CONTENTS

Preface ..................................................................................................................2

System Requirements ......................................................................................3

Installation ............................................................................................................3

Quick Start ............................................................................................................4

The Main Frame ..................................................................................................4

The Scenes ..........................................................................................................6

- Live Jam ......................................................................................................6
- Arranger ......................................................................................................7
- Mixer ..........................................................................................................11
- FX Studio ..................................................................................................13
- 3D VJ Box..................................................................................................18
- Recording Studio ......................................................................................19
- Voice Generator ......................................................................................20

The 5 Instruments ............................................................................................21

- Groove Generator ....................................................................................21
- Hyper X Generator ..................................................................................23
- Bass X Generator ....................................................................................24
- Mophonix II ..............................................................................................25
- Mophonix Supabass ................................................................................27

Uninstall................................................................................................................29

Hot Keys ..............................................................................................................29

Credits ..................................................................................................................30

Contact ..................................................................................................................31

Licence Agreement ..........................................................................................31

© 2003 Empire Interactive Europe Ltd. and eJay Entertainment GmbH. All rights reserved.
eJay is a registered trademark of Empire Interactive Europe Ltd. All other brand or product
names are trademarks of their respective holders.

DANCE EJAY 6 1
1
PREFACE
THE EVOLUTION IS HERE!
Welcome to DANCE 6: The Evolution, the
latest and greatest in the DANCE eJay
series. The series has finally evolved into
the ultimate Dance music creation tool
with all the all-new MOPHONIX
Synthesizers, Dynamic Curve Editing and
the Live Jam Mode.
FEATURES
48 true stereo tracks + a mixer with 3 FX
SENDS per track, 5 instruments and a full
selection of 12 effects to give your creation
that professional touch. The improved
interface now lets you zoom in & out of the
Arranger, a feature that is particularly
useful for getting an over view of your mix
or a close up to finely edit your samples.
DANCE 6: The Evolution introduces a
Dynamic Curve Editing Mixer so that you
can edit the volume, panning and effect
levels for each channel over time. Your
mixes will now enter a new dimension
allowing you to fade the volume in and out,
pan sounds from left to right and increase
an effect such as echo gradually over time.
The dance series now enters the realm of
advanced music creation with the all-new
MOPHONIX range of virtual synthesizers.
The MOPHONIX II Polyphonic Virtual Synth
let’s you create an amazing variety of
sounds and with the MOPHONIX
SUPABASS, eJay's new software bass
synthesizer, you can generate your own
bass sounds and sequences.
The brand new Live Jam mode is an
excellent tool that allows you to create live
mixes on the fly by editing mix playback in
real-time using the mouse or keyboard.
You can also export your live creation
directly into the arranger for offline editing.
You will also find totally improved
instruments with the polyphonic HYPER X
GENERATOR and BASS X GENERATOR –
the improved quality of these instruments
has to be heard to be believed.
2 DANCE EJAY 6
SOUNDS
Make use of 4,000 samples, sounds and
beats produced by professional producers
from the dance music industry.
You are not only limited to the fantastic
sounds provided on the CD, the new and
improved Recording Studio allows you to
record from any source plugged into your
soundcard as well as directly from CD.
THANKS
A big thank you for purchasing this
product. EJAY and EMPIRE INTERACTIVE
wish you and your friends loads of fun with
the software and naturally lots of success
with your hits!
SYSTEM
REQUIREMENTS
• Windows® 98, ME, 2000, XP
• Pentium ® III, 450 MHz or higher
• 256 MB RAM
• Minimum installation 650 MB free hard
disk space required, 1.2 GB for full
installation
• 4 x CD-ROM drive
• 4MB OpenGL 1.1 compatible graphics
adapter (ensure that the latest graphics
card drivers are installed)
• DirectX® compatible VGA graphics card
(16bit colour depth, 800 x 600)
• DirectX® compatible sound card (16 bit)
• DirectX® 8.0 (included on CD)
• Internet Explorer® 4.0 (for Online Sound
Archive)
• Windows ® Media Player 6.4 (for intro
video playback)
INSTALLATION
PROGRAM INSTALLATION
To install the program insert DANCE EJAY 6 – CD
1 in the CD-ROM drive. If autorun is activated
DANCE EJAY 6 set-up will start automatically. To
start the installation manually select ”Run” from
the START menu. Enter ”D:\Dance6.exe" (where
”D:” represents your CD-ROM drive) and click
OK. Or simply open your explorer and start the
setup.exe on the DANCE EJAY 6 CD-ROM.
Help Installation path Language selection
DirectX 8 installation Minimal installation
Full installation
LANGUAGE SELECTION
Choose the installation language using the
steppers. This language will be used later
in the software.
INSTALLATION DIRECTORY
If you want to choose a different directory
to that suggested by the program, click on
the browser button and choose the
desired installation directory.
DIRECTX 8 INSTALLATION
DANCE EJAY 6 uses DirectX 8. If you
already have Direct X installed on your
system, or if for any reason you don’t want
to install it, remove the cross from the
Direct X check box.
SAMPLE INSTALLATION
After the software installation the Dance
eJay 6 samples will be installed. As a large
amount of data will be copied during this
process, you can choose between two
different types of installation:
Minimal Installation copies only some of
the samples to the hard disk. This requires
approx. 650 MB of free hard disk space.
The samples on CD 2 will not be installed.
To be able to access these samples later,
CD 2 has to be in the CD-ROM drive.
Full Installation copies all samples to the
hard disk. This requires approx. 1.2 GB of
free hard disk space.
When the Installation from CD 1 is complete, the
program will ask you to insert CD 2 in the CD-
ROM drive. If AUTORUN is not activated the
installation can be started manually as
described above.
During the installation process, a program
group called "Dance eJay 6" will be
created with an icon for Dance eJay 6 and
another icon for the Uninstall. If you
choose full installation, the DANCE EJAY 6
CD 1 only needs to be in the CD-ROM drive
when the program is started.
Cancel
3

