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2. Influences
Industrial exploitation
•
Destruction of the single human being
The 18th-century •
Man as a slave to forces he could not control
society
•
Gothic symbols as denunciation of social
problems
2. Influences
•
As a celebration of terror
•
As a rejection of constraints
The “sublime” and limits
•
As exploration of forbidden
areas
3. The setting
•
Great importance given to
terror, characterised by
obscurity and uncertainty, and
horror, caused by evil and
atrocity.
•
Darkness necessary
ingredient for the mysterious, Jonathan Barry, Udolpho Castle, 1993, private collection.
gloomy atmosphere.
3. The setting
•
Ancient settings isolated castles
and mysterious abbeys with
hidden passages, underground
cellars, secret rooms.
•
Catholic countries as the setting
for the most terrible crimes, due
to Protestant prejudices against
Catholicism.
A drawing depicting the Gothic staircase at Strawberry
Hill, near London.
4. The characters
§
Characters dominated
by exaggerated reactions
in front of mysterious
situations or events.
§
Supernatural beings
vampires, monsters and
ghosts.
4. The characters
§
Sensitive heroes they save
heroines.
§
Heroines stricken by unreal
terrors and persecuted by the
villains.
§
Satanic, terrifying male
characters, victims of their
negative impulses.
Henry Fuseli (Johann Heinrich Füssli),
The Nightmare, 1781, Goethe Museum, Frankfurt
5. The language
Semantic
areas Words
enchantment, ghost, haunted, infernal, magic,
Mystery
secret, spectre, vision
•
Horace Walpole The Castle of Otranto (1764)
•
Ann Radcliffe The Mysteries of Udolpho (1794)
•
Matthew Lewis The Monk (1796)
•
Mary Shelley Frankenstein (1818)
7. Popularity
•
Great interest during the 18th century common to all
strata of society.
•
The features of Gothic novels preserved in modern
and contemporary descendents of this genre in the
works of:
Charlotte Bronte
E. A. Poe
R. L. Stevenson
Bram Stoker