^^^^^^^^^^^.
and back, back to back, balance 4 and turn, all cbassa across partners, all balance partners and turn, next 2 perform the same, &o.

^=p^gc=?z zz|E^^^EBz:^zgl zgz=^£^|z^-^zzz| ^l •pB:z|E ^^:^£tf= -ff0jf9-

 COTILLION No. 4. (Continued.) 75
I), c.

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All alamand corners, partners the same, all balance corners, turn partners, grand chain, promenade 8,

-»- — T-^|-i>—»2

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First 2 forward and back, cross over, chassa de chassa, cross back, balance 4 and turn, others perform the same
2rt time. D. C.
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|

Ladies balance to the right, promenade, gentlemen all balance to the right, all promenade.

^^^^^^^^^^^^^^^
all all

fi-fi-0t-
 P

76 COTILLION No. 5.

irt

First 4 right and left, balance 4, and turn partners, ladies chain, promenade 4, side couples the same
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First 4 lead to right, chassa out, form lines across the hall, all right and left across the hall, ladies all chain across the hall, all forward and back, swing partners

zd^ipfzzppizrrgzp^zizz^g f f-fz^-z=zzgz:pzg^^zzngqz|zq!^ — ^fz^i^g^zfzz^^z^^ ,gz:piT^znH:r

D. C.

to place, side couples the same.

D. C.
m-—a»i"-T-i
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First 2 forward and back, cross over, chassa de chassa, cross back, all balance, all chassa across partners, next 2 forward and back, &e.

^^mmM^^^m^^^^^mim \
 — I I — — * —
COTILLION No. 5. (Continued.) 77
r^»-(S-»-|*
f=ni^: :tz^
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First 4 forward and back, back to back, balance 4 and turn partners, ladies chain, promenade 4, side couples the same.

_— D. C.

3^— tF-?-l I
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St couple
First promenade round, the other couples do the same and
in rotation, ai form lines lengthwise the hall, Ist couple balance, chassa down ten steps, balance

again and chassa down, other couples the same, till you have all balanced through, &c. come to your places again, all balance, and swing partners to places.
 H
78 COTILLION

^B^^iil^^l^i^l^l
No. 6.

liSiigBgf
First 4 right and left, balance 4 and turn partners, ladies cliain, promenade 4, side couples the same
-^•»1
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SEE=t«-- =»i,'^=»»r=Ft=^="-H==- ~^=+=f^=- :=t=z=tzzz?iz; :=— p^_^,,— irpuriztt:
First 2 forward and back, cross over, chassa de chassa, cross back, balance partners and turn, others the same.
P _ —
ra
&&
ri

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g^-^f=gz^gz^=|zgffigg— 5gE|z^rg=jz^z|zgg^gz=^z|igj=g
Ladies all forward and back, gentlemen the same, all chassa across partners, all
^ -g^g"

balance partners and turn, grand chain, promenade

izit:

8.
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1st time'
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ig-ig^i^^i;fiiEig^^3tEE "
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 — ^ I

COTILLION No. 6. rContinued.)

'^^ti^zizt-r^^z^-Tz^—^
fe^H^i^Eif: m
First couple lead to the right and balance, swing round with the couple you balance, lead to the next and balance, and so on till you come to your place,
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balance your partner and promenade
turn, other couples the same.
4,

o-^—»
.
m-~^ a -r- —»-* fi^—&-isS MT-M-fl-" 1
• — ^—I—f- 1

2 ladies forward and back, 2 gentlemen the same, balance 4, and turft partners, grand chain, promenade S, side couples the
-^- _ ^ -^ ^ -^- H«- ^ H*. ^ -^

— ^-
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1
 — — — ^ » — a
80 COTILLION No. 7.

\iz3.
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First 4 right
^^m^^^^^^^^m^^^^^^
and left, balance 4, and turn partners, ladies chain, promenade 4, side couples the same.

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2^r First 2 forward and back, cross over, chassa de chassa, cross back, balance 4 and turn, next 2 the same.
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3i^^l^^l^p^^g^^^^i_@P^lg^l=
First lady swing the right hand gent, with right hand, next with left hand, and so with the others, swinging partner last, chassa across partner, and b ack, b ack to
^pL
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±=u:a=- E£f^t:£££^EfeE£Ete3:^E^S^'^^33=3?5^?^
back, balance partnei and turn, other ladies the same, &";.
 — I

COTILLION No. 7. (Continued.) 81

rzt.£==ttH:t:lii=:£iii^=ta=:t--^^i=^
to place, next 2, &c.

5P1e§ ::??i:::?f:

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aii: ^ESg^^p^g^=gigii^lgi^
First 2 back to back, partners the same, alamand corners, alaniand partners, all chassa, cross partners, all balance partners and turn, next 2 the sam«

ff
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11
11
82 COTILLION No. 7. (Continued.)

First 2 give right hand across, left hand back, form a line of 4, giving your other hand to your partner, balance 4 in a line, half promenade, ladies forward and

-W^zlz^i^z=X±4^ ^-^ - J^ ^--^i4-^^T^

back, gentlemen the same, balance your partners, and half right and left to place, next 2 same, &c.
^g" =J F
Minor. ,^. -»*«»«- ^ m»^- -^-•-^ °- ^^
.ft.
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B«^-T-^»;'^(9— -p-T-»^ff^ ^•j H*^e—•-•-X

[s^ti^f^Sif^: »a-T- :3:
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Ladies chain, first orward and back twice, second gentlemen

lady forward g the same, promenade 4, chain, &c.