QUICK START
If reading the manual is not your thing, here
are some tips that will help you find your way
around DANCE EJAY 6. In just three steps
you can create your first MIX.
1 As soon as the software loads you can
listen to the START MIX. The play
functions are in the middle of the
LOWER MAIN FRAME and function like
those on a CD player.
2 To create your first MIX, click on the pull
down button to be found in the upper
left section of the UPPER MAIN FRAME
next to the TEXT FIELD. Choose RESET
ALL. This clears the samples out of the
main screen tracks. A click on the
ARCHIVE button opens the window
THE MAIN FRAME
All the basic functions are to be found on
the MAIN FRAME. These functions are
always visible regardless of the scene in
which you are working.
UPPER MAIN FRAME
Save & load Online functions
Text field Scenes
TEXT FIELD
This display contains various information such
as song name, mix length and play position. The
information is dependent on the current scene.
A detailed description can be found in the
chapter appropriate to the scene in question.
Mix Name
Mix Length
Play Position
4 DANCE EJAY 6
with the sound groups where the
samples are located. Drag & drop the
samples onto the audio tracks where
you can then arrange them. That’s it!
3 To save your mix, click once again the
pull down button at the top of the
screen and choose SAVE MIX.
We are sure you’ll work everything else out
for yourself. The QUICK TIPS in DANCE
EJAY 6 are detailed enough for a short
explanation of the functions. QUICK TIPS
appear when the mouse hovers for a short
time over a position on the screen.
If anything is still unclear then you can
access the Windows help file at any time via
the OPTIONS button in the top right hand
corner of the UPPER MAIN FRAME or via
the F1 key.
SAVE & LOAD
A click with the left mouse key on the
SAVE & LOAD button opens a context
menu with various functions. Aside from the
basics such as saving and loading mixes or
samples, in some scenes other functions
can be accessed. More information can be
found in the appropriate chapters.
Help functions Minimise
Instruments
OPTIONS
You can change some of DANCE
eJay 6's basic settings in the options
scene. The help functions are also to be
found here.
windows help
start hot keys
on quick tips
off 3D animation
instrument instrument
tracks top tracks bottom
2D picture background
HELP FUNCTIONS
The three help functions – QUICK TIPS,
WINDOWS HELP and HOT KEYS can be
activated or opened in the options scene.
MIX LOAD ANIMATION
Every time you start the program or load a
new mix the arranger opens the tracks with
several animations. You can turn the
animations on or off in this menu.
INSTRUMENT TRACKS
You can choose to display the instrument
tracks as the upper or lowest tracks in the
ARRANGER and MIXER. If you are not
using the instruments in your mix it's better
to put them on the lowest tracks. On the
other hand they are easier to use if they
are displayed as the upper tracks.
ARRANGER BACKGROUND
You can choose from the three
background animations supplied with the
program or load any still picture you want
to use as your ARRANGER background.
To load an animation click ANIMATION and
choose 1, 2 or 3. To load a picture click on
the browse button. Then you can browse
for pictures on your hard drive. It must be
activated by clicking PICTURE.
Close
ONLINE FUNCTIONS
A click on the ONLINE button takes
you to the eJay Homepage. The
Online Sound Archive can be accessed
from the sound group of the same name in
the SAMPLE ARCHIVE. You can visit our
homepage or open the eJay Online Sound
Archive without having to first open your
web browser.
MINIMISE
A click with the left mouse key on the
MINIMISE button reduces the
program to the task bar. Click on the
"DANCE eJay 6" entry in the task bar to
maximise the program again.
CLOSE
You can quit the program by clicking
with the left mouse key on the CLOSE
button. If the mix in the arranger has not
been saved a dialogue appears in which
you can either delete the mix or choose to
save it.
SCENES & INSTRUMENTS
If you click on the buttons for the various
SCENES and INSTRUMENTS, the area
between the upper and lower FRAMES will
switch to display the chosen scene or
instrument.
LOWER MAIN FRAME
The Lower Main Fram is visible in all scenes
and contains the following functions
Archive Play Functions Volume
Tempo
ARCHIVE
A click on the ARCHIVE
button opens a movable
window. In this window you can access the
files available for the particular scene.
These may be AUDIO SAMPLES, single
SOUNDS or 3D ELEMENTS and can be
moved onto the track window per drag &
drop. If you want to search for a specific
sample, click on the context menu button
in the upper left corner of ARCHIVE
window and choose SEARCH SAMPLE.
For more information on this feature see
the ARCHIVE chapter.
VOLUME
A click on the VOLUME
button activates the
controller with which you can set the
required volume. The controller then
disappears automatically.
LEVEL METER
Stereo display of the volume level for the
left and right channels.
TEMPO
A click on the PITCH button
activates the tempo
controller with which you can set the
required tempo for the mix. The controller
then disappears automatically.
5
PLAY FUNCTIONS
The play functions in the MAIN FRAME
apply to the mix in the ARRANGER. In the
scenes in which the mix cannot be played,
for example the FX STUDIO or the LIVE
JAM, the buttons have no function.
Fast rewind Stop Loop
To the start Play Fast forward To the end
TO THE START – moves the playback
position to bar 1.
FAST REWIND – moves the playback
position towards the beginning of
the mix bar by bar.
PLAY – starts playback from the current
position.
LOOP – plays back the complete mix or a
certain section repeatedly until
STOP is pressed. How to define a
loop area is described in the
ARRANGER chapter.
STOP – stops playback.
FAST FORWARD – moves the playback
position towards the end of the mix
bar by bar.
TO THE END – moves the playback
position to the last bar of the mix.
#HELP – starts the Windows help file in
which you can read chapters as
they appear in the manual or use
the index to search for certain
subjects.
#QUICK TIPS – appear when the mouse
hovers for a short time over a
position on the screen. They explain
the function briefly to help you get
to know the program more quickly.
You can deactivate the QUICK TIPS
by removing the cross from the
check box.
#HOT KEYS – opens a list of the key
commands for the current scene,
6 DANCE EJAY 6
i.e. only the key commands which
are currently active are displayed.
You can view the hot keys for the
other scenes using the steppers.
THE SCENES
The various scenes can be opened using
the buttons on top of the MAIN FRAME.
The complete middle section of the
monitor display will be switched to show
the chosen scene and its functions.
Voice
Arranger FX Studio Generator
Live Jam Mixer 3D VJ Box
Mode
LIVE JAM
Here you can arrange the DANCE
EJAY 6 samples to make a realtime
mix. Simply drag & drop samples
onto the pads, play the samples as you like
and before you know it you have created
your first mix.
Looped pads Edit control Single play pads
Effect sends Playback controls Groove selectors
Effect selectors Record
Sample Selection
For live jamming you can activate a
combination of pads by choosing the
keys A, S, D, F , G, C, V, B, N and M. To
save a combination first activate the
select button on the pad and then save
your combination with the disk button. In
the same way you can save further
groove patterns.
If you have a groove pattern loaded the Track numbers Samples Bars Tracks
active pads will be highlighted. Whilst
jamming you can activate further pads or
deactivate those that are looping.
Groove Selection
For live jamming you can activate a
selection of pads by choosing the keys A,
S, D, F , G, C, V, B, N and M. Activate the
button with the triangle at the pad and
save it with the disk button and choose a
new selection.
Edit Control Play progress bar
All pads can be edited in the EDIT Sample Archive
CONTROLS window. By clicking E on each
pad you can change the sample volume, In the ARCHIVE you can
pan and the effects echo, chorus, reverb. access all samples.
Recording Clicking the ARCHIVE button opens a
Studio
The effects can be activated and
deactivated in the control menu. movable window in which the samples are
divided into sound groups.
Control Sound groups Samples Scroller
To listen to the mix just press the PLAY
button. If you are set for your live jam,
press RECORD and your mix will be
recorded from start till end. Just click the
STOP button when you are finished mixing.
Export Song
After finishing your song you can save it by
opening the context menu in the top left
corner of DANCE EJAY 6 and selecting
"SEND TO WAVE FILE". It will be saved as a Product selector View Selector
.wav file with 16 bit and 44 KHz (CD Quality).
The sound groups constitute the various
instrumental areas of the basic DANCE
Saving Session EJAY 6 samples. In addition there are the
All settings of your grooves with samples sound groups MY SOUNDS, EXPLORER
can be saved too. Click on "SEND TO MIX and ONLINE SOUND ARCHIVE.
FILE" in the context menu.
The various features of the DANCE EJAY 6
ARCHIVE are described in detail in the
Loading Session following sections. - Standard Functions -
Open the context menu and choose LOAD Sorting Functions - Search Functions -
SESSION. You can decide if you want to use Import Functions
the grooves and the settings of each sample.
Standard Functions
THE ARRANGER
LISTENING TO SAMPLES
Here you can arrange the DANCE
EJAY 6 samples to make a mix. You can listen to samples by double clicking
Simply drag & drop samples onto the them with the left mouse key. To access
tracks, move and copy them and before samples situated further down in the sound
you know it you have created your first mix. group, use the scroller on the right.
7
ADDING SAMPLES TO A MIX Sample Archive – Sorting Functions Sample Archive – Search Functions DEFINE SEARCH
To use samples in a mix, drag & drop them A click with the right mouse key in the If you want to use a specific sample, click 1. A browse button allows you to select the
onto the desired track. archive window opens a menu in which on the context menu button in the upper directory to be searched; check the box
you can sort the samples: left corner of the window and choose below if you want to include subfolders.
BASIC SAMPLES SEARCH SAMPLE.
2. By checking the search filter you can
The basic DANCE EJAY 6 samples are Sample Activate Product Search
name search criteria selector results also search for specific names.
divided into the sound groups BEATS,
BASS, KEYS, SPHERES, GUITAR, MALE, 3. The 3 buttons ALL, MP3 or WAV define
FEMALE, EXTRA and FX. the file types to be included in your search.
All samples are 140 BPM (beats per Then click the START SEARCH button to
minute) and are in A minor. For fast launch the search.
recognition of all these samples, each has
a double-line name describing its content. RESULTS
context menu The results area on the right shows the
HARMONIC PROGRESSION OF THE BASIC
SAMPLES ADDING FAVOURITES information (name, location and type) of
the files found.
The basic samples have been produced in With DANCE EJAY 6 you can mark Sound Group Stop search Length Harmony
different harmonic progressions. That samples as favourites. Click on a sample selection
Start search
selection selection
IMPORT / ADD TO FAVOURITES
means that although they are all in A minor with the right mouse button and choose
ADD SAMPLE TO FAVOURITES. The On the bottom left you can import selected
they use different harmonies. This makes it
samples are then marked with a turquoise A new window opens with five search file(s) or all files. You can also add them to
possible to compose songs that are much
dot and a F. parameters. You can search with one or all your favourites. The imported files appear
more varied.
parameters by checking the box to the left in MY SOUNDS in the ARCHIVE.
YOUR OWN SAMPLES DELETING FAVOURITES of the parameter title. The results of the
By clicking on the context menu button in search appear in the right side of the TRACKS
All samples that are imported, recorded in
the RECORDING STUDIO, modified in the the upper left corner of the ARCHIVE a window. Click on a sample to display its
attributes in the bottom of the window. On the tracks you can arrange the
FX STUDIO or created in the MOPHONIX II pull-down appears which lets you delete
the favourites. samples to create a mix. Altogether
are automatically saved in the sound group there are 48 stereo tracks and 3
MY SOUNDS. To rename or delete Sample Archive – Import Functions
OTHER SORTING OPTIONS instrument tracks.
samples in this sound group click on them Click on the context menu button in the
The samples can also be sorted alphabetically, Audio Instrument Bar scroller
with the right mouse key on the file and upper left corner and choose import sample. track track number
choose the desired function. by length or according to harmony.
Include Filter Browse Result Sample
subfolder button sample name path
EXPLORER REVERSE SORTING ON/OFF
To access other audio files on your system You can sort the samples so that those
click the sound group button EXPLORER. normally on the bottom of the sound group
You can browse through your directories and appear at the top.
drag & drop other samples into your mix as
you wish. In so doing a copy of the sample is PRODUCT
also placed in the MY SOUNDS folder. If you have already installed the eJay
products TECHNO EJAY 4 or DANCE EJAY
ONLINE SOUND ARCHIVE 5 you can choose between the different
By purchasing this software you receive products in the product context menu at
exclusive access to our Online Sound the bottom left of the ARCHIVE. Track Play progress samples
Add to Import all Import Stop Sample
number bar
Archive. Here you can listen to samples on favourites samples selected search size
our homepage and drag & drop them into VIEW The audio tracks are numbered from 1 to
Start File type
your mix! In so doing a copy of the sample In the view context menu you can choose search selector 48, the tracks for the instruments are
is placed in the MY SOUNDS folder. between all samples or your favourites. For called H (HYPER X GENERATOR), B (Bass
mixes created with Dance eJay 6 you can A new window consisting of three parts Generator) and G (Groove Generator).
The Online Sound Archive is regularly also display the samples currently in use.
enhanced. You can search for samples opens. The play progress bar is always in the
according to the criteria style, instrument, middle of the track window; during
key and tempo. playback the samples flow from right to

8 DANCE EJAY 6 9
left. The current position is displayed by
the bar number in the upper ledger.
With the scrollers you can alter the visible
section of the track window. As the
horizontal scroller also alters the current
play position, you have to stop playback
before using it.
ZOOM
The zoom lets you adjust your view of
tracks. It is set to let you see the first 17
TRACKS. You can zoom out to see all tracks
or zoom in to see just the first 8 tracks.
MODIFYING SAMPLES ON THE TRACKS
The samples can be arranged as you wish
on the 48 audio tracks. You do not need to
place samples from a sound group on a
certain track. When you drop samples
from the archive onto the tracks they are
positioned automatically at the beginning
of the nearest bar.
Using the following tools you can modify
the samples on the tracks.
MOVING SAMPLES
Hold down the left mouse key to move
single or multiple selected samples -
horizontally or vertically, by intervals of a bar.
By simultaneously holding down the ALT key
while dragging a sample you can move it by
intervals of a 16th note. In this way you can
move samples around freely within a bar.
Samples cover each other. If a second
sample covers part of the sample before it
on the track then only the visible part of the
first sample will be played. If you place a
new sample on the exact point where
another sample starts, the first sample will
be removed.
COPYING SAMPLES
Hold down the right mouse key to copy
single or multiple selected samples. You
can also position the samples by 16th note
intervals by simultaneously holding down
the ALT key.
10 DANCE EJAY 6
DELETING SAMPLES
To delete a sample or multiple selected
samples, press the DEL key and confirm
the safety check with YES. Or you can
simply drag the samples that are to be
deleted out of the track window!
CUT, COPY & PASTE
You can also use the three classic
commands CUT, COPY and PASTE. Please
note that PASTE inserts the samples at the
current play position; this means you have
to first of all select a new play position and
then insert the samples.
MULTIPLE SELECTION
You can select more than one sample by
”lassoing” samples whilst holding the left
mouse key or by click them one by one
whilst holding the SHIFT key. Similarly you
can deselect single samples by clicking
them whilst holding the SHIFT key.
MODIFYING SAMPLE LENGTH
The length of samples can be modified by
clicking on the beginning (or end) of a
sample with the left mouse key. You can
then move the edges of the sample. This
changes the size of the sample. Only the
visible section will then be played.
MODIFYING SAMPLE VOLUME
The volume of single samples can be
modified independently of the track
volume. Click on the sample with the right
mouse key. A controller appears with
which you can set the volume.
SONG ORGANISER
To save, load and export your songs use
the pull down menu in the UPPER MAIN
FRAME next to the text field. The following
functions are available to you.
SAVE MIX
Each song that you produce using DANCE
EJAY 6 can be saved and reloaded as a
MIX file. This file has the advantage of
being very small. It memorises the
program settings and the position of the
samples.
To save your song as a MIX file click on the
pull down menu in the UPPER MAIN
FRAME and choose the entry SAVE MIX.
To save your mix including samples from
the WAVE sound group and any samples
that are being read from the CD (in the
case of a minimal program installation)
activate the check box ”Save mix with
imported samples”. In this way you can
swap your mix with friends who don’t have
your imported samples on their computer.
The size of the MIX file increases
correspondingly.
If you have already saved your MIX once,
you will overwrite your MIX with the same
filename with this Function. If you haven't
saved your mix, you will see the Save
Dialogue asking you to type a name for
your MIX file.
SAVE MIX AS
Use this to save your Mix to a new file name.
LOAD MIX
To load a mix choose the LOAD MIX entry
from the pull down menu.
EXPORT MIX
If you want to save your song as an audio
file, for example to burn it onto an audio
CD, you have to export it. Choose the
entry EXPORT SONG from the pull down
menu in the UPPER MAIN FRAME next to
the text field.
NEW MIX – RESET ALL
Choose the RESET ALL entry from the pull
down menu in the UPPER MAIN FRAME to
reset the program settings and clean the
track window. Now all controllers are reset
to neutral and you have an empty track
window in which to create your new mix.
MIXER
The MIXER is used to get the best
volume balance across all tracks and
to create a balanced stereo landscape (i.e.
the position of all the instruments from the
extreme left to the extreme right). Here
you can adapt each audio track individually
to the mix. In addition the mixer contains
the effect units FX BOX and BOOSTER to
give your mix some punch. You can
choose to show or hide the effect units,
depending on how many tracks you want
to be able to see in the arranger window.
MIXING TRACKS
The MIXER in DANCE EJAY 6 is arranged
horizontally to give you the best overview.
The MIXER controllers are on the same
level as the corresponding track. When
you scroll vertically, the controllers are
moved as well as the track.
11
Volume Panorama Echo Track Tracks and ZOOM FEEDBACK Equalizer EQ settings Stereo wide
send number samples Feedback defines how a reflectance
The zoom lets you adjust your view of
tracks. It is set to let you see the first 17 gets sent back into the ECHO effect,
TRACKS. By sliding left, you can see all so causing a new reflectance.
TRACKS. On the right corner you only see Acoustically this sounds like a repeat
the first 8 TRACKS. If you double-click on of the signal. Set the number of
the slidebar it jumps back to the first 17 reflectances with the FEEDBACK
TRACKS. controller.
Reset EQ Individual Linked Compressor
controllers controllers
VOLUME EQUALIZER
FX BOX The VOLUME controller defines how
To make the FX BOX visible, click on the loud the effect signal is compared to The EQ contains 10 different frequency
Chorus Reverb Solo & Effect button at the bottom left of the MIXER. You the original. bands. By sliding the controllers up and
send send Mute Lines
can then switch between the FX BOX and down you can define the level of the
the BOOSTER. CHORUS various frequencies ranges.
TRACK VOLUME
SPEED If the controllers are linked, then the
Set the track volume using the controller. The LED at the bottom right of the scene Controls the chorus modulation speed.
shows if effects are activated in the FX movements of one slider effects the
Left is soft, right is loud.
BOX even if the BOOSTER has been position of the neighbouring sliders.
DRIVE
TRACK PANORAMA switched to the foreground. Enables adjustments from a very weak A click on ”C” (Clear) sets all controllers
The panorama control allows you to to an extreme calibration of the effect back to neutral.
Echo Chorus Reverb
change the stereo position from the left to and therefore the volume or level of
the right channel, or anywhere in between. the chorus effect. Presets can be loaded via the selection
box above the controllers. The presets
SOLO & MUTE REVERB include USER settings in which you define
Click on SOLO to hear what your track PRE-DELAY the values of the controllers. The settings
sounds like alone. You can then add other The PREDELAY controller defines the will be automatically saved and loaded
tracks by also activating their SOLO amount of time that passes before the again when the USER setting is selected.
buttons. MUTE switches the volume of a effect signal is heard.
COMPRESSOR
track to zero.
The three effects in the FX Box can be TIME The COMPRESSOR makes the mix louder
THE SENDS turned on or off using their corresponding TIME defines how long the effect without necessarily raising the level
ON buttons. signal takes to fade. indicators. Loud and quiet signals are
With the three SEND controllers you can
decide if a track should be sent through ”compressed”, so to speak, making the
You can load the various presets listed in VOLUME
the FX BOX and also the level of the mix sound more compact and
the selection box. This includes the USER The VOLUME controller defines how
selected effect. considerably fuller and more convincing.
settings that you have already saved in the loud the effect signal is compared to
DRIVE controls the effect of the
FX STUDIO. (See the FX STUDIO chapter). the original.
If you want an echo effect on track 1, set the compressor, GAIN the volume.
Use the volume controller to adjust the
ECHO SEND to high; if you want a reverb on effect volume.
track 7, then give the REVERB SEND a turn.
BOOSTER STEREO WIDE
The ECHO and REVERB effects offer five With the BOOSTER you can add more If your mix is sounding a bit flat then give it
In this way you can individually define TYPE buttons for you to load various types punch to your mix. An equalizer, a a boost by adjusting the INTENSITY
which tracks should receive an ECHO, of effects. compressor and stereo wide are the tools controller of the stereo wide effect.
CHORUS or REVERB effect. The available to you in this scene.
parameters for the effects can be defined The effects can be adjusted individually. FX STUDIO
in detail in the FX BOX. The controls - the same as those in the FX To make the BOOSTER visible, click on
button at the bottom left of the MIXER. You With the FX STUDIO you can edit
STUDIO - are described below. sounds and modify them using
DYNAMIC CURVE EDITING can then switch between the FX BOX and
ECHO the BOOSTER. effects. This applies to all the standard
All controls have a button below which samples, but also to your own recorded
activates each curve editor. You can edit TIME and imported samples. In this way you can
The LED shows if effects in the BOOSTER
each curve by clicking on the line which TIME defines the time after which the shape samples exactly as you wish or
are active even whilst you have the FX BOX
appears on the track. With every further click first echo is to be heard. Here you can modify them in such a manner that
in the foreground.
another dot appears on the line which can set a fast or slow ECHO. completely new samples are created.
be pulled as desired. To delete a dot, drag it
over another one and it will disappear.