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i^iEi^^iggf^iiip^i
8^
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First lady balance to the gent, on her right, and turn, balance to the next, &c., till you come to your partner, balancing with him last, the others perform the

=t^;__
same, then the gentlemen perform the same.
 — : I — — —
COTILLION
-^-
No. 8. m
:«- -r—
jgB- lst..^^«: 2d. ^

First 4 right and left, balance 4, ladies chain, promenade 4, sides the
£r-'
same
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— ^irzi^tzrztttiiziiii
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First 2 forward
1^
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lai^' -•
1#»
i^zz^z:
and back, cross over chassa de
—
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chassa, cross back, balance

a^— -«
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4, next 2,
"'

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First lady join with second couple, forward and back, 3, balance 4, partners chassa across 4, back to back 4 promenade 4, others the same, &c.
 — — —
COTILLION No. 8. (Continued.)

:ni=
?i^?:

First 2 forward and back, all chassa across partners, same 2 back to back, partners same, first 4 pay their address, balance 4, turn partners, others the same, &c.

>=^3
:^g^=-Jgzfe!fr
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s 1 :^=3: z9
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If:: :?=»=^:

First 4 lead to the right, turn each others partners, lead to right again, with the ones you torn, swing your partners, balance 4 and turn, ladies chain, promenade
4, side couples the same.

-C
_>^^ i2_^.^ ?5=^—r !^r.m ^35-T hm—s r-^-fi-fi- —rr-
D. C.

i-T e-
-0m»^ O-

First 2 forward
*zz:^z»=zszz:
x:
i^g3SQ^S:
and back, partners the same, balance 4 and turn,
li^^---m

ladies chain, promenade 4, other couples the same

 I — I —
COTILLION No. 8. (Continued.) ^5
.^ —^^ «-^
JKZW. HP »- :«z^: ?*^-
1

:t
=tzt=^izEr^*- :t=::z:?^ e ~t:

--#-

^-4
3sa acrosa partners, grand chai'h, all balance partners, &c.

^^.i ^-^-

fill till jii^ •mi iiii 1111 Ksj *

—
—^f^f*; p=(-a— T—••*
,«_.r-<®^_S * — ri

:E
First 2 forward and back, cross over, chassa de chasaa, cross back, right and left 4, balance 4 and turn, next 2,

tizrSzzz :gzzt_ze' £^£^33 3^

— — • -eea-

-i
—- — 1---+ —
_Sli_?4.-«^j__e_^__^_
-=:S3=
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86 COTILLION No. 9.

1 ii^^^^^gii^g^=^^iS33=iS;E^=^iSE^^^
B=^ *tZit 1 -^^, ?§Sit:«:
-
ji— hH-
First 2 forward and back, 4 forward and back, 2 gentlemen cross over, turn each other's partners, chassa the ones you turn, alamand with the ones you chassa,
forward 4, swing partners to place, next 2, &c
'^y— •i-.» i^•=t=t f^ape^gs
S3 :t:i?»f= — -lL
ttt :?t -|
*

First 2 forward and back, cr oss over, chassa de chassa, cross back, balance 4 and turn, next 2, &c.

-»^tf.

//_

"^^ ^^3?

^gzi^^qzEgS iz?i
 I — —
COTILLION No. 9. (Continued.) 87
:t=^
:® :i^=i: :l^z:1=i igzar illi
First couple chassa to the centre,
^Sj
and^alata, chassa back and balata, swing 3 on each side, the lady with the couple on her
jple or right, the gentleman with the couple

»i«
'^4^
«n his left, swing your partner to the centre, chassa de chassa with partner, swing to place, next couple perform the same, &c.

«-P«^
^3:
Ifei !=|±a^iiti i^^i^^^i^^
^i^iiiSig^i^i^g^gfeg^^
First ^forward and back, swing between side couple, forward and back 6, swing partner to place, balance 4, next couple the same,
i--J
&.c.

^m^^m. aj"^ 1
f^^y-r=#g=q:-g=r: --=^^-
ZfE^i

-i.. :i4-
Pi=Pi= ^—« m-i^*» T—<'— g 1-
—y—
t— r^hr—
-^ |-^*^

irst 2 forward
First and back, back
t=P^
^H^^SiF
to back, 4 ladies cross hands round, swing back, not disjoin hands, other hands to partners, balance
1^
8, turn parts, next couple, &c
^?^-
M »—*- - :az:ez:^l=: ^^
::0z^a—fiz
^Sl^
^^-«^E»
^^^fe
-d^'l 4*T5
-04' :^=:3~«=h
£a£ iEE
^«-^
—«—1»—
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^Effi:g£F=ES5^
 T — — i

88 COTILLION No. 10.

1 g^3f?^t=^^gE^?=9;^^^=tstEj±gF=g
First 4 chaasa across and back, balance 4 and turn partners, ladies cliain, promenade 4, sides the same, &c.

5=i
itf=?^
\-
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=?^; '#*
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|gli

2gg2g^EP^=i=feif?Egg
^EEE?zES=ii?:
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I ccsicaaBSa^ vsEf
0=;^: I j_B^_l.taj —l^ca.

2.ii3
v_£^ First 2 forward and back, cross over, chassa de chassa, cross back, balance 4, turn partners, next 2, &c. ^_2-^
f^^^ Z?l D. C.