12 DANCE EJAY 6 13
The FX STUDIO is divided in two sections:
the WAVE EDITOR is in the upper half, the
effects in the lower half. As all effects
cannot be displayed at the same time they
are divided into four groups.
By clicking on one of the tabs you can
access the corresponding parameters.
The LED next to each of the effect groups
shows if an effect is active.
LOAD SAMPLES
First of all you have to load a sample.
Simply drag & drop the desired sample
from the ARCHIVE onto the WAVE EDITOR.
The wave form of the sample will be
displayed and the sample name appears in
the text field. Now the sample is loaded
and you can begin work.
IMPORT SAMPLES
Any sample on your computer can also be
loaded. Click on the pull down menu next to
the text field in the UPPER MAIN FRAME and
choose the entry IMPORT SAMPLE. The
process is the same as in the ARRANGER
except that in this case the sample is loaded
in the EDITOR in addition to being saved in
the sound group MY SOUNDS.
SAVE SAMPLES
When you have finished editing the
sample, click on the pull down menu next
to the text field and choose the entry SAVE
SAMPLE. The sample is saved under the
desired name in the sound group MY
SOUNDS. The original sample is retained.
FX SETTINGS
The global presets for the FX STUDIO are
visible regardless of which of the
subscenes you have opened. There are
some presets and ten USER settings
available. The USER settings memorise the
position of all controllers so that you can
save all your own standard settings.
WAVE EDITOR
The WAVE EDITOR is used to edit audio
files by for example cutting, pasting,
trimming and adding fades.
To highlight a section of the sample, move
across it with the left mouse button held
14 DANCE EJAY 6
down, i.e. click the point where you want
to begin highlighting and drag the mouse
to the right with the button held down,
releasing the button at the point where you
want the highlighted section to end.
All editing functions are executed using the
buttons above the sample window.
Modifications apply to the highlighted
section or, if nothing has been highlighted,
to the entire sample.
With CTRL + MOUSE you can move the left
or right edge of the highlighted section
without cancelling the selection.
With CTRL + SHIFT + MOUSE you can turn
over the highlighted section. Here is how it
works: click with this key combination next
to the highlighted section. The nearest
edge of the highlighted section is retained,
the new edge is defined by your mouse.
Cut Copy Paste Trim Calculate Add Undo
silence silence
Scroller Normalise Fade in Fade out Sample Zoom Play
window
SAMPLE WINDOW
Wave form representation of the sample.
SCROLLER
Alters the visible section of the sample.
ZOOM
Zoom in to see the details of the wave form;
zoom out to see the complete wave form.
CUT
Removes the highlighted section, giving
you the option to either delete it altogether
or cut it from its original position and paste
it somewhere else.
COPY
Copies the highlighted section so that you
can paste it somewhere else without
deleting the original section.
PASTE EQUALIZER
Pastes the cut or copied section at the The EQUALIZER enables alterations to be
current play position. If an area is made to various frequency bands. That
highlighted it will be replaced by the new simply means you can raise or lower the
section during a PASTE action. level of the bass, treble or middle
frequencies. In DANCE EJAY 6 there is a 21
TRIM band EQUALIZER allowing you to precisely
Deletes everything to the left and right of control the sound.
the highlighted section.
To be able to use the EQUALIZER click on
CALCULATE SILENCE first tab.
Frequency
Sets the volume of the highlighted area to EQ band EQ on Presets
button controllers
zero, making it inaudible.
ADD SILENCE
Silence is inserted according to the length
of the highlighted section. The section of
the sample under the highlighted area is
not deleted but moved back. Reset Individual Linked Global
controllers controllers controllers Preset
Sample NORMALIZE
volume
Redo Level Amplifies the highlighted section to the
meter EQUALIZER ON
maximum possible volume without causing
distortion. This button turns the EQUALIZER on and
off, regardless of the current settings. You
FADE IN can very simply test the acoustical effect
Fades in the highlighted section. of the settings by turning the EQUALIZER
on and off during sample playback. The
FADE OUT LED next to the EQUALIZER button tells
Stop Loop
you if the EQUALIZER is on.
Fades out the highlighted section.
UNDO PRESETS
Reverses previous actions (unlimited There are three presets and five USER
number of actions). settings available. The USER settings
memorise the position of all controllers so
REDO that you can save your own standard
Recovers undone actions. EQUALIZER settings.
RESET EQUALIZER
SAMPLE VOLUME
Changes the sample volume. The sample A click on ”C” (Clear) sets all controllers
is saved with this value. back to the original levels of the preset. In
the case of the USER settings the
LEVEL METER controllers are set to neutral.
Displays the level meter of the sample. If
FREQUENCY BAND CONTROLLERS
the level deflects into the red area then
you should reduce the volume until only These controllers raise or lower certain
frequency bands. The bass frequencies
the peaks go into the red area.
are on the left, the treble frequencies on
PLAY, STOP & LOOP the right.
Starts playback of the sample or the highlighted
section. Loop the sample or the highlighted
section by clicking the LOOP button.
15
INDIVIDUAL OR LINKED CONTROLLERS
Here you can define the functionality of the
controllers. If ”linked controllers” is
activated, movements of one slider effects
the position of the neighbouring sliders. On
the contrary if ”individual controllers” is
activated the slider can be set
independently of each other.
POWERSWEEP, OVERDRIVE,
CHORUS, REVERB & ECHO
POWERSWEEP is a time controlled
resonance filter with which sweep effects
can be created. OVERDRIVE saturates
the signal, leading to distortion effects.
CHORUS produces a fuller and wider
sound. REVERB simulates a space, such
as a hall or a church or even a small box.
ECHO repeats the original sound.
To make these 5 effects visible click on the
second tab.
POWERSWEEP Powersweep
on settings
Echo Overdrive Chorus
Settings Settings Settings
POWERSWEEP, CHORUS, REVERB
and ECHO have their own presets that
can be loaded from the selection menu. As
with the EQ, there are also USER settings
to save your current settings. All effects
are only active when the corresponding
ON button is activated. REVERB and ECHO
add supplementary audio signals to a
sample.
POWERSWEEP
CUT-OFF FREQUENCY
The basis of the POWERSWEEP is a
low pass filter: the audio signal above
the CUT-OFF FREQUENCY is cut,
meaning high tones are filtered out.
The controller sets the point at which
the filter starts to apply
16 DANCE EJAY 6
RESONANCE
The RESONANCE is an amplification
of the audio signal exactly at the point
of the CUT-OFF FREQUENCY. This
leads to an accentuation of the
SWEEP effect. It can be adjusted
using the controller.
SWEEP DIRECTION
As soon as you start sample playback,
the filter starts to move, producing the
SWEEP effect. The controller defines if
the filter moves up or down, i.e. to
higher or lower frequencies, and to
which value the filter ”wanders”
TIME
The speed of the filter movement. In
the time defined here the filter
”wanders” up or down to the value set
by the DIRECTION controller.
FILTER CURVE
The points mark a filter progression curve
that clarifies how the filter is applied.
ECHO
Aside from the five different types of
effects, the ECHO effects are defined by
three parameters:
TIME
TIME defines the time that passes before
the first reflection of the ECHO is audible.
Here you can set a fast or slow ECHO.
FEEDBACK
Feedback defines how a reflectance
gets sent back into the ECHO effect,
so causing a new reflectance.
Acoustically this sounds like a repeat
of the signal. Set the number of
reflectances with the FEEDBACK
controller.
VOLUME
The VOLUME controller defines how
loud the effect signal is compared to
the original.
OVERDRIVE
The OVERDRIVE in DANCE EJAY 6 has only
one controller. It sets the degree of the
distortion, i.e. defines the size of the
distortion effect.
CHORUS VOCODER
SPEED
The Vocoder is a special effect in which the
Controls the modulation speed of original sample is altered by the so-called
the Chorus.
CARRIER SIGNAL. The original modulates the
CARRIER. The resulting mix can sound like
DRIVE
Enables adjustments from a very weak this: a vocal (original) which has the character
and melody of a synthesizer pad (CARRIER).
to an extreme calibration of the effect
and therefore the volume or level of
To do this load the original sample into the
the chorus effect.
WAVE EDITOR and drag the sample you
REVERB
want to use as CARRIER onto the sample
window in the VOCODER.
Similar to the ECHO effect, here there are
five different types of effect and three VOCODER SHAPE
controllers with which the character of the With SHAPE you define how much of the
effect is formed:
original signal is to remain unchanged. In
this way you can influence for example the
PRE-DELAY
degree to which the original voice sample is
The PREDELAY controller defines the
distorted. SHAPE improves the overall
amount of time which passes before
sound, especially in the higher frequencies.
the effect signal is heard.
Generally the result is a more brilliant sound.
TIME
VOCODER RATIO
TIME defines how long the effect
signal takes to fade. RATIO sets the balance of the two samples,
influencing the amount with which each
VOLUME sample works in the VOCODER.
The VOLUME controller defines how
loud the effect signal is compared to HARMONIZER
the original.
The HARMONIZER generates new voices
above or below the original sample. The
VOCODER & HARMONIZER buttons refer to semitone steps. 12
The VOCODER and HARMONIZER effects Semitones is an OCTAVE, +7 is a FIFTH
make it possible to make major changes to higher than the original, +5 a FOURTH
the intonation of samples. Give a sample a higher and -5 a FOURTH lower than the
completely new melodic line with the original. The results can be quite different,
VOCODER, or add new voices to a sample depending on the samples themselves. So
with the HARMONIZER give it a try and see what the
HARMONIZER can do for your samples!
The two effects are only active when the
corresponding ON button is activated. TIME & TUNE
To make these 2 effects visible click on the In the TIME & TUNE module you can
third tab. correct or modify the tempo and pitch of
Voice selection Harmonizer on
the sample. To make this scene visible
click on the fourth tab.
Matrix Stepper Time & Tune on New
pitch
Sample name Ratio Shape Vocoder on
Metronome Original tempo New tempo
17
ORIGINAL TEMPO
On loading a sample the original tempo is
calculated and displayed in the ORIGINAL
TEMPO (BPM) text field. This tempo serves
as the reference tempo for the TIME
STRETCHER.
If the tempo is not correctly identified you
can enter it manually in the text field if it is
known to you. How does it happen, that
the tempo is not correctly identified?
Sample are defined according to their
length as most samples are cut to be
exactly one or more bars in length. If a
sample however has been cut to 1.25 bars
in length then the tempo will be falsely
identified as too slow.
NEW TEMPO
Enter the new tempo using the RIGHT and
LEFT STEPPERS, or direct in the text field
NEW TEMPO. If you do not know what the
original tempo is then activate the
METRONOME. Each time you click PLAY
the METRONOME starts. Adjust the
TEMPO until it is synchronised with the
METRONOME. Then the sample has a
tempo of 140 BPM, matching that of
DANCE EJAY 6.
NEW TUNE
Enter the new pitch using the UP and
DOWN STEPPERS, or direct in the text field
NEW TUNE. If you do not know the original
pitch but want to match it to the DANCE
EJAY 6 key of A minor, then turn on the
REFERENCE TONE (A).
Each time you click PLAY the REFERENCE
TONE starts. Adjust the TUNE until it
harmonises with that of REFERENCE
TONE.
MATRIX
The MATRIX displays the tempo and pitch of
the new sample. Move the CURSOR with
the mouse to roughly set the desired values.
3D VJ BOX
In the 3D VJ BOX you can arrange 3D
objects and 3D spaces to create a
complete animation to go with your mix.
Naturally you can export this later with
music as an AVI file.
18 DANCE EJAY 6
Background Track Object
track numbers tracks
Object Object Preview Full screen
scaling lighting window
OBJECTS & BACKGROUNDS
To access the 3D objects and backgrounds
click on the ARCHIVE button. The OBJECT
groups are on the top and the BACKROUND
groups on the bottom of the ARCHIVE. As
with the audio samples, you can click on
them to see them in the preview window.
In the objects groups you find 3D elements
in various variations. They work well in
combination with each other and are well
suited to animating your music. The 3D
objects are exactly two bars long.
The background groups contain 3D worlds,
backgrounds and elementary effects.
Drag & drop the 3D elements onto the
tracks. OBJECTS belong on the 3 OBJECT
TRACKS (T1, T2 and T3), BACKGROUNDS
on the BACKGROUND TRACK (BG).
ARRANGE OBJECTS
Objects can be arranged, cut, copied and
pasted as you wish on the tracks. On
playing your mix you can see the total
effect of your 3D arrangements in the
preview window.
CHANGING LIGHTING
You can make fine adjustments to the look
of your arrangement using the AMBIENT
controllers. The lighting of the 3D space
influences the ambience created by your
animation.
COLOUR controls the lighting colour,
INTENSITY the depth and BRIGHTNESS
the brilliance.
CHANGING THE SIZE OF OBJECTS PER
TRACK (SCALE OBJECT)
The size of the objects on the tracks can
be varied. pleasePlease note that the
settings of the SCALE controllers always
impact on all objects on the track in
question.
FULL SCREEN
Turn the animator onto full screen mode
with the FULL SCREEN Button. To leave full
screen mode press ESC or stop playback.
DELETE TRACKS
If you want to delete all 3D objects from
the tracks, click on the pull down menu in
the UPPER MAIN FRAME and choose the
entry RESET.
EXPORT AS AVI
To export your 3D animation as an AVI you
need to click on the pull down menu in the
UPPER MAIN FRAME and choose the entry
AVI VIDEO EXPORT. A window displaying
the video export information opens. By
clicking the advanced button below you
can change further settings such as the
video codec, width, height and framerate.
Click "with audio" to include the music in
your video. Click the tab WINDOWS MEDIA
EXPORT to access further presets.
RECORDING STUDIO
In the RECORDING STUDIO you can
make recordings via a microphone
or synthesizer connected to the sound
card or direct from an audio CD
(GRABBING).
The RECORDING STUDIO is divided into
the following areas: the lower part (wave
display) and the two areas for RECORDING
and GRABBING.
SOURCE OF SOUNDCARD
Before you start recording your vocals,
you have to select your recording device
(Sound card) and input channel. As default
settings this is set to your primary sound
card and "stereo mix" as input channel.
However, if you record using stereo mix,
everything played through your sound
card will be recorded. If you wish to record
only via the microphone set the input
channel to "microphone".
RECORDING LENGTH
If you want to record a specific length you
can adjust it up to 16 bars.
TRACK SELECTION
It is possible to select a Track to which the
recorded sample should be put to.
METRONOME
If you require a tempo controller, turn on
the METRONOME.
START RECORDING
Clicking on the RECORD button in the
RECORD CONTROL field starts the
recording from the sound card or CD. During
the recording the status display will show
"RECORDING ACTIVE". End the recording
by clicking the STOP button in the same
field. The recording will then be displayed in
the sample window; the PLAY button in
RECORD CONTROL starts playback.
RECORD LEVEL
Before starting recording adjust the record
level so that it is not distorted but still loud
enough. To do this use the INPUT VOLUME
controller.
METER SENSITIVITY
Here you can choose between 3 settings:
pure, medium and high.
DELETE RECORDING
You can delete recordings by clicking on
the pull down menu in the UPPER MAIN
FRAME and choose the entry DELETE
RECORDING
19
SAVE RECORDING
If you want to keep your recording open
the pull down menu in the UPPER MAIN
FRAME and choose the entry SAVE
RECORDING. The sample is saved under
the desired name in the sound group MY
SOUNDS. From there you can load it into
your mix.
EDIT RECORDING
If you want to load the recording into the
FX STUDIO open the pull down menu in
the UPPER MAIN FRAME and choose the
entry EDIT RECORDING. The recording is
saved, the RECORDING STUDIO closed
and the recorded sample loaded directly
in the FX STUDIO.
RECORDING FROM THE
SOUND CARD
To record from the sound card, for
example using a microphone, set the
INPUT CHANNEL to microphone or line in.
SELECT RECORDING TRACK
Recordings can be made directly onto
one of audio tracks (this does not apply to
GRABBING). Select the track using the
steppers in the above or below the
RECORDING ON TRACK display. If no
track is selected the recorded sample
appears in the MY SOUNDS sound group.
From there you can add it to your mix.
COUNTER
You can add a count-in before the
recording starts by clicking on the COUNT-
IN button.
METRONOME
If you do not want to run mix playback
whilst recording but nevertheless require a
tempo controller, turn on the
METRONOME.
PLAYBACK
Here you can turn mix playback on or off
during recording.
GRABBING FROM CD
If you want to GRAB parts of a song from