-0-~ -S"^
?tp. r.P'-^.

'^gH'
AH chassa across partners and back, all balance corners and turn partners, grand chain, promenade 8, repeat, &c.
^m*.^ pMiwiw^ o^aan ^lajra^ ein gj^uaa D. C.
B— n 1 ^ ^x r—H^^ Sti r H°^^ ^"»-^®—r-affl-a ^""T |-Hid F« 1 H=H 0^ t 31 —
"^-^T6 » ft

J
 COTILLION No. 10. (Continued.^ 'S9

4 ladies forward and back, gentlemen the same, all balance partners, all promenade, &c.

-^
—»^^— »-
-^ t:=t~i: ,(»—»— T~aTP«
zztr=zti=t=:
-^-
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gl^il in :L^^:
ES: itzpz::: ;iiH

-fi~fi-

e :*Ll?zzi
:t=!^!?«
:ffi EEz-!^?EEt=E^El=zE=E£=FE-£E=!?~
balance partners and turn, next 2, &c
2 ladies forward and back, gentlemen the same, balance partners and turn, all chassa across partners and back, all

Ladies-all balance round to the right, all promenade, gentlemen the same, promenade 8.

T-^T-f- -^^•T-»h
 ^ I —
90 OCTILLION No. 11.

li
^•^
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First 4 right and left, balance 4 and turn partners, ladies chain, promenade 4, sides the same, &c.

'^^^^^^^^^^^^^^^mi -#»• —^»*- -OjtO- -9-

-M-r — —*-* m 1—I—I- -W».'^

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First 2 forward
:^i-?zz^=^
:^
—(-»--+—1»^
and back, cross over, chassa de chassa, cross back, ladies chain, promenade
.ttz^ti^
4, next forward,
-aaH#

&c.
g-

:i -•»-
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A-^-
.&U: -g-.g— T-t — ^~T"~IIZt~ — — —"*^' **""" '" #— •-
^^S^:^EE^i
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:^I^=S

2 ladies forward and back, cross over, balance 4 and turn, 2 gentlemen forward and back, cross over, forward and back, half promenade to place, sides the same-
-*- D. e.
H »-
:^5^fflE3
i

31;
o-^^^ Atz^z
:»zzi=iit
 OCTILLION No. 11. (Coniinued.) 91

•^ ^
4^i#=?»'
S:S
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tjteiEt
B -»m^0r»-

All alamand corners, alamand partners, all balance corners, turn partners, grand chain, promenade 8.

3^1 ^Bzza: -
^si- -«-
i^^ii
-#^-^a ^-»
:i±^t .ofi

:iEi;^=^ilr^i
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:^H«* =::li=^=t=C
Ladies all
I t^ SS^^^tE?
forward and back, gentlemen the same, all balance and turn partners, all chassa across partners, chassa back, grand chain, promenade 8.
 — *

92 COTILLION No. 12.

— m-f — piw HS-T — —

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First 4 right and left, balance 4, turn partners, ladies chain, promenade 4, sides the same, &c.

:^. — ^,_j,
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±»zizizz:
^zz^4=Ezz^zfz^z=^4:z[=z^z^zbz|Eg^^=z;^^z|zEz=££z|z^z=fc

i»^— T »
5i*iiZ=S5TeZfSEEEffS=3^5fpZ;i
E tt:
,f_z:pz:tz^;

First 2 forward
X^ SEf: =tStf=:
and back, cross over, chassa de chassa, cross back, balance partners and turn, next 2 forward, &c.
i^^ir^S
_^_^_pz»p

;z-z=z^qziz—q^:tz^pzz-zzi=^ziz«g^=-=zzTzzz-=z^zzi:g?^=»z:tcz
i^ES=3E^: 1=^
:tf*tf
:?zz«lz±zi—«:
right, chassa out, fprm lines across the hall, all forward and back, swing partners to places, grand chain, promenade 8, sides the same, &c.

=t;

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tz^trz^tz^zi-gzzra^iS;
;t^zz^t.tzlzE=:h^C;J
aba-
 ^ ^

COTILLION No. 12 (Continued.) 93

All alamand corners, alamand partners, balance corners, turn partners, all chassa across partners and back, all balance partners and turn, repeat once.

-•- -*- *•* ^ —

-^^^^E^z»^^t:^:^=zz^i^ziz:BiZm^z«zlzlz::^—^:iB,zlzd^^^
j^Z^Z -t-r-
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— ^^ —— ^_,«^__a*i__ »___»_
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:t:zzi;r±=t:
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2 ladies back, to back, 2 gentlemen the same, balance 4, ladies chain, promenade 4, side couples the same.

T7
ZU^ZMZZZW-
rt=3i:
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^£t=t:
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mmm^mmm^^^^^-
tZTZ^^'^M-ttW=. — y-g-^ g-{-| -p— F'gji

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All promenade round, form lines, march, all balance, swing partners to place, all promenad
O'fi-0-g-

'»-riZjBZ»^ZaT*"^^"^^-^Tr-
94 COTILLION No. 13.

First 4 right and left, balance partners and turn, ladies chain, promenade 4, side couples the same.

2^^mmmm^^m^mm^^^^m
First 2 forward
,rfj»a?ia»,

and back, cross over, chassa de chassa, cross back, balance 4 and turn partners, next 2 forward, &c.