an audio CD set the INPUT CHANNEL to
20 DANCE EJAY 6
CD Player. Now you can only record from
audio CDs.
Recording can be started at any time. It is
not necessary to record a complete title.
On the contrary, you can SAMPLE parts of
a song.
TITLE LIST
When a CD is in the CD-ROM drive a list of
song titles appears in the display. Click on
a title and play it using the REMOTE
BUTTONS.
REMOTE
The REMOTE buttons apply to the
functions of the CD drive. The following
functions are available:
- FAST REWIND within the highlighted
title
- FAST FORWARD within the highlighted
title
- PAUSE
- STOP
- PLAY to hear the highlighted title
- EJECT CD to open and close the CD-
ROM drive
SAMPLING
If you want to SAMPLE a loop from a song,
playback the song, pausing just before the
desired loop. Then start recording and
press PLAY from the REMOTE BUTTONS.
When the part you require has been
played, stop recording and open it in the
FX STUDIO.
Here you can cut the beginning and end
to produce a clean loop. A useful tool is
the TRIM function. Now all you need to
do is match the sample to 140 BPM in
TIME & TUNE before you can integrate it
into your mix.
VOICE GENERATOR
In the VOICE GENERATOR you can
generate robot voice samples from
your own texts.
Voice Text entry
selection field
Tune Volume Speed Play the text
TEXT ENTRY FIELD
Enter the desired text via your PC
keyboard. This can be modified at any
time. If the VOICE GENERATOR doesn’t
pronounce a word as you imagined it, try
changing the text a little. Often a small
misspelling can lead to the desired
pronunciation!
VOICE SELECTION
In the VOICE SELECTOR field you can click
on the voice which you want to say the
text. Besides the DANCE EJAY 6 voices,
you can download voices from the web.
There you can also find the LANGUAGE
PACKS with which the single voices can be
optimised for various languages.
PLAY THE TEXT
Click PLAY to play the complete text or, if
you have selected part of the text, only the
highlighted section. STOP puts an end to
the fun!
SPEED, TUNE & VOLUME
SPEED alters the speed of the spoken text.
This means you can match the sample to
the tempo of the music or simply let the
text be said in your chosen tempo.
TUNE changes the pitch; if the VOICE
SAMPLE doesn’t suit the harmony of your
song you can correct it here.
SAVE AND LOAD
You can save the contents of the text field
along with the settings for SPEED TUNE
and VOLUME for later use. Click on the pull
down menu in the UPPER MAIN FRAME
and choose the entry SAVE TEXT. Load the
text later via the same pull down menu.
SAVE AS SAMPLE
To save the text as a sample in the sound
group MY SOUNDS similarly click on the
pull down menu in and choose the entry
SAVE SAMPLE.
LOAD IN THE FX STUDIO
If you want to modify the sample, choose
the entry EDIT SAMPLE. It will be saved
firstly as a WAVE file in the sound group MY
SOUNDS and then automatically loaded in
the FX STUDIO where all the tools
described in that chapter are at your
disposal.
THE 5
INSTRUMENTS
DANCE EJAY 6 contains five instruments
to give your songs that individual touch.
Use these instruments to generate your
own melodies, bass sequences or
harmonic progressions for your mix.
The GROOVE GENERATOR, the HYPER X
GENERATOR, the BASS GENERATOR are
automatically linked to mix playback and
therefore always run in sync with the mix.
The MOPHONIX II and the MOPHONIX
SUPA BASS produce WAVE files which can
be later added to your mix.
GROOVE GENERATOR
The GROOVE GENERATOR is a drum
sequencer for up to 16 different sounds, all
of which can be played individually. It is
divided into two zones: the DRUM PADS
and the MATRIX.
DRUM PADS
A drum set is usually composed of
many different instruments. In the
GROOVE GENERATOR there are 16 PADS
at your disposal. Load sounds from the
sound groups KICK, SNARE, HIHAT,
CYMBAL, EXTRA and PERCUSSION onto
the pads to make your SET.
21
To switch the PADS to the foreground,
click on the DRUM PADS button in the
lowerupper task bar of the GROOVE
GENERATOR.
Pads Edit Volume Panorama
Sound name Reverse Pitch FX active
ASSIGNING SOUNDS TO THE PADS
To assign sounds to the pads, open the
ARCHIVE and drag & drop sounds onto the
pads. The active sound groups for this
scene are KICK, SNARE, HIHAT, CYMBAL
and PERCUSSION. In addition you can
access your own samples from the MY
SOUNDS group and use them in the
GROOVE GENERATOR.
PLAYING THE PADS
The PADS are played using the keys E, D,
C, R, F and V as well as the number keys 0
to 9. Or just click on the pads with the
mouse.
EDITING THE PAD SOUNDS
Each PAD can be edited individually. To do
so click on the corresponding EDIT button.
The controllers in the middle refer always
to the PAD with the active EDIT button.
Now you can set the VOLUME, PITCH and
PANORAMA of the sound; if REVERSE is
activated the sample will be played
backwards.
For each pad you can individually activate
the ADD FX button. This is important as it is
not always advisable to send all pad
sounds to the effects.
Example: Your SET comprises KICK, CLAP,
SNARE and PERCUSSION sounds. To
make the PERCUSSION sounds more
22 DANCE EJAY 6
interesting you want to send them through
the STEREO ECHO in the mixer. KICK,
CLAP and HIHAT however should remain
pure, otherwise it’ll sound too chaotic. In
this case activate the FX button only for
the pads with PERCUSSION sounds.
GROOVE MATRIX
In the MATRIX of the GROOVE
GENERATOR you arrange your DRUM SET
bar by bar to create complete LOOPS and
GROOVES synchronous to your mix.
To switch the MATRIX to the foreground,
click on the GROOVE MATRIX button in the
loweruppe task bar of the GROOVE
GENERATOR.
Play bar PAD sound Matrix
Generator
Play Stop Loop Record
Metronome Reset
NOTES IN THE MATRIX
The MATRIX displays a single bar divided
into 16th notes. To create a LOOP activate
single notes within the MATRIX. The
MATRIX always displays the bar at the
current play position. To reach other bars
in the mix select the position using the BAR
display or by scrolling in the MAIN FRAME.
GROOVE GENERATOR SAMPLES
As soon as notes in the matrix have been
activated a GROOVE GENERATOR sample
will be automatically created. It appears in
the G track above the MATRIX. You can
move these samples around as you wish.
They will be saved together with your mix.
PLAY FUNCTIONS IN THE MATRIX Keyboard Matrix Hyper Shuffle
Generator track
The principal function of the player
commands in the MATRIX is to hear your
LOOP independently of your mix. Click the
PLAY button in the lower right corner of the
scene to play the bar visible in the GROOVE
GENERATOR; the other buttons (LOOP and
STOP) also refer only to the MATRIX.
SHUFFLE
Activating SHUFFLE delays the attack of
each second 16th note, meaning the notes
on the 2nd, 4th etc. positions in the matrix
are played slightly later. With the SHUFFLE Play matrix Loop Stop Reset
slider you define the amount of delay. The Metronome
greater the SHUFFLE value, the more your
rhythm will swing, giving it a natural "live" SOUND SELECTION
Groove character.
To load a sound in the HYPER X
track MIX PLAYBACK GENERATOR open the ARCHIVE and drag
& drop the sample onto the MATRIX.
The complete mix, including the GROOVE
GENERATOR samples, can be played NOTES IN THE MATRIX
using the play functions in the MAIN
The MATRIX displays a single bar divided
FRAME. That is why these play functions
into 16th notes. To create a SEQUENCE
are active even when the GROOVE
activate single notes within the MATRIX per
GENERATOR is open.
mouse click. The MATRIX always displays
SAVING SAMPLE AS WAVE FILES the bar at the current play position. To
reach other bars in the mix select the
If you want to use your LOOP in other
position using the BAR display or by
mixes then you need to save it as WAVE
scrolling in the MAIN FRAME.
file. To do so open the pull down menu in
the UPPER MAIN FRAME and choose the CHANGING THE LENGTH OF NOTES
entry SAVE SAMPLE.
Shuffle To modify the length of single notes, hold
RECORDING THE DRUMS LIVE down the CTRL key and click on the note
with the left mouse and move the end to
If you find entering the notes one-by-one a
the point at which the desired length has
drag, try recording the drums live. Activate
been reached. A note can be lengthened
the RECORD button in the MATRIX and then
by 16th steps up to the length of the
start mix playback. All notes you enter via the
original sample. Some of the percussion
keyboard or mouse will now be recorded.
sounds are shorter. Samples can be
HYPER X GENERATOR lengthened over the right edge of the
MATRIX, which automatically switches to
The HYPER X GENERATOR is a the next bar.
polyphonic sequencer suited to
generating synthesizer sequences and MAKING ACCENTS
melodies. It is also good for setting
To give single notes an accent click with
harmonic accents and composing HOOKS
the right mouse key on the note. The letter
"A" shows that the note has been
accented. Click again with the right mouse
key to remove an accent.
23
SHUFFLE
Activating SHUFFLE delays the attack of
each second 16th note, meaning the notes
on the 2nd, 4th etc. positions in the matrix
are played slightly later. With the SHUFFLE
slider you define the amount of delay. The
greater the SHUFFLE value, the more your
rhythm will swing, giving it a natural "live"
character.
PLAY FUNCTIONS IN THE MATRIX
The principal function of the player
commands in the MATRIX is to hear your
SEQUENCE independently of your mix.
Click the PLAY button in the lower right
corner of the scene to play the bar visible
in the MATRIX; the other buttons (LOOP
and STOP) similarly refer only to the
MATRIX.
MIX PLAYBACK
The complete mix, including the HYPER X
GENERATOR samples, can be played
using the play functions in the MAIN
FRAME. That is why these play functions
are active even when the HYPER X
GENERATOR is open.
SAVING SAMPLE AS WAVE FILES
If you want to use your SEQUENCE in other
mixes then you need to save it as WAVE
file. To do so open the pull down menu in
the UPPER MAIN FRAME and choose the
entry SAVE SAMPLE.
BASS GENERATOR
The BASS GENERATOR is a mono
sequencer, i.e. one voice sequencer,
conceived for generating BASS LINES.
To load a sound in the BASS GENERATOR
open the ARCHIVE and drag & drop the
sample onto the MATRIX. The active sound
groups are SAMPLES and MY SOUNDS.
From the later you can access your own
samples to use them in the BASS
GENERATOR.
24 DANCE EJAY 6
Keyboard Matrix Bass Generator Shuffle
track
Matrix Loop Metronome Reset
playback
SOUND SELECTION
NOTES IN THE MATRIX
The MATRIX displays a single bar divided
into 16th notes. To create a SEQUENCE
activate single notes within the MATRIX per
mouse click. The MATRIX always displays
the bar at the current play position. To
reach other bars in the mix select the
position using the BAR display or by
scrolling in the MAIN FRAME.
CHANGING THE LENGTH OF NOTES
To modify the length of single notes, hold
down the CTRL key and click on the note
with the left mouse and move the end to
the point at which the desired length has
been reached. A note can be lengthened
by 16th steps up to the length of the
original sample. Some of the percussion
sounds are shorter. Samples can be
lengthened over the right edge of the
MATRIX, which automatically switches to
the next bar.
MAKING ACCENTS
To give single notes an accent click with
the right mouse key on the note. A dot
shows that the note has been accented.
Click again with the right mouse key to
remove an accent.
SLIDE UP & SLIDE DOWN
You can add a SLIDE UP or a SLIDE DOWN
to single notes. This effect changes the
pitch of the note by 12 semitones per bar
up or down as it is played. The effect is
therefore dependent on the length of the
note. Set a SLIDE UP using SHIFT + left Although there is a matrix, this time it
mouse key, a SLIDE DOWN using SHIFT + functions differently.
left mouse key. The slides are visualised by D-tune Low pass Matrix
a black triangle on the note itself.
PLAY FUNCTIONS IN THE MATRIX
The principal function of the player
commands in the MATRIX is to hear your
SEQUENCE independently of your mix.
Click the PLAY button in the lower right
corner of the scene to play the bar visible
in the MATRIX; the other buttons (LOOP
and STOP) similarly refer only to the
MATRIX.
SHUFFLE
Activating SHUFFLE delays the attack of Duration and MODE Record
each second 16th note, meaning the notes intensity grid settings
on the 2nd, 4th etc. positions in the matrix
are played slightly later. With the SHUFFLE The functions are described in detail in the
slider you define the amount of delay. The following sections.
greater the SHUFFLE value, the more your
rhythm will swing, giving it a natural "live" SOUND CREATION IN THE
character. OSCILLATOR
The PITCH settings define the basic pitch
MIX PLAYBACK
for each synthesizer. You can choose from
The complete mix, including the BASS values encompassing a range of up to 12
GENERATOR samples, can be played octaves.
using the play functions in the MAIN
FRAME. That is why these play functions PHASESHIFT defines the displacement of
are active even when the BASS the "saw tooth curve". The minimum and
GENERATOR is open. maximum controller positions cover the
range from 0° to 360°, imposing the
SAVING SAMPLE AS WAVE FILES curves exactly on top of each other. An
If you want to use your SEQUENCE in other alteration in the phase is not necessarily
mixes then you need to save it as WAVE noticeable on all MODE settings.
file. To do so open the pull down menu in
the UPPER MAIN FRAME and choose the INTENSITY, together with DURATION,
defines the attack characteristics and the
entry SAVE SAMPLE.
dynamics of the progression from the
MOPHONIX II beginning to the end.
The new MOPHONIX II allows you to With the help of the various MODE settings
create Synthesizer progressions you can define the relationship between
from the ground up. The MOPHONIX II the two saw tooth curves:
uses two virtual analogue synthesizers
with a so-called "saw tooth curve". The MODE 1 sounds closest to a classical
synthesizers are connected with various analogue synthesizer.
MODES.
MODE 2 sounds more metallic.
In contrast to the GROOVE, HYPER X &
BASS GENERATORS, the MOPHONIX II MODE 3 is a mixture of MODE 1 and MODE 2.
only generates WAVE files and is not
MODE 4 sounds distorted and more
synchronised with your mix. That’s why
technoid in character.
there is no extra track for this scene.
25
BALANCE is used to define the amount of
the right and left saw tooth curves in the
resulting signal.
Caution: depending on the chosen MODE,
some controller positions may result in an
inaudible signal because the two curves
cancel out each other.
These settings may sound a little
complicated so we recommend you
experiment with the controllers or load
some of the predefined settings to
familiarise yourself with the module. You
will soon see how you can generate
fascinating synth sounds with the
MOPHONIX II.
EQUALIZER AND EFFECTS
EQUALIZER
The EQUALIZER contains 10 different
frequency bands. By sliding the controllers
up and down you can define the volume of
the various frequencies ranges.
If the controllers are linked, then the
movements of one slider effects the
position of the neighbouring sliders.
A click on ”C” (Clear) sets all controllers
back to neutral.
EFFECTS
LOW PASS
The audio signal above the CUT-OFF
FREQUENCY is cut, meaning high
tones are filtered out. The slider sets
the point at which the filter starts to
apply. The further the slider is set to
the right, the higher the cut-off
frequency.
The DURATION slider lets you select
how long the low pass should last.
D-TUNE
The D-TUNE controller changes the
stereo effect of the sound. The left and
right channels of the sound are set
against each other, resulting in an
increase in the beat of the sound.
FLANGER
The FLANGER widens the length of the
sound and gives it a softer touch.
26 DANCE EJAY 6
MATRIX
Here you have a keyboard with a range of
two octaves with which you can listen to
the pitch of your sound. In the 16th matrix
you can create progressions of up to 4
bars in length. By clicking on the TABS 1-4
below the matrix you can jump to the
different bars.
The matrix is polyphonic, meaning you
have multiple tones in each column (16th).
When you click play the matrix loops from
the beginning. You can copy and paste
bars, or clear bars by clicking on the
CLEAR (C) button.
Under the matrix you will find a TRIGGER
and separate controller for each note with
which you can change the note length.
PLAY starts looping of the matrix. You can
edit the matrix during looping until you
reach a result with which you are satisfied.
Press STOP to stop looping the matrix.
ARPEGGIATOR
With the ARPEGGIATOR you can create
patterns in the matrix based on the notes
of certain predefined chords. Six
parameters enable you to define the notes
in the matrix. In addition you can edit the
resulting patterns in the matrix to add your
own touch to your progression.
ON BUTTON
The ARPEGGIATOR must be turned on
separately for each bar in the matrix. This
is how it works: first create the desired
pattern in bar 1. Then you can save it if you
want. In the same way you can create
patterns for the other bars, saving them as
you go.
The matrix will be cleared each time you
press the ON button; beforehand you will
be given the option to save your settings.
As soon as you start to add notes of your
own to the matrix, the arpeggiator will be
turned off. This is necessary to avoid
conflicts between the automatically
defined notes and those you add yourself.
CHORD
Open the context menu to load predefined
chords.
NUMBER OF NOTES
Defines the number of notes which will be
used in creating the patterns in the matrix.
ADDITIONAL VOICES
You can choose to add voices at certain