1^=^-
3 t^Btt
First 4 lead to right, chassa out, form
i^=g
lines across the hall, all right and left across the hall, ladies all chain across the hall, all forward and back, swing partners
to place, sides the same.

,^ »

=F=f= -9^
S: e >-»?=
Ett£ =*^:
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 COTILLION No. 13. (Continued.) 95
333^^;^^E=S^:
-99— 9—9-
4&jE^
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-\-0-^ -J-I-IH-
9^ 114:
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E5g=a:E3E^E^EESE:
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-a— 99
First 2 give right hands across, left hands back, and form a lino, balance 4, half promenade, 2 ladies forward and back, 2 gentlemen the same, balance 4, half
right and left to place, next 2 give right hands across, &c.
B. C.
^zirgg^r— if^gz —I n~^ ^«s«i™ai:^ Jl^l

•M^ *-- -'tfj—fc—itt:

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4—1—1^"

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Ji^?^—_,^^'#•- -•ii^^t

-•— ^- ^ -^-.
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Ladies cross hands round, and back, gentlemen the same, all balance partners and turn, grand chain, all promenade.
a^EtEEB
:3iX=ii 9-^
'^EE3=g£gE^£SS^a
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t:=t:
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All chassa across partners and back, allamand corners, allamand partners, all promenade.

-?^» '^'

gEL= a± E^zm3^g:fgg
[ =*===£F=SFi
96 COTILLION No. 14
-•—»«-«- .-,.^. -!*-»-»-»—r— '*-*-?—
'1 !—'*«•-«-
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1 &feS=^«®=P*t?! q==tKt ^^4=:^: 1=3=pt
P^^rg^=r^|
-1 tttb .tt=
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First 4 right and left, balance and turn partners, ladies chain, promenade 4, sides the same.

-0 \-9 ,
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^*?

First 4 forward and back, back to back, balance, turn partners, grand chain, promenade 8, sides the same.

qsTflfS—jti 33
:i-^^z=i2^«t itiitrM—itd
-tf- -0- ^navi
First 2 forward and back, cross over, chassa de chassa cross back, balance partners and turn, next 2 forward, &c.
 COTILLION No 14. (Continued.)

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——
4&3=£?=: S:
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First 4 lead to right, cUassa out,
4, sides the same.
form
:?^
lines across the hall, all chassa to the right and left, five
»-

^ ^^=
I^Bi
steps each way, swing partners to place, ladies chain, promenade

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First 2 forward and back, cross over, chassa de chassa, cross back, balance and turn partners, next 2 forward, &c
Clarionet Solo.

^^=S=:.

13
98 COTILLION JNo. 15.

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First 4 right and left, balance 4 and turn, ladies chain, promenade 4, sides the same

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First 2 forward and back, cross over, chassa de chassa, cross back, grand chain, promenade 8, next 2 forvyard, &c.

I r I f f ^ 'V L t » t -»Am -^
 —
COTILLION No. 15. (Continued.) 99
i»^^ ^ -i-

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Ladies all forward and back, gentlemen the same, all
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balance and turn paiiners, all
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chassa across partners and back, all balance corners and turn partners.

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 —
100 COTILLION No. 16.

rt=*z:
First 4 ch^sa across and back, forward and back 4, balance partners and turn, ladies chain, promenade 4, sides the same.

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m/-
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p=i^izzlz=zzzz£^=zpz;t=^zf-
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First 2 forward
H:
£
and back, cross over, chassa de chassa, cross back, balance partners and turn, next 2 forward, &c.
-•—-^

=U: Zfct i^ii^i^fei^^iSl^g tz:±:za±tzz:ztE&:E±

:p=i:
[i
 —
COTILLION No. 16. (Continued.)
mf ^ ,
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w-^0-w-,

2 ladies back to back, 2 gentlemen the same, balance partners and turn, grand chain, promenade 8, sides the same

Pi t ~ ! Tit

D. C-

1
Ladies all forward to the centre, and balatta, back and balatta, all chassa across partners and back, gentlemen the same.

~-^^M >

HH

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D. C.

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Ladies all balance to the right, all promenade, gentlemen all balance to the right, all promenade.
 — :

102 COTILLION No. 17. Porter Sett,

mf / mf /
i^^sm \-\—0 — 4-^ — H^' =a^
3^!^ 3 ^— g* ^ffi5^^
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First 4 right and left, balance 4, ladies chain, promenade 4, sides the same

First 2 forward and back, cross over, chassa de chassa, cross back, ladies chain, promenade 4, next couple forward, &c
fnf
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All chassa across partners and back, -all balance partners and turn, grand chain, all promenade.

^g^^^gg^g^lgj^^^^g^
 S• —
COTILLION No. 17. (Continued.) JQS
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/ 8va D. c.

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First 2 give right hand across, left hand back, form a line, balance 4 in a line, half promenade, ladies forward and back, gentlemen the same, balance 4, half
promenade to place, next couple, &c.
f -P- D. C.

It: a-0 .*[-( [-• ^-^H 1 — F«F »-\ Fai •-•— --^

^i^ -ei
1
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All alamand corners, alamand partners, all1 balance to corners, turn partners, grand chain, all promenade.

-»-• —•!-•- ^P 14
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?=P;^S=F?^T=ffl=J?^l n~! H=

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9^^ -4- -•- -•-

 — —
104 COTILLIOiN No. 18. Basket Sett.

All chassa across and back, all balance and turn partners, grand chain, promenade 8.

p
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Ladies all forward and back, ladies forward again to tlie centre, gentlemen swing round the ladies, ladies join your hands and fall back, gentlemen raising their
arms at the same time; all balance and turn partners, gentlemen forward, &c

2z^=iEt::^4*=^M-T=^=^=- -ft—^-^
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First 2 forward and back, partners the same, balance 4 and turn, grand chain, all promenade, next 2 forward, &e
 r I

COTJLIJON No. 18. (Continued.) 105

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::tT=S=

^ "q"^T7i —TT ii — ~|g~T~

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:^9_i.

First 4 lead to right, cliassa out, form lines across the hall, all right and left, all chain across the hall, all forward and back, turn partners to place, sides the same.

P t f -»- -i- I r -i- »0^aI, ' — N T » f .-^T -»- ota^- --^1 m ' '« -a- -»- - 9- '^^ °-

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First 2 forward and back, cross over, chassa de chassa. 1 back, balance and turn, next 2 forward, &c

mf ^.-' f

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106 HARRISON'S GRAND MARCH.
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110 CLARION WALTZ.
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114 A CONTRA DANCE.
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116 MARCH IN ELHYDER.

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MARCH IN ELHYDER. (Continued.) 117

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118 MARCH IN ELHYDER. (Continued.)

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120 HERO'S QUICKSTEP. (Continued;

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HERO'S aUICKSTEP. (Continued.) 121
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 HERO'S aUICKSTEP- (Continued.) 123
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 — —
126 WRECKER'S DAUGHTER QUICKSTEP. By Conrad Fay.

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130 DUKE OF REICHSTADT'S WALTZ. (Continued.)

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 ^—
DUKE OF REICHSTADT'S WALTZ. (Continued.) 131
^. -^ ^ ... r

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 — —
13-2 DUKE OF REICHSTADT'S WALTZ. (Continued.)

L^- -^ *: Trio.
fc=£ =t:^: £ JEL
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 ^ —
DUKE OF REICHSTADT'S WALTZ. (Continued.) 133
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11 1 1 11 11

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134 DUKE OF REICHSTADT'S WALTZ. (Continued.)
^ -4^t—^.
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— i^C ES3e£ e -00-m—^
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pg^l ^ipzzpzzp: -^- —p—P= -js —r— p:

i t^tzitfc m
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 SUCH A GETTING UP STAIRS. A. F. Knight. 135
E[, Bugle._

£b Bugle.
H«-^
:st*
^Sip^P^g^p ^35^35^1

it^ir- H==i=^
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i>[} Cornopean.
iiiS^^^l
^gg :i=p: azi:^:
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»=»=frEf^E»:Fizi:
e §; *iH:i=3:
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Tenor Trombone. JP-.P--P- 4^
aiib^
p p p p - ^A-P-P-
in zu^--
:£= £:
=t=t:t::
±ztzt± i=3= ill
jBase Trombone.

—b- 4 I
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-iq-w-
,-,*—•
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^ il
\st Opheeleide. --_#- ^ -w-^ "f'Pm P-
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- -•- -#H 1— -
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Spf^Hd^=]^zt^-4
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 — — —
136 OLD DAN TUCKER. A. F. Knight.
E\) Bugle.

i^j:

B\) Bugle.
m
m
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B\) Post Horn.
0-0-0
gL_L_L4_-
—0-0-

B\) Cornopeoii.

izMz^
— I

r^zp:
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:ri=r!=i

Tenor Trombone.

— ^Ht- lE
JBase Trombone.

— « — -I —n-
Sbb:St3r:«=: _5fl_i9Z«!!; ^ «: g ."I
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^^^
—f|fe_-i_a: —^-•a^ ::»_-Lji_jn-; -^
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1st Ophecleide.

2tZ Ophecleide.

-0—0—9- -0—0-
=.S3EEES;
:i:*- -«-•-«- -»— a>-
^^E|S|Eg
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 »
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OLD DAN TUCKER. (Continued.) 137

f
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JJ\
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3:
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//
I^tt -WZfiZZZ^Z Z^flZZBZZZW :rn^
itttTtf: ^i« — ^-*iz :^=?ZZE ilE

//
-0-O- -»- -0—O—0- -o- -•—
^iL^_^ -^.
ttr £ztdr^_-tr_,jt: -#^^ m-pL. -r -r r- r-^:t-
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-s>- IS •-•- -a-

138 GRAND MARCH IN NORMA. Arranged by A. F. Knight.

E\) Bugle

B Bugle. -<s>-.^.-»- ^-0 'a.

imS— ———13-
B\) Post Horn.

i^ii-^^iliiis^E^ii?ii^^^^§^g!£^^i
B\) Cornopcon. -«<. «.-»-*-•-

r-*z!!=dt=:3i=biSt
£S: t^t t=t=|
t==-;L^i;^J==tqr
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Tenor Trombone.

i3«E& -^m-^
&t -S-C- ^t
^ctH 'TT -p— j-p
£^E 1
£ase Trombone.
ShteiSEr=;?=p
:*±f
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:t=P
— * tf^ (= i^cpipzer rq-V-ai—psj: :»_«__«: • — !» •
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1

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^3»
S^P: S -p—^—p^ff ~4=p--
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^— #^
 ^ —
GRAND MARCH IN NORMA. (Continued.) 139

iS^3:5lSt^
1
s t::—:rr -arr^-^ r :=-r»»-^| —» ^ ^ _ ,
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jizM=^ 3=B=
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SEE :?c=ib^
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ll^iEStEi E=^^^^^^^SEpi^^3=i^ll
 — g
140 CJOV. KING'S MARCH. Arranged by a. F. Knigvt 1

B\, BugleJl _ ^^ _ ^_

B\, Post Horn.ff

B\) Cornopeon.ff
f^eonff^
_

rombone.