intervals to the principal notes in the
matrix.
RHYTHM PATTERN
Here you can define the rhythm of the
sequence. You can choose to activate just
the first note in the matrix, the 4 notes on
the main beats of the bar, or even all 16th
notes in the bar.
MELODY PATTERN
Here it is possible to change the character
of the melody. You can choose between
melodies that move simply up or down, or
other more complex patterns.
TRANSPOSE
The patterns can be moved up or down all
defined possible notes. In this way you can
switch between different inversions of the
set chord.
RECORDING AND SAVING
RECORDING A SAMPLE
First of all you have to set the length of the
sample in the PRESET menu. The matrix will
be played once for each bar you have set.
As soon as you click on the RECORD
button playback starts. All changes that
you make during the recording are
recorded just like with a cassette recorder.
You can check the position of your
recording with the progress bar.
When the set number of bars has been
passed through the recording ends. In the
dialogue box that then opens you can
name and save the resulting sample or edit
in the FX STUDIO, which opens
automatically. The sample appears in the
sound group MY SOUNDS from where it
can be added to a mix (drag & drop).
SAVE / LOAD SETTINGS
To do so click on the pull down button next
to the text field in the UPPER MAIN
FRAME. You can then choose between the
following options:
SAVE SETTINGS opens a dialogue box,
which enables you to save the current
controller settings of the synthesizer and
effects together with the mix in the current
state in one file.
LOAD SETTINGS opens a dialogue box
where an existing file can be selected. You
can choose to load synthesizer and effect
settings and / or the matrix settings.
MOPHONIX SUPABASS
The new MOPHONIX SUPA BASS
allows you to create synthesizer
bass progressions from the ground up.
The SUPA BASS uses FM-synthesis to
create bass sounds. It contains two
oscillators. One of them is the
MODULATOR, the other the CARRIER.
In contrast tot the GROOVE and HYPER X
GENERATORS, the MOPHONIX SUPA
BASS only generates WAVE files and is not
synchronised with your mix. That’s why
there is no extra track for this scene.
Although there is a matrix, this time it
functions differently.
SOUND CREATION IN THE
OSCILLATOR
The PITCH settings define the basic pitch
of the lowest note in the matrix (A) for
each synthesizer. You can choose from
values encompassing a range of up to 4
octaves.
The PITCH of the CARRIER defines the
keynote of the sound, while the PITCH of
the MODULATOR influences the overtone
27
components of the sound. RANDOM / PERMUTATE UNINSTALL CTRL + X
CTRL + A
Cut samples
Select all samples
The PITCH settings for both oscillators The RANDOM button generates a random To uninstall DANCE EJAY 6 click on the SHIFT + Mouse Sample selection and
work with octave steps. Please note: if tone sequence. The PERMUTATE button WINDOWS START MENU in your task bar multiple sample selection
both oscillators are set to the lowest pitch can be used to randomly change (mutate) and choose ”PROGRAMS/DANCE EJAY ALT + Mouse Position sample in 16th
value, barely audible bass sounds with the progression in the matrix. 6/uninstall”. beat grid
very low frequency may be created. This DEL Delete selected
depends in part on the other settings. PLAY CONTROLS The DANCE EJAY 6 software and the samples
PLAY starts looping of the matrix. You can original samples will be uninstalled. What Space bar Start/Stop
The grid control allows you to specify the remains is part of the DANCE EJAY 6 folder
period duration for the oscillators, whereby edit the matrix during looping until you Arrow left Fast rewind
reach a result with which you are satisfied. structure where you can find all samples Arrow right Fast forward
the X-coordinate defines the MODULATOR that you created using the program, i.e. all
period length and the Y-coordinate defines Press STOP to stop looping the matrix. Pos1 To the start
samples that were in the MY SOUNDS End To the end
the CARRIER period length. sound group. Naturally you can delete
RECORDING A SAMPLE CTRL + F12 Disable background
these samples manually if you wish. animation
The slider AMOUNT defines the degree to First of all you have to set the length of the
which the CARRIER signal is influenced by sample in the PRESET menu. The matrix FX STUDIO
the MODULATOR. will be played once for each bar you have CTRL + A Select sample
The 4 MODE settings represent different set. CTRL + X Cut highlighted section
mathematical operations combining the As soon as you click on the RECORD
HOT KEYS CTRL + C Copy highlighted
signal of the two oscillators. section
button PLAY starts. All changes that you SWITCHING SCENES AND CTRL + V Paste highlighted
The SOFT and HARD buttons switch the make during the recording are recorded INSTRUMENTS section
overall sound characteristics. just like with a cassette recorder. You can CTRL + Z Undo
check the position of your recording with SHIFT + J LIVE JAM
SHIFT + A ARRANGER CTRL + Y Redo
These settings may sound a little the progress bar above the PRESET menu.
complicated so we recommend you SHIFT + M MIXER 3D VJ BOX
experiment with the controllers or load When the set number of bars has been SHIFT + F FX STUDIO
CTRL + F Full screen
some of the predefined settings to passed through the recording ends. In the SHIFT + D 3D VJ BOX
ESC Return to scene
familiarise yourself with the module. You will dialogue box that then opens you can SHIFT + V VOICE GENERATOR
CTRL + X Cut highlighted section
soon see how you can generate fascinating name and save the resulting sample. The SHIFT + R RECORDING STUDIO
CTRL + A Select all samples
sounds with the MOPHONIX SUPA BASS. sample appears in the sound group MY SHIFT + H HYPER X GENERATOR
CTRL + C Copy highlighted section
SOUNDS from where it can be added to a SHIFT + G GROOVE GENERATOR
CTRL + V Paste highlighted section
mix (drag & drop) or opened in the FX SHIFT + B BASS X GENERATOR
EFFECTS Studio for further modification. SHIFT + P MOPHONIX II
CTRL + Z Undo
The LFO FILTER is an effect that uses CTRL + Y Redo
SHIFT + S MOPHONIX SUPABASS
feedback to give the bass sound a more SAVE / LOAD SETTINGS SHIFT + O OPTIONS VOICE GENERATOR
unadjusted, floating character. SHIFT + K HOT KEYS CTRL + S Save sample as WAVE file
To do so click on the PULL DOWN button F1 HELPFILE
next to the text field in the UPPER MAIN CTRL + C Copy highlighted section
MATRIX FRAME. You can then choose between the LIVE JAM CTRL + V Paste highlighted section
Here you have a keyboard with a range of following options: CTRL + X Cut highlighted section
Q; W; E, U, I, O and
two octaves with which you can listen to number keys 1 to 8 Play drum pads RECORDING STUDIO
the pitch of your sound. You can create SAVE SETTINGS opens a dialogue box,
tones for one bar in the 16th matrix. The which enables you to save the current A; S; D; F; G; S; C; CTRL + A Select sample
matrix is monophonic, meaning you can controller settings of the synthesizer and V; B; N; M Play grooves CTRL + S Save sample as WAVE file
only have one tone per column (16th). effects together with the mix in the current DEL Delete recording
ARRANGER & MIXER
state in one file. CTRL + Space Start and stop recording
Under the matrix you will find a separate CTRL + O Load mix
CTRL + S Save mix GROOVE GENERATOR
controller for each note with which you can LOAD SETTINGS opens a dialogue box
change the length of the individual notes. where an existing file can be selected. You CTRL + N New mix (reset) CTRL + S Save sample as WAVE file
can choose to load synthesizer and effect CTRL + E Export song E, D, C, R, F, V
settings and / or the sequence settings. CTRL + Z Undo and number
CTRL + Y Redo keys 1 to 0 Play the drum pads
CTRL + C Copy samples
CTRL + V Paste samples

28 DANCE EJAY 6 29
HYPER X GENERATOR
CTRL + S Save sample as WAVE
file
CTRL + Z Undo
CTRL + Y Redo
MOPHONIX II
CTRL + C Copy Matrix
CTRL + V Paste Matrix
CTRL + X Paste Matrix
Q WAVE1 up
A WAVE2 down
W Duration left
R Duration right
E Intensity up
D Intensity down
T WAVE2 up
G WAVE2 down
U Phase left
I Phase right
1 MODE1
2 MODE2
3 MODE3
4 MODE4
H Balance left
J Balance right
V Low Pass Cut Off left
B Low Pass Cut Off right
O Low Pass Duration left
P Low Pass Duration right
K D-Tune left
L D-Tune right
N Flanger left
M Flanger right
MOPHONIX SUPA BASS
CTRL + Space Start recording
W Intensity left
R Intensity right
E Pitch up
D Pitch down
U Amount left
I Amount right
H Pressure soft
J Pressure hard
M LFO effects up
N LFO effects down
1 MODE1
2 MODE2
3 MODE3
4 MODE4
30 DANCE EJAY 6
CREDITS Video Design
M. Laborda, J. Kleisz
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31
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32 DANCE EJAY 6
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