'±.-trr-f^ -•-•^•-•- . ^^m_0^^_^ /-•^•-•- - --f-^=r=h-

,0-^^^-^
—— I

I^^FF P g'-^ ^=-+— ^ 1

— T-
.

JSase Trombone ff i

-0-0-0 T-»-«-* TT -«-—

—HT-^-i | L:; I
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Is? Ophedeide. :*j. :*:

^0-0 ^-0_0

2d
2c? Ophecleideff

5jfcgE:S=r»i^p=^SzSE5Ei =Jq-q=
:izaL-l?z?itf=t:zizq=H-3=±:z:ii:iiizittEf:^riz?zt}t=:3^itL
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 ± — » —
GOV. KING'S MARCH. (Continued.) 141

:SSrj±tf=:lHz^:tzfc:tti-tri±fitti:iSSb=SS^^

-I— r-
:^=r=P=F :i!?_: :_iB p? — p.
^jib_g^ib£-EEr^z±E-r ^^gg I!EiJi^gil

-»-»'-«»-

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P |S ——
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-m-m-a-m- —k -m—a—tl-
 —
KING OF PRUSSIA'S MARCH. Arranged by A. F. Knight
E\) Bugle.p - - - - ' N-#^ _

i?[j
P
Bugle.p
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n— ^-fi-0-^^.fiTEm.
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^~f-::ril:tf:tfH^-#-»zJ:
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:!==;: KiP:?3E=fi=ES
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ls# Ophecleide. 'P'

2<f
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Ophecleide.p
a^ffizr: — t-. rz:_|rr.
+i ^^Eg^^^g^gjSi^l^ip
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 — — II

KING OF PRUSSIA'S MARCH. (Continued.) 143

if:

mf
—»-^—rF— ——
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^-^t"-' — — —ivaT*—•*—•—»—:=T»—*-^-t-
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pzz^zp:ac3i:z:p:
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rdrtt-j^—^ 3i E—
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mf —»^» ^
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:=l=in3=
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 — ^ — '

KING OF PRUSSIA'S MARCH. (Continued.)

^^^=i:^i:&z^ir^T^=^-:S^:
Jte^-
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 . , ^ —
NATIONAL CADETS' QUICKSTEP 145
Eh nugie.
Zip Bugle. . . Q- C3 S3 • •
-- -

Bb Bngle.ff
; ._!• :

B\) Post Horn, ff ,— ,, — P-P-1

i^-o- '. s 3 ^a*3 a. -F' m m. ». _

B\) Cornopean. //
—«— — aj^-t— —^-^-PzvH—
ii^i:^iii:i5gig^gii; I I-i -f-t-"*-^ff-^

Tenor Trombone.
Qtirff £ £ Ft:
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th-Br. I
Sase Trombone. ff
IPJTK
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1st Ophecleide. ff .//^- -¥•-

:^:
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— — —-F—
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ff //
W—^ P ^- 1 :S
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 t— — — —
146 NATIONAL CADETS' QUICKSTEP. (Continued.)

f^ 11
=ji=rj^ji=pzgrpf ^ ^--f--P=gEg|gzj!E*=p=;i^-|rp=siz::^=iz;iifpz=i^

:l=t:
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 — W ^ — » —
.NATIONAL CADETS' QUICKSTEP. (Continued.) 147
^T —
Solo. D. C.
r~r-i-»— 1-— a ~i -i-a s p^ -ri^—r^^—r-—^-r^-r^T vi"l
:t:zttd==t;
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r4—r-nj: i=:^zt=zi^=4^zz1=u:^ ::j-T-1
:^—i^zztrt: :it:i^— *=*- :z?=:fzzifzzt; :zit
^j:=^==^
:t=*z±z*=:»
lE!E^E^E?El?EtEitE
—
:::^=:p: Z0^0—02 pzzji=:pzzpzLi=pi
tztzizzzUirt: :=zt;z±=t:=U=t l^fi^
[^-1m-^- tzttzt=t=Ezt^zt: tzttzzt^tztzt::.
H-fl — g-i 1

tzttzt

P ~'i P —^- zJE^ :pz=:pzzpzz«: :?=^ pzz^zz^zz^ 3E^SEi3F

zz?=lt=±:=iCEi

:E=z=-&-=-i- £=£=^=£^
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— zI3;z^zitE::
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 n — I

148 MISS LUCY LONG. Arranged by A. F. Knight.

E\) Bugle, p /
I
B\) Bugle, p ^I^..
B\> Post Horn.p
-0- -^- -m- rH«
e^*eSE:E
B\) Cornopeon.p
tip m f
tizzizzatz* A —T=*— •- Ea5^
Tenor Trombone.p f
5i:bz§t
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Base Trombone.p /
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\st Ophecleide.p /
aLii_s__^ —^ I^iZZZ^ :W-=W~ :^=t:
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1- .-^ —1_^
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1-
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1 ^-
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 h I I — ^
MISS LUCY LONG. (Continued.)

tzzjrr:::
m^m
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 —
150 RORY O' MOORE. Arranged by A. F. Knight.
E\, Bugle.

g^ S '=S=t^btit:t:^i
I-
-^-m-
+—--i-f— piizp
r-^-
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I I
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I— -•

m
B\) Bugle.

B\, Post Horn.

m
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Tenor Trombone.
e^S
i^zS:
Base Trombone.
^fafe:^rF=| -P==: -~1 P-^-
"
t:?:*^^:^
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#_)• ^t-^T—^-^-^ y, > g •-^ #Hil (iL^^_H«-|* #-^^^
^^^g^^=^l=^^S^^EBEEEgf^^ (

itzt
ttl;;.^=£riti£i
«z=:^=s==2:
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:t=t:
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—^- 8 M 3E^
 — _ — I

RORY O' MORE. (Continued.) 151

p /
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=— ^ • g
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:?==?=
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 INDEX OF COTILLIONS, WALTZES, QUICK-STEPS, MARCHES, &c.

Cinderella Waltz, .... 34 D Guanacha Waltz,

Auld Lang Syne, 4
Circus Tune, ...... 108 Duke of Kent's March, 17German " . . . 39
Anti-Tyrolian Waltz, 35
Contra Dance, . . . . .114 Dog and Gun, 19Good for the Tongue, 44
American Hornpipe,
Copenhagen Waltz, .... 35 Dundee Waltz,
. .

33 Grand March in Norma, 138

A Favorite Hornpipe,
59
65
College Hornpipe, .... 49 Drunken Sailor,
.

48 Gov. King's March, . . 140

Air, 115
Constitution Hornpipe, ... 58 Durang's Hornpipe 59
Air, from Rossini, 112
Corinthean Hornpipe, . . .61 Devine's Hornpipe, 60 H
Absjence, .... 7
Cottage Maid
Chorus Jig,
113
62
Democratic Hornpipe,
Douglass' Favorite,
61 Handel's Clarionet,
Hail to the Chief,
10
16
63
B Cazenovia Assembly, ... 66 Duke of Reichstadt's Waltz
.

129 " Columbia, . 24

Charley over the Water, 67
Beaux of Oak-hill, .... 54 Cotillion, No. 1,
. .

68 E
Hungarian Waltz,
Hero's Quick Step,
36
119
Blue Bird, . 3 ""% 70 East Nuke Fife, Harvest Home,
Brown's Hornpipe, .... 41 "3, 72 Emelia's Favorite,
, . .

Humors
.

of Priest House
36
Blue Bells of Scotland, ... 5 " "4, 74 East Stoughton Assembly,
. . ,

" " Tipperary,

41
46
Bottom of the Punch Bowl,
Blue-eyed Mary,
. 42 " "5 76 Haste to the Wedding, 55
5 "6, 78
Beethoven's Favorite Waltz, Hull's Victory, 56
34 "7,
Bonny Doon
.
80 Free Mason's March, Hob or Knob, ... 67
Boston Cadets' March, ...
7
24 "
"
"9
8, , . . . . 83 Flowers of Edinburgh, Hornpipe, .... 5H
86 Fairy Dance,
Burbank's Air, 53 "10, 88 Female Rake, I
Bruce's Address 8
. . .

"11, 90
Brunswick Waltz, .... 37 "12, 92
Fisher's Hornpipe,
Forest of Bondi,
. Imperial Guard's March,
Irish Pipes,
10
46
Bonny Boat, 9
. . . . .

"13, 94 Favorite Scotch Hornpipe " Air, 47

Bonapart'sMarch over the Rhine, 13
" Grand March, . . 20
"14,
"15,
96
98
French Muse, .... " Washerwon^n,
" Hornpipe,
62
65
" 16, • . . . . 100 G
" "17, 102 Gov. Jones' March,
Caledonian March, 17 " "18, 104 Gallopade, Java March, 13
.
 INDEX OF COTILLIONS. WALTZES, aUICK-STEPS, MARCHES. &c.

Jackson's Morning Brush, N R The Soldier's Return, ... IS

....
.

" Welcome Home, New Stop Waltz, ..... 38 Rakes of Clonmell, . . . 46 The Devil's Dream, 43
New Speed the Plough, . . 41 Russian March, . . . . 19 The Last Rose of Summer, . 109
K New Century Hornpipe, . . 59 Rustic Reel, .... . 67 The Oddity,
Tempest,
49
62
National Cadets' Quick Step, 145 Rickett's Hornpipe, . . . 59
Katy's Rambles, . . . 51 The Rout, 64
Rory O'More, 150
Kinlock, . . ... 48 O
. . . .

The Isle of Sky, 65

King of Prussia's March, 142
Old Speed the Plough, ... 43 S The Soldier's Joy, .... 66
Old Zip Coon, 51 Scotch Hornpipe, . . . . 58 Tecumseh Quick Step, . . 152
Oak Hall Quick Step, .111 Ship in full Sail, . . . 55
Old Dan Tucker, ....
. .

136 Scotch Air,

.

53
U
La Grand Rondeau, . . . . .

Life us Cherish, .
let
.

Sweet Home, .... . 3 Union Waltz, 32

Sicilian Hymn, . 6
La Bosse's Hornpipe,
Parasot Hornpipe, .... 60 Swiss Guards' March,
. .

.
.

. 21
V
Lord Moria's Return,
Lafayette's March, .
Paddy O' Rafferty
Pinkell's Strathspey, ....
45
44
Salem Cadets' March,
....
. . 22
33
Vinton's Hornpipe, .... 61
Swiss Waltz, .
Von Webber's favorite Waltz, 34
Patrick O' Dermot, 43 Steamboat Waltz, -35
M Polly Hopkins' Waltz,
. .

...
. .

37 Spanish Waltz,
.

^ .
.

.
.

. 35 W
March in the God of Love, 11 Prussian March, 16 Savin Hill Hornpipe,- - 40
Morpeth's March, . . .
.

. 12 Poor Girl 9 Scotch Dance, . .

.

.
.

. 40 What Fairy Music,

like ... 6
14 Smith's Hornpipe, 44 Will you come to the Bower ? . 6
Morella's Lesson, . . .

March in the Battle of Prague, 18 Q Sailors set on shore, . 44 What can the matter be 1 . . 15
" to Boston, ... 26 Quick March 11 St.Patrick's Day, .
.

.
.

. 46 Washington's March, ... 22

" Grand March, . 26
Mozart's Waltz, 32 12 Such a getting up stairs. . . 135
36
Mendon Waltz, ... 36 " " in Cymon, Waltz, No. 1,
Waltz, 110
42 "
McDonald's Reel
Money Musk, 43
Step in Tekeli,
" No. 1, . .
.

. The Celebrated Spanish Ca- White's Hornp- pe, .... 45

" " chucha Dance, .107 Whipple's " 61
Massai's Favorite, 45 '•
2, . . . .

....
. . . . . .

52 White Cockade, 63
Midnight Hour 56 " " 3, . . . The Vexed Editor,
57 " " The Legacy, 4 Wrecker's Daughter QuickStep, 1 29
Merry Girl, 4,
....
. .
.

Wood up Quick Step. . .154

Miss Mc Leod's Reel, . . . 63 " " 5, . . . The Wood Cutter, 8 .

Miss Brown's Reel, . . . . 66 The Minstrel's Return from the Y

March in El Hyder, . . . . 116 War 9
Yankee Doodle 19
March, ..... . . Trumpet March, 14
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nsefu]. HILES'S SHORT VOLUNTARIES. Nine Numbers. Each 60 cts.
EINK'S PRELUDES AND INTERLUDES. For Organ, Harmonium, and Melodeon.
A MATETJR ORGANIST. By John Zundel. A collection of Opening and Closing Vfl- 76 cts.
J\ untaries, from the
works of Handel, Haydn, Beethoven, Mozart, Rin!:. Pleya,Mendeii'=ohn,
Von Weber, Andre, Schmidt, Hesse, &c. Prepared with special reference to the wants of begin-
ners, and forming an excellent course of study for the Organ or Melodeon. Boards, $2.00. Cabinet-Organ, Melodeon, and Harmonium.
A NEW WORK FOR THE ORGAN. CLARKE'S NEW METHOD FOR REDD ORGANS. The only standard and general
method for all Cabinet Organs and Melodeons published in the country. Used by the best
teachers everywhere. Containing the largest number of beautiful Recreations, Voluntaries,
THE ORGANIST. Containing pieces of
and Concert and Studies
uae, as Practice;
for
different stvles and leng'hs, intended for Church
sucli as Preludes, Aft rludes.and other pieces
Exercises, &c., ever issued in one volume. By Wil. H. Clarke. Price, $2,60.
to play during Divine Service. Studies, Transcriptions, &c., and of morierate difficulty. CLARKE'S NEW REED ORGAN COMPANION. A Companion to the " New Method,"
The most important point, however, in which it is claimed this work differs from all others with entirely different contents. Adapted to the wanta of all classes. An easy and attractive
heretofore published in this country, is, that all the pieces are arranged in the most thorough system of instruction, containing the popular Marches, Waltzes, Polkas, and Operatic Gems
and careful manner, on three staves ; the Registration being all carefully marked for of the day. Easy and Melodious Voluntiiries: also a large number of Favorite Songs, Bal-
lads, Duets. &c., with accompaniments for the Cabinet Organ or Melodeon. Price, $2.00.

MODERATE-SIZED AMERICAN CHURCH ORGANS; CARHART'S MELODEON INSTRUCTOR. An easy method, with favorite Songs and
Pieces. $1.50.
being Intended for Instruments of the class usually found in churches in this country.
It
MELODEON WITHOUT A MASTER. By B. L. White. 75 cts.
The work also contains an WINNER'S PERFECT GUIDE FOR THE MELODEON. Designed to enable any
the Choicest
one to obtain a knowledge of playing without a teacher, with a collection of
ESSAY ON REGISTRATION, Melodies of the day. 75 cte.
applied to our Organs, and treating this Important part of Organ Playing in the most thorough WINNER'S PERFECT GUIDE FOR THE CABINET ORGAN. Containing aCom
= j a a piete Course of Instruction, designed to impart a knowledge of the art of playing without the
«na eshaustive manner.
aid of a teacher together with a large collection of the Popular Melodies of the day, for
;
Compoied, arranged, and edited by L. H. SOUTHARD and G. E. WHITEfG. practice and recreation, 75 cts.
"^-•-v,,^^ Peioe (In cloth), $3.60. ZUNDEL'S MELODEON INSTRUCTOR. By JOHM ZuNDEt. $2,50.
^^-><^ SENT. POSTAGrK PAI^a. •^J" HJffiCEirPT OJr PRICK.
